Arnold Weinstein Songtexte
Dickens — Bleak House, Part 2
T.S. Eliot — “the Waste Land” and Beyond
Geboren am 10. Juni 1927, Gestorben am 04. September 2005
Songtexte
- Balzac — Père Goriot, Part 2
- Robert Frost — The Wisdom of the People
- Laclos — Les Liaisons Dangereuses
- Mann — Death in Venice
- Kafka's "In the Penal Colony" — The Writing Machine
- Balzac — Père Goriot
- T.S. Eliot — “the Waste Land” and Beyond
- Henry James and the Novel of Perception
- Hemingway as Trauma Artist
- Vonnegut's World — Tralfamadore or Trauma?
- Brontë — Wuthering Heights
- Blakean Fables of Desire
- Poe — Ghost Writer
- Delillo and American Dread
- Edgar Allan Poe
- Emerson Today — Architect of American Values
- Defoe — Moll Flanders
- The Sound and the Fury — Failed Rites of Passage
- Naked Lunch — Power and Exchange in the Viral World
- Woolf — to the Lighthouse
- Death of a Salesman — Tragedy of the American Dream
- Don Delillo — Decoder of American Frequencies
- What Produces "Nobody"?
- Rethinking Othello — Race, Gender and Subjectivity
- “the Yellow Wallpaper” — Descent Into Hell or Free at Last?
- A Streetcar Named Desire — The Death of Romance
- Whitman and the Making of an American Bard
- Robert Coover — Postmodern Fabulator
- The Grapes of Wrath — American Saga
- Stephen Crane — Scientist of Human Behavior
- Urban Apocalypse
- Shakespeare's Othello — Tragedy of Marriage and State
- Kafka — "The Metamorphosis"
- Naked Lunch — The Body in Culture
- The Sound and the Fury — Signifying Nothing?
- The City as Container, the Artist as Mapmaker
- Francisco Quevedo's Swindler — The Word on the Street
- Moll Flanders and the Self-Made Woman
- Ralph Waldo Emerson Yesterday — America's Coming of Age
- The Shape of Love and Death in Shakespeare's Sonnets
- "Bartleby" — Christ on Wall Street?
- Introduction to Classics of American Literature
- Dickinson's Poetry — Language and Consciousness
- William Faulkner's the Sound and the Fury — The Idiot's Tale
- Baudelaire — The Setting of the Romantic Sun
- The Interpretive Afterlife of Oedipus
- The Whitman Legacy
- Ideology as Vision in the Color Purple
- Religious Hypocrisy — Beyond Comedy
- Robert Frost — “at Home in the Metaphor”
- Ernest Hemingway — Wordsmith
- The Industrialized City and the Machine Vision
- Emily Dickinson — in and Out of Nature
- Walden — Yesterday, Today, and Tomorrow
- Proust — Remembrance of Things Past
- Dostoevsky — The Brothers Karamazov, Part 2
- The Great Gatsby — a Story of Lost Illusions?
- Dickinson and the Poetry of Consciousness
- Sula — New Black Woman
- Benjamin Franklin's Autobiography — The First American Story
- Adrienne Rich and the Poetry of Protest
- Form and Flux, Openness and Anxiety in Whitman's Poetry
- Laclos — Les Liaisons Dangereuses, Part 2
- Huckleberry Finn — The Banned Classic
- Dickinson — Devotee of Death
- Melville's “benito Cereno” — American (Mis) Adventure at Sea
- Flaubert — Madame Bovary, Part 2
- Robert Frost and the Spirit of New England
- Fitzgerald's Psychiatric Tale
- Dickens — Bleak House, Part 2
- Strindberg's Father — Patriarchy in Trouble
- Dick's Dying Fall — an American Story
- Charlotte Brontë and the Bildungsroman
- The Picaresque Novel — Satire, Filth and Hustling
- The Madwoman in the Attic — 19th Century Bills Coming Due
- Poison in the Ear, or the Dismantling of Othello
- Dickinson's Legacy
- Jane Eyre — Victorian Bad Girl Makes Good
- The Red Badge of Courage — Brave New World
- Melville — Moby-Dick
- Alice Walker's Celie — The Untold Story
- Wallace Stevens and the Modernist Movement
- Franz Kafka's "Metamorphosis" — Sacrifice or Power Game?
- Light in August — Midpoint of the Faulkner Career
- The Family Plot, or Municipal Bonds
- Winesburg — a New American Prose-Poetry
- Toni Morrison's Beloved — Dismembering and Remembering
- Williams Burroughs — Bad Boy of American Literature
- Invisible Man — Reconceiving History and Race
- Kurt Vonnegut's Slaughterhouse-Five — Apocalypse Now
- Innocence and Experience in William Blake
- Meeting the Challenge of Great Literature
- Invisible Man — “what Did I Do, to Be So Black and Blue? ”
- Ernest Hemingway's the Sun Also Rises — Novel of the Lost Generation
- Washington Irving — The First American Storyteller
- Stephen Crane and the Literature of War
- Ahab and the White Whale
- Emerson Tomorrow — Deconstructing Culture and Self
- Henry David Thoreau — Countercultural Hero
- Light in August — Novel as Poem, Or, Beyond Holocaust
- The Grapes of Wrath — Reconceiving Self and Family
- Baudelaire's Poetry of Modernism and Metropolis
- Absalom, Absalom! — The Language of Love
- Mark Twain's Pudd'Nhead Wilson — Black and White Charade
- Beckett and the Comedy of Undoing
- Dickens — The Novel as Moral Institution
- O'Connor — Taking the Measure of the Region
- Charlotte Perkins Gilman — War Against Patriarchy
- Study of Literature — Approaches, Encounters, Departures
- Robert Frost and the Fruits of the Earth
- Robert Coover — Fiction as Fission
- Faulkner — as I Lay Dying, Part 2
- Dickinson — Death and Beyond
- One Hundred Years of Solitude, Part 2
- Riddles of Identity in Great Expectations
- Matter and Spirit in Defoe
- Light in August — Determinism vs. Freedom
- (feat. Scott Fitzgerald's the Great Gatsby — American Romance)
- Godot Absent — Didi and Gogo Present
- Chretien de Troyes' Yvain — Growing Up in the Middle Ages
- Huckleberry Finn, American Orphan
- Absalom, Absalom! — Civil War Epic
- Yvain's Theme — Ignorant Armies Clash by Night
- "The Bear" — American Myth or American History?
