Henry Purcell Songtexte
Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)
Orpheus Britannicus: "So when the glittering Queen of Night"
If Love's a Sweet Passion from The Fairy Queen
One Charming Night
I Attempt from Love's Sickness to Fly
Geboren am 10. September 1659, Gestorben am 21. November 1695
Purcell: Anthems for the Chapel Royal
- O All Ye Works of the Lord (Benedictine)
- Thou Knowest, Lord, the Secrets of Our Hearts
- Blow Up the Trumpet in Zion
- Save Me, O God, for Thy Namesake
- Remember Not, Lord, Our Offences
- O God, Thou Hase Cast Us Out
- O Lord God of Hosts
- Funeral Sentences: Man That is Born of a Woman
- Funeral Sentences: In The Midst of Life
- Funeral Sentences: Thou Knowest, Lord, the Secrets of Our Hearts
- O God, Thou Art My God
- O Be Joyful in the Lord
- I Will Sing Unto the Lord
- Hear My Prayer, O Lord
A Musical Celebration (Compilation)
- Dido & Aeneas: Overture
- King Arthur: Third Act
- Come, Ye Sons of Art: Sound the Trumpet - Come, Ye Sons of Art, Away (von Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, Sir John Eliot Gardiner)
- Ode for St. Cecilia's Day: Hail! Bright Cecilia
- Music for Queen Mary: March - Man That Is Born
- The Indian Queen: Trumpet Overture
- Dido & Aeneas: Prelude for the Witches - In Our Deep Vaulted Cell
- Dido & Aeneas: Thy Hand Belinda - When I Am Laid in Earth - With Drooping Wings
- The Tempest: No Stars Again Shall Hurt You (von Monteverdi Choir, Jennifer Smith, Stephen Varcoe, Monteverdi Orchestra, John Eliot Gardiner)
- Ode for St. Cecilia's Day: Final Chorus
- King Arthur: Air (2nd Act Tune) (von English Baroque Soloists, John Eliot Gardiner)
Baroque Vol.18 - Purcell: Instrumental Works - Menuhin, Brosse et al. (EMI 1996)
- Trio Sonata No.8 in G major
- Fantasia No.4 in G minor
- Fantasia No.8 in D minor
- Trio Sonata No.6 in G minor
- Trio Sonata No.2 in C major
- Fantasia No.7 in C minor
- Fantasia No.13 in F major
- The Virtuous Wife - Overture, Air & Jig
- Abdelazar - Air (von Jean‐Patrice Brosse)
- Jig
- Timon of Athens - Chaconne Z 680 (von Jean‐Patrice Brosse)
- Abdelazar - Jig Z 686 (von Jean‐Patrice Brosse)
- The Indian Queen - Canary Z 677 (von Jean‐Patrice Brosse)
- Jig Z 223 (von Jean‐Patrice Brosse)
- The Indian Queen - Trumpet Tune in C major Z 698 (von Jean‐Patrice Brosse)
- The Queen's Dolour Z 670 (von Jean‐Patrice Brosse)
- Trumpet Tune in D Major (von Jean‐Patrice Brosse)
Purcell Collection (Compilation)
- King Arthur: First Music: Chaconne (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Second Music: Overture (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Second Music: Air (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 1: Woden, first to thee…We have sacrific’d (Bass/Tenor/Chorus)
- King Arthur: Act 1: The white horse neigh’d aloud…To Woden thanks we render (Tenors/Chorus)
- King Arthur: Act 1: The lot is cast (Soprano) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 1: Brave souls (Chorus)
- King Arthur: Act 1: I call ye all (Tenor/Chorus)
- King Arthur: Act 1: Come if you dare (Tenor/Chorus)
- King Arthur: Act 2: Hither, this way (Philidel/Chorus)
- King Arthur: Act 2: Let not a moonborn elf (Grimbald)
- King Arthur: Act 2: Hither, this way bend (Chorus)
- King Arthur: Act 2: Come, follow, follow, follow me (Philidel/Sopranos/Alto/Bass/Voices/Chorus)
- King Arthur: Act 2: How blest are shepherds (Shepherd/Chorus)
- King Arthur: Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
- King Arthur: Act 2: Come, shepherds (Chorus)
- King Arthur: Act 2: Second Act Tune: Air (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 3: Prelude (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 3: What ho! (Cupid)
- King Arthur: Act 3: What power art thou (Genius)
- King Arthur: Act 3: Thou doting fool (Cupid)
- King Arthur: Act 3: Great Love, I know thee now (Genius)
- King Arthur: Act 3: No part of my dominion (Cupid)
- King Arthur: Act 3: Prelude (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 3: See, see, we assemble (Chorus)
- King Arthur: Act 3:’Tis I that have warm’d ye (Cupid/Chorus)
- King Arthur: Act 3: Sound a parley…’Tis Love, ’tis Love that has warm’d us (Cupid/Genius/Chorus)
- King Arthur: Act 3: Third Act Tune: Hornpipe (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 4: Two daughters (Sirens)
- King Arthur: Act 4: Passacaglia: How happy the lover… Ritornello: For love evr’y creature… No joys are above…In vain are our graces… Then use the sweet blessing (Tenor/Soprano/Bass/Nymphs/Men/Women/Chorus)
- King Arthur: Act 4: Fourth Act Tune: Air (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 5: Trumpet Tune (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 5: Ye blust’ring brethren (Aeolus)
