Igor Stravinsky Songtexte
Renard the Fox
Contento forse vivere
Petrouchka: 2ème tableau (New York Philharmonic feat. conductor: Pierre Boulez)
Der Feuervogel: Höllentanz des Königs Kaschtschei
Der Feuervogel: Variation: Der Feuervogel
Geboren am 17. Juni 1882, Gestorben am 06. April 1971
The New Stravinsky Complete Edition (Compilation)
Stage Works
- The Firebird - Introduction (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Kashchei's Magic Garden (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Appearance Of The Firebird, Pursued By Ivan-Tsarevich (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Dance Of The Firebird (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Ivan-Tsarevich Captures The Firebird (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - The Firebird's Entreaties - Appearance Of The Thirteen Enchanted Princesses (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - The Princesses' Game With The Golden Apples (Scherzo) (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Sudden Appearance Of Ivan-Tsarevich (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - The Princesses' Khorovod (Round Dance) (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Daybreak - Ivan-Tsarevich Enters Kashchei's Palace (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Magic Carillion, Appearance Of Kashchei's Guardian Monsters And The Capture Of Ivan-Tsarevich - etc (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Dance Of The Kashchei's Retinue, Under The Firebird's Spell (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Infernal Dance Of All Of Kashchei's Subjects (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Lullaby (The Firebird) - Kashchei Wakes Up - Death Of Kashchei - Deep Shadows (von Chicago Symphony Orchestra, Pierre Boulez)
- The Firebird - Disappearance Of The Palace And Dissolution Of Kashchei's Enchantments; Etc (von Chicago Symphony Orchestra, Pierre Boulez)
Stage Works
- Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance (von The Cleveland Orchestra, Pierre Boulez)
- Petrushka - Petrushka's Room (von The Cleveland Orchestra, Pierre Boulez)
- Petrushka - The Moor's Room - Dance Of The Ballerina - Waltz: The Ballerina And The Moor - Petrushka (von The Cleveland Orchestra, Pierre Boulez)
- Petrushka - The Shrovetide Fair - Dance Of The Nursemaids - The Peasant And The Bear etc (von The Cleveland Orchestra, Pierre Boulez)
- The Rite Of Spring - The Adoration Of The Earth (von The Cleveland Orchestra, Pierre Boulez)
- The Rite of Spring - The Sacrifice (von The Cleveland Orchestra, Pierre Boulez)
Stage Works
- Le Rossignol - Introduction (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - 'Nevod Brosal Nebesnyy Dukh' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - 'Akh! S Neba Vysoty Blesnuv' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - 'Vot I Dostigli My Opushki Lesa' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Marche Chinoise - 'Velikiy Imperator' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Introduction - 'My Vse Pred Toboy' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - 'Mne Slushat' Nravitsya' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Rossignol - Cortège Solennel - 'Zdravstvuyte' (von BBC Singers, BBC Symphony Orchestra & Pierre Boulez)
- Le Chant du rossignol - Introduction (von The Cleveland Orchestra, Pierre Boulez)
- Le Chant du rossignol - Marche Chinoise (von The Cleveland Orchestra, Pierre Boulez)
- Le Chant du rossignol - Chant Du Rossignol (von The Cleveland Orchestra, Pierre Boulez)
- Le Chant du rossignol - Jeu Du Rossignol Mécanique (von The Cleveland Orchestra, Pierre Boulez)
Stage Works
- Renard
- The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier) (von Sir John Gielgud, Tom Courtenay)
- The Soldier's Tale - Music For Scene 1: Airs By A Stream
- The Soldier's Tale - 'Enter The Devil' (Narrator, Devil, Soldier) (von Boston Symphony Chamber Players, Sir John Gielgud, Tom Courtenay, Ron Moody)
- The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - 'Hurray, Here We Are! We're Home At Last!' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - Music For Scene 2: Pastorale (von Boston Symphony Chamber Players)
- The Soldier's Tale - 'The Devil Is Standing There' (Narrator, Soldier, Devil) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - Music For The End Of Scene 2 (von Boston Symphony Chamber Players)
- The Soldier's Tale - 'He Took Up The Book' (Narrator) (von Sir John Gielgud)
- The Soldier's Tale - Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator) (von Boston Symphony Chamber Players)
- The Soldier's Tale - 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil) (von Sir John Gielgud, Tom Courtenay, Ron Moody)
- The Soldier's Tale - Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator) (von Boston Symphony Chamber Players)
- The Soldier's Tale - The Soldier's March - 'Down A Hot And Dusty Road' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - 'Now He Comes To Another Land' (Narrator) (von Sir John Gielgud)
- The Soldier's Tale - The Royal March (von Boston Symphony Chamber Players)
- The Soldier's Tale - 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil) (von Sir John Gielgud, Tom Courtenay, Ron Moody)
- The Soldier's Tale - The Little Concert - 'Princess, Now We Can Safely Say' (Narrator) (von Boston Symphony Chamber Players)
- The Soldier's Tale - 3 Dances: 1. Tango (von Boston Symphony Chamber Players)
- The Soldier's Tale - 3 Dances: 2. Valse (von Boston Symphony Chamber Players)
- The Soldier's Tale - 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator) (von Boston Symphony Chamber Players)
- The Soldier's Tale - The Devil's Dance - 'The Devil's Exhausted' (Narrator) (von Boston Symphony Chamber Players)
- The Soldier's Tale - Little Chorale (von Boston Symphony Chamber Players, Ron Moody)
- The Soldier's Tale - The Devil's Song - 'All Right! I Shall Have To Wait' (Devil) (von Boston Symphony Chamber Players, Ron Moody)
- The Soldier's Tale - Great Chorale - 'You Must Not Seek To Add' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - 'I Have Everything, He Thinks' (Narrator) (von Boston Symphony Chamber Players, Sir John Gielgud)
- The Soldier's Tale - Triumphal March Of The Devil (von Boston Symphony Chamber Players)
Stage Works
- Pulcinella - Overture (Gallo, Trio Sonata No. 1 In G Major, Movt. 1) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Seranata: 'Mentre L'Erbetta, Pasce L'Agnella' (Tenor)
- Pulcinella - Scherzino (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 1) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Più Vivo (Pergolesi, Il Flaminio, Act III, Checca's Canzona) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Allegro (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 3) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Andantino (Gallo, Trio Sonata No. 8 In E Flat Major, Movt. 1) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Allegro (Pergolesi, Lo Frate 'nnamorato, Act I, Vanella's Aria) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - 'Contento Forse Vivere' (Soprano) (Pergolesi, Luce Degli Occhi Miei (Cantata)) (von Teresa Berganza, London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Allegro Assai (Gallo, Trio Sonata No. 3 In C Minor, Movt. 3) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - 'Con Queste Paroline' (Bass) (Pergolesi, Il Flaminio, Act I, Vastiano's Aria)
- Pulcinella - 'Sento Dire: No'ncé Pace' (Soprano, Tenor, Bass)
- Pulcinella - Allegro (Alla Breve) (Gallo, Trio Sonata No. 7 In G Minor, Movt. 3) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Tarantella (Chelleri (?), Concerto No. 6 In B Flat Major, Movt. 4) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - 'Se Tu M'Ami' (Soprano) (Parisotti (?), Arie Antiche) (von Teresa Berganza, London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Allegro (Anon., Suite For Harpsichord No. 1 In E Major, Rondò) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Gavotta Con Due Variazioni (Anon., Suite For Harpsichord No. 3 In D Major) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - Vivo (Pergolesi, Sonata For Violoncello And B.c. In F Major, Movt. 4) (von London Symphony Orchestra, Claudio Abbado)
- Pulcinella - 'Pupillette, Fiammette D'Amore' (Soprano, Tenor, Bass)
- Pulcinella - Allegro Assai (Gallo, Trio Sonata No. 12 In E Major, Movt. 3) (von London Symphony Orchestra, Claudio Abbado)
- Mavra - Overture (von Moscow Radio Symphony Orchestra, Gennadi Rozhdestvensky)
- Mavra - 'Drug Moy Milyy' (Parasha)
- Mavra - 'Kolokol'chiki Zvenyat' (Hussar)
- Mavra - 'U Pesen Vsekh Slova Odni' (Parasha, Hussar)
- Mavra - 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar)
- Mavra - 'Izbavi Bog Prislugu' (Mother, Parasha)
- Mavra - 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother)
- Mavra - 'Zhelayu Zdravstvovat'!' (Neighbour, Mother)
- Mavra - 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook)
- Mavra - 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook)
- Mavra - 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook)
- Mavra - 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook)
- Mavra - 'Ya Zhdu, Ya Zhdu Pokorno' (Cook)
- Mavra - 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour)
Stage Works
- Les Noces - At The Bride's House (The Tresses): Kosa L' Moya Ko
- Les Noces - At The Bridegroom's House: Prechistaya Mat', Khodi
- Les Noces - The Departure Of The Bride: Blagoslavlyalsya Svetyël Mesyats
- Les Noces - The Wedding Feast: Yagoda S Yagodoy Sokatilasya
- Oedipus rex - Spectateurs, Vous Allez Entendre (Narrator) - Caedit Nos Pestis (Chorus, Oedipus)
- Oedipus Rex - Voici Créon, Beau-Frère D'Œdipe (Narrator) - Respondit Deus (Creon)
- Oedipus Rex - Non Reperias Vetus Scelus (Oedipus, Chorus)
- Oedipus Rex - Œdipe Interroge La Fontaine De Vérité (Narrator) - Delie Exspectamus (Chorus)
- Oedipus Rex - Dicere Non Possum (Tiresias, Oedipus)
- Oedipus Rex - Invidia Fortunam Odit (Oedipus)
- Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus) (von Chicago Symphony Orchestra, James Levine)
- Oedipus Rex - La Dispute Des Princes Attire Jocaste (Narrator)
- Oedipus Rex - Gloria! Laudibus Regina Jocasta (Chorus)
- Oedipus Rex - Nonn' Erubescite, Reges (Jocasta, Chorus, Oedipus)
- Oedipus Rex - Ego Senem Cecidi (Oedipus)
- Oedipus Rex - Le Témoin Du Meurtre Sort De L'Ombre (Narrator) - Adest Omniscius Pastor (Chorus, Messenger, Shepherd)
- Oedipus Rex - Oportebat Tacere, Nunquam Loqui (Shepherd)
- Oedipus Rex - Nonne Monstrum Rescituri (Oedipus)
- Oedipus Rex - In Monte Reppertus Est (Shepherd, Chorus, Oedipus) - Et Maintenant, Vous Allez Entendre (Narrator)
- Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
- Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
- Oedipus Rex - Divum Jocastae Caput Mortuum (Messenger, Chorus)
Stage Works
- Apollon musagète - Naissance d'Apollon (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Variation d'Apollon (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Pas d'action (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Variation de Calliope (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Variation de Polymnie (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Variation de Terpsichore (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Variation d'Apollon (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Pas de deux (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Coda (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- Apollon musagète - Apothéose (von Koninklijk Concertgebouworkest, Riccardo Chailly)
- The Fairy's Kiss - Andante
- The Fairy's Kiss - Allegro sostenuto
- The Fairy's Kiss - Fig. 27 (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Andante (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Tempo giusto (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Valse (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Doppio movimento (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Moderato (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Allegretto grazioso (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Entrée (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Adagio (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Variation (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Coda (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - Scène (von The Cleveland Orchestra, Oliver Knussen)
- The Fairy's Kiss - L'istesso tempo (von The Cleveland Orchestra, Oliver Knussen)
Stage Works
- Persephone - 1. Perséphone ravie (von London Philharmonic Orchestra, Kent Nagano)
- Persephone - 2. Perséphone aux enfers (von London Philharmonic Orchestra, Kent Nagano)
- Persephone - 3. Perséphone renaissante (von London Philharmonic Orchestra, Kent Nagano)
Stage Works
- Jeu de cartes - First deal (von London Symphony Orchestra, Claudio Abbado)
- Jeu de cartes - Second deal (von London Symphony Orchestra, Claudio Abbado)
- Jeu de cartes - Third deal (von London Symphony Orchestra, Claudio Abbado)
- Scènes de ballet - Introduction. Andante (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Danses. Moderato (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Variation. Con moto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Pantomime. Lento (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Pas de deux. Adagio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Pantomime. Agitato ma tempo giusto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Variation. Risoluto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Variation. Andantino (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Pantomime. Andantino (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Danses. Con moto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Scènes de ballet - Apothéose. Poco meno mosso (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Orpheus - Lento sostenuto (von Orpheus Chamber Orchestra)
- Orpheus - Air de danse. Andante con moto (von Orpheus Chamber Orchestra)
- Orpheus - L'Ange de la Mort et sa danse (von Orpheus Chamber Orchestra)
- Orpheus - Interlude. L'istesso tempo (von Orpheus Chamber Orchestra)
- Orpheus - Pas des Furies. Agitato in piano (von Orpheus Chamber Orchestra)
- Orpheus - Air de danse. Grave (von Orpheus Chamber Orchestra)
- Orpheus - Interlude. L'istesso tempo (von Orpheus Chamber Orchestra)
- Orpheus - Air de danse. L'istesso tempo (von Orpheus Chamber Orchestra)
- Orpheus - Pas d'action. Andantino leggiadro (von Orpheus Chamber Orchestra)
- Orpheus - Pas de deux. Andante sostenuto (von Orpheus Chamber Orchestra)
- Orpheus - Interlude. Moderato Assai (von Orpheus Chamber Orchestra)
- Orpheus - Pas d'action. vivace (von Orpheus Chamber Orchestra)
- Orpheus - Apothéose d'Orphée. Lento sostenuto (von Orpheus Chamber Orchestra)
Stage Works
- The Rake's Progress - Act 1 - Prelude (von London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 1 - 'The Woods Are Green'
- The Rake's Progress - Act 1 - 'Anne, My Dear'
- The Rake's Progress - Act 1 - 'Here I Stand' - 'Since It Is Not By Merit'
- The Rake's Progress - Act 1 - 'Tom Rakewell?'
