Henry Purcell Songtexte
Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)
Orpheus Britannicus: "So when the glittering Queen of Night"
If Love's a Sweet Passion from The Fairy Queen
One Charming Night
I Attempt from Love's Sickness to Fly
Geboren am 10. September 1659, Gestorben am 21. November 1695
The World of Henry Purcell (Compilation)
- Rondeau (Abdelazer) (von Christopher Hogwood, Academy of Ancient Music)
- Sound the trumpet
- Mad Bess of Bedlam (von Kathleen Ferrier, Phyllis Spurr)
- Arise, ye subterranean winds (The Tempest)
- Music for a while (Oedipus)
- Symphony (The Fairy Queen) (von English Chamber Orchestra, Benjamin Britten)
- Fairest isle (King Arthur)
- What power art thou? (Frost scene, King Arthur)
- Trumpet Tune and Air (von Peter Hurford, Michael Laird Brass Ensemble)
- I was glad
- Music for the funeral of Queen Mary
- Sweeter than roses (von James Bowman, Benjamin Britten)
- Symphony ... Hark! hark! the echoing air (The Fairy Queen)
- Chacony in G minor (von English Chamber Orchestra, Benjamin Britten)
- But death, alas! ... When I am laid in earth ... With drooping wings (Dido and Aeneas) (von Dame Janet Baker, English Chamber Orchestra, Sir Anthony Lewis)
X5 Free Classical Sample: Purcell 350 Years (Compilation)
- Incidental music to "Abdelazer or the moor's revenge", Z 750: Minuet
- Sonata in D major for flute and continuo
- Music for the Funeral of Queen Mary: March (von Philip Jones Brass Ensemble)
- Anthem, Z 002: Behold, I bring you glad tidings (von Mainzer Kammerorchester)
- Voluntary on the Doxology (Old 100th) (von Musica Antiqua New York)
Mehr Songtexte
- Ouverture
- Act II - Masque of Devils - No.1 - Duet & Chorus; ''Where Does the Black Fiend''
- Act II - Chorus; ''Around, Around We Pace''
- Act II - Air; ''Arise, Ye Subterranean Winds''
- Act II - Dance of Winds
- Act III - Song & Chorus; ''Comme Unto These Yellow Sands''
- Act III - Song & Chorus; ''Full Fathom Five''
- Act III - Air; ''Dry Those Eyes''
- Act III - Air; ''Kind Fortune Smiles''
- Act IV - No.9 - Dance of Devils
- Act IV - ''the Sailor's Dance''
- Act IV - Air; ''Dear Pretty Youth''
- Act V - Récit & Air; ''Great Neptune!''
- Act V - Chorus: ''the Nereids and Tritons''
- Act V - Récit & Air; ''Aeolus, You Must Appear''
- Act V - Récit & Air; ''Your Awful Voice I Hear''
- Act V - Air; ''Halcyon Days''
- Act V - Air; ''See, See, the Heavens Smile''
- Act V - Duet & Chorus; ''No Stars Again Shall Hurt You''
- Birthday: Overture
- Birthday: "Come, ye Sons of Art, come away"
- Birthday: "Sound the Trumpet"
- Birthday: "Strike the viol"
- Birthday: "The day that such a blessing"
- Birthday: "Bid the Virtues"
- Birthday: "These, are the sacred charms"
- Birthday: "See Nature, rejoicing"
- Funeral: March
- Funeral: "Man that is born"
- Funeral: Canzona
- Funeral: "In the midst of life"
- Funeral: "Thou knowest, Lord, the secrets of our Hearts"
- Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial
- Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love
- Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices
- Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
- Three Parts upon a Ground in D major, Z 731
- Sonata No. VI in G minor. Z 807
- Pavan a 4 ( for 3 violins) in G minor, Z 752
- Chacony a 4 in G minor, Z 730
- Pavan a 3 in B-flat, Z 750
- Pavan a 3 in G minor, Z 751
- Pavan a 3 in A minor, Z 749
- Pavan a 3 in A major, Z 748
- Sonata No. VII in E minor, Z 796: I. Adagio
- Sonata No. VII in E minor, Z 796: II. Canzona
- Sonata No. VII in E minor, Z 796: III. Largo
- Sonata No. VII in E minor, Z 796: IV. Grave
- Sonata No. VII in E minor, Z 796: V. Vivace
- Sonata No. XIII in D major, Z 801: I. Adagio
- Sonata No. XIII in D major, Z 801: II. Canzona
- Sonata No. XIII in D major, Z 801: III. Poco largo
- Sonata No. XIII in D major, Z 801: IV. Grave
- Sonata No. XIII in D major, Z 801: V. Presto
- Sonata No. XIII in D major, Z 801: VI. Allegro
- Overture a 4 in D minor, Z 771
- Overture a 4 in Gmajor, Z 336
- Overture a 5 in G minor, Z 772
- Suite a 4 in G major, Z 770: I. Overture
- Suite a 4 in G major, Z 770: II. Sarabande
- Suite a 4 in G major, Z 770: III - Bourrée
- Suite a 4 in G major, Z 770: IV. Minuet
- Suite a 4 in G major, Z 770: V. Jig
- Dido and Aeneas: Act I. "Shake the cloud from off your brow"
- Dido and Aeneas: Act I. "Ah! Belinda, I am prest with torment"
- Dido and Aeneas: Act I. "When monarchs unite"
- Dido and Aeneas: Act I. "Whence could so much virtue spring?"