- King Arthur: Act 5: Symphony (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 5: Round thy coast (Nereid/Pan/Chorus)
- King Arthur: Act 5: For folded flocks (Countertenor/Tenor/Bass)
- King Arthur: Act 5: Your hay it is mow’d (Comus/Chorus)
- King Arthur: Act 5: Fairest Isle (Venus)
- King Arthur: Act 5: Dialogue: You say, ’tis Love (Soprano/Bass)
- King Arthur: Act 5: Trumpet Tune (Orchestra) (von The English Concert, Trevor Pinnock)
- King Arthur: Act 5: Saint George, the patron of our Isle… Our natives not alone appear (Honour/Chorus)
- The Fairy Queen: First Music: Prelude (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: First Music: Hornpipe (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Second Music: Air (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Second Music: Rondeau (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 1: Overture (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 1: Duet: Come, let us leave the town (GK/ME) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 1: Scene of the Drunken Poet (MB/GK/RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 1: First Act Tune: Jig (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Solo: Come, all ye songsters (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Interlude (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Terzetto: xMay the God of Wit inspire (WT/RM/MB) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Echo (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Chorus: Now join your warbling voices all (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Solo with Chorus: Sing while we trip it (GK) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Night: See, even Night herself is here (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Mistery: I am come to lock all fast (RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Secrecy: One charming night (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Sleep and Chorus: Hush, no more, be silent all (MB) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Dance for the Followers of Night (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 2: Second Act Tune: Air (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Solo with Chorus: If love’s a sweet passion (RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Symphony while the swans come forward (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Dance for the Fairies (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Dance for the Green Man (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Solo: Ye gentle spirits of the air (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Dialogue between Coridon and Mopsa: Now the Maids and the Men (MB/WT) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: A Nymph: When I have often heard (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Dance of the Haymakers (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Solo with Chorus: A thousand, thousand ways (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 3: Third Act Tune: Hornpipe (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Symphony (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Attendant and Chorus: Now the night is chas'd away (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Two Other Attendants: Let the fife and the clarions (AC/RM) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Entry of Phoebus (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Phoebus: When a cruel, long Winter (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Spring: Thus the ever grateful Spring (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Summer: Here's the Summer, sprightly, gay (WT) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Autumn: See my many colour'd fields (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Winter: Now Winter come slowly (MB) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Fourth Act Tune: Air (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Prelude (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Epithalamium — Juno: Thrice happy lovers (RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: The Plaint: O let me ever, ever weep (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Entry Dance (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Symphony (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: A Chinese Man: Thus the gloomy world (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: A Chinese Woman and Chorus: Thus happy and free (GK) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: A Chinese Man: Yes, Daphne, in your looks I find (AC) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Monkeys’ Dance (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: First Chinese Woman: Hark, how all things (RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Second Chinese Woman and Chorus: Hark, the echoing air (CS) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Two Chinese Women and Chorus: Sure the dull God of Marriage (GK/RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Prelude (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Hymen: See, I obey (MB) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Two Chinese Women: Turn then thine eyes (GK/RO) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Hymen: My torch indeed (MB) (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Chaconne: Dance for a Chinese Man and Woman (von Accademia Bizantina, Ottavio Dantone)