- The Rake's Progress - Act 1 - 'Fair Lady, Gracious Gentlemen' - 'I Wished But Once'
- The Rake's Progress - Act 1 - 'I'll Call The Coachman, Sir'
- The Rake's Progress - Act 1 - 'Farewell For Now'
- The Rake's Progress - Act 1 - 'All Is Ready, Sir'
- The Rake's Progress - Act 1 - 'Dear Father Trulove' - 'Laughter And Light'
- The Rake's Progress - Act 1 - 'With Air Commanding And Weapon Handy' (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 1 - Bryn Terfel, Ian Bostridge, Anne Howells / 'Come, Tom'
- The Rake's Progress - Act 1 - 'Soon Dawn Will Glitter' (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 1 - Bryn Terfel / 'Sisters Of Venus, Brothers Of Mars' (von Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 1 - 'Love, Too Frequently Betrayed'
- The Rake's Progress - Act 1 - 'How Sad A Song'
- The Rake's Progress - Act 1 - 'The Sun Is Bright, The Grass Is Green'
- The Rake's Progress - Act 1 - 'No Word From Tom'
- The Rake's Progress - Act 1 - 'Quietly, Night'
- The Rake's Progress - Act 1 - 'My Father! Can I Desert Him'
- The Rake's Progress - Act 1 - 'I Go, I Go To Him'
- The Rake's Progress - Act 2 - 'Vary The Song, O London, Change!'
- The Rake's Progress - Act 2 - 'Nature, Green Unnatural Mother'
- The Rake's Progress - Act 2 - 'Always The Quarry'
- The Rake's Progress - Act 2 - 'Master, Are You Alone?'
- The Rake's Progress - Act 2 - 'Come Master, Observe The Host' (von Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 2 - 'In Youth The Panting Slave' (von Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 2 - 'My Tale Shall Be Told'
- The Rake's Progress - Act 2 - Introduction (von London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 2 - Deborah York / 'How Strange' - 'O Heart Be Stronger'
- The Rake's Progress - Act 2 - Ian Bostridge, Deborah York / 'Anne! Here!'
- The Rake's Progress - Act 2 - Anne Sofie Von Otter, Deborah York, Ian Bostridge / 'My Love, Am I To Remain In Here For Ever?'
- The Rake's Progress - Act 2 - 'Could It Then Have Been Known'
- The Rake's Progress - Act 2 - 'I Have Not Run Away'
Stage Works
- The Rake's Progress - Act 2 - As I was saying
- The Rake's Progress - Act 2 - My heart is cold
- The Rake's Progress - Act 2 - Fa la la (von Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 2 - O, I wish it were true
- The Rake's Progress - Act 2 - Thanks to this excellent device
- The Rake's Progress - Act 2 - Forgive me, master, for intruding
- The Rake's Progress - Act 3 - Ruin, Disaster, Shame
- The Rake's Progress - Act 3 - Ladies both fair and gracious
- The Rake's Progress - Act 3 - How hears me, knows me
- The Rake's Progress - Act 3 - Sold! Annoyed!
- The Rake's Progress - Act 3 - You love him
- The Rake's Progress - Act 3 - I go to him
- The Rake's Progress - Act 3 - Prelude (von London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 3 - Ian Bostridge, Bryn Terfel / How dark and deadful is this place
- The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge / Very well then, my dear and good Tom
- The Rake's Progress - Act 3 - Bryn Terfel, Ian Bostridge, Deborah York / Well then
- The Rake's Progress - Act 3 - I burn, Iburn! I freeze! (von Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 3 - With roses crowned
- The Rake's Progress - Act 3 - Prepare yourselves, heroic shades
- The Rake's Progress - Act 3 - There he is Have no fear
- The Rake's Progress - Act 3 - I have waited
- The Rake's Progress - Act 3 - In a foolish dream
- The Rake's Progress - Act 3 - I am exceeding weary
- The Rake's Progress - Act 3 - Gently, little boat
- The Rake's Progress - Act 3 - Anne, my dear
- The Rake's Progress - Act 3 - Every wearied body
- The Rake's Progress - Act 3 - Where art thou, Venus ?
- The Rake's Progress - Act 3 - Mourn for Adonis (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- The Rake's Progress - Act 3 - Epilogue
Stage Works
- Agon - Pas De Quatre (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Double Pas De Quatre (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Triple Pas De Quatre. Coda (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Prelude (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - First Pas De Trois: A. Saraband Step (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - First Pas De Trois: B. Gailliarde (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - First Pas De Trois: C. Coda (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Interlude (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Second Pas De Trois: A. Bransle Simple (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Second Pas De Trois: B. Bransle Gay (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Second Pas De Trois: C. Bransle Double (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Interlude (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Pas De Deux (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Coda (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Four Duos (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- Agon - Four Trios - Coda (von Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy)
- The Flood - Prelude: 'Te Deum Laudamus'
- The Flood - Melodrama: 'In A Worm's Likeness Will He Wend'
- The Flood - The Building Of The Ark
- The Flood - The Catalogue Of The Animals: 'The Lord Bade That I Should Bring'
- The Flood - The Comedy (Noah And His Wife): 'Wife, Come In!'
- The Flood - The Flood
- The Flood - The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make'
Orchestral Music
- Symphony In E Flat Major Op. 1 - Allegro Moderato
- Symphony In E Flat Major Op. 1 - Scherzo. Allegretto
- Symphony In E Flat Major Op. 1 - Largo
- Symphony In E Flat Major Op. 1 - Finale. Allegro Molto
- Scherzo Fantastique Op. 3 (von The Cleveland Orchestra, Pierre Boulez)
- Feu D'Artifice Op. 4 (von Chicago Symphony Orchestra, Pierre Boulez)
- 4 Études For Orchestra - Danse. Con Moto (von Chicago Symphony Orchestra, Pierre Boulez)
- 4 Études For Orchestra - Excentrique. Moderato (von Chicago Symphony Orchestra, Pierre Boulez)
- 4 Études For Orchestra - Cantique. Largo (von Chicago Symphony Orchestra, Pierre Boulez)
- 4 Études For Orchestra - Madrid. Allegro Con Moto (von Chicago Symphony Orchestra, Pierre Boulez)
- Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion
- Ragtime For 11 Instruments (von Boston Symphony Chamber Players)
- Symphonies Of Wind Instruments (von Berliner Philharmoniker, Pierre Boulez)
Orchestral Music
- Suite No.1 - Andante (von Orpheus Chamber Orchestra)
- Suite No.1 - Napolitana (von Orpheus Chamber Orchestra)
- Suite No.1 - Española (von Orpheus Chamber Orchestra)
- Suite No.1 - Balalaika (von Orpheus Chamber Orchestra)
- Suite No.2 - March (von Orpheus Chamber Orchestra)
- Suite No.2 - Waltz (von Orpheus Chamber Orchestra)
- Suite No.2 - Polka (von Orpheus Chamber Orchestra)
- Suite No.2 - Galop (von Orpheus Chamber Orchestra)
- Concerto For Piano And Wind Instruments - Largo - Allegro
- Concerto For Piano And Wind Instruments - Largo
- Concerto For Piano And Wind Instruments - Allegro
- Capriccio For Piano And Orchestra - Presto
- Capriccio For Piano And Orchestra - Andante Rapsodico
- Capriccio For Piano And Orchestra - Allegro Capriccioso Ma Tempo Giusto
- Violin Concerto In D - Toccata (von Anne‐Sophie Mutter, Philharmonia Orchestra, Paul Sacher)
- Violin Concerto In D - Aria I (von Anne‐Sophie Mutter, Philharmonia Orchestra, Paul Sacher)
- Violin Concerto In D - Aria II (von Anne‐Sophie Mutter, Philharmonia Orchestra, Paul Sacher)
- Violin Concerto In D - Capriccio (von Anne‐Sophie Mutter, Philharmonia Orchestra, Paul Sacher)
Orchestral Music
- Divertimento - Sinfonia (von Orchestre de Paris, Semyon Bychkov)
- Divertimento - Danses Suisses (von Orchestre de Paris, Semyon Bychkov)
- Divertimento - Scherzo (von Orchestre de Paris, Semyon Bychkov)
- Divertimento - Pas De Deux. Adagio (von Orchestre de Paris, Semyon Bychkov)
- Divertimento - Pas De Deux. Variation (von Orchestre de Paris, Semyon Bychkov)
- Divertimento - Pas De Deux. Coda (von Orchestre de Paris, Semyon Bychkov)
- Praeludium For Jazz Ensemble (von Orpheus Chamber Orchestra)
- Concerto In E Flat Major 'Dumbarton Oaks' - Tempo Giusto (von Ensemble intercontemporain, Pierre Boulez)
- Concerto In E Flat Major 'Dumbarton Oaks' - Allegretto (von Ensemble intercontemporain, Pierre Boulez)
- Concerto In E Flat Major 'Dumbarton Oaks' - Con Moto (von Ensemble intercontemporain, Pierre Boulez)
- Symphony In C - Moderato Alla Breve (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony In C - Larghetto Concertante (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony In C - Allegretto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony In C - Largo - Tempo Giusto, Alla Breve (von Israel Philharmonic Orchestra, Leonard Bernstein)
Orchestral Music
- Danses Concertantes - Marche-Introduction (von Orpheus Chamber Orchestra)
- Danses Concertantes - Pas D'Action. Con Moto (von Orpheus Chamber Orchestra)
- Danses Concertantes - Thème Varié. Lento - Var. I-IV (von Orpheus Chamber Orchestra)
- Danses Concertantes - Pas De Deux. Risoluto (von Orpheus Chamber Orchestra)
- Danses Concertantes - Marche-Conclusion (von Orpheus Chamber Orchestra)
- Circus Polka For A Young Elephant (von Berliner Philharmoniker, Rafael Kubelík)
- 4 Norwegian Moods - Intrada (von The Cleveland Orchestra, Riccardo Chailly)
- 4 Norwegian Moods - Song (von The Cleveland Orchestra, Riccardo Chailly)
- 4 Norwegian Moods - Wedding Dance (von The Cleveland Orchestra, Riccardo Chailly)
- 4 Norwegian Moods - Cortège (von The Cleveland Orchestra, Riccardo Chailly)
- Ode - Eulogy. Lento (von The Cleveland Orchestra, Oliver Knussen)
- Ode - Eclogue. Con Moto (von The Cleveland Orchestra, Oliver Knussen)
- Ode - Epitaph. Lento (von The Cleveland Orchestra, Oliver Knussen)
- Scherzo a la Russe
- Symphony In 3 Movements: ♩ = 160 (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Andante (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Interlude. L'Istesso Tempo (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Con Moto (von Israel Philharmonic Orchestra, Leonard Bernstein)
Orchestral Music
- Ebony Concerto
- Concerto in D - I. Vivace (von Orpheus Chamber Orchestra)
- Concerto in D - II. Arioso. Andantino (von Orpheus Chamber Orchestra)
- Concerto in D - III. Rondo. Allegro (von Orpheus Chamber Orchestra)
- Concertino for 12 instruments
- Tango for 19 instruments (von Orpheus Chamber Orchestra)
- Greeting Prelude
- Movements - I. 110
- Movements - II. 52
- Movements - III. 72
- Movements - IV. 80
- Movements - V. 104
- Monumentum pro Gesualdo di Venosa - I. Ascigutae i begli occhi
- Monumentum pro Gesualdo di Venosa - II. Ma tu, cagion di quella
- Monumentum pro Gesualdo di Venosa - III. Beltà, poi che t'assenti
- 8 Instrumental Miniatures
- Variations
- Canon on a Russian Popular Tune
Orchestral Music
- Firebird - Introduction - Prelude And Dance Of The Firebird - Variations
- Firebird - Pantomime I
- Firebird - Pas De Deux. The Firebird And Ivan Tsarevich
- Firebird - Pantomime II
- Firebird - Scherzo. Dance Of The Princesses
- Firebird - Pantomime III
- Firebird - Rondo (Khorovod)
- Firebird - Infernal Dance
- Firebird - Lullaby. The Firebird
- Firebird - Finale
- Petrushka - Scene 1: The Shrovetide Fair
- Petrushka - Scene 1: Legerdemain Scene - Russian Dance
- Petrushka - Scene 2: Petrushka's Room
- Petrushka - Scene 3: The Moor's Room - Dance Of The Ballerina
- Petrushka - Scene 3: Waltz: The Ballerina And The Moor
- Petrushka - Scene 4: The Shrovetide Fair (Towards Evening)
- Petrushka - Scene 4: Dance Of The Nursemaids
- Petrushka - Scene 4: The Bear And The Peasant
- Petrushka - Scene 4: The Jovial Merchant With Two Gypsy Girls
- Petrushka - Scene 4: Dance Of The Coachmen And The Grooms
- Petrushka - Scene 4: The Masqueraders
- Petrushka - Scene 4: The Scuffle: Blackamoor And Petrushka
- Petrushka - Scene 4: Death Of Petrushka
- Petrushka - Scene 4: The Police And The Juggler
- Petrushka - Scene 4: Apparition Of Petrushka's Double
Choral Music
- Le Roi des etoiles
- 4 Russian peasant songs - On Saints' Day in Chigisakh
- 4 Russian peasant songs - Ovsen
- 4 Russian peasant songs - The Pike
- 4 Russian peasant songs - Master Portly
- Pater noster
- Symphony of Psalms - 1. Exaudi Orationem Meam (Psalm 38, 13-14) (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- Symphony of Psalms - 2. Exspectans Exspectavi Dominum (Psalm 39, 2-4) (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- Symphony of Psalms - 3. Alleluia, Laudate Dominum (Psalm 150) (von Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner)