- Dido and Aeneas: Act I. "Fear no danger" / Dance
- Dido and Aeneas: Act I. "See, your royal guest appears"
- Dido and Aeneas: Act I. "Cupid only throws the dart"
- Dido and Aeneas: Act I. "If not for mine"
- Dido and Aeneas: Act I. "Pursue thy conquest, Love"
- Dido and Aeneas: Act I. A Dance Gittars Chacony
- Dido and Aeneas: Act I. "To the hills and the vales"
- Dido and Aeneas: Act I. The triumphing Dance
- Dido and Aeneas: Act II. Prelude for the Witches / "Wayward sisters"
- Dido and Aeneas: Act II. "Harm's our delight"
- Dido and Aeneas: Act II. "The Queen of Carthage, whom we hate"
- Dido and Aeneas: Act II. "In our deep vaulted cell"
- Dido and Aeneas: Act II. Echo Dance of Furies
- Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales"
- Dido and Aeneas: Act II. Gitter ground / a dance
- Dido and Aeneas: Act II. "Oft she visits" / Ritornelle
- Dido and Aeneas: Act II. "Behold, upon my bending spear"
- Dido and Aeneas: Act II. "Haste, haste to town"
- Dido and Aeneas: Act II. "Stay, Prince"
- Dido and Aeneas: Act II. Ritornelle
- Dido and Aeneas: Act III. Prelude / "Come away, fellow sailors"
- Dido and Aeneas: Act III. The Sailors' Dance
- Dido and Aeneas: Act III. "See the flags and streamers curling"
- Dido and Aeneas: Act III. "Destruction's our delight"
- Dido and Aeneas: Act III. The Witches' Dance
- Dido and Aeneas: Act III. "Your counsel all is urg'd in vain"
- Dido and Aeneas: Act III. "Great minds against themselves conspire"
- Dido and Aeneas: Act III. "Thy hand Belinda" / "When I am laid in earth"
- Dido and Aeneas: Act III. "With drooping wings"
- Overt, Act 1 The Palace · Shake the cloud from off your brow (Belinda)
- Act 1 · Ah! Belinda (Dido) Grief increasing by concealing (Belinda)
- Act 1 · See, your royal guest appears (Belinda)
- Act 1 · The triumphing Dance
- Act 2.1 The Cave · Prelude, Wayward sisters (Sorceress)
- Act 2.1 · But ere we this perform (Witches), In our deep vaulted cell (Chorus)
- Act 2.2 The Grove · Ritornelle, Thanks to these lovesome vales (Belinda Chorus)
- Act 2.2 · Oft she visits this loved mountain (2nd Woman)
- Act 2.2 · Stay, Prince (Spirit)
- Act 3.1 The Ships · Come away, fellow sailors (Sailor Chorus)
- Act 3.1 · See the flags and streamers curling (Sorceress)
- Act 3.2 · Your counsel all is urg'd in vain (Dido)
- Act 3.2 · Thy hand, Belinda (Dido)
- Act 3.2 · With drooping wings ye Cupids come (Chorus)
- Ode, Z 323 "Come ye sons of Art, away": I. Symphony
- Ode, Z 323 "Come ye sons of Art, away": II. Aria (Alto) - Chorus "Come ye sons of Art, away"
- Ode, Z 323 "Come ye sons of Art, away": III. Duet (Altos I-II) - Chorus "Sound the trumpet"
- Ode, Z 323 "Come ye sons of Art, away": IV. Aria (Alto) - Ritornello "Strike the viol, touch the lute"
- Ode, Z 323 "Come ye sons of Art, away": V. Aria (Bass) - Chorus "The day that such a blessing gave"
- Ode, Z 323 "Come ye sons of Art, away": VI. Aria (Soprano) "Bid the virtues, bid the Graces"
- Ode, Z 323 "Come ye sons of Art, away": VII. Aria (Bass) "These are the sacred charms that shield"
- Ode, Z 323 "Come ye sons of Art, away": VIII. Duet (Soprano, Bass) - Chorus "See Nature, rejoicing, has shown us the way"
- Ode, Z 340 "Welcome, viceregent of the mighty king": I. Symphony - Chorus "Welcome, Viceregent of the mighty king"
- Ode, Z 340 "Welcome, viceregent of the mighty king": II. Duet (Alto, Bass) - Ritornello "Ah! Mighty Sir, if you to such long absence are inclined"
- Ode, Z 340 "Welcome, viceregent of the mighty king": III. Chorus - Ritornello "But your blest presence now"
- Ode, Z 340 "Welcome, viceregent of the mighty king": IV. Aria (Tenor) - Chorus "Your influous approach"
- Ode, Z 340 "Welcome, viceregent of the mighty king": V. Duet (Sopranos I-II) "When the Summer, in his glory"
- Ode, Z 340 "Welcome, viceregent of the mighty king": VI. Chorus "All loyalty and honour be"
- Ode, Z 340 "Welcome, viceregent of the mighty king": VII. Aria (Tenor) - Chorus - Ritornello - Chorus "Music the food of love"
- Ode, Z 343 "Why, why are all the Muses mute?": I. Aria (Tenor) - Chorus - Symphony "Why, why are all the Muses mute?"
- Ode, Z 343 "Why, why are all the Muses mute?": II. Aria (Tenor) - Chorus "When should each soul exalted be"
- Ode, Z 343 "Why, why are all the Muses mute?": III. Aria (Alto) - Ritornello "Britain, thou now art great"
- Ode, Z 343 "Why, why are all the Muses mute?": IV. Trio (Alto, Tenor, Bass) - Chorus "Look up, and to our Isle returning see"
- Ode, Z 343 "Why, why are all the Muses mute?": V. Aria (Bass) - Duet (Sopranos I-II) "Accurs'd rebellion reared his head"
- Ode, Z 343 "Why, why are all the Muses mute?": VI. Ritornello - Duet (High Tenor, Bass) "Caesar for milder virtues honour'd more"
- Ode, Z 343 "Why, why are all the Muses mute?": VII. Aria (Tenor) - Chorus "The many-headed beast is quelled at home"
- Ode, Z 343 "Why, why are all the Muses mute?": VIII. Duet (Basses I-II) "In the equal balance laid"
- Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given"
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Symphony Introduction - Canzona & Adagio- Allegro - Grave - Allegro
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Hail! Bright Cecilia
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Hark! Hark! Each Tree
- Hail! Bright Cecilia "Ode on St Cecilia's Day": 'Tis Nature's Voice
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Soul of the World!
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Thou Tun'st This World Below
- Hail! Bright Cecilia "Ode on St Cecilia's Day": With That Sublime Celestial Lay
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Voluntary - Wonderous Machine!
- Hail! Bright Cecilia "Ode on St Cecilia's Day": The Airy Violin
- Hail! Bright Cecilia "Ode on St Cecilia's Day": In Vain the Am'rous Flute
- Hail! Bright Cecilia "Ode on St Cecilia's Day": The Fife and All the Harmony of War
- Hail! Bright Cecilia "Ode on St Cecilia's Day": Let These Amongst Themselves Contest
- Hail! Bright Cecilia "Ode on St Cecilia's Day": With Rapture of Delight - Hail! Bright Cecilia
- King Arthur: First Music: Chaconne
- King Arthur: Second Music: Overture
- King Arthur, Act I: Woden, first to thee / We have sacrific'd
- King Arthur, Act I: The white horse neigh'd aloud / To Woden thanks we render
- King Arthur, Act I: The lot is cast
- King Arthur, Act I: Brave Souls
- King Arthur, Act I: I call you all to Woden's Hall
- King Arthur, Act I: Come if you dare / First Act Tune
- King Arthur, Act II: Hither, this way bend
- King Arthur, Act II: Let not a moon-born elf mislead ye
- King Arthur, Act II: Come Follow Me
- King Arthur, Act II: How blest are sheperds
- King Arthur, Act II: Symphony / Sheperd, sheperd, leave decoying
- King Arthur, Act II: Come Sheperds
- King Arthur, Act II: Second Act Tune: Air
- King Arthur, Act III: Prelude
- King Arthur, Act III: What ho!
- King Arthur, Act III: What power art thou
- King Arthur, Act III: Thou doting fool, forbear
- King Arthur, Act III: Great Love, I know thee now
- King Arthur, Act III: No part of my dominion
- King Arthur, Act III: See, see, we assemble
- King Arthur, Act III: 'Tis I, 'this I that have warm'd ye
- King Arthur, Act III: Sound a parley / 'Tis Love, 'tis Love that has warm'd us
- King Arthur, Act III: Third Act Tune: Hornpipe
- King Arthur, Act IV: Two daughters of this aged stream
- King Arthur, Act IV: Passacaglia
- King Arthur, Act IV: Air
- King Arthur, Act V: Trumpet Tune
- King Arthur, Act V: Ye blustring brethren
- King Arthur, Act V: Symphony
- King Arthur, Act V: Round the coast
- King Arthur, Act V: For folded flocks
- King Arthur, Act V: Your hay, it is mov'd
- King Arthur, Act V: Dance / Fairest isle
- King Arthur, Act V: You say, 'tis Love
- King Arthur, Act V: Saint George, the patron of our Isle
- Dido & Aeneas, Z. 626: Overture / Act I
- Dido & Aeneas, Z. 626: Act II, Scene 1
- Dido & Aeneas, Z. 626: Act II, Scene 2
- Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire"
- Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death
- Dido and Aeneas, Act I: Shake the cloud from off your brow
- Dido and Aeneas, Act I: Banish sorrow, banish care
- Dido and Aeneas, Act I: Ah! Belinda, I am pressed with torment
- Dido and Aeneas, Act I: Grief increases by concealing
- Dido and Aeneas, Act I: When monarchs unite, how happy their state
- Dido and Aeneas, Act I: Whence could so much virtue spring?