- The Fairy Queen: Act 4: Two Chinese Women and Hymen with Chorus: They shall be as happy (GK/RO/ME) (von Accademia Bizantina, Ottavio Dantone)
- Dido and Aeneas: Overture (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: Shake the cloud from off your brow (Belinda/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: Ah! Belinda, I am press’d with torment (Dido) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: Grief increases by concealing (Belinda/Dido/Second Woman/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: Whence could so much virtue spring? (Dido/Belinda/Second Woman) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: Fear no danger to ensue (Belinda/Woman/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: The Baske Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: See, your royal guest appears (Belinda/Aeneas/Dido/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: If not for mine, for Empire’s sake (Aeneas/Belinda/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 1: The Palace: The Triumphing Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 1: The Cave: Wayward sisters, you that fright (Sorceress/First Witch/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 1: The Cave: The Queen of Carthage, whom we hate (Sorceress/Chorus/First and Second Witch) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 1: The Cave: But ere we this perform (Witches/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 1: The Cave: Echo Dance of Furies (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Ritornelle (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Thanks to these lonesome vales (Belinda/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Oft she visits this lone mountain (Second Woman) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Behold! upon my bending spear (Aeneas/Dido/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Stay, Prince, and hear great Jove’s command! (Spirit/Aeneas) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Then since our charms have sped (Sorceress/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 2: Scene 2: The Grove: The Groves’ Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 1: The Ships: Come away, fellow sailors (Sailor/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 1: The Ships: The Sailors’ Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 1: The Ships: See the flags and streamers curling (Sorceress/Witches) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 1: The Ships: Our next motion (Sorceress/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 1: The Ships: A Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 2: Your counsel all is urg’d in vain (Dido/Belinda/Aeneas/Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 2: Thy hand, Belinda…When I am laid in earth (Dido) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 2: With drooping wings ye Cupids come (Chorus) (von Musica ad Rhenum, Jed Wentz)
- Dido and Aeneas: Act 3: Scene 2: Cupids’ Dance (Orchestra) (von Musica ad Rhenum, Jed Wentz)
- Hail! bright Cecilia, Z. 328: Symphony (von Gabrieli Players, Paul McCreesh)
- Hail! bright Cecilia, Z. 328: Hail! bright Cecilia, Hail!
- Hail! bright Cecilia, Z. 328: Hark, each Tree its silence breaks
- Hail! bright Cecilia, Z. 328: ’Tis Nature’s Voice; thro’ all the moving Wood (von Gabrieli Players, Paul McCreesh)
- Hail! bright Cecilia, Z. 328: Soul of the World! (von Gabrieli Consort, Gabrieli Players, Paul McCreesh)
- Hail! bright Cecilia, Z. 328: Thou tun’st this World below, the Spheres above
- Hail! bright Cecilia, Z. 328: With that sublime Celestial Lay
- Hail! bright Cecilia, Z. 328: Wond’rous Machine! (von Gabrieli Players, Paul McCreesh)
- Hail! bright Cecilia, Z. 328: The Airy Violin
- Hail! bright Cecilia, Z. 328: In vain the Am’rous Flute and soft Guitar
- Hail! bright Cecilia, Z. 328: The Fife and all the Harmony of War
- Hail! bright Cecilia, Z. 328: Let these amongst themselves contest
- Hail! bright Cecilia, Z. 328: Hail! bright Cecilia, Hail to thee!