- Credo
- Ave Maria
- Babel
- Mass for mixed chorus and double wind quintet - Kyrie
- Mass for mixed chorus and double wind quintet - Gloria
- Mass for mixed chorus and double wind quintet - Credo
- Mass for mixed chorus and double wind quintet - Sanctus
- Mass for mixed chorus and double wind quintet - Agnus Dei
Choral Music
- Cantata - A Lyke-Wake Dirge, Versus I (Prelude): 'This Ae Nighte' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - Ricercar I: 'The Maidens Came' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - A Lyke-Wake Dirge, Versus II (1st Interlude): 'If Ever Thou Gav'st Hos'n' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - Ricercar II (Sacred History): 'Tomorrow Shall Be' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - A Lyke-Wake Dirge, Versus III (2nd Interlude): 'From Whinnymuir' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - Westron Wind (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Cantata - A Lyke-Wake Dirge, Versus IV (Postlude): 'If Ever Thou Gav'st Meat' (von Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge)
- Canticum Sacrum - Dedicatio: 'Urbi Venetiae, In Laude Sancti Sui Presidis'
- Canticum Sacrum - 'Euntes In Mundum'
- Canticum Sacrum - 'Surge, Aquilo'
- Canticum Sacrum - Ad Tres Virtutes Horationes: Caritas: 'Diliges Dominum Deum'
- Canticum Sacrum - Brevis Motus Cantilenae: 'Jesus Autem Ait Illi'
- Canticum Sacrum - 'Illi Autem Profecti'
- Threni - 'Incipit Lamentatio Jeremiae Prophetae'
- Threni - De Elegia Prima: 'Aleph. Quomodo Sedet Sola Civitas'
- Threni - De Elegia Prima: Diphona I: 'Plorans Ploravit'
- Threni - De Elegia Prima: Diphona Ii: 'Vide, Domino'
- Threni - De Elegia Tertia: 1. Querimonia: 'Aleph. Ego Vir Videns'
- Threni - De Elegia Tertia: 2. Sensus Spei: 'Heth. Misericordiae Domini'
- Threni - De Elegia Tertia: 3. Solacium: 'Res. Judicasti, Domine'
- Threni - De Elegia Quinta: 'Oratio Jeremiae Prophetae'
Choral Music
- Von Himmel Hoch, Da Komm Ich Her - Chorale (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Von Himmel Hoch, Da Komm Ich Her - Var. 1: Nel Canone All'Ottava (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Von Himmel Hoch, Da Komm Ich Her - Var. 2: Alio Modo, Nel Canone Alla Quinta (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Von Himmel Hoch, Da Komm Ich Her - Var. 3: In Canone Alla Settima (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Von Himmel Hoch, Da Komm Ich Her - Var. 4: In Canone All'Ottava Per Augmentationem (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Von Himmel Hoch, Da Komm Ich Her - Var. 5: L'Altra Sorte Del Canone Al Rovescio (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Tres Sacrae Cantiones - Da Pacem, Domine (von Nederlands Kamerkoor, Reinbert de Leeuw)
- Tres Sacrae Cantiones - Assumpta Est Maria (von Nederlands Kamerkoor, Reinbert de Leeuw)
- Tres Sacrae Cantiones - Illumina Nos (von Nederlands Kamerkoor, Reinbert de Leeuw)
- A Sermon, A Narrative And A Prayer - A Sermon
- A Sermon, A Narrative And A Prayer - A Narrative
- A Sermon, A Narrative And A Prayer - A Prayer
- Anthem 'The Dove Descending Breaks The Air' (von Nederlands Kamerkoor, Reinbert de Leeuw)
- Introitus (T.S. Eliot In Memoriam) (von Nederlands Kamerkoor, Reinbert de Leeuw)
- Requiem Canticles - Prelude
- Requiem Canticles - Exaudi
- Requiem Canticles - Dies Irae
- Requiem Canticles - Tuba Mirum
- Requiem Canticles - Interlude
- Requiem Canticles - Rex Tremendae
- Requiem Canticles - Lacrimosa
- Requiem Canticles - Postlude
- Requiem Canticles - Postlude
Solo Vocal
- Storm Cloud
- The Mushrooms Going To War
- Faun And Shepherdess - The Shepherdess
- Faun And Shepherdess - The Faun
- Faun And Shepherdess - The River
- 3 Little Songs 'Recollections Of My Childhood' - The Magpie
- 3 Little Songs 'Recollections Of My Childhood' - The Rook
- 3 Little Songs 'Recollections Of My Childhood' - The Jackdaw
- Pastorale
- 2 Songs Op. 6 - Spring (The Cloister)
- 2 Songs Op. 6 - A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants)
- 2 Poems Of Paul Verlaine Op. 9 - The White Moon
- 2 Poems Of Paul Verlaine Op. 9 - Sleep
- 2 Poems Of Konstantin Balmont - Forget-me-nots
- 2 Poems Of Konstantin Balmont - The Dove
- 3 Japanese Lyrics - Akahito
- 3 Japanese Lyrics - Mazatsumi
- 3 Japanese Lyrics - Tsaraiuki
- 4 Pleasant Songs (Pribaoutki) - Uncle Pierre
- 4 Pleasant Songs (Pribaoutki) - Natashka
- 4 Pleasant Songs (Pribaoutki) - The Colonel
- 4 Pleasant Songs (Pribaoutki) - The Old Man And The Hare
- Cat's Cradle Songs - On The Stove
- Cat's Cradle Songs - At Home
- Cat's Cradle Songs - Lullaby
- Cat's Cradle Songs - The Cat Has...
- 3 Children's Tales - Tilim-bom
- 3 Children's Tales - Geese And Swans
- 3 Children's Tales - The Bear's Song
- Berceuse
Solo Vocal
- 4 Russian Songs - I. The Drake
- 4 Russian Songs - II. Counting Song
- 4 Russian Songs - III. The Sparrow
- 4 Russian Songs - IV. Dissident Song
- Song of Parasha
- Tilim-bom
- Pastorale
- 3 Little Songs 'Recollections of My Childhood' - I. The Magpie
- 3 Little Songs 'Recollections of My Childhood' - II. The Rook
- 3 Little Songs 'Recollections of My Childhood' - III. The Jackdaw
- Petit Ramusianum harmonique (von Martin A. Bruns)
- Hommage à Nadia Boulanger: 'Diex, com leur avient'
- 3 Songs from William Shakespeare - I. Musick to heare
- 3 Songs from William Shakespeare - II. Full fadom five
- 3 Songs from William Shakespeare - III. When Dasies pied
- 4 Songs - I. The Drake
- 4 Songs - II. A Russian Spiritual
- 4 Songs - III. Geese and Swans
- 4 Songs - IV. Tilim-bom
- 2 Poems of Konstantin Balmont - I. Forget-me-nots
- 2 Poems of Konstantin Balmont - II. The Dove
- In memoriam Dylan Thomas: 'Do not go gentle into that good night'
- Abraham and Isaac - I. Vay'hi ahar hadvarim ha'eleh v'ha'Elohim
- Abraham and Isaac - II. Vayikakh Avraham et atze ha'olah
- Abraham and Isaac - III. Vayi sa Avraham et enav vayat v'hineh
- Elegy for J.F.K.: 'When a just man dies'
- The Owl and the Pussy-Cat
- 2 Sacred Songs - I. Herr, was trägt der Boden hier
- 2 Sacred Songs - II. Wunden prägst du, mein Geliebter
Chamber Music
- 3 Pieces For String Quartet - 126 (von Orpheus Chamber Orchestra)
- 3 Pieces For String Quartet - 76 (von Orpheus Chamber Orchestra)
- 3 Pieces For String Quartet - Half Note = 40 (von Orpheus Chamber Orchestra)
- Duet 'Lied Ohne Name' For 2 Bassoons (von Orpheus Chamber Orchestra)
- Pour Pablo Picasso For Clarinet Solo (von Charles Neidich)
- 3 Pieces For Clarinet Solo (von Alain Damiens)
- The Soldier's Tale - Concert Suite: The Soldier's March (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: Airs By A Stream (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: Pastorale (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: The Royal March (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: he Little Concert (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: Three Dances: Tango - Valse - Ragtime (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: The Devil's Dance (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: Great Chorale (von The Cleveland Orchestra, Pierre Boulez)
- The Soldier's Tale - Concert Suite: Triumphal March Of The Devil (von The Cleveland Orchestra, Pierre Boulez)
- La Marseillaise After Claude-Joseph Rouget De Lisle
- Concertino For String Quartet (von Orpheus Chamber Orchestra)
- Octet For Wind Instruments - Sinfonia. Lento - Allegro Moderato (von Orpheus Chamber Orchestra)
- Octet For Wind Instruments - Tema Con Variazioni. Andantino (von Orpheus Chamber Orchestra)
- Octet For Wind Instruments - Finale. Tempo Giusto (von Orpheus Chamber Orchestra)
Chamber Music
- Duo Concertant For Violin And Piano - Cantilène (von Isabelle van Keulen, Olli Mustonen)
- Duo Concertant For Violin And Piano - Églogue 1 (von Isabelle van Keulen, Olli Mustonen)
- Duo Concertant For Violin And Piano - Églogue 2 (von Isabelle van Keulen, Olli Mustonen)
- Duo Concertant For Violin And Piano - Gigue (von Isabelle van Keulen, Olli Mustonen)
- Duo Concertant For Violin And Piano - Dithyrambe (von Isabelle van Keulen, Olli Mustonen)
- Suite Italienne - Introduzione. Allegro Moderato (von Martha Argerich, Mischa Maisky)
- Suite Italienne - Serenata. Larghetto (von Martha Argerich, Mischa Maisky)
- Suite Italienne - Aria. Allegro Alla Breve (von Martha Argerich, Mischa Maisky)
- Suite Italienne - Tarantella. Vivace (von Martha Argerich, Mischa Maisky)
- Suite Italienne - Minuetto E Finale. Moderato - Molto Vivace (von Martha Argerich, Mischa Maisky)
- Pastorale , Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin (von Isabelle van Keulen, Olli Mustonen)
- Divertimento After The Ballet The Fairy's Kiss - Sinfonia (von Isabelle van Keulen, Olli Mustonen)
- Divertimento After The Ballet The Fairy's Kiss - Danses Suisses (von Isabelle van Keulen, Olli Mustonen)
- Divertimento After The Ballet The Fairy's Kiss - Scherzo (von Isabelle van Keulen, Olli Mustonen)
- Divertimento After The Ballet The Fairy's Kiss - Pas De Deux. Adagio - Variation - Coda (von Isabelle van Keulen, Olli Mustonen)
- Élégie For Viola Solo (von Gérard Caussé)
- Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - ♩ = 88
- Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Passacaglia. 60
- Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano - Gigue. 112-116
- Epitaphium For Flute, Clarinet And Harp (von Pierre Boulez, Ensemble intercontemporain)
- Double Canon For String Quartet (von Pierre Boulez, Ensemble intercontemporain)
- Fanfare For A New Theatre For 2 Trumpets (von Orpheus Chamber Orchestra)
Piano Music
- Scherzo In G Minor (von Víkingur Ólafsson)
- Piano Sonata In F Sharp Minor - Allegro (von Paul Crossley)
- Piano Sonata In F Sharp Minor -Scherzo. Vivo (von Paul Crossley)
- Piano Sonata In F Sharp Minor -Andante (von Paul Crossley)
- Piano Sonata In F Sharp Minor -Finale. Allegro - Andante (von Paul Crossley)
- 4 Études For Piano Op. 7 - Con Moto (von Marie‐Françoise Bucquet)
- 4 Études For Piano Op. 7 - Allegro Brillante (von Marie‐Françoise Bucquet)
- 4 Études For Piano Op. 7 - Andantino (von Marie‐Françoise Bucquet)
- 4 Études For Piano Op. 7 - Vivo (von Marie‐Françoise Bucquet)
- Valse Des Fleurs For Piano Duet
- 3 Easy Pieces For Piano Duet - Marche (von Katia & Marielle Labèque)
- 3 Easy Pieces For Piano Duet - Valse (von Katia & Marielle Labèque)
- 3 Easy Pieces For Piano Duet - Polka (von Katia & Marielle Labèque)
- Souvenir D'Une Marche Boche (von Víkingur Ólafsson)
- 5 Easy Pieces For Piano Duet - Andante (von Katia & Marielle Labèque)
- 5 Easy Pieces For Piano Duet - Española (von Katia & Marielle Labèque)
- 5 Easy Pieces For Piano Duet - Balalaika (von Katia & Marielle Labèque)
- 5 Easy Pieces For Piano Duet - Napolitana (von Katia & Marielle Labèque)
- 5 Easy Pieces For Piano Duet - Galop (von Katia & Marielle Labèque)
- Valse Pour Les Enfants (von Marie‐Françoise Bucquet)
- Ragtime (von Marie‐Françoise Bucquet)
- Piano-Rag-Music (von Marie‐Françoise Bucquet)
- The Five Fingers - Andantino (von Marie‐Françoise Bucquet)
- The Five Fingers - Allegro (von Marie‐Françoise Bucquet)
- The Five Fingers - Allegretto (von Marie‐Françoise Bucquet)
- The Five Fingers - Larghetto (von Marie‐Françoise Bucquet)
- The Five Fingers - Moderato (von Marie‐Françoise Bucquet)
- The Five Fingers - Lento (von Marie‐Françoise Bucquet)
- The Five Fingers - Vivo (von Marie‐Françoise Bucquet)
- The Five Fingers - Pesante (von Marie‐Françoise Bucquet)
Piano Music
- Piano Sonata - 112 (von Marie‐Françoise Bucquet)
- Piano Sonata - Adagietto (von Marie‐Françoise Bucquet)
- Piano Sonata - 112 (von Marie‐Françoise Bucquet)
- Serenade In A - Hymne (von Marie‐Françoise Bucquet)
- Serenade In A - Romanza (von Marie‐Françoise Bucquet)
- Serenade In A - Rondoletto (von Marie‐Françoise Bucquet)
- Serenade In A - Cadenza Finale (von Marie‐Françoise Bucquet)
- Concerto For 2 Solo Pianos - Con Moto (von Klavierduo Kontarsky)
- Concerto For 2 Solo Pianos - Notturno. Adagietto (von Klavierduo Kontarsky)
- Concerto For 2 Solo Pianos - Quattro Variazioni (von Klavierduo Kontarsky)
- Concerto For 2 Solo Pianos - Preludio E Fuga. Lento (von Klavierduo Kontarsky)
- Tango (von Marie‐Françoise Bucquet)
- Circus Polka For A Young Elephant (von Marie‐Françoise Bucquet)
- Sonata For 2 Pianos - Moderato (von Klavierduo Kontarsky)