- Dido and Aeneas, Act I: Fear no danger to ensue
- Dido and Aeneas, Act I: See, your Royal Guest appears
- Dido and Aeneas, Act I: Cupid only throws the dart
- Dido and Aeneas, Act I: If not for mine, for empire's sake
- Dido and Aeneas, Act I: To the hills and the vales
- Dido and Aeneas, Act I: The Triumphing Dance
- Dido and Aeneas, Act II, Scene 1: Wayward sisters, you that fright - Harm's our delight
- Dido and Aeneas, Act II, Scene 1: The Queen of Carthage, whom we hate - Ho Ho Ho!
- Dido and Aeneas, Act II, Scene 1: Ruined ere the set of sun? - Ho Ho Ho!
- Dido and Aeneas, Act II, Scene 1: But ere we this perform
- Dido and Aeneas, Act II, Scene 1: In our deep vaulted cell
- Dido and Aeneas, Act II, Scene 1: Echo Dance of Furies
- Dido and Aeneas, Act II, Scene 2: Ritornelle
- Dido and Aeneas, Act II, Scene 2: Thanks to these lonesome vales
- Dido and Aeneas, Act II, Scene 2: Oft she visits this lone mountain
- Dido and Aeneas, Act II, Scene 2: Behold, upon my bending spear
- Dido and Aeneas, Act II, Scene 2: Haste, Haste to town
- Dido and Aeneas, Act II, Scene 2: Stay, Prince, and hear great Jove's command
- Dido and Aeneas, Act III, Scene 1: Come away, fellow sailors
- Dido and Aeneas, Act III, Scene 1: The Sailor's Dance
- Dido and Aeneas, Act III, Scene 1: See the flags and streamers curling
- Dido and Aeneas, Act III, Scene 1: Our next motion
- Dido and Aeneas, Act III, Scene 1: Destruction's our delight
- Dido and Aeneas, Act III, Scene 1: The Witches' Dance
- Dido and Aeneas, Act III, Scene 2: Your counsel all is urged in vain
- Dido and Aeneas, Act III, Scene 2: Great minds against themselves conspire
- Dido and Aeneas, Act III, Scene 2: Thy hand, Belinda; darkness shades me
- Dido and Aeneas, Act III, Scene 2: When I am laid in earth
- Dido and Aeneas, Act III, Scene 2: With drooping wings
- The Prophetess: First Musick
- The Prophetess: Second Musick
- The Prophetess: Symphony for Trumpets & violins
- The Prophetess: Retornella
- The Prophetess: Dance of the Furies: Soft music - Dance
- The Prophetess: The Chair Dance
- The Fairy Queen, Act 1: First music: Prelude
- The Fairy Queen, Act 1: First music: Hornpipe
- The Fairy Queen, Act 1: Second music: Air
- The Fairy Queen, Act 1: Second music: Rondeau
- The Fairy Queen, Act 1: Overture
- The Fairy Queen, Act 1: First act tune: Jig
- The Fairy Queen, Act 2: A prelude
- The Fairy Queen, Act 2: 'A bird's Prelude'
- The Fairy Queen, Act 2: Echo
- The Fairy Queen, Act 2: A Fairies Dances
- The Fairy Queen, Act 2: A dance for the Followers of Night
- The Fairy Queen, Act 2: Second act tune: Air
- The Fairy Queen, Act 3: Prelude 'Love's a sweet passion'
- The Fairy Queen, Act 3: Overture: symphony while the swams come forward
- The Fairy Queen, Act 3: Dance for the Fairies
- The Fairy Queen, Act 3: Dance for the Green men
- The Fairy Queen, Act 3: Dance for the Haymakers
- The Fairy Queen, Act 3: Third act tune: hornpipe
- The Fairy Queen, Act 4: Symphony: Prelude, Canzona, Largo, Allegro, Adagio, Allegro
- The Fairy Queen, Act 4: Entry of Phoebus
- The Fairy Queen, Act 4: Fourth act tune: Air
- The Fairy Queen, Act 5: Prelude
- The Fairy Queen, Act 5: Entry dance
- The Fairy Queen, Act 5: Symphony
- The Fairy Queen, Act 5: Monkey's dance
- The Fairy Queen, Act 5: Chaconne, Dance for the Chinese Man and Woman
- The Fairy Queen, Act 5: 'Fifth act tune'
- Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony
- Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn"
- Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return"
- Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove"
- Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle"
- Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight"
- Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast"
- Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard"
- Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd"
- Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns"
- Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres"
- Ode, Z 327 "Great parent, hail to thee": I. [Symphony]
- Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!"
- Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing"
- Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated"
- Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat"
- Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire"
- Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite"
- Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame"
- Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung"
- Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these"
- Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony
- Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear"
- Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne"
- Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art"
- Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled"
- Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ"
- Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage"
- Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine"
- Staircase Overture
- Cebell
- To Arms, to Arms, Heroic Prince
- To Arms
- Tell Me, Some Pitying Angel
- Slow Air
- We Come To Sing
- Oh Lead Me to Some Peaceful Gloom
- O Solitude
- Hark! hark! The Echoing air
- Trumpet Tune
- Sweeter than roses
- Fairest Isle
- She that Would Gain a Faithful Lover
- Cupid, the Slyest Rogue Alive
- I Attempt from Love's Sickness to Fly
- Music for a while
- The fatal hour comes on apace
- Hear, Mighty Love
- Plainte: O, Let Me Weep
- Ode, Z 324 "Fly, bold rebellion": I. Symphony
- Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion"
- Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned"
- Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays"
- Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears"
- Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes"
- Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir"
- Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled"
- Ode, Z 335 "Sound the trumpet, beat the drum": I. Symphony
- Ode, Z 335 "Sound the trumpet, beat the drum": II. Aria (High Tenor, Bass) - Chorus "Sound the trumpet, beat the drum"
- Ode, Z 335 "Sound the trumpet, beat the drum": III. Aria (High Tenor) - Chorus "Crown the year and crown the day"
- Ode, Z 335 "Sound the trumpet, beat the drum": IV. Aria (Alto, High Tenor) - Ritornello "Let Caesar and Urania live"
- Ode, Z 335 "Sound the trumpet, beat the drum": V. Aria (Tenor, Bass) - Chorus "What greater bliss can Fate bestow"
- Ode, Z 335 "Sound the trumpet, beat the drum": VI. Chaconne
- Ode, Z 335 "Sound the trumpet, beat the drum": VII. Aria (Bass) "While Caesar like the morning star"
- Ode, Z 335 "Sound the trumpet, beat the drum": VIII. Aria (Alto, Tenor, Bass) - Sextet - Chorus "To Urania and Caesar delights without measure"
- Ode, Z 321 "Celebrate this Festival": I. Symphony
- Ode, Z 321 "Celebrate this Festival": II. (Soloists, Chorus) "Celebrate this Festival"
- Ode, Z 321 "Celebrate this Festival": III. Aria (Sopranos I-II) - Chorus "Britain now thy cares beguile"
- Ode, Z 321 "Celebrate this Festival": IV. Aria (Soprano, Trumpet) - Chorus "'Tis sacred, bid the trumpet cease"
- Ode, Z 321 "Celebrate this Festival": V. Aria (Soprano) - Chorus "Let sullen Discord smile"
- Ode, Z 321 "Celebrate this Festival": VI. Aria (Alto) "Crown the altar, deck the shrine"
- Ode, Z 321 "Celebrate this Festival": VII. Aria (Bass) - Chorus "Expected Spring at last is come"
- Ode, Z 321 "Celebrate this Festival": VIII. Aria (Alto) - Ritornello "April, who till now has mourned"
- Ode, Z 321 "Celebrate this Festival": IX. Aria (High Tenor) Departing thus youæll hear him say"
- Ode, Z 321 "Celebrate this Festival": X. Ritornello - Aria (Alto, Tenor, Bass) "Happy realm beyond expressing"
- Ode, Z 321 "Celebrate this Festival": XI. Aria (Bass, Trumpet) "While, for a righteous cause he arms"
- Ode, Z 321 "Celebrate this Festival": XII. Aria (High Tenor) - Eight-part Chorus "Return, fond Muse, the thoughts of war"
- Ode, Z 321 "Celebrate this Festival": XIII. Aria (Soprano) - Chorus "Kindly treat Maria's day"
- Overture
- Act I: Shake the cloud from off your brow
- Act I: Ah! Belinda, I am prest
- Act I: Whence could so much virtue spring? - Fear no danger
- Act I: See, your Royal Guest appears - The Triumphing Dance
- Act II, Scene 1: Prelude for the Witches
- Act II, Scene 1: Wayward sisters - But ere we this perform
- Act II, Scene 1: In our deep vaulted cell - Echo Dance of the Furies
- Act II, Scene 2: Ritornelle - Thanks to these lonesome vales
- Act II, Scene 2: Oft she visits - Behold, upon my bending spear
- Act II, Scene 2: Stay, Prince - Jove's commands shall be obey'd
- Act III, Scene 1: Prelude - Come away, fellow sailors
- Act III, Scene 1: The Sailors' Dance - See the flags - The Wiches' Dance
- Act III, Scene 2: Your counsel all is urged in vain - But death, alas!
- Act III, Scene 2: Thy hand, Belinda - When I am laid in earth
- Act III, Scene 2: With drooping wings
- Trio Sonata No. 9 in F major "Golden", Z 810
- Trio Sonata No. 4 in D minor, Z 805
- Voluntary for organ in G major, Z 720
- Trio Sonata No. 8 in G minor, Z 809
- Variant to two movements of Trio Sonata No. 8
- Trio Sonata No. 7 in C major, Z 808
- Trio Sonata No. 3 in A minor, Z 804
- Voluntary for organ in D minor, Z 718
- Trio Sonata No. 10 in D major, Z 811
- Prelude for solo violin in G minor, ZN 733 (violin: Catherine Mackintosh)
- Trio Sonata No. 5 in G minor, Z 806
- Trio Sonata No. 6 in G minor, Z 807
- Ode, Z 333 "Of old, when heroes thought it base": I. Symphony
- Ode, Z 333 "Of old, when heroes thought it base": II. Aria (Bass) - Duet (High Tenor, Bass) " Of old, when heroes thought it base"
- Ode, Z 333 "Of old, when heroes thought it base": III. Aria (Tenor) - Chorus "The bashful Thames, for beauto so renown'd"
- Ode, Z 333 "Of old, when heroes thought it base": IV. Ritornello - Aria (Alto) "The pale and the purple rose"
- Ode, Z 333 "Of old, when heroes thought it base": V. Duet (Tenor, Bass) - Chorus "And in each track of glory since"
- Ode, Z 333 "Of old, when heroes thought it base": VI. Symphony
- Ode, Z 333 "Of old, when heroes thought it base": VII. Duet (Tenor, Bass) "And now when the renown'd Nassau"
- Ode, Z 333 "Of old, when heroes thought it base": VIII. Duet (Basses I-II) "They did no storms, nor threat'nings fear"
- Ode, Z 333 "Of old, when heroes thought it base": IX. Aria (Tenor) "So when the glitt'ring Queen of Night"
- Ode, Z 333 "Of old, when heroes thought it base": X. Chorus "Let music join"
- Ode, Z 333 "Of old, when heroes thought it base": XI. Aria (Tenor) - Ritornello "Sound trumpets, sound!"
- Ode, Z 333 "Of old, when heroes thought it base": XII. Aria (Bass) - Chorus "Sound all to him"
- Ode, Z 336 "Swifter, Isis, swifter flow": I. Symphony - Aria (High Tenor) - Ritornello "Swifter, Isis, swifter flow"
- Ode, Z 336 "Swifter, Isis, swifter flow": II. Aria (Bass) "Land him safely on her shore"
- Ode, Z 336 "Swifter, Isis, swifter flow": III. Ritornello - Aria (Tenor) - Ritornello "Hark, hark! just now my listening ears"
- Ode, Z 336 "Swifter, Isis, swifter flow": IV. Trio (Alto, High Tenor, Bass) - Chorus "Welcome, dread Sir, to town"
- Ode, Z 336 "Swifter, Isis, swifter flow": V. Aria (Bass) - Aria (Tenor) - Chorus "But with so great devotion meet"
- Ode, Z 336 "Swifter, Isis, swifter flow": VI. Duet (Soprano, Alto) "The King whose presence like the Spring"
- Ode, Z 336 "Swifter, Isis, swifter flow": VII. Chorus "Then since, Sir, from you all our blessings do flow"
- Ode, Z 341 "What, what shall be done in behalf of the man": I. Symphony
- Ode, Z 341 "What, what shall be done in behalf of the man": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "What shall be done in behalf of the man"
- Ode, Z 341 "What, what shall be done in behalf of the man": III. Aria (High Tenor) - Ritornelle - Chorus "All the grandeur he possesses"
- Ode, Z 341 "What, what shall be done in behalf of the man": IV. Aria (Bass) - Chorus - Ritornello "Mighty Charles, though joined with thee"
- Ode, Z 341 "What, what shall be done in behalf of the man": V. Duet (Sopranos I-II) - Chorus "May all factious troubles cease"
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing
- Music for the Funeral of Queen Mary, Z. 860: March
- Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 1: Man that is born
- Music for the Funeral of Queen Mary, Z. 860: Canzona
- Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 2: In the midst of life
- Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 3: Thou knowest, Lord, the secrets of our Hearts
- Draw Near, You Lovers
- While Thirsis, Wrapped in Downy Sleep
- Love, Thou Canst Hear, Tho' Thou Art Blind
- I loved fair Celia
- What Hope Remains Now He Is Gone?