- Hail! bright Cecilia, Z. 328: My beloved spake Z28
- Hail! bright Cecilia, Z. 328: O Sing unto the Lord
- Sacred music I: Lord, what is man, Z. 192
- Sacred music I: O solitude, my sweetest choice, Z. 406
- Sacred music I: In the black, dismal dungeon of despair, Z. 190
- Sacred music I: Lord, I can suffer thy rebukes, Z. 136
- Sacred music I: Voluntary in G, Z. 720 (von Timothy Roberts)
- Sacred music I: In guilty night, Z. 134
- Sacred music I: Voluntary in C, Z. 717 (von Timothy Roberts)
- Sacred music I: Plung’d in the confines of despair, Z. 142
- Sacred music I: Awake, ye dead, the trumpet calls, Z. 182
- Sacred music I: The earth trembled, Z. 197
- Sacred music I: My op’ning eyes are purg’d, Z. D72
- Sacred music I: With sick and famish’d eyes, Z. 200
- Sacred music I: Ground in C, Z. D221 (von Timothy Roberts)
- Sacred music I: O, I’m sick of life, Z. 140
- Sacred music I: Close thine eyes and sleep secure, Z. 184
- Te Deum and Jubilate Deo, Z. 232: Te Deum
- Te Deum and Jubilate Deo, Z. 232: Jubilate Deo
- My beloved spake, Z. 28
- O God, Thou art my God, Z. 35
- Lord, how long wilt Thou be angry?, Z. 25
- Remember not, Lord, our offences, Z. 50
- Hear my prayer, O Lord, Z. 15
- Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a
- Funeral Sentences for the death of Queen Mary II: Man that is born of a woman, Z. 27
- Funeral Sentences for the death of Queen Mary II: In the midst of life, Z. 17a
- Funeral Sentences for the death of Queen Mary II: Canzona, Z. 860b
- Funeral Sentences for the death of Queen Mary II: Thou knowest, Lord, Z. 58a
- Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a
- Songs: Strike the Viol (from Come, ye sons of art away, Z. 323)
- Songs: The Queen’s Epicedium, Z. 383
- Songs: Songs: Here the Deities approve (Welcome to all the pleasures, Z. 339)
- Songs: Sweeter than roses (Pausanias, Z. 585 No.1)
- Songs: Music for a while (Oedipus, Z. 383 No.2)
- Songs: If music be the food of love, Z. 397
- Songs: An Evening Hymn, Z. 193 (von Florilegium)
- Instrumental Music: Chaconne in G minor (Timon of Athens, Z. 632) (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: First Music (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Overture (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: First Act Tune (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Dance of the Furies (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Second Act Tune (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Two in once upon a ground (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: The Chair Dance (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Third Act Tune (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Butterfly Dance (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Country Dance in Act V (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Dance of the Bacchanals (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Still I’m wishing (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Canaries (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Dance (von Florilegium)
- The History of Dioclesian, Z. 627 — excerpts: Dance (von Florilegium)
- Curtain Tune (from Timon of Athens) (von Florilegium)
- Sonata no. 1 in G minor, Z. 790: I. (Adagio) (von Musica Amphion)
- Sonata no. 1 in G minor, Z. 790: II. Vivace (von Musica Amphion)
- Sonata no. 1 in G minor, Z. 790: III. Adagio — Presto (von Musica Amphion)
- Sonata no. 1 in G minor, Z. 790: IV. Largo (von Musica Amphion)
- Sonata no. 2 in B-flat, Z. 791: I. Adagio (von Musica Amphion)