- Sonata For 2 Pianos - Theme With Variations. Largo (von Klavierduo Kontarsky)
- Sonata For 2 Pianos - Allegretto (von Klavierduo Kontarsky)
Historical Recordings
- Violin Concerto In D - Toccata (von Samuel Dushkin, Orchestre Lamoureux, Igor Stravinsky)
- Violin Concerto In D - Aria I (von Samuel Dushkin, Orchestre Lamoureux, Igor Stravinsky)
- Violin Concerto In D - Aria II (von Samuel Dushkin, Orchestre Lamoureux, Igor Stravinsky)
- Violin Concerto In D - Capriccio (von Samuel Dushkin, Orchestre Lamoureux, Igor Stravinsky)
- The Star-Spangled Banner
- The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy'
- The Soldier's Tale - Part 1: 'Le Diable Paraît'
- The Soldier's Tale - Part 1: The Soldier's March - 'Entre Denges Et Denezy'
- The Soldier's Tale - Part 1: Pastorale - 'Ah! Brigand!'
- The Soldier's Tale - Part 1: 'Il S'Est Mis À Lire Le Livre'
- The Soldier's Tale - Part 1: 'Regardez, Monsieur'
- The Soldier's Tale - Part 1: 'Il Prend Le Livre'
- The Soldier's Tale - Part 2: 'Un Autre Pays À Présent'
- The Soldier's Tale - Part 2: 'On A Fait Marcher La Musique'
- The Soldier's Tale - Part 2: 'Mademoiselle, À Présent, On Peut Le Dire'
- The Soldier's Tale - Part 2: 'La Princesse Ouvre Les Yeux'
- The Soldier's Tale - Part 2: The Devil's Dance - 'Le Diable Danse'
- The Soldier's Tale - Part 2: Little Chorale
- The Soldier's Tale - Part 2: The Devil's Song - 'Ça Va Bien Pour Le Moment'
- The Soldier's Tale - Part 2: Great Chorale - 'Il Ne Faut Pas Vouloir Ajouter'
- The Soldier's Tale - Part 2: Triumphal March Of The Devil - 'Le Soldat A Baissé La Tête' (von Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Maurice André, Ulysse Delécluse, Joachim Gut, Henri Helaerts, Manoug Parikian, Charles Peschier, Roland Schnorkh, Igor Markevitch)
Historical Recordings
- Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance (von Orchestre de la Suisse Romande, Ernest Ansermet)
- Petrushka - Petrushka's Room (von Orchestre de la Suisse Romande, Ernest Ansermet)
- Petrushka - The Moor's Room - Dance Of The Ballerina (von Orchestre de la Suisse Romande, Ernest Ansermet)
- Petrushka - The Shrovetide Fair - Dance Of The Nursemaids (von Orchestre de la Suisse Romande, Ernest Ansermet)
- The Rite Of Spring - The Adoration Of The Earth: Introduction (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls) (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: Game Of Abduction (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: Spring Rounds (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: Games Of The Rival Tribes (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: The Sage (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Adoration Of The Earth: Dance Of The Earth (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Introduction (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Mystic Circles Of The Young Girls (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Glorification Of The Chosen One (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Evocation Of The Ancestors (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Ritual Action Of The Ancestors (von Paris Conservatoire Orchestra, Pierre Monteux)
- The Rite Of Spring - The Sacrifice: Sacrificial Dance (The Chosen One) (von Paris Conservatoire Orchestra, Pierre Monteux)
Bonus
The Complete Columbia Album Collection (Compilation)
Le Sacre du printemps (1940)
- The Rite of Spring: Part I "Adoration of the Earth", Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- A propos of Le Sacre (Commentary by Igor Stravinsky About the History of a Musical Landmark)
Petrushka Suite (1940) / Scènes de ballet (1945) / Divertimento from Fairy's Kiss (1940-41)
- Petrushka Ballet Suite: Legerdemain Scene (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Russian Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Petrushka's Room (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Wet-Nurses (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Peasant and the Bear (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Gypsy Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Coachmen and the Grooms (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: The Masqueraders (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Scènes de ballet: Introduction
- Scènes de ballet: Danses (Corps de ballet & Ballerine)
- Scènes de ballet: Pantomime I
- Scènes de ballet: Pas de deux
- Scènes de ballet: Pantomime II
- Scènes de ballet: Variations (Danseur & Ballerine)
- Scènes de ballet: Pantomime III
- Scènes de ballet: Danses (Corps de ballet)
- Scènes de ballet: Apothéose
- Divertimento from Le Baiser de la fée: I. Sinfonia
- Divertimento from Le Baiser de la fée: II. Danses suisses
- Divertimento from Le Baiser de la fée: III. Scherzo
- Divertimento from Le Baiser de la fée: IV. Pas de deux (Adagio - Variation - Coda)
The Firebird Suite (1946)
- The Firebird: Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Prelude and Dance of the Firebird (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Pas de deux - Firebird and Ivan Tsarevich (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Scherzo - Dance of the Princesses (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Rondo (Khorovod) (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Infernal Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Lullaby (The Firebird) (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Final Hymn (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
Symphony of Psalms (1946) / Symphony in 3 Movements (1946)
- Symphony of Psalms: I. Exaudi orationem meam, Domine
- Symphony of Psalms: II. Exspectans exspectavi Dominum
- Symphony of Psalms: III. Alleluia - Laudate Dominum
- Symphony in Three Movements: I. [q = 160] (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Symphony in Three Movements: II. Andante - Interlude - L'istesso tempo (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Symphony in Three Movements: III. Con moto (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
Concerto for Two Solo Pianos; Russian Music for Two Pianos (1945, 1947)
- Concerto for Two Solo Pianos: I. Con moto
- Concerto for Two Solo Pianos: II. Notturno - Adagietto
- Concerto for Two Solo Pianos: III. Quattro variazioni
- Concerto for Two Solo Pianos: IV. Preludio e Fuga
- Scherzo a la Russe
- The Snow Maiden: Dance of the Tumblers
- Russian Village
- Suite No. 1 for Two Pianos, Op. 15: Waltz
- Sadko: Cradle Song
- Circus Polka
- Tango
Orpheus (1949) / Mass (1949)
- Orpheus: Premier tableau: Orpheus Weeps for Eurydice - Lento sostenuto
- Orpheus: Premier tableau: Air de danse
- Orpheus: Premier tableau: L'Ange de la Mort et sa danse
- Orpheus: Premier tableau: Interlude
- Orpheus: Deuxième tableau: Pas des Furies
- Orpheus: Deuxième tableau: Air de danse - Interlude - Air de danse
- Orpheus: Deuxième tableau: Pas d'action I
- Orpheus: Deuxième tableau: Pas de deux
- Orpheus: Deuxième tableau: Interlude
- Orpheus: Deuxième tableau: Pas d'action II
- Orpheus: Troisième tableau: Apothéose d'Orphée
- Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: II. Gloria
- Mass for Mixed Chorus and Double Wind Quintet: III. Credo
- Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei
Duo concertant (1945) / Pastorale (1946) / Bloch: Baal Shem (1940)
- Duo Concertant for Violin and Piano: I. Cantilene
- Duo Concertant for Violin and Piano: II. Eclogue I
- Duo Concertant for Violin and Piano: III. Eclogue II
- Duo Concertant for Violin and Piano: IV. Gigue
- Duo Concertant for Violin and Piano: V. Dithyrambe
- Baal Shem: I. Vidui (Contrition)
- Baal Shem: II. Nigun (Improvisation)
- Baal Shem: III. Simchas Torah (Rejoicing)
- Pastorale, Song without Words for Violin & Woodwind Quartet - Remastered
Divertimento from "Le Baiser de la fée" (1947) / Danses concertantes (1947) / Concerto for Piano and Wind Instruments (1950)
- Divertimento from Le baiser de la fée: I. Sinfonia
- Divertimento from Le baiser de la fée: II. Danses Suisses
- Divertimento from Le baiser de la fée: III. Scherzo (Au Moulin)
- Divertimento from Le baiser de la fée: IV. Pas de deux
- Danses concertantes for Chamber Orchestra: I. Marche - Introduction
- Danses concertantes for Chamber Orchestra: II. Pas d'action
- Danses concertantes for Chamber Orchestra: III. Theme varie
- Danses concertantes for Chamber Orchestra: IV. Pas de deux
- Danses concertantes for Chamber Orchestra: V. Marche - Conclusion
- Concerto for Piano and Wind Instruments: I. Largo - Allegro - Maestoso
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
- Scherzo a la Russe
- Pater noster (Revised 1949 Version)
- Ave Maria (Revised 1949 Version)
Apollon musagète (1950) / Concerto in D Major "Basle Concerto" (1950)
- Apollon musagète: Naissance d'Apollon
- Apollon musagète: Variation d'Apollon I
- Apollon musagète: Pas d'action
- Apollon musagète: Variation de Calliope
- Apollon Musagete: Variation de Polymnie
- Apollon Musagete: Variation de Terpsichore
- Apollon musagète: Variation d'Apollon II
- Apollon musagète: Pas de deux
- Apollon musagète: Coda
- Apollon Musagete: Apotheose
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": I. Vivace
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": II. Arioso - Andantino
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": III. Rondo - Allegro
Meet the Composer (1946)
- Fireworks, Op. 4 (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: I. Eulogy (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: II. Eclogue (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: III. Epitaph (von New York Philharmonic, Igor Stravinsky)
- Russian Maiden's Song
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo
- Four Norwegian Moods: I. Intrada (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: II. Song (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: III. Wedding Dance (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: IV. Cortège (von New York Philharmonic, Igor Stravinsky)
- Circus Polka (von New York Philharmonic, Igor Stravinsky)
Oedipus Rex (1951)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue: "Spectateurs! Vous allez entendre une version latine d' Oedipe-Roi" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Caedit nos pestis" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Liberi, vos liberabo" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Respondit deus" (Creon)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Non reperias vetus scelus" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Oedipe interroge la fontaine de verite" (Narrator, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Dicere non possum" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "La dispute des princes attire Jocaste" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonn' erubescite, reges" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ne probentur oracula" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Le témoin du meurtre sort de l'ombre" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Adest omniscius pastor" (Chorus, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oportebat tacere" (Shepherd)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonne monstrum rescituri" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "In monte reppertus est" (Shepherd, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Natus sum quo nefastum est" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Et maintenant, vous allez entendre" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Divum Iocastea caput mortuum!" (Messenger, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ecce! Regem Oedipoda" (Chorus)
The Rake's Progress (1953) [disc 1]
- The Rake’s Progress: Act I. Prelude
- The Rake’s Progress: Act I, Scene 1. Duet and Trio: “The Woods Are Green” – Recitative: “Anne, My Dear” (Anne, Rakewell, Trulove)
- The Rake’s Progress: Act I, Scene 1. Recitative: “Here I stand” – Aria: “Since It Is Not by Merit” (Rakewell)
- The Rake’s Progress: Act I, Scene 1. Recitative: “Tom Rakewell?” – Recitative: “Fair Lady, Gracious Gentlemen” – Quartet: “I Wished But Once” – Recitative: “I’ll Call the Coachman, Sir” (Shadow, Rakewell, Anne, Trulove)
- The Rake’s Progress: Act I, Scene 1. Duettino: “Farewell for Now” – Recitative: “All Is Ready, Sir” – Arioso: “Dear Father Truelove” – Terzettino: “Laughter and Light” (Anne, Rakewell, Trulove, Shadow)