- Pastora's Beauties When Unblown
- A Thousand Sev'ral Ways I Tried
- Urge Me No More
- Farewell, All Joys
- Admidst the Shades and Cool Refreshing Streams
- They Say You're Angry
- Let Each Gallant Heart
- This Poet Sings to the Trojan War
- Ah, How Pleasant 'tis to Love
- My Heart, Whenever You Appear
- On The Brow Of Richmond Hill
- Rashly I Swore I Would Disown
- Since the Pox or the Plague
- Beneath a Dark and Melancholy Grave
- Musing on Cares of Human Fate
- Whils Synthia Sun, All Angry Winds Lay Still
- How I Sigh When I Think of the Charms of My Swain
- Ye Happy Swains, Whose Nymphs Are Kind
- Beware Poor Shepherds
- See How the Fading Glories of the Year
- Cease, Anxious World,, Your Fruitless Pain
- O! Fair Cedaria, Hide Those Eyes
- Hear My Prayer, O Lord, Z 15
- Funeral Sentences (Musique funèbre pour la Reine Mary): March, Z 860 / Man that is born of a woman, Z 27 / Canzona, Z 860 / In the midst of life, Z 17 / Canzona, Z 860/ Thou knowest, Lord, Z 58c / March, Z 860
- O Lord God of Hosts, Z 37
- Te Deum, Z 232
- She Loves and She Confesses Too
- Amintas, to My Grief I See
- Corinna is divinely fair
- Amintor, Heedless of His Flocks
- He Himself Courts His Own Ruin
- No, to What Purpose Should I Speak
- Sylvia, 'tis True You're Fair
- Lovely Albina's Come Ashore
- Spite of the Godhead Pow'rful Love
- Phillis, I Can Ne'er Forgive It
- Bacchus Is a Pow'r Divine
- From Silent Shades
- Let Formal Lovers Still Pursue
- I Came, I Saw, and Was Undone
- Who Can Behold Florella's Charms
- If Pray'rs and Tears
- In Cloris All Soft Charms Agree
- Let Us, Kind Lesbia, Give Away
- Love Is Now Become a Trade
- Ask Me to Love No More
- O Solitude, My Sweetest Choice
- Olinda in the Shades Unseen
- Pious Celinda Goes to Prayers
- When Strephon Found His Passion Vain
- Sawney Is a Bonny Lad
- Toung Thirsis' Fate
- King Arthur: Overture & Aria
- King Arthur: Act I, Scene 2
- King Arthur: Act II, Scene 2
- King Arthur: Act III, Scene 2 (beginning)
- King Arthur: Act V, Scene 2. Aria "Ye Blust'ring Brethren of the Skies"
- King Arthur: Act V, Scene 2. Symphony
- King Arthur: Act V, Scene 2. Song Tune
- King Arthur: Act V, Scene 2. Aria "Fairest Isle"
- King Arthur: Act V, Scene 2. Trumpet Tune
- King Arthur: Act V, Scene 2. Aria & Chorus "St. George, the Patron of our Isle"
- King Arthur: Act V, Scene 2. Chaconne
- Shake the Cloud
- Ah! Belinda
- Grief Increases
- When Monarchs Unite
- Whence Could So Much Virtue
- Fear No Danger
- Dance
- See, Your Royal Guest
- Cupid Only Throws the Dart
- If Not For Mine, For Empire's Sake
- Pursue Thy Conquest, Love
- Guitar Dance
- To the Hills and the Vales
- Triumphing Dance
- Wayward Sisters
- Harm's Our Delight
- The Queen of Carthage
- Ha, Ha, Ha
- Ruin'd Ere the Set of Sun?
- But Ere We This Perform
- Echo Chorus (In Our Deep-Vaulted Cell)
- Echo Dance of the Furies
- Ritornelle
- Thanks to These Lonesome Vales
- Dance (Oft She Visits)
- Behold, Upon My Bending Spear
- Haste, Haste to Town!
- Stay, Prince, and Hear
- Grove's Dance
- Prelude (Come Away)
- Sailor's Dance
- See the Flags
- Our Next Motion
- Destruction's Our Delight
- Witches' Dance
- Your Counsel All
- Great Minds Against Themselves
- Thy Hand, Belinda
- Dido's Lament
- With Drooping Wings
- Cupid's Dance
- King Arthur: Ouverture
- King Arthur: Air
- King Arthur: Act I. "Woden First to Thee"
- King Arthur: Act I. "To Woden Thanks We Render"
- King Arthur: Act I. "The lot is cast"
- King Arthur: Act I. "Brave Souls"
- King Arthur: Act I. "I Call You All"
- King Arthur: Act I. "Come if You Dare"
- King Arthur: Act II. "Hither This Way"
- King Arthur: Act II. "Let Not a Moon-Born Elf"
- King Arthur: Act II. "Come Follow Me"
- King Arthur: Act II. "How blest are shepherds"
- King Arthur: Act II. "Shepherd, shepherd, leave decoying"
- King Arthur: Act II. "Come, Shepherds"
- King Arthur: Act II. Symphony
- King Arthur: Act III. The Frost Scene
- King Arthur: Act III. "What ho!"