- Sonata no. 2 in B-flat, Z. 791: II. Largo — Presto (von Musica Amphion)
- Sonata no. 2 in Bflat, Z. 791: III. Adagio (von Musica Amphion)
- Sonata no. 2 in B-flat, Z. 791: IV. Allegro (von Musica Amphion)
- Sonata no. 3 in D minor, Z. 792: I. (Grave) — Adagio (von Musica Amphion)
- Sonata no. 3 in D minor, Z. 792: II. Canzona (von Musica Amphion)
- Sonata no. 3 in D minor, Z. 792: III. Poco largo — Allegro (von Musica Amphion)
- Sonata no. 4 in F, Z. 793: I. (Adagio) (von Musica Amphion)
- Sonata no. 4 in F, Z. 793: II. Canzona (von Musica Amphion)
- Sonata no. 4 in F, Z. 793: III. Poco largo (von Musica Amphion)
- Sonata no. 4 in F, Z. 793: IV. Allegro (von Musica Amphion)
- Sonata no. 5 in A minor, Z. 794: I. (Canzona) (von Musica Amphion)
- Sonata no. 5 in A minor, Z. 794: II. Adagio (von Musica Amphion)
- Sonata no. 5 in A minor, Z. 794: III. Largo (von Musica Amphion)
- Sonata no. 5 in A minor, Z. 794: IV. Grave — Canzona (von Musica Amphion)
- Sonata no. 6 in C, Z. 795: I. (Adagio) (von Musica Amphion)
- Sonata no. 6 in C, Z. 795: II. Canzona (von Musica Amphion)
- Sonata no. 6 in C, Z. 795: III. Largo (von Musica Amphion)
- Sonata no. 6 in C, Z. 795: IV. Allegro (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 796: I. (Adagio) (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 796: II. Canzona (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 796:. Largo (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 796: IV. Grave (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 796: V. Vivace (von Musica Amphion)
- Sonata no. 8 in G, Z. 797: I. (Canzona) (von Musica Amphion)
- Sonata no. 8 in G, Z. 797: II. Poco largo — Allegro (von Musica Amphion)
- Sonata no. 8 in G, Z. 797: III. Grave — Vivace (von Musica Amphion)
- Sonata no. 9 in C minor, Z. 798: I. (Adagio) (von Musica Amphion)
- Sonata no. 9 in C minor, Z. 798: II. Largo (von Musica Amphion)
- Sonata no. 9 in C minor, Z. 798: III. Canzona — Adagio (von Musica Amphion)
- Sonata no. 9 in C minor, Z. 798: IV. Allegro (von Musica Amphion)
- Sonata no. 10 in A, Z. 799: I. (Adagio) (von Musica Amphion)
- Sonata no. 10 in A, Z. 799: II. Largo (von Musica Amphion)
- Sonata no. 10 in A, Z. 799: III. Grave — Presto (von Musica Amphion)
- Sonata no. 11 in F minor, Z. 800: I. (Adagio) (von Musica Amphion)
- Sonata no. 11 in F minor, Z. 800: II. Canzona (von Musica Amphion)
- Sonata no. 11 in F minor, Z. 800: III. Adagio (von Musica Amphion)
- Sonata no. 11 in F minor, Z. 800: IV. Largo (von Musica Amphion)
- Sonata no. 12 in D, Z. 801: I. Adagio (von Musica Amphion)
- Sonata no. 12 in D, Z. 801: II. Canzona (von Musica Amphion)
- Sonata no. 12 in D, Z. 801: III. Poco largo (von Musica Amphion)
- Sonata no. 12 in D, Z. 801: IV. Grave — Presto (von Musica Amphion)
- Sonata no. 12 in D, Z. 801: V. Allegro (von Musica Amphion)
- Sonata no. 1 in B minor, Z. 802: I. Adagio — Canzona: Allegro (von Musica Amphion)
- Sonata no. 1 in B minor, Z. 802: II. Largo (von Musica Amphion)
- Sonata no. 1 in B minor, Z. 802: III. Vivace (von Musica Amphion)
- Sonata no. 2 in E-flat, Z. 803: I. Adagio (von Musica Amphion)
- Sonata no. 2 in E-flat, Z. 803: II. Canzona: Allegro (von Musica Amphion)
- Sonata no. 2 in E-flat, Z. 803: III. Adagio (von Musica Amphion)
- Sonata no. 2 in E-flat, Z. 803: IV. Largo — Allegro (von Musica Amphion)
- Sonata no. 3 in A minor, Z. 804: I. Grave (von Musica Amphion)
- Sonata no. 3 in A minor, Z. 804: II. Largo (von Musica Amphion)