- Herman Melville and the Making of Moby-Dick
- The Father — From Theater of Power to Power of Theater
- Why Literature — Civilization and Its Discontents
- Tolstoy — War and Peace
- The Public Burning — Execution at Times Square
- Brontë — Wuthering Heights, Part 2
- Self-Making vs. Self-Discovery in Oedipus
- Dostoevsky — The Brothers Karamazov
- The Turn of the Screw — Do You Believe in Ghosts?
- Nathaniel Hawthorne and the American Past
- The Sun Also Rises — Spiritual Quest
- The American Self — Ghost in Disguise
- Proust — Remembrance of Things Past, Part 3
- Zora Neale Hurston's Their Eyes Were Watching God — Canon Explosion
- Sherwood Anderson's Winesburg, Ohio — Writing as the Talking Cure
- Invisible Man — Black Bildungsroman
- Whitman — Poet of Death
- Blake — Visionary Poet
- Ending the Course, Beginning the World
- "Myself" as Whitman's Nineteenth-Century American Hero
- Stowe's Representation of Slavery
- Hemingway's the Garden of Eden — Female Desire Unleashed
- Fitzgerald's Triumph — Writing the American Dream
- Pip's Progress — From Blacksmith to Snob and Back
- Woyzeck the Proletarian Murderer — "Unaccommodated Man"
- French Theater and Moliere's Comedy of Vices
- The Lives of the Word — Reading Today
- Woolf — to the Lighthouse, Part 2
- Thoreau — Stylist and Humorist Extraordinaire
- American Fiction and the Individualist Creed
- Reconceiving Center and Margin
- Conclusion — Nobody's Home
- Whitman — Poet of the Body
- Beloved — Morrison's Writing of the Body
- Huckleberry Finn — a Child's Voice, a Child's Vision
- Moby-Dick — Tragedy of Perspective
- Toni Morrison's Sula — From Trauma to Freedom
- Flaubert — Madame Bovary
- Hawthorne's “A” — Interpretation and Semiosis
- The Biggest Fish Story of Them All
- The Marketplace
- Tolstoy — War and Peace, Part 2
- Melville's "Bartleby" and the Genesis of Character
- Tracking the Bear, or Learning to Read
- Sterne — Tristram Shandy
- Woyzeck and Visionary Theater
- T.S. Eliot — Unloved Modern Classic
- Dickinson — "Amherst's Madame de Sade"
- Hemingway's Cunning Art
- Melville — Moby-Dick, Part 2
- Proust — Remembrance of Things Past, Part 2
- The Scarlet Letter — Puritan Romance
- The Garden of Eden — Combat Zone
- Beloved — a Story of “thick Love”
- Kafka — The Trial
- Hawthorne Our Contemporary
- Beckett's Godot — Chaplinesque or Post-Nuclear?
- Frost — The Darker View
- García Márquez — One Hundred Years of Solitude
- Freedom and Art in Uncle Tom's Cabin
- “benito Cereno” — Theater of Power or Power of Theater?
- The Scarlet Letter — Political Tract or Psychological Study?
- Uncle Tom's Cabin — The Unread Classic
- Turning the Screw of Interpretation
- Dickens — Bleak House
- Georg Büchner — Physician, Revolutionary, Playwright
- Whitman — Poet of the City
- Absalom, Absalom! — The Overpass to Love
- Faulkner's "The Bear" — Stories of White and Black
- Marriage — Theatrical Agon or Darwinian Struggle?
- Conrad — Heart of Darkness
- Hemingway — Journalist, Writer, Legend
- Tartuffe and Varieties of Imposture
- Tennessee Williams — Managing Libido
- Long Day's Journey Into Night — There's No Place Like Home
- Shakespeare's Sonnets — The Glory of Poetry
- Eugene O'Neill — Great God of American Theater
- Their Eyes Were Watching God — From Romance to Myth
- White Noise — Representing the Environment
- Transmission and Storage
- The Adventures of Tom Sawyer — American Paradise Regained
- Joyce — Ulysses, Part 3
- Joyce — Ulysses, Part 2
- Emily Dickinson — The Prophetic Voice From the Margins
- (feat. Scott Fitzgerald — Tender Is the Night — Fitzgerald's Second Act)
- John Steinbeck — Poet of the Little Man
- Daniel Defoe's Plain Style and the New World Order
- Stevens and the Post-Romantic Imagination
- Lost in Space
- Conclusion to Classics of American Literature
- Fate and Free Will — Reading the Signs in Oedipus
- A Movable Feast
- Flannery O'Connor — Realist of Distances
- Walt Whitman — The American Bard Appears
- Death of a Salesman — Death of an Ethos?
- Poe's Legacy — The Self as “haunted Palace”
- Joyce — Ulysses
- Faulkner — as I Lay Dying
- Oedipus the King and the Nature of Greek Tragedy
- Rich's Project — Diving Into the Wreck of Western Culture