- King Arthur: Act III. "What power art thou"
- King Arthur: Act III. "Thou doting fool"
- King Arthur: Act III. "Great Love"
- King Arthur: Act III. "No part of my dominion"
- King Arthur: Act III. Prelude
- King Arthur: Act III. Chorus. "See, See"
- King Arthur: Act III. "Tis I That Have Warm'd Ye"
- King Arthur: Act III. Duet. "Sound a Parley"
- King Arthur: Act III. Symphony
- King Arthur: Act IV. "Two daughters of this aged stream"
- King Arthur: Act IV. Passacaglia. "How Happy the Lover"
- King Arthur: Act IV. Symphony
- King Arthur: Act V. Trumpet Tune
- King Arthur: Act V. "Ye Blust'Ring Brethren"
- King Arthur: Act V. Symphony
- King Arthur: Act V. "Round thy coast"
- King Arthur: Act V. "For folded flocks"
- King Arthur: Act V. "Your hay it is mow'd"
- King Arthur: Act V. "Fairest Isle"
- King Arthur: Act V. Duet. "You Say 'tis Love"
- King Arthur: Act V. Trumpet Tune / Chorus. "Our Natives"
- King Arthur: Act V. Chaconne
- Jehova, Quam Multi Sunt Hostes Mei (Z 135)
- Remember Not, Lord, Our Offences (Z 50)
- I Will Sing Unto the Lord, as Long as I Live (Z 22)
- Voluntary in D Minor (Z 718)
- O God, Thou Art My God (Z 35)
- O God, the King of Glory (Z 34)
- Voluntary in G Major (Z 720)
- Lord, How Long Wilt Thou Be Angry? (Z 25)
- Hear My Prayer, O Lord (Z 15)
- Voluntary in C Major (Z 717)
- Blow Up the Trumpet in Sion (Z 10)
- O God, Thou Hast Cast Us Out (Z 36)
- Music on the Death of Queen Mary: Man That Is Born of a Woman (Z 27)
- Music on the Death of Queen Mary: In the Midst of Life We Are in Death (Z 17a)
- Music on the Death of Queen Mary: Thou Knowest, Lord, the Secrets of Our Hearts (Z 58b)
- Music on the Death of Queen Mary: Incassum, Lesbia - the Queen's Epicedium (Z 383)
- Music on the Death of Queen Mary: Canzona (Z 860b)
- Music on the Death of Queen Mary: Thou Knowest, Lord, the Secrets of Our Hearts (Z 58c)
- Dido & Aeneas: Act I. Shake the cloud from off your brow
- Dido & Aeneas: Act I. Ah! Belinda, I am press'd with torment
- Dido & Aeneas: Act I. Whence could so much virtue spring
- Dido & Aeneas: Act I. See, your royal guest appears
- Dido & Aeneas: Act I. If not for mine, for empire's sake
- Dido & Aeneas: Act I. The Triumphing Dance
- Dido & Aeneas: Act II. Prelude for the Witches
- Dido & Aeneas: Act II. Ruin'd ere the set of sun
- Dido & Aeneas: Act II. In our deep-vaulted cell the charm we'll prepare
- Dido & Aeneas: Act II. Echo Dance of Furies
- Dido & Aeneas: Act II. Ritornelle; Thanks to these lonesome vales
- Dido & Aeneas: Act II. Oft she visits this lone mountain
- Dido & Aeneas: Act II. Behold, upon my bending spear
- Dido & Aeneas: Act II. Stay, Prince, and hear great Jove's command
- Dido & Aeneas: Act III. Prelude
- Dido & Aeneas: Act III. The Sailors' Dance
- Dido & Aeneas: Act III. Our next motion
- Dido & Aeneas: Act III. The Witches' Dance
- Dido & Aeneas: Act III. Your counsel all is urg'd in vain
- Dido & Aeneas: Act III. Thy hand, Belinda, darkness shades me
- Dido & Aeneas: Act III. With drooping wings ye Cupids come
- King Arthur: Overture, Air, Overture
- King Arthur: Act I, scene 2: "Woden first to thee", "Brave Souls", "I call ye all"
- King Arthur: Act I, scene 2: "Come if you dare"
- King Arthur: Act II: "Hither this way bend", "Let not a Moon-born Elf", "Hither this way", "Come follow me"
- King Arthur: Act II: "How blest are Shepherds", "Shepherd, leave Decoying"
- King Arthur: Act III, scene 2: Prelude, "What ho"
- King Arthur: Act III, scene 2: "What Power art thou", "Thou Doting Fool forbear", "See, see"
- King Arthur: Act III, scene 2: "Tis I, that have warm'd ye", "Sound a Parley Air"
- Dido & Aeneas: Ouverture
- Dido & Aeneas Act I: Shake the cloud (Belinda)
- Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)
- Dido & Aeneas Act I: Grief increase by conceiling (Belinda)
- Dido & Aeneas Act I: When monarchs unite (Chorus)
- Dido & Aeneas Act I: Whence could so much virtue spring? (Dido)
- Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman)
- Dido & Aeneas Act I: See, your Royal Guest appears (Belinda)
- Dido & Aeneas Act I: Cupid only throws the dart (Chorus)
- Dido & Aeneas Act I: If not for mine (Aenas)
- Dido & Aeneas Act I: Pursue thy conquest (Belinda)
- Dido & Aeneas Act I: To the hills and the vales (Chorus)
- Dido & Aeneas Act I: The Triumphing Dance
- Dido & Aeneas Act II: Prelude for the Witches
- Dido & Aeneas Act II: Harm's our delight (Chorus)
- Dido & Aeneas Act II: The Queen of Carthage (Sourceress)
- Dido & Aeneas Act II: Ho, ho ho, ho ho ho! (Chorus)
- Dido & Aeneas Act II: But ere we this perform (Two Witches)
- Dido & Aeneas Act II: In our deep vaulted cell (Chorus)
- Dido & Aeneas Act II: Echo Dance of Furies
- Dido & Aeneas Act II: Ritornelle
- Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda)
- Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman)
- Dido & Aeneas Act II: Behold, upon my bending spear (Aenas)
- Dido & Aeneas Act II: Haste, haste to town (Belinda)
- Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit)
- Dido & Aeneas Act II: Then since our Charmes have sped (Chorus)
- Dido & Aeneas Act II: The Grove's Dance
- Dido & Aeneas Act III: Prelude
- Dido & Aeneas Act III: Come away, fellow sailors (Chorus)
- Dido & Aeneas Act III: See the flags and streamers curling (Sorceress)
- Dido & Aeneas Act III: Our next Motion (Sorceress)
- Dido & Aeneas Act III: Destruction's our delight (Chorus)
- Dido & Aeneas Act III: The Witches' Dance
- Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)
- Dido & Aeneas Act III: Great minds against themselves conspire (Chorus)
- Dido & Aeneas Act III: Thy hand, Belinda (Dido)
- Dido & Aeneas Act III: When I am laid in earth (Dido)
- Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus)
- Ode, Z 331 "Love's goddess sure was blind": I. Symphony
- Ode, Z 331 "Love's goddess sure was blind": II. Aria (Alto) - Ritornello "Love's goddess sure was blind"
- Ode, Z 331 "Love's goddess sure was blind": III. Aria (Bass) "Those eyes, that form"
- Ode, Z 331 "Love's goddess sure was blind": IV. Duet (Alto, High Tenor) "Sweetness of Nature and true wit"
- Ode, Z 331 "Love's goddess sure was blind": V. Aria (Soprano) - Chorus "Long may she reign over this Isle"
- Ode, Z 331 "Love's goddess sure was blind": VI. Aria (Soprano) - Ritornello "May her blest example chase"
- Ode, Z 331 "Love's goddess sure was blind": VII. Duet (Alto, High Tenor) "Many such days may she behold"
- Ode, Z 331 "Love's goddess sure was blind": VIII. Chorus - Quartet (Soprano, Alto, Tenor, Bass) - Chorus "May she to Heaven late return"
- Ode, Z 334 "Raise raise the voice": I. Symphony
- Ode, Z 334 "Raise raise the voice": II. Aria (Bass) - Chorus - Ritornello "Raise, raise the voice"
- Ode, Z 334 "Raise raise the voice": III. Aria (Soprano) - Trio (Soprano, Tenor, Bass) "The God himself says he'll be present here"
- Ode, Z 334 "Raise raise the voice": IV. Aria (Soprano) - Chorus - Ritornello - Chorus "Mark how readily each pliant string"