- Sonata no. 3 in A minor, Z. 804: III. Adagio (von Musica Amphion)
- Sonata no. 3 in A minor, Z. 804: IV. Allegro (von Musica Amphion)
- Sonata no. 4 in D minor, Z. 805: I. Adagio (von Musica Amphion)
- Sonata no. 4 in D minor, Z. 805: II. Canzona (von Musica Amphion)
- Sonata no. 4 in D minor, Z. 805: III. Adagio (von Musica Amphion)
- Sonata no. 4 in D minor, Z. 805: IV. Vivace (von Musica Amphion)
- Sonata no. 4 in D minor, Z. 805: V Largo (von Musica Amphion)
- Sonata no. 5 in G minor, Z. 806: I. Adagio (von Musica Amphion)
- Sonata no. 5 in G minor, Z. 806: II. Canzona (von Musica Amphion)
- Sonata no. 5 in G minor, Z. 806: III. Largo (von Musica Amphion)
- Sonata no. 5 in G minor, Z. 806: IV. Adagio (von Musica Amphion)
- Sonata no. 5 in G minor, Z. 806: V. Presto — Allegro — Adagio (von Musica Amphion)
- Sonata no. 6 in G minor (Chaconne), Z. 807: Adagio (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 808: I. Vivace (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 808: II. Largo (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 808: III. Grave — Canzona (von Musica Amphion)
- Sonata no. 7 in E minor, Z. 808: IV. Allegro (von Musica Amphion)
- Sonata no. 8 in G minor, Z. 809: I. Adagio (von Musica Amphion)
- Sonata no. 8 in G minor, Z. 809: II. Canzona (von Musica Amphion)
- Sonata no. 8 in G minor, Z. 809: III. Grave (von Musica Amphion)
- Sonata no. 8 in G minor, Z. 809: IV. Largo (von Musica Amphion)
- Sonata no. 8 in G minor, Z. 809: V. Vivace (von Musica Amphion)
- Sonata no. 9 in F, Z. 8102: I. Vivace (von Musica Amphion)
- Sonata no. 9 in F, Z. 8102: II. Adagio (von Musica Amphion)
- Sonata no. 9 in F, Z. 8102: III. Canzona (von Musica Amphion)
- Sonata no. 9 in F, Z. 8102: IV. Grave (von Musica Amphion)
- Sonata no. 9 in F, Z. 8102: V. Allegro (von Musica Amphion)
- Sonata no. 10 in D, Z. 811: I. Adagio (von Musica Amphion)
- Sonata no. 10 in D, Z. 811: II. Canzona: Allegro (von Musica Amphion)
- Sonata no. 10 in D, Z. 811: III. Grave (von Musica Amphion)
- Sonata no. 10 in D, Z. 811: IV. Largo (von Musica Amphion)
- Sonata no. 10 in D, Z. 811: V. Allegro (von Musica Amphion)
- Overture in G (von Musica Amphion)
- Pavan of four parts in G minor, Z. 752 (von Musica Amphion)
- Chacony in G Minor, Z. 730 (von Musica Amphion)
- Sonata in D, Z. 850: I. (Allegro) (von Musica Amphion)
- Sonata in D, Z. 850: II. Adagio (von Musica Amphion)
- Sonata in D, Z. 850: III. Presto (von Musica Amphion)
- Pavan in A, Z. 748 (von Musica Amphion)
- Suite in G, Z. 770: I. Overture (von Musica Amphion)
- Suite in G, Z. 770: II. Air (von Musica Amphion)
- Suite in G, Z. 770: III. Borry (von Musica Amphion)
- Suite in G, Z. 770: IV. Air (von Musica Amphion)
- Suite in G, Z. 770: V. Jigg (von Musica Amphion)
- Fantasia: Three Parts upon a Ground, Z. 731 (von Musica Amphion)
- Overture in D minor, Z. 771 (von Musica Amphion)
- Pavan in B-flat, Z. 750 (von Musica Amphion)
- Prelude in D minor, Z. 773 (von Musica Amphion)
- Sonata in G minor, Z. 780: I. Adagio (von Musica Amphion)
- Sonata in G minor, Z. 780: II. Allegro (von Musica Amphion)
- Sonata in G minor, Z. 780: III. Largo (von Musica Amphion)
- Sonata in G minor, Z. 780: IV. Vivace (von Musica Amphion)
- The Staircase Overture in B-flat (von Musica Amphion)
- Cibell in C, Z. 678 (von Musica Amphion)
- Pavan in A minor, Z. 749 (von Musica Amphion)
- Overture in G minor, Z. 772 (von Musica Amphion)
- Pavan in G minor, Z. 751 (von Musica Amphion)
- Fantasias for Strings: No. 1 a3, Z. 732 (von Musica Amphion)
- Fantasias for Strings: No. 2 a3, Z. 733 (von Musica Amphion)