- The Rake’s Progress: Act I, Scene 2. Chorus: “With Air Commanding and Weapon Handy” (Chorus)
- The Rake’s Progress: Act I, Scene 2. Recitative and Scene: “Come, Tom” – Chorus: “Soon Dawn Will Glitter” – Recitative: “Sisters of Venus, Brothers of Mars” (Shadow, Rakewell, Mother Goose, Chorus)
- The Rake’s Progress: Act I, Scene 2. Cavatina: “Love, too Frequently Betrayed” – Chorus: “How Sad a Song” – Chorus: “The Sun Is Bright, the Grass Is Green” (Rakewell, Chorus, Mother Goose)
- The Rake’s Progress: Act I, Scene 2. Chorus: “Lanterloo, My Lady” (Chorus, Shadow)
- The Rake’s Progress: Act I, Scene 3. Recitative: “No Word from Tom” – Aria: “Quietly, Night” – Recitative: “My Father! Can I Desert Him” (Anne, Truelove)
- The Rake’s Progress: Act I, Scene 3. Cabaletta: “I Go, I Go to Him” (Anne)
- The Rake’s Progress: Act II, Scene 1. Aria: “Vary the Song, O London, Change!” – Recitative: O Nature, Green Unnatural Mother" – Aria (reprise): “Always the Quarry” (Rakewell)
- The Rake’s Progress: Act II, Scene 1. Recitative: “Master, Are You Alone?” – Aria: “In Youth the Panting Slave” (Shadow, Rakewell)
- The Rake’s Progress: Act II, Scene 1. Duet‐Finale: “My Tale Shall Be Told” (Rakewell, Shadow)
- The Rake’s Progress: Act II, Scene 2. Introduction – Recitative: “How Strange” – Arioso: “O Heart Be Stronger” (Anne)
- The Rake’s Progress: Act II, Scene 2. Duet: “Anne! Here!” – Recitative: “My Love, Am I to Remain in Here for Ever?” (Rakewell, Anne, Baba)
- The Rake’s Progress: Act II, Scene 2. Trio: “Could It Then Have Been Known” – Finale: “I Have Not Run Away” (Anne, Rakewell, Baba)
The Rake's Progress (1953) [disc 2]
- The Rake’s Progress: Act II, Scene 3. Aria: “As I Was Saying” – Baba’s Song: “Come, Sweet, Come” – Aria: “Scorned! Abused!” – Recitative: “My Heart Is Cold, I Cannot Weep” – Pantomime: “Fa la la” – Recitative: “Oh, I Wish It Were True” (Baba, Rakewell ...
- The Rake’s Progress: Act II, Scene 3. Arioso‐Recitative: “You! O Nick, I’ve Had the Strangest Dream” – Duet: “Thanks to This Excellent Device” – Recitative: “Forgive Me, Master” (Rakewell, Shadow)
- The Rake’s Progress: Act III, Scene 1. “Ruin, Disaster, Shame” (Chorus, Anne)
- The Rake’s Progress: Act III, Scene 1. “Aha!” (Sellem, Chorus)
- The Rake’s Progress: Act III, Scene 1. Aria: “Sold! Annoyed!” – Recitative: “Now What Was That!” – Duet: “You Love Him” – Ballad Tune: “If Boys Had Wings” (Baba, Chorus, Rakewell, Shadow, Anne, Sellem)
- The Rake’s Progress: Act III, Scene 1. Stretto‐Finale: “I Go to Him” – Ballad Tune (reprise): “Who Cares a Fig” (Anne, Baba, Sellem, Chorus, Rakewell)
- The Rake’s Progress: Act III, Scene 2. Prelude
- The Rake’s Progress: Act III, Scene 2. Duet: “How Dark and Dreadful Is This Place” (Rakewell, Shadow)
- The Rake’s Progress: Act III, Scene 2. Recitative: “Very Well, Then, My Dear and Good Tom” – Duet: “Well, Then” – “My heart Is Wild with Fear” (Shadow, Rakewell, Anne)
- The Rake’s Progress: Act III, Scene 2. “I Burn! I Burn! I Freeze!” (Shadow, Rakewell)
- The Rake’s Progress: Act III, Scene 3. Arioso: “Prepare Yourselves, Heroic Shades” – Dialogue: “Madmen’s Words Are All Untrue” – Chorus‐Minuet: “Leave All Love and Hope Behind” (Rakewell, Chorus)
- The Rake’s Progress: Act III, Scene 3. Recitative: “There He Is. Have no Fear” – Arioso: “I Have Waited” – Duet: “In a Foolish Dream” – Recitative: “I Am Exceedingly Weary” (Keeper, Anne, Rakewell)
- The Rake’s Progress: Act III, Scene 3. Lullaby: “Gently, Little Boat” – Recitative: “Anne, My Dear, the Tale Is Ended Now” – Duettino: “Every Wearied Body” (Anne, Truelove)
- The Rake’s Progress: Act III, Scene 3. Finale‐Recitative: “Where Art Thou, Venus?” – Mourning Chorus: “Mourn for Adonis” (Rakewell, Chorus)
- The Rake’s Progress: Act III, Scene 3. Epilogue: “Good People, Just a Moment” (Anne, Baba, Rakewell, Shadow, Truelove)
Pulcinella (1952)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc' è pace" - "Chi disse cà la femmena"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Nce sta quacuna pò" - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo) (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro alle breve (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai (von The Cleveland Orchestra, Igor Stravinsky)
Symphony in C (1952) / Cantata (1952)
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus I (Prelude): "This ae Nighte"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar I: "The Maidens Came"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar II (Sacred History): "Tomorrow Shall Be"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Westron Wind
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus IV (Postlude) - "If Ever Thou Gav'st Meat or Drink"
The Soldier's Tale Suite (1954) / Octet for Wind Instruments (1954) / Symphonies of Wind Instruments (1951)
- L'Histoire du Soldat, Suite: The Soldier's March
- L'Histoire du Soldat, Suite: Airs by a Stream
- L'Histoire du Soldat, Suite: Pastorale
- L'Histoire du Soldat, Suite: The Royal March
- L'Histoire du Soldat, Suite: The Little Concerto
- L'Histoire du Soldat, Suite: Tango
- L'Histoire du Soldat, Suite: Waltz
- L'Histoire du Soldat, Suite: Ragtime
- L'Histoire du Soldat, Suite: The Devil's Dance
- L'Histoire du Soldat, Suite: Great Chorale
- L'Histoire du Soldat, Suite: Triumphal March of the Devil
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni
- Octet for Wind Instruments: Variazione A
- Octet for Wind Instruments: Variazione B
- Octet for Wind Instruments: Variazione A (Reprise I)
- Octet for Wind Instruments: Variazione C
- Octet for Wind Instruments: Variazione D
- Octet for Wind Instruments: Variazione A (Reprise II)
- Octet for Wind Instruments: Variazione E
- Octet for Wind Instruments: Finale (Tempo giusto)
- Symphonies of Wind Instruments (Revised Version, 1947)
Chamber Works 1911-1954 Conducted by the Composer (1954-55)
- In Memorium Dylan Thomas: Dirge-Canons (Prelude)
- In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night
- In Memorium Dylan Thomas: Dirge-Canons (Postlude)
- Three Songs from William Shakespeare: I. Musick to Heare
- Three Songs from William Shakespeare: II. Full Fadom Five
- Three Songs from William Shakespeare: III. When Dasies Pied
- Septet: I. [sonata allegro] quarter note = 88
- Septet: II. Passacaglia
- Septet: III. Gigue
- Four Russian Songs for Soprano, Flute, Harp and Guitar: I. The Drake
- Four Russian Songs for Soprano, Flute, Harp and Guitar: II. A Russian Spiritual
- Four Russian Songs for Soprano, Flute, Harp and Guitar: III. Geese and Swans
- Four Russian Songs for Soprano, Flute, Harp and Guitar: IV. Tilim-bom
- Two Poems of Konstantin Balmont: I. Forget-me-nots
- Two Poems of Konstantin Balmont: II. The Dove
- Three Japanese Lyrics: I. Akahito
- Three Japanese Lyrics: II. Mazatsumi
- Three Japanese Lyrics: III. Tsaraiuki
- Three Little Songs "Recollections of my Childhood": I. The Magpie
- Three Little Songs "Recollections of my Childhood": II. The Rook
- Three Little Songs "Recollections of my Childhood": III. The Jackdaw
- Four Russian Peasant Songs for Female Choir "Saucer": I. On Saints' Days in Chigisakh
- Four Russian Peasant Songs for Female Choir "Saucer": II. Ovsen
- Four Russian Peasant Songs for Female Choir "Saucer": III. The Pike
- Four Russian Peasant Songs for Female Choir "Saucer": IV. Master Portly
The Fairy's Kiss (1955)
- The Fairy's Kiss: Scene I: Prologue. The Lullaby in the Storm (Andante - Allegro sostenuto - Vivace agitato) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene II: A Village Fête (Tempo giusto - Valse, poco più lento - Tempo I) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene III: At the Mill (Moderato - Allegretto grazioso) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: a) Entrée (Moderato) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: b) Adagio (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: c) Variation (Allegretto grazioso) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: d) Coda (Presto) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scène (Andante non tanto - Più lento) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene IV: Epilogue. Berceuse of the Eternal Dwellings (L'istesso tempo - Andante non tanto) (von The Cleveland Orchestra, Igor Stravinsky)
Perséphone (1957)
- Perséphone, Melodrame en Trois Tableaux: I. Perséphone Ravie
- Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux Enfers
- Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante
Agon (1957) / Canticum sacrum (1957)
- Agon, Ballet for Twelve Dancers: Pas de quatre
- Agon, Ballet for Twelve Dancers: Double pas de quatre
- Agon, Ballet for Twelve Dancers: Triple pas de quatre
- Agon, Ballet for Twelve Dancers: Prelude
- Agon, Ballet for Twelve Dancers: Sarabande-Step
- Agon, Ballet for Twelve Dancers: Gailliarde
- Agon, Ballet for Twelve Dancers: Coda I
- Agon, Ballet for Twelve Dancers: Interlude I
- Agon, Ballet for Twelve Dancers: Bransle simple
- Agon, Ballet for Twelve Dancers: Bransle gay
- Agon, Ballet for Twelve Dancers: Bransle double
- Agon, Ballet for Twelve Dancers: Interlude II
- Agon, Ballet for Twelve Dancers: Pas de deux
- Agon, Ballet for Twelve Dancers: Coda II
- Agon, Ballet for Twelve Dancers: Four Duos
- Agon, Ballet for Twelve Dancers: Four Trios - Coda
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): Dedicatio: "Urbi Venetiae, in laude Sancti sui Presidis"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): I. "Euntes in mundum"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): II. "Surge, aquilo"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): III. Ad Tres Virtutes Hortationes (Caritas - Spes - Fides): "Diliges Dominus Deum tuum"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): IV. Brevis Motus Cantilenea: "Jesus autem ait illi"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): V. "Illi autem profecti"
Threni (1959)
- Threni: Introduction: "Incipit lamentatio Jeremiae Prophetae"
- Threni: De elegia prima: "Aleph. Quomodo sedet sola civitas" - Diphona I: "Plorans ploravit" - Diphona II: "Vide, Domino"
- Threni: De elegia tertia: I Querimonia: "Aleph. Ego vir videns" - II Sensus spei: "Heth. Misericordiae Domini" - III Solacium: "Res. Judicasti, Domine"
- Threni: De elegia quinta: "Oratio Jeremiae Prophetae"
Stravinsky Conducts 1960: The Rite of Spring (1960) / Petrushka (1960)
- The Rite of Spring: Part I "Adoration of the Earth", Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Shrovetide Fair (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Crowds (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Charlatan's Booth (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: Russian Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau II: Petrushka's Room (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: The Moor's Room (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: Dance of the Ballerina (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: Waltz (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Grand Carnival (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Wet Nurses' Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Peasant and Bear (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Dance of the Gipsy Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Dance of the Coachmen (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: The Masqueraders (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Death of Petrushka (von Columbia Symphony Orchestra, Igor Stravinsky)
Charles Rosen Plays Stravinsky & Schoenberg (1960)
Stravinsky Conducts 1961: Movements for Piano and Orchestra, Octet, The Soldier’s Tale
- Movements for Piano and Orchestra: I. Eighth Note = 110
- Movements for Piano and Orchestra: II. Quarter Note = 52
- Movements for Piano and Orchestra: III. Eighth Note = 72
- Movements for Piano and Orchestra: IV. Eighth Note = 80
- Movements for Piano and Orchestra: V. Eighth Note = 104
- Double Canon "Raoul Dufy in Memoriam" for String Quartet
- Epitaphium (For the Tombstone of Prince Max Egon zu Fürstenberg)
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni
- Octet for Wind Instruments: Variazione A
- Octet for Wind Instruments: Variazione B
- Octet for Wind Instruments: Variazione A (Reprise I)
- Octet for Wind Instruments: Variazione C
- Octet for Wind Instruments: Variazione D
- Octet for Wind Instruments: Variazione A (Reprise II)
- Octet for Wind Instruments: Variazione E