- Ode, Z 329 "Laudate Ceciliam": I. Symphony - Trio (Alto, High Tenor, Bass) "Laudate Ceciliam"
- Ode, Z 329 "Laudate Ceciliam": II. Trio (Alto, High Tenor, Bass) "Modulemni psalmum novum"
- Ode, Z 329 "Laudate Ceciliam": III. Symphony
- Ode, Z 329 "Laudate Ceciliam": IV. Duet (Alto, High Tenor) - Trio (Alto, High Tenor, Bass) "Dicite Virgini, canite Martyri"
- Ode, Z 326 "From those serene and rapturous joys": I. [Symphony]
- Ode, Z 326 "From those serene and rapturous joys": II. Aria (Alto) - Ritornello "From those serene and rapturous joys"
- Ode, Z 326 "From those serene and rapturous joys": III. Aria (Bass) - Chorus "Behold th' indulgent Prince is come"
- Ode, Z 326 "From those serene and rapturous joys": IV. Duet (Sopranos I-II) - Ritornello "Not with an Helmet or a glitt'ring Spear"
- Ode, Z 326 "From those serene and rapturous joys": V. Aria (Bass) - Chorus "Welcome as soft refreshing show'rs"
- Ode, Z 326 "From those serene and rapturous joys": VI. Aria (Tenor) - Ritornello "Welcome, more welcome does he come"
- Ode, Z 326 "From those serene and rapturous joys": VII. Duet (Tenor, Bass) - Ritornello "Nor does the Sun more comfort bring"
- Ode, Z 326 "From those serene and rapturous joys": VIII. Ritornello - Aria (Tenor) - Chorus "With trumpets and shouts we receive the World's Wonder"
- Hail! Bright Cecilia, Z 328: I. Symphony. Maestoso - Canzona. Allegro - Adagio - Allegro - Grave
- Hail! Bright Cecilia, Z 328: II. Hail! Bright Cecilia (soloists and choir)
- Hail! Bright Cecilia, Z 328: III. Hark! hark! Each Tree (alto, bass)
- Hail! Bright Cecilia, Z 328: IV. 'Tis Nature's Voice (alto)
- Hail! Bright Cecilia, Z 328: V. Soul of the World! (choir)
- Hail! Bright Cecilia, Z 328: VI. Thou tun'st this World (soprano)
- Hail! Bright Cecilia, Z 328: VII. With that sublime Celestial Lay (alto, alto, bass)
- Hail! Bright Cecilia, Z 328: VIII. Wondrous Machine! (bass)
- Hail! Bright Cecilia, Z 328: IX. The airy Violin (alto)
- Hail! Bright Cecilia, Z 328: X. In vain the Am'rous flute (alto, tenor)
- Hail! Bright Cecilia, Z 328: XI. The fife and all the Harmony of War (alto)
- Hail! Bright Cecilia, Z 328: XII. Let these among themselves contest (bass, bass)
- Hail! Bright Cecilia, Z 328: XIII. (choir, alto, alto, tenor, bass)
- Welcome to all the pleasures, Z 339: I. Symphony
- Welcome to All the Pleasures, Z 339: II. Welcome to All the Pleasures (alto, tenor, bass, choir)
- Welcome to all the pleasures, Z 339: III. Here the deities approve (alto)
- Welcome to all the pleasures, Z 339: IV. While joys celestial (soprano, soprano, tenor)
- Welcome to all the pleasures, Z 339: V. Then lift up your voices (bass, choir)
- Welcome to all the pleasures, Z 339: VI. Beauty thou scene of love (tenor)
- Welcome to all the pleasures, Z 339: VII. In a consort of voices (tenor, choir)
- Prelude
- Hornpipe
- Air
- Rondeau
- Song in two parts: 'Come, come, come, let us leave the Town'
- Scene of the drunken poet: 'Fill up the bowl'
- Prelude and song: 'Come all ye songsters of the sky'
- Trio: 'May the God of wit inspire'
- Echo
- Chorus: 'Now joyn your Warbling Voices all'
- A dance of Fairies
- Song and chorus: 'Sing while we trip it on the green'
- Song: 'See, even Night her self is here' (NIGHT)
- Song: 'I am come to lock all fast' (MYSTERY)
- Song: 'One charming Night' (SECRESIE)
- Song and chorus: 'Hush, no more, be silent all' (SLEEP)
- A dance for the followers of Night
- Second Act Tune: Air
- A song in two parts and chorus: 'If Love's a sweet passion'
- Overture: Symphony while the swans come forward
- Dance for the Fairies
- Dance for the Green Men
- Song: 'Ye gentle spirits of the air, appear'
- Dialogue between Coridon and Mopsa: 'Now the maids and the men'
- Song: 'When I have often heard' (A NYMPH)
- A Dance of Haymakers
- Song and chorus: 'A thousand thousand ways we'll find'
- Third Act Tune: Hornpipe
- Symphony
- Solo anc Chorus: 'Now the Night is chac'd away'
- Duet: 'Let the fifes, and the clarions' (TWO OTHERS)
- Entry of Phoebus
- 'When a cruel long Winter' (PHOEBUS) - Chorus: 'Hail! Great parent of us all'
- 'Thus the ever grateful spring' (SPRING)
- 'Here's the summer, sprightly, gay' (SUMMER)
- 'See my many colour'd fields' (AUTUMN)
- 'Now winter comes slowly' (WINTER)
- Fourth Act Tune: Air
- Epithalamium: 'Thrice happy lovers' (JUNO)
- The plaint: 'O let me weep'
- Entry dance
- 'Thus the gloomy world' (A CHINESE MAN)
- 'Thus happy and free' (CHINESE WOMAN)
- 'Yes, Daphne, in your looks I find' (CHINESE MAN)
- Monkey's Dance
- 'Hark how all things' (1st WOMAN)
- 'Hark now the echoing air' (2nd WOMAN)
- 'Sure the full God of marriage' (BOTH WOMEN)
- 'See, see, I obey' (HYMEN)
- 'Turn then thine eyes' (BOTH WOMEN)
- 'My torch, indeed' (HYMEN)
- 'They shall be as happy' (BOTH WOMEN, HYMEN)
- They shall be as happy
- Dance for chinese man and woman
- The Lord is king, be the people never so impatient, Z53
- Lord, what is man, lost man?, Z192
- Let mine eyes run down with tears, Z24
- Jehova, quam multi sunt hostes mei, Z135
- O dive custos Auriacae domus, Z 504
- Beati omnes qui timent Dominum, Z131
- Out of the deep have I called, Z45
- Now that the sun hath veil'd his light (An Evening Hymn), Z193
- Welcome to All the Pleasures: Symphony
- Welcome to All the Pleasures: Welcome to All the Pleasures
- Welcome to All the Pleasures: Here the Deities Approve - While Joys Celestial
- Welcome to All the Pleasures: Then Lift Up Your Voices
- Welcome to All the Pleasures: Beauty, Thou Scene of Love
- Welcome to All the Pleasures: In a Consort of Voices
- Funeral Sentences: Thou Knowest, Lord
- Come Ye Sons of Art: Symphony [Adagio - Allegro] - Adagio
- Come Ye Sons of Art: Come Ye Sons of Art
- Come Ye Sons of Art: Sound the Trumpet
- Come Ye Sons of Art: Strike the Viol
- Come Ye Sons of Art: The Day That Such a Blessing Gave
- Come Ye Sons of Art: Bid the Virtues
- Come Ye Sons of Art: These Are the Sacred Charms
- Come Ye Sons of Art: See, Nature, Rejoicing
- Funeral Music for Queen Mary: March
- Funeral Music for Queen Mary: Thou Knowest, Lord
- Funeral Music for Queen Mary: Canzona
- Celia Has a Thousand Charms
- Fly Swift Ye Hours
- Gentle Sheperds, You That Know (A pastoral elegy upon the death of Mr. John Playford)
- A New Ground en Mi mineur
- I See She Fly's Me
- I Came, I Saw, and I Was Undone (The Thraldom)
- Ground en Ré mineur
- If Musick Be the Food of Love
- From Silent Shades and the Elizium Groves (Bess of Bedlam)
- Love in Their Little Veins Inspires
- From Rosie Bow'rs
- Fairest Isle of Isles Excelling
- Round O en Ré mineur
- Ah! How sweet it is to love
- Oh Solitude! My Sweetest Choice
- Since From My Dear Astrea's Sight
- Chaconne en Sol mineur
- Oh! Lead Me to Some Peaceful Gloom
- Thrice Happy Lovers
- Act 1. Shake the cloud from off your brow,
- Act 1. Ah! Belinfa, I am press'd
- Act 1. Grief increasing by concealing
- Act 1. Whence could so much virtue spring?