- Fantasias for Strings: No. 3 a3, Z. 734 (von Musica Amphion)
- Fantasias for Strings: No. 4 a4, Z. 735 (von Musica Amphion)
- Fantasias for Strings: No. 5 a4, Z. 736 (von Musica Amphion)
- Fantasias for Strings: No. 6 a4, Z. 737 (von Musica Amphion)
- Fantasias for Strings: No. 7 a4, Z. 738 (von Musica Amphion)
- Fantasias for Strings: No. 8 a4, Z. 739 (von Musica Amphion)
- Fantasias for Strings: No. 9 a4, Z. 740 (von Musica Amphion)
- Fantasias for Strings: No. 10 a4, Z. 741 (von Musica Amphion)
- Fantasias for Strings: No. 11 a4, Z. 742 (von Musica Amphion)
- Fantasias for Strings: No. 12 a4, Z. 743 (von Musica Amphion)
- Fantasias for Strings: No. 13 a4, Z. 744 (incomplete) (von Musica Amphion)
- Fantasia Upon One Note a5, Z. 745 (von Musica Amphion)
- In Nomine a6, Z. 746 (von Musica Amphion)
- In Nomine a7, Z. 747 (von Musica Amphion)
- Suite no. 1 in G, Z. 660: I. Prelude (von Pieter-Jan Belder)
- Suite no. 1 in G, Z. 660: II. Almand (von Pieter-Jan Belder)
- Suite no. 1 in G, Z. 660: III. Corant (von Pieter-Jan Belder)
- Suite no. 1 in G, Z. 660: IV. (Minuet) (von Pieter-Jan Belder)
- Suite no. 2 in G minor, Z. 661: I. Prelude (von Pieter-Jan Belder)
- Suite no. 2 in G minor, Z. 661: II. Almand (von Pieter-Jan Belder)
- Suite no. 2 in G minor, Z. 661: III. Corant (von Pieter-Jan Belder)
- Suite no. 2 in G minor, Z. 661: IV. Saraband (von Pieter-Jan Belder)
- Suite no. 3 in G, Z. 662: I. Prelude (von Pieter-Jan Belder)
- Suite no. 3 in G, Z. 662: II. Almand (von Pieter-Jan Belder)
- Suite no. 3 in G, Z. 662: III. Courante (von Pieter-Jan Belder)
- Suite no. 4 in A minor, Z. 663: I. Prelude (von Pieter-Jan Belder)
- Suite no. 4 in A minor, Z. 663: II. Almand (von Pieter-Jan Belder)
- Suite no. 4 in A minor, Z. 663: III. Corante (von Pieter-Jan Belder)
- Suite no. 4 in A minor, Z. 663: IV. Saraband (von Pieter-Jan Belder)
- Suite no. 5 in C, Z. 666: I. Prelude (von Pieter-Jan Belder)
- Suite no. 5 in C, Z. 666: II. Almand (von Pieter-Jan Belder)
- Suite no. 5 in C, Z. 666: III. Corant (von Pieter-Jan Belder)
- Suite no. 5 in C, Z. 666: IV. Saraband (von Pieter-Jan Belder)
- Suite no. 6 in D, Z. 667: I. Prelude (von Pieter-Jan Belder)
- Suite no. 6 in D, Z. 667: II. Almand (von Pieter-Jan Belder)
- Suite no. 6 in D, Z. 667: III. (Hornpipe) (von Pieter-Jan Belder)
- Suite no. 7 in D minor, Z. 668: I. Almand (very slow) (von Pieter-Jan Belder)
- Suite no. 7 in D minor, Z. 668: II. Corant (von Pieter-Jan Belder)
- Suite no. 7 in D minor, Z. 668: III. Hornpipe (von Pieter-Jan Belder)
- Suite no. 8 in F, Z. 669: I. Prelude (von Pieter-Jan Belder)
- Suite no. 8 in F, Z. 669: II. Almand (von Pieter-Jan Belder)
- Suite no. 8 in F, Z. 669: III. Corant (von Pieter-Jan Belder)
- Suite no. 8 in F, Z. 669: IV. Minuet (von Pieter-Jan Belder)
- Song Tune in C, ZT. 694 (from "Ah! how pleasant ’tis to love", Z. 353) (von Pieter-Jan Belder)
- March in C, Z. 647 (von Pieter-Jan Belder)
- Song Tune in C, ZT. 695 (from "Sylvia, now your scorn give over", Z. 420) (von Pieter-Jan Belder)
- March in C, Z. 648 (von Pieter-Jan Belder)
- New Minuet in D minor, ZT. 689 (von Pieter-Jan Belder)
- Minuet in A minor, Z. 649 (von Pieter-Jan Belder)
- Minuet in A minor, Z. 650 (von Pieter-Jan Belder)
- A New Scotch Tune, Z. 655: "Peggy I must love you" (von Pieter-Jan Belder)
- A New Ground, ZT. 682 (from "Welcome to all the pleasures", Z. 339 no. 3) (von Pieter-Jan Belder)
- A New Irish Tune, Z. 646 "Lilliburlero" (von Pieter-Jan Belder)
- Rigadoon in C, Z. 653 (von Pieter-Jan Belder)
