Charlie Beale Songtexte
Songtexte
- Question and Answer With Pitches, Rock
- II‐V‐I in C in Different Voicings
- Moises Simon, ‘Peanut Vendor’: 2 + 3 Clave
- Doodling: Two Parts—Fixed Right Hand
- Billy Taylor, ‘I Wish I Knew (How It Feels to Be Free)’: 8‐Beat Rock Groove
- Billy Strayhorn, “Take the ‘A’ Train’: 3 ‘Minus One’ Choruses
- Doodling: Sonorities—Block Chords
- Range of Voicings for Mixolydian on D
- Polyrhythms
- Doodling: Vaguer Exploration
- Rhythmic Placement: Two Notes, on the Beat
- Placing Two‐Quaver Phrase (Straight 8s)
- Chord Progression: I‐IV‐V7
- III‐VI‐II‐V‐I in C With Inner Lines Played
- A Well‐Known Tune Played in the Dorian, Mixolydian and Lydian Modes
- Question and Answer Rhythms, Swing Groove: Benny Golson, ‘Killer Joe’
- Question and Answer Rhythms, Medium Tempo Rock
- Alternating Swing and Straight Grooves
- Rock Groove, Straight 8s Feel: Billy Taylor, ‘I Wish I Knew (How It Feels to Be Free)’
- Antonio Carlos Jobim, ‘One Note Samba’
- Question and Answer With Pitches, Swing
- Backbeat, Swing
- Doodling: Sonorities—Melody and Bass‐Line
- Latin Groove, Straight 8s Feel: Antonio Carlos Jobim, ‘The Girl From Ipanema’
- Doodling: Exploring Extremes
- Melodic and Harmonic Intervals Played and Named
- Question and Answer With Pitches, Latin
- Horace Silver, ‘Song for My Father’
- 7th and Major 7th Chords
- Ten‐To‐Ten, Swing
- II‐V‐I in C
- Various 7 Chords
- Examples of Diminished 7ths
- Billy Strayhorn, “Take the ‘A’ Train’: AABA Form Demonstrated
- Terry Seabrook, ‘Mambo Country’: 3 + 2 Clave
- Swing Groove, Swing Feel: Milt Jackson, ‘Bag’s Groove’
- Twelve‐Bar Blues With Rich Bebop Substitutions
- Doodling: Two Parts—Fixed Left Hand
- Improvisation Contrasting the Dorian and Mixolydian Modes
- Chord Progressions: I‐V and I‐II‐V‐I
- Backbeat, Straight 8s
- Doodling: Some Hooks or Openings
- All Types of 7th Chords
- Scat Rhythms
- Improvisation Using Stepwise Movement
- Harry James, Duke Ellington, Johnny Hodges & Don George, ‘I’m Beginning to See the Light’: Opening 16 Bars, 2 Feel and 4 Feel
- Rhythmic Placement: Two Notes, Off the Beat
- Feeling a Two‐Bar Space
- Example of Chord Inversion
- Duke Ellington, ‘C Jam Blues’
- Paul Jackson, Harvey Mason, Bennie Maupin & Herbie Hancock, ‘Chameleon’: 16‐Beat Rock Groove
- Straight 8s and Swing Feels
- Phil Peskett, ‘Prove You Groove’: Left Hand Ideas
- Extended Solo Demonstrating a Range of Blues Techniques
- Twelve‐Bar Blues in G
- Swing Groove
- Question and Answer Rhythms, Fast Latin
- Straight 8s Groove: Josef Zawinul, ‘In a Silent Way’
- I‐II‐V‐I Progression: Roots, 3rds, 5ths
- Feeling a One‐Bar Space
- II‐V‐I in C With Inner Lines Played
- Placing Each Quaver (Swing)
- Improvisation Using Wide Leaps
- Twelve‐Bar Blues in C
- Placing Each Beat
