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Mehr Songtexte
- Anglo-Saxon Roots — Pessimism and Comradeship
- Spenser — The Faerie Queene
- Scott and Burns — The Voices of Scotland
- Lyrical Ballads — Collaborative Creation
- The Metaphysicals — Conceptual Daring
- Wollstonecraft — "First of a New Genus"
- Shakespeare's Rivals — Jonson and Webster
- Marlowe — Controversy and Danger
- The King James Bible — English Most Elegant
- Paradise Lost — a New Language for Poetry
- Behn — Emancipation in the Restoration
- Jane Eyre and the Other Brontë
- Turmoil Makes for Good Literature
- Swift — Anger and Satire
- Wuthering Heights — Emily's Masterwork
- Hardy — Life at Its Worst
- Shakespeare the Man — The Road to the Globe
- Shaw and Pygmalion
- Bloomsbury and the Bloomsberries
- Women Poets — The Minor Voice
- New Theatre, New Literary Worlds
- Equiano — The Inhumanity of Slavery
- 20th-Century English Poetry — Two Traditions
- Johnson — Bringing Order to the Language
- Keats — Literary Gold
- Shakespeare — The Mature Years
- Blake — Mythic Universes and Poetry
- Defoe — Crusoe and the Rise of Capitalism
- Pride and Prejudice — Moral Fiction
- Joyce and Yeats — Giants of Irish Literature
- The 1840s — Growth of the Realistic Novel
- The Augustans — Order, Decorum, and Wit
- Chaucer — Social Diversity
- Wilde — Celebrity Author
- The British Bestseller — an Overview
- Great War, Great Poetry
- Early Drama — Low Comedy and Religion
- Frankenstein — a Gothic Masterpiece
- Mad, Bad Byron
- Eliot — Fiction and Moral Reflection
- The Golden Age of Fiction
- Chaucer — a Man of Unusual Cultivation
- Miss Austen and Mrs. Radcliffe
- Gibbon — Window Into 18th-Century England
- Dickens — Writer With a Mission
- Voices of Victorian Poetry
- British Fiction From James to Rushdie
- Heart of Darkness — Heart of the Empire?