- Sefauchi’s Farewell, Z. 656 (von Pieter-Jan Belder)
- Minuet in D minor, ZT. 688 (from "Raise, raise the voice", Z. 334 no. 6) (von Pieter-Jan Belder)
- March, ZT. 687 in C (from The Married Beau, Z. 603 no. 8) (von Pieter-Jan Belder)
- Trumpet Tune, ZT. 698 in C (from The Indian Queen, Z. 630 no. 4a) (von Pieter-Jan Belder)
- Chaconne in G minor, ZT. 680 (from Timon of Athens, Z. 632 no. 20) (von Pieter-Jan Belder)
- Jig in G minor, ZT. 686 (from Abdelazer, Z. 570 No. 7) (von Pieter-Jan Belder)
- Trumpet Tune in C, ZT. 678 (from Cibell) (von Pieter-Jan Belder)
- Trumpet Tune in C, ZT. 697 (von Pieter-Jan Belder)
- Air in G, Z. 641 (von Pieter-Jan Belder)
- Air, ZT. 675 (von Pieter-Jan Belder)
- Air, ZT. 696 no.2 (von Pieter-Jan Belder)
- Air, Z. 676 (von Pieter-Jan Belder)
- Air (from The Indian Queen, Z. 630 no. 1) (von Pieter-Jan Belder)
- Air, ZT. 693 no. 2 (von Pieter-Jan Belder)
- Canary, ZT. 677 (von Pieter-Jan Belder)
- Prelude in G Minor (alternative prelude from Suite no. 2 in G minor Z. 661 no. 1) (von Pieter-Jan Belder)
- Ground in G, Z. 645 (von Pieter-Jan Belder)
- Prelude in C (from 20 Keyboard Pieces, ed. Moroney) (von Pieter-Jan Belder)
- Ground in C minor, ZT. 681 (von Pieter-Jan Belder)
- Ground in D minor, ZD. 222 (von Pieter-Jan Belder)
- Hornpipe, ZT. 683 (von Pieter-Jan Belder)
- Hornpipe, ZT. 685 (von Pieter-Jan Belder)
- Minuet in G, Z. 651 (von Pieter-Jan Belder)
- Round O, ZT. 684 (von Pieter-Jan Belder)
- Corant in G, Z. 644 (von Pieter-Jan Belder)
- Almond in D-sol-re#, ZD. 219 no. 1 (Gavotte) (von Pieter-Jan Belder)
- Ground in C Minor, ZD. 221 (von Pieter-Jan Belder)
- Jig in G Minor, ZD. 223 (von Pieter-Jan Belder)
- The Queen’s Dolour, Z. 670 (von Pieter-Jan Belder)
- Rigaudon, ZD. 227 (von Pieter-Jan Belder)
- Saraband with Division, Z. 654 (von Pieter-Jan Belder)
- Borry in D-sol-re#, ZD. 219 No. 2 (Saraband) (von Pieter-Jan Belder)
- Trumpet Minuet, ZD. 230 (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): Prelude in A (alternative version to Suite no. 4, Z. 663) (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 17: Jig (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 1: Prelude (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 2: Minuet (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 3: Air (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 5: Thus Happy and Free (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 7: Air (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 9: Hornpipe (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 10: Hornpipe (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 11: Minuet (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 12: Air (von Pieter-Jan Belder)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 13: Menuet (von Pieter-Jan Belder)
- Suite in C, Z. 665: Prelude (von Pieter-Jan Belder)
- Suite in C, Z. 665: Almond (von Pieter-Jan Belder)
- Suite in C, Z. 665: Courant (von Pieter-Jan Belder)
- Suite in C, Z. 665: Saraband (von Pieter-Jan Belder)
- Suite in C, Z. 665: Jigg (von Pieter-Jan Belder)
- Works for organ: Voluntary in G, Z. 720 (von Pieter-Jan Belder)
- Works for organ: Verse in F, Z. 716 (von Pieter-Jan Belder)
- Works for organ: Voluntary in D minor, Z. 719 (for double organ) (von Pieter-Jan Belder)
- Works for organ: Voluntary in C, Z. 717 (von Pieter-Jan Belder)
- Works for organ: Voluntary on the Old 100th, Z. 721 (von Pieter-Jan Belder)
- Works for organ: Voluntary in D minor, Z. 718 (von Pieter-Jan Belder)