- Octet for Wind Instruments: III. Finale
- The Soldier's Tale Suite: I. The Soldier's March
- The Soldier's Tale Suite: II. Airs by a Stream
- The Soldier's Tale Suite: III. Pastorale
- The Soldier's Tale Suite: IV. The Royal March
- The Soldier's Tale Suite: V. The Little Concert
- The Soldier's Tale Suite: VI. Three Dances: Tango - Waltz - Ragtime
- The Soldier's Tale Suite: VII. The Devil's Dance
- The Soldier's Tale Suite: VIII. Great Chorale
- The Soldier's Tale Suite: IX. Triumphal March of the Devil
Gesualdo: Madrigals; Stravinsky: Monumentum pro Gesualdo di Venosa (1960-61)
- Volgi, mia luce , Madrigal for 6 Voices
- O dolorosa gioia , Madridgal for 5 Voices
- Ardo per te, mio bene , Madrigal for 5 Voices
- Gagliarda (von E. Power Biggs)
- Quando ridente e bella , Madrigal for 5 Voices
- Dolcissima mia vita , Madrigal for 5 Voices
- Recessit pastor noster , Motet for 6 Voices
- Che fai meco , Madrigal for 5 Voices
- Questa crudele e pia , Madrigal for 5 Voices
- Ardita zanzaretta , Madrigal for 5 Voices
- Aestimatus sum , Madrigal for 6 Voices
- Canzon francese del principe (von Carol Rosenstiel)
- Monumentum pro Gesualdo di Venosa ad CD Annum: I. Asciugate i begli occhi (Book V/14) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Monumentum pro Gesualdo di Venosa ad CD Annum: II. Ma tu, cagion di quella (Book V/18) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Monumentum pro Gesualdo di Venosa ad CD Annum: III. Beltà, poi che t'assenti (Book VI/2) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Illumina nos, Motet for 7 Voices
The Nightingale (1960)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Introduction - Act I: "Nevod brosal nebesny dukh" - "Akh! S neba vysoty blesnuv" - "Vat i dostigli my opushki lesa" (Fisherman; Nightingale; Cook; Chorus; Chamberlain; Bonze)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act II: Entr'acte (Courants d'air) - "Ognya, ognya" (Chorus; Cook; Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Chinese March - "Veliky imperator!" (Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Song of the Nightingale: "Akh! Serdtse dobroye" (Nightingale; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Ocharovatel'no! Kakoye miloye koketstvo" (Chorus; Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Kogda solntse zashlo" (Japanese Envoys)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Performance of the Mechanical Nightingale
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Tsk, tsk, tsk, tsk..." (Chorus; Emperor; Chamberlain; Fisherman)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act III: Introduction
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "My vse pred toboy" (Chorus; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Akh, muzyki, muzyki!" (Nightingale; Death; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Solemn Procession
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Zdravstvuyte!" (Emperor; Fisherman)
The Firebird (complete ballet) (1961)
- L'Oiseau de feu: Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Le Jardin enchanté de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Supplication de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition des treize princesses enchantées (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Brusque apparition d'Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Khorovod: Ronde des princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Carillon féerique, apparition des monstres-gardiens de Kachtchei et capture d'Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Arrivée de Kachtchei L'Immortel (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Dialogue de Kachtchei avec Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Intercession des princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse de la suite de Kachtchei, enchantée par l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Berceuse (L'Oiseau de feu) (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Réveil de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Mort de Kachtchei - Profonds ténèbres (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Disparition du palais et des sortilèges de Kachtchei, animation des chevaliers pétrifiés, allégresse générale (von Columbia Symphony Orchestra, Igor Stravinsky)
Concerto in D & Symphony in 3 Movements (1961)
- Concerto in D Major for Violin and Orchestra: I. Toccata
- Concerto in D Major for Violin and Orchestra: II. Aria I
- Concerto in D Major for Violin and Orchestra: III. Aria II
- Concerto in D Major for Violin and Orchestra: IV. Cappricio
- Symphony in 3 Movements: I. Overture - Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in 3 Movements: II. Andante - Interlude. L'istesso tempo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in 3 Movements: III. Con moto (von Columbia Symphony Orchestra, Igor Stravinsky)
Works for Two Pianos and Four Hands (1961)
- Concerto for Two Solo Pianos: I. Con moto
- Concerto for Two Solo Pianos: II. Notturno. Adagietto
- Concerto for Two Solo Pianos: III. Quattro variazioni
- Concerto for Two Solo Pianos: IV. Preludio e fuga. Lento - Fuga a 4 voci
- Three Easy Pieces for Piano Duet: 1. March
- Three Easy Pieces for Piano Duet: 2. Waltz
- Three Easy Pieces for Piano Duet: 3. Polka
- Five Easy Pieces for Piano Duet: 1. Andante
- Five Easy Pieces for Piano Duet: 2. Española
- Five Easy Pieces for Piano Duet: 3. Balalaika
- Five Easy Pieces for Piano Duet: 4. Napolitana
- Five Easy Pieces for Piano Duet: 5. Galop
- Sonata for Two Pianos: I. Moderato
- Sonata for Two Pianos: II. Thème avec variations. Largo - Var. 1-4
- Sonata for Two Pianos: III. Allegretto
The Flood (1962) / Mass (1960)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Prelude: "Te Deum laudamus" (von Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Melodrama: "In a Worm's Likeness Will He Wend" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Building of the Ark (Choreography) (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Catalogue of the Animals: "The Lord Bade That I Should Bring" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Comedy (Noah and His Wife): "Wife, Come in!" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Flood (Choreography) (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Covenant of the Rainbow: "A Covenant, Noah, With Thee I Make" (von Columbia Symphony Orchestra, Robert Craft)
- Mass for Mixed Chorus and Double Wind Quintet: Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: Gloria
- Mass for Mixed Chorus and Double Wind Quintet: Credo
- Mass for Mixed Chorus and Double Wind Quintet: Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: Agnus Dei
Les Noces (1959) Renard & Rag-Time (1962)
- Les Noces: Premier tableau: Chez la mariée (La Tresse)
- Les Noces: Deuxieme tableau: Chez le marié
- Les Noces: Troisieme tableau: Le Départ de la mariee
- Les Noces: Quatrieme tableau: Le Repas de noces
- Renard, Histoire burlesque chantée et jouée
- Ragtime
Oedipus Rex (1962)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Caedit nos pestis" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Liberi, vos liberabo" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Respondit deus" (Creon)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Non reperias vetus scelus" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Oedipus Questions Teiresias the Seer" (Narrator, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Dicere non possum" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "The Dispute of the Princes Summons Jocasta" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonn' erubescite, reges" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ne probentur oracula" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "A Messenger Announces that King Polybus of Corinth is Dead" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Adest omniscius pastor" (Chorus, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oportebat tacere" (Shepherd)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonne monstrum rescituri" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "In monte reppertus est" (Shepherd, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Natus sum quo nefastum est" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "And Now, You Will Hear the Messenger" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Divum Jocastae caput mortuum!" (Messenger, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ecce! Regem Oedipoda" (Chorus)
Symphony of Psalms (1963) / Symphony in C Major (1962)
- Symphony of Psalms (1948 Version): I. Exaudi orationem meam, Domine (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony of Psalms (1948 Version): II. Exspectans exspectavi Dominum (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony of Psalms (1948 Version): III. Alleluia. Laudate Dominum (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: I. Moderato alla breve (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: II. Larghetto concertante (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: III. Allegretto (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: IV. Largo - Tempo giusto, alla breve (von CBC Symphony Orchestra, Igor Stravinsky)
Orpheus & Apollon musagète (1964)
- Orphée, Ballet en trois tableux: Premier Tableau: Orphée pleure Eurydice
- Orphée, Ballet en trois tableux: Air de danse. Andante con moto
- Orphée, Ballet en trois tableux: L'ange de la mort et sa danse
- Orphée, Ballet en trois tableux: Interlude. L'istesso tempo
- Orphée, Ballet en trois tableux: Deuxieme Tableau: Pas des furies. Agitato in piano
- Orphée, Ballet en trois tableux: Air de danse - Interlude - Air de danse (Conclusion). Grave
- Orphée, Ballet en trois tableux: Pas d'action. Andantino leggiadro
- Orphée, Ballet en trois tableux: Pas de deux. Andante sostenuto
- Orphée, Ballet en trois tableux: Interlude. Moderato assai
- Orphée, Ballet en trois tableux: Pas d'action. Vivace
- Orphée, Ballet en trois tableux: Troisieme Tableau: Apothéose d'Orphée
- Apollon musagète, Ballet en deux tableux: Premier Tableau: Naissance d'Apollon. Largo - Allegro - Tempo I (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Apollon et les Muses (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Pas d'action. Apollon et les trois Muses: Calliope, Polymnie et Terpsichore. Moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Calliope (l'Alexandrine). Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Polymnie. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Terpsichore. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Lento (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Pas de deux: Apollon et Terpsichore. Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Apothéose. Largo et tranquillo (von Columbia Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts Favorite Short Pieces (1962-63)
- Greeting Prelude (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": I. Tempo giusto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": II. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": III. Con moto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Eight Instrumental Miniatures for Fifteen Players: I. Andantino
- Eight Instrumental Miniatures for Fifteen Players: II. Vivace
- Eight Instrumental Miniatures for Fifteen Players: III. Lento
- Eight Instrumental Miniatures for Fifteen Players: IV. Allegretto
- Eight Instrumental Miniatures for Fifteen Players: V. Moderato alla breve
- Eight Instrumental Miniatures for Fifteen Players: VI. Tempo di Marcia
- Eight Instrumental Miniatures for Fifteen Players: VII. Larghetto
- Eight Instrumental Miniatures for Fifteen Players: VIII. Tempo di Tango
- Quatre Études pour Orchestre: I. Danse. Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: II. Excentrique. Moderato (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: III. Cantique. Largo (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: IV. Madrid. Allegro con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Circus Polka (von CBC Symphony Orchestra, Igor Stravinsky)
- Suite No. 1 for Small Orchestra: I. Andante
- Suite No. 1 for Small Orchestra: II. Napolitana
- Suite No. 1 for Small Orchestra: III. Española
- Suite No. 1 for Small Orchestra: IV. Balalaika
- Suite No. 2 for Small Orchestra: I. Marche
- Suite No. 2 for Small Orchestra: II. Valse
- Suite No. 2 for Small Orchestra: III. Polka
- Suite No. 2 for Small Orchestra: IV. Galop
Stravinsky Conducts Ballet Music (1963-64)
- Jeu de Cartes, Ballet en trois donnes: Première donne (von Cleveland Orchestra, Igor Stravinsky)
- Jeu de Cartes, Ballet en trois donnes: Deuxième donne (von Cleveland Orchestra, Igor Stravinsky)
- Jeu de Cartes, Ballet en trois donnes: Troisième donne (von Cleveland Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Variation I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Variation II (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Coda (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Introduction . Andante (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Danses (Corps de ballet). Moderato - Variation (Ballerine). Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Lento (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pas de deux . Adagio (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Agitato ma tempo giusto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Variations: (Danseur) Risoluto - (Ballerine) Andantino (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Andantino (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Danses (Corps de ballet) . Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Apothéose . Poco meno mosso (von CBC Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts His Choral Music (1962-63)
- Le Roi des étoiles (Zvezdolikiy) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Anthem "The Dove Descending Breaks the Air" (von Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Chorale (von CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation I (In Canone all' Ottava) (von CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation II (Alio modo in Canone alla Quinta) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation III (In Canone alla Settima) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation IV (In Canone all' Ottava per augmentationem) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation V (L'altra sorte del Canone al rovescio) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Babel
- A Sermon, a Narrative, and a Prayer: I. A Sermon (From St. Paul) (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
- A Sermon, a Narrative, and a Prayer: II. A Narrative (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
- A Sermon, a Narrative, and a Prayer: III. A Prayer (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
The Rake's Progress (1964) [disc 1]
- The Rake's Progress, Opera in 3 Acts: Act I: Prelude (von Royal Philharmonic Orchestra, Igor Stravinsky)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duet and Trio: "The Woods Are Green" - Recitative: "Anne, My Dear" (Anne, Rakewell, Trulove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Here I stand" - Aria: "Since It Is Not by Merit" (Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Tom Rakewell?" - Recitative: "Fair Lady, Gracious Gentlemen" - Quartet: "I Wished But Once" - Recitative: "I'll Call the Coachman, Sir" (Shadow, Rakewell, Anne, Trulove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duettino: "Farewell for Now" - Recitative: "All Is Ready, Sir" - Arioso: "Dear Father Truelove" - Terzettino: "Laughter and Light" (Anne, Rakewell, Trulove, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "With Air Commanding and Weapon Handy" (Chorus)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Recitative and Scene: "Come, Tom" - Chorus: "Soon Dawn Will Glitter" - Recitative: "Sisters of Venus, Brothers of Mars" (Shadow, Rakewell, Mother Goose, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Cavatina: "Love, too Frequently Betrayed" - Chorus: "How Sad a Song" - Chorus: "The Sun Is Bright, the Grass Is Green" (Rakewell, Chorus, Mother Goose)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "Lanterloo, My Lady" (Chorus, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Recitative: "No Word from Tom" - Aria: "Quietly, Night" - Recitative: "My Father! Can I Desert Him" (Anne, Truelove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Cabaletta: "I Go, I Go to Him" (Anne)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Aria: "Vary the Song, O London, Change!" - Recitative: O Nature, Green Unnatural Mother" - Aria (reprise): "Always the Quarry" (Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Recitative: "Master, Are You Alone?" - Aria: "In Youth the Panting Slave" (Shadow, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Duet-Finale: "My Tale Shall Be Told" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Introduction - Recitative: "How Strange" - Arioso: "O Heart Be Stronger" (Anne)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Duet: "Anne! Here!" - Recitative: "My Love, Am I to Remain in Here for Ever?" (Rakewell, Anne, Baba)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Trio: "Could It Then Have Been Known" - Finale: "I Have Not Run Away" (Anne, Rakewell, Baba)
The Rake's Progress (1964) [disc 2]
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Aria: "As I Was Saying" - Baba's Song: "Come, Sweet, Come" - Aria: "Scorned! Abused!" - Recitative: "My Heart Is Cold, I Cannot Weep" - Pantomime: "Fa la la" - Recitative: "Oh, I Wish It Were True ...
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Arioso-Recitative: "You! O Nick, I've Had the Strangest Dream" - Duet: "Thanks to This Excellent Device" - Recitative: "Forgive Me, Master" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Ruin, Disaster, Shame" (Chorus, Anne)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Aha!" (Sellem, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Aria: "Sold! Annoyed!" - Recitative: "Now What Was That!" - Duet: "You Love Him" - Ballad Tune: "If Boys Had Wings" (Baba, Chorus, Rakewell, Shadow, Anne, Sellem)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Stretto-Finale: "I Go to Him" - Ballad Tune (reprise): "Who Cares a Fig" (Anne, Baba, Sellem, Chorus, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Prelude (von Royal Philharmonic Orchestra, Igor Stravinsky)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Duet: "How Dark and Dreadful Is This Place" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Recitative: "Very Well, Then, My Dear and Good Tom" - Duet: "Well, Then" - "My heart Is Wild with Fear" (Shadow, Rakewell, Anne)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: "I Burn! I Burn! I Freeze!" (Shadow, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Arioso: "Prepare Yourselves, Heroic Shades" - Dialogue: "Madmen's Words Are All Untrue" - Chorus-Minuet: "Leave All Love and Hope Behind" (Rakewell, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Recitative: "There He Is. Have no Fear" - Arioso: "I Have Waited" - Duet: "In a Foolish Dream" - Recitative: "I Am Exceedingly Weary" (Keeper, Anne, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Lullaby: "Gently, Little Boat" - Recitative: "Anne, My Dear, the Tale Is Ended Now" - Duettino: "Every Wearied Body" (Anne, Truelove)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Finale-Recitative: "Where Art Thou, Venus?" - Mourning Chorus: "Mourn for Adonis" (Rakewell, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Epilogue: "Good People, Just a Moment" (Anne, Baba, Rakewell, Shadow, Truelove)
The Fairy's Kiss (1965)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 1: Prologue. The Lullaby in the Storm. Andante - Allegro sostenuto - Vivace agitato (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 2: A Village Fête. Tempo giusto - Valse. Poco più lento - Tempo I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 3: At the Mill. Moderato - Allegretto grazioso (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Pas de deux. a) Entrée. Moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: b) Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: c) Variation. Allegretto grazioso (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: d) Coda. Presto (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scène. Andante non tanto - Più lento (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 4: Epilogue. Berceuse of the Eternal Dwellings. L'istesso tempo - Andante non tanto (von Columbia Symphony Orchestra, Igor Stravinsky)
Meeting at the Summit: Benny Goodman Plays Jazz-Classics with Leonard Bernstein, Aaron Copland, Morton Gould & Igor Stravinsky (1963, 1965)
- Prelude, Fugue & Riffs: I. Prelude (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue & Riffs: II. Fugue (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue & Riffs: III. Riffs
- Concerto for Clarinet, Strings & Harp
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Con moto
- Derivations for Clarinet and Band: I. Warm-up
- Derivations for Clarinet and Band: II. Contrapuntal Blues
- Derivations for Clarinet and Band: III. Rag
- Derivations for Clarinet and Band: IV. Ride-Out
Pulcinella (1965)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella" (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc'è pace" - "Chi disse cà la femmena"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Nce sta quacuna pò" - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alle breve)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai
Perséphone (1966)
- Perséphone, Melodrame en Trois Tableaux: I. Perséphone ravie
- Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux enfers
- Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante
Symphony in E-Flat Major, Op. 1 (1966)
- Symphony in E-Flat Major, Op.1: I. Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: II. Scherzo. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: III. Largo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto (von Columbia Symphony Orchestra, Igor Stravinsky)
Mavra (1964) / Les Noces (1965)
- Mavra, Opera buffa in One Act: Overture (von CBC Symphony Orchestra, Igor Stravinsky)
- Mavra, Opera buffa in One Act: "Drug moy milyy" (Parasha)
- Mavra, Opera buffa in One Act: "Kolokol'chiki zvenyat" (Hussar, Parasha)
- Mavra, Opera buffa in One Act: "U pesen vsekh slova odni" (Parasha, Hussar)
- Mavra, Opera buffa in One Act: "Moya strast' sil'neye stanovitsya" (Parasha, Hussar)
- Mavra, Opera buffa in One Act: "Izbavi Bog prislugu" (Mother, Parasha)
- Mavra, Opera buffa in One Act: "Net, ne zabyt' vo veki mne pokoynitsu" (Mother)
- Mavra, Opera buffa in One Act: "Zhelayu zdravstvovat'! " (Neighbour, Mother)
- Mavra, Opera buffa in One Act: "Gde tak dolgo ty byla?" (Mother, Neighbour, Parasha, Cook)
- Mavra, Opera buffa in One Act: "Parasha!" / "Ya, Vasiliy milyy!" (Parasha, Cook)
- Mavra, Opera buffa in One Act: "Ya pamyat'yu ne izmenyu" (Parasha, Cook)
- Mavra, Opera buffa in One Act: "Parasha!" / "Slyshish'?" (Mother, Parasha, Cook)
- Mavra, Opera buffa in One Act: "Ya zhdu, ya zhdu pokorno" (Cook)
- Mavra, Opera buffa in One Act: "Pozhaluy vremya nastupilo pobrit'sya" (Cook, Mother, Parasha, Neighbour)
- Les Noces (1923): Part I, Scene 1: Chez le mariée "Kosal moya ko"
- Les Noces (1923): Part I, Scene 2: che le marié "Prechistaya Mat, khodi"
- Les Noces (1923): Part I, Scene 3: Le départ de la mariée "Blagoslavyalsya svetyol mesyats"
- Les Noces (1923): Part II, Scene 4: Le repas de noces
Stravinsky Conducts Cantata, Mass, In Memoriam Dylan Thomas and Other Works (1964-67)
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus I (Prelude): "This Ae Nighte"
- Cantata on Old English Texts: Ricercar I: "The Maidens Came"
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon"
- Cantata on Old English Texts: Ricercar II (Sacred History): "Tomorrow Shall Be"
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass"
- Cantata on Old English Texts: Westron Wind
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus IV (Postlude): "If Ever Thou Gav'st Meat or Drink"
- Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: II. Gloria
- Mass for Mixed Chorus and Double Wind Quintet: III. Credo
- Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei
- In Memorium Dylan Thomas: Dirge-Canons (Prelude)
- In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night
- In Memorium Dylan Thomas: Dirge-Canons (Postlude)
- Fanfare for a New Theatre
- The Owl and the Pussy-Cat
- Septet: I. [Sonata Allegro] Quarter Note = 88 (von Columbia Chamber Ensemble, Igor Stravinsky)
- Septet: II. Passacaglia (von Columbia Chamber Ensemble, Igor Stravinsky)
- Septet: III. Gigue (von Columbia Chamber Ensemble, Igor Stravinsky)
- Elegy for J.F.K.
Firebird Suite (1967) / Petrushka Suite (1960, 1967)
- The Firebird Suite: Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Prelude and Dance of the Firebird (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Variations (Firebird) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pas de deux. Firebird and Ivan Tsarevitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime II (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Scherzo. Dance of the Princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime III (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Rondo (Khorovod) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Infernal Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Lullabye (The Firebird) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Final Hymn (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka Suite: The Shrovetide Fair
- Petrushka Suite: The Crowds
- Petrushka Suite: The Charlatan's Booth
- Petrushka Suite: Russian Dance
- Petrushka Suite: Petruchka's Room
- Petrushka Suite: The Shrovetide Fair (Towards Evening)
- Petrushka Suite: Dance of the Wet-Nurses
- Petrushka Suite: Dance of the Peasant and the Bear
- Petrushka Suite: Dance of the Gypsy Girls
- Petrushka Suite: Dance of the Coachmen and the Grooms
- Petrushka Suite: The Masqueraders
Capriccio for Piano and Orchestra (1966) / Concerto for Piano and Wind Instruments (1964)
- Capriccio for Piano and Orchestra: I. Presto (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Capriccio for Piano and Orchestra: II. Andante rapsodico (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo guisto (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Concerto for Piano and Wind Instruments: I. Largo - Allegro
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
Pulcinella Suite (1965) / Scherzo fantastique (1962) / Fireworks & Scherzo à la russe (1963)
- Pulcinella Suite: I. Sinfonia (Ouverture). Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: II. Serenata. Larghetto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIa. Scherzino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIb. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIc. Andantino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IV. Tarantella (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: V. Toccata. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VI. Gavotta con due variazioni. Allegro moderato - Var. I. Allegretto - Var. II. Allegro più tosto moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VII. Vivo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VIIIa. Minuetto. Molto moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VIIIb. Finale. Allegro assai (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scherzo Fantastique, Op. 3 (von CBC Symphony Orchestra, Igor Stravinsky)
- Fireworks , Op.4 (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scherzo à la russe (von Columbia Symphony Orchestra, Igor Stravinsky)
The New Stravinsky: Huxley Variations (1966) / Abraham and Isaac (1967, 1969) / Requiem Canticles (1966)
- Variations, Aldous Huxley in Memoriam (von Columbia Symphony Orchestra, Robert Craft)
- Abraham and Isaac , Sacred Ballad for Baritone and Chamber Orchestra (von Columbia Symphony Orchestra, Robert Craft)
- Introitus , T.S. Elliot in Memoriam
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): I. Prelude (von Columbia Symphony Orchestra, Robert Craft)
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): II. Exaudi
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): III. Dies irae
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): IV. Tuba mirum
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): V. Interlude (von Columbia Symphony Orchestra, Robert Craft)
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VI. Rex tremendae
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VII. Lacrimosa
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VIII. Libera me
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): IX. Postlude (von Columbia Symphony Orchestra, Robert Craft)
Songs (1964-1968)
- The Faun and the Shepherdess, Op. 2: I. The Shepherdess (von CBC Symphony Orchestra, Igor Stravinsky)
- The Faun and the Shepherdess, Op. 2: II. The Faun (von CBC Symphony Orchestra, Igor Stravinsky)
- The Faun and the Shepherdess, Op. 2: III. The River (von CBC Symphony Orchestra, Igor Stravinsky)
- Two Poems by Paul Verlaine, Op. 9: La Lune blanche (von Columbia Symphony Orchestra, Igor Stravinsky)
- Two Poems by Paul Verlaine, Op. 9: Un grand sommeil noir (von Columbia Symphony Orchestra, Igor Stravinsky)
- 2 Poems by Konstantin Balmont: I. Forget-me-nots
- 2 Poems by Konstantin Balmont: II. The Dove
- 3 Japanese Lyrics: I. Akahito (à Maurice Delage) (von Columbia Symphony Orchestra, Robert Craft)
- 3 Japanese Lyrics: II. Mazatsumi (à Florent Schmitt) (von Columbia Symphony Orchestra, Robert Craft)
- 3 Japanese Lyrics: III. Tsaraiuki (à Maurice Ravel) (von Columbia Symphony Orchestra, Robert Craft)
- Three Little Songs "Recollections of My Childhood": I. The Magpie (von Columbia Symphony Orchestra, Igor Stravinsky)
- Three Little Songs "Recollections of My Childhood": II. The Rook (von Columbia Symphony Orchestra, Igor Stravinsky)
- Three Little Songs "Recollections of My Childhood": III. The Jackdaw (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): I. Uncle Armand (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): II. The Oven (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): III. The Colonel (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): IV. The Old Man and the Hare (von Columbia Symphony Orchestra, Igor Stravinsky)
- Tilim-bom (von Columbia Symphony Orchestra, Robert Craft)
- Cat's Cradle Song: I. On the Stove (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: II. At Home (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: III. Lullaby (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: IV. The Cat Has... (von Columbia Symphony Orchestra, Igor Stravinsky)
- 4 Russian Songs for Voice, Flute, Harp and Guitar: I. The Drake
- 4 Russian Songs for Voice, Flute, Harp and Guitar: II. A Russian Spiritual
- 4 Russian Songs for Voice, Flute, Harp and Guitar: III. Geese and Swans
- 4 Russian Songs for Voice, Flute, Harp and Guitar: IV. Tilim-bom
- Three Songs from William Shakespeare: I. Musick to Heare
- Three Songs from William Shakespeare: II. Full Fadom Five
- Three Songs from William Shakespeare: III. When Dasies Pied
Danses concertantes (1967) / 4 Norwegian Moods (1963) / Ode (1964) / Concerto in D (1963)
- Danses Concertantes for Chamber Orchestra: I. Marche - Introduction (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: II. Pas d'action. Con moto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: III. Thème varié. Lento - Var. 1. Allegretto - Var. 2. Scherzando - Var. 3. Andantino - Var. 4. Tempo giusto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: IV. Pas de deux. Risoluto - Andante sostenuto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: V. Marche - Conclusion (von Columbia Chamber Orchestra, Robert Craft)
- Four Norwegian Moods for Orchestra: I. Intrada (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: II. Song (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: III. Wedding Dance (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: IV. Cortège (von CBC Symphony Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: I. Eulogy. Lento (von Cleveland Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: II. Eclogue. Con moto (von Cleveland Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: III. Epitaph. Lento (von Cleveland Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": I. Vivace (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": II. Arioso. Andantino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": III. Rondo. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts Music for Chamber and Jazz Ensembles (1964-65) / Bonus: Stravinsky in Rehearsal
- Praeludium
- Pastorale (Version for Violin & Chamber Ensemble)
- Tango , Version for 19 Instruments, 1953
- Concertino for 12 Instruments (von Columbia Chamber Ensemble, Igor Stravinsky)
- The Star-Spangled Banner (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: I. On Saints' Days in Chigisakh
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: II. Ovsen
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: III. The Pike
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: IV. Master Portly
- Ave Maria (Revised 1949 version) (von Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky)
- Credo (Revised 1964 version)
- Pater Noster (Revised 1949 Version) (von Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky)
- Pastorale, Song Without Words for Soprano and Piano
- Stravinsky in Rehearsal: Apollon musagète
- Stravinsky in Rehearsal: The Sleeping Beauty: Bluebird Pas de deux
- Stravinsky in Rehearsal: 3 Little Songs "Recollections of My Childhood" with Cathy Berberian
- Stravinsky in Rehearsal: Pulcinella
- Stravinsky in Rehearsal: Concerto for Piano and Wind Instruments with Philippe Entremont
- Stravinsky in Rehearsal: Symphony in C
- Stravinsky in His Own Words: Excerpts from Portrait of Stravinsky
- Rehearsal Fragment: Symphony in C (Near End of the First Movement)
Symphony of Wind Instruments (1966) / Les Noces (1973) / Chant du Rossignol (1967)
- Symphonies of Wind Instruments - Revised 1947 version
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 1: Chez la mariée "Kosal moya ko"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 2: Chez le mariée "Prechistaya Mat, khodi"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 3: Le Départ de la mariée "Blagoslavyalsya svetyol mesyats"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part II, Scene 4: Le Repas de noces "Yagoda s yagodoi sokatilasya"
- Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 1: Chez la mariée "Kosal moya ko"
- Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 2: Chez le marié "Prechistay Mat, khodi"
- Chant du rossignol: I. Introduction (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: II. Marche chinoise (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: III. Chant du rossignol (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: IV. Jeu du rossignol mécanique (von Columbia Symphony Orchestra, Robert Craft)
Tashi Plays Stravinsky (1976)
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): I. The Soldier's March
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): II. The Soldier's Violin
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): III. The Little Concert
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): IV. Tango - Waltz - Ragtime
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): V. The Devil's Dance
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: I. [Sonata allegro] Quarter Note = 88
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: II. Passacaglia
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: III. Gigue
- Pastorale , Song Without Words Version for Violin and Piano (1933)
- Three Pieces for Clarinet: I. Sempre piano e molto tranquillo
- Three Pieces for Clarinet: II. Eighth Note = 168
- Three Pieces for Clarinet: III. Eighth Note = 160
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": I. Introduzione. Allegro moderato
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": II. Serenata. Larghetto
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": III. Aria. Allegro alla breve
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": IV. Tarantella. Vivace
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": V. Minuetto e Finale. Moderato - Molto vivace
The Soldier's Tale [Narrated by Jeremy Irons] (1961, 1967, 2005)
- The Soldier's Tale: Part 1: Introduction: The Soldier's March
- The Soldier's Tale: Part 1: Music for Scene One: Airs by a Stream
- The Soldier's Tale: Part 1: The Soldier's March (Reprise)
- The Soldier's Tale: Part 1: Music for Scene Two: Pastorale
- The Soldier's Tale: Part 1: Airs by a Stream (Reprise)
- The Soldier's Tale: Part 1: Music for Scene Three: Airs by a Stream (Reprise)
- The Soldier's Tale: Part 2: The Soldier's March (Reprise)
- The Soldier's Tale: Part 2: The Royal March
- The Soldier's Tale: Part 2: The Little Concert
- The Soldier's Tale: Part 2: Three Dances: 1. Tango
- The Soldier's Tale: Part 2: Three Dances: 2. Valse
- The Soldier's Tale: Part 2: Three Dances: 3. Ragtime
- The Soldier's Tale: Part 2: The Devil's Dance
- The Soldier's Tale: Part 2: Little Chorale
- The Soldier's Tale: Part 2: The Devil's Song
- The Soldier's Tale: Part 2: Great Choral
- The Soldier's Tale: Part 2: Triumphal March of the Devil
Coleção Folha Mestres da música clássica, volume 14: Igor Stravinsky (Compilation)
Ferenc Fricsay, Vol. 4
- Petrushka, Pt. 1: The Shrovetide Fair and Russian Dance (1947 Version) (von Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay)
- Petrushka, Pt. 2: Petrushka (1947 Version) (von Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay)
- Petrushka, Pt. 3: The Moor and Valse (1947 Version) (von Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay)
- Petrushka, Pt. 4: The Shrovetide Fair (1947 Version) (von Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay)
- Symphony of Psalms: I. Exaudi orationem meam
- Symphony of Psalms: II. Expectans expectavi Dominum
- Symphony of Psalms: III. Alleluia. Laudate Dominum