- Act 1. Fear no danger to ensue,
- Act 1. The Baske Dance
- Act 1. See, your royal guest appears.
- Act 1. If not for mine, for Empire's sake,
- Act 1. The Triumphing Dance
- Act 2. Wayward sister, you that fright
- Act 2. The Queen of Carthage, whom we hate,
- Act 2. But ere we this perform,
- Act 2. Echo Dance
- Act 2. Ritournelle
- Act 2. Thanks to these lonesome vales,
- Act 2. Oft she visits this lone mountain,
- Act 2. Behold! upon my bending spear
- Act 2. Stay, Prince, and hear great Jove's command!
- Act 2. Then since our charms have sped,
- Act 2. The Groves' Dance
- Act 3. Come away fellow sailors, your anchors
- Act 3. The Sailors' Dance
- Act 3. See the flags and streamers curling,
- Act 3. Our next motion
- Act 3. A Dance
- Act 3. Your counsel all is urg'd in vain,
- Act 3. Thy hand, Belinda, darkness shades me,
- Act 3. With drooping wings ye Cupids come
- Act 3. Cupids' Dance
- Belinda & Chorus: 'Shake the cloud from off your brow'
- Dido: 'Ah! Belinda, I am press'd with torment'
- Belinda & Dido: 'Grief increases by concealing'
- Chorus: 'When monarchs unite how happy their state'
- Dido & Belinda: 'Whence could so much virtue spring?'
- Belinda, 2nd Woman & Chorus: 'Fear no danger to ensue'
- Belinda, Aeneas, Dido: 'See, your Royal guest appears'
- Chorus: 'Cupid only throws the dart'
- Aeneas & Belinda: 'If not for mine, for Empire's sake'
- Guitar's Chaconne
- Chorus: 'To the hills and the vales'
- The Triumphing Dance
- Prelude for the Witches (Sorceress & 1st Witch): 'Wayward sisters'
- Chorus: 'Harm's our delight'
- Sorceress: 'The Queen of Carthage, whom we hate'
- Chorus: 'Ho ho ho, ho ho ho!'
- 1st & 2nd Witches, Sorceress: 'Ruin'd ere the set of sun?'
- 1st & 2nd Witches: 'But, ere we this perform'
- Chorus: In our deep vaulted cell
- Echo Dance of Furies
- Belinda & Chorus: 'Thanks to these lonesome vales'
- Guitar Dance, 2nd Woman: 'Oft she visits this lone mountain'
- Aeneas & Dido: 'Behold, upon my bended spear'
- Belinda & Chorus: 'Haste to town'
- Spirit & Aeneas: 'Stay, Prince! and hear great Jove's command'
- 1st Sailor & Chorus: 'Come away, fellow sailors'
- The Sailor's Dance
- Sorceress, 1st & 2nd Witches: 'See, the flags and streamers curling'
- Sorceress: 'Our next motion'
- Chorus: 'Destruction's our delight'
- The Witches' Dance
- Dido, Belinda & Aeneas: 'Your counsel all is urg'd in vain'
- Chorus: 'Great minds against themselves conspire'
- Dido: 'Thy hand, Belinda; darkness shades me'
- Dido: 'When I am laid in earth'
- Chorus: 'With drooping wings ye Cupids come'
- I Love and I Must
- When Her Languishing Eyes Said "Love"
- Not All My Torments Can Your Pity Move
- Ah! Cruel Nymph
- Sylvia, Now Your Scorn Give Over
- Since One Poor View Has Drawn My Heart
- I Resolve Against Cringing and Whining
- Gentle Shepherds
- If Grief Has Any Power to Kill
- Fly Swift, Ye Hours
- Hears Not My Phillis How the Birds
- Phillis, Talk No More of Passion
- Celia's Fond
- In Vain We Dissemble
- When My Amelia Smiles
- Farewell, Ye Rocks
- What a Sad Fate Is Mine
- I Take No Pleasure
- Love's Power in My Heart
- How Delightful's the Life
- She, Who My Poor Heart Possesses
- Love Arms Himself in Celia's Eyes
- When First My Shepherdess and I
- Through Mornful Shades and Solitary Groves
- Scarce Had the Rising Sun Appeared
- Who but a Slave Can Well Express
- High on a Throne
- Incassum Lesbia
- The Fairy Queen, First Musick: Prelude
- The Fairy Queen, First Musick: Hornpipe
- The Fairy Queen, Second Musick: Air
- The Fairy Queen, Second Musick: Rondo
- The Fairy Queen, Second Musick: Overture
- The Fairy Queen, Act I: Duet: "Come, let us leave the town"
- The Fairy Queen, Act I: Scene of the Drunken Poet: "Fill up the bowl"
- The Fairy Queen, Act I: First Act Tune: Jig
- The Fairy Queen, Act II: "Come all ye songsters"
- The Fairy Queen, Act II: Prelude
- The Fairy Queen, Act II: Chorus: "May the God of Wit inspire" / Echo
- The Fairy Queen, Act II: Chorus: "Now join your warbling voices all" / "Sing while we trip it" / Dance of Fairies
- The Fairy Queen, Act II: Entrance of Night: "See, even Night herself is here"
- The Fairy Queen, Act II: Entrance of Mystery: "I am come to lock all fast"
- The Fairy Queen, Act II: Entrance of Secrecy: "One charming night gives more delight"
- The Fairy Queen, Act II: Entrance of Sleep: "Hush, no more"
- The Fairy Queen, Act II: Dance for the followers of Night
- The Fairy Queen, Act II: Second Act Tune: Air
- The Fairy Queen, Act III: "If Love's a sweet passion"
- The Fairy Queen, Act III: Symphony while the Swans come forward
- The Fairy Queen, Act III: Dance for the Fairies
- The Fairy Queen, Act III: Dance for the Green Men
- The Fairy Queen, Act III: "Ye gentle Spirits of the Air"
- The Fairy Queen, Act III: Dialogue between Coridon and Mopsa
- The Fairy Queen, Act III: "When I have often heard young maids complaining"
- The Fairy Queen, Act III: Dance for the Haymakers
- The Fairy Queen, Act III: "A thousand, thousand ways"
- The Fairy Queen, Act III: Third Act Tune: Hornpipe
- The Fairy Queen, Act IV: Symphony
- The Fairy Queen, Act IV: "Now the Night is chased away" / "Let the Fifes and the Clarions"
- The Fairy Queen, Act IV: Entry of Phoebus
- The Fairy Queen, Act IV: "When a cruel long winter" / Chorus: "Hail! great parent of us all"
- The Fairy Queen, Act IV: Spring: "Thus the ever grateful Spring"
- The Fairy Queen, Act IV: Summer: "Here's the Summer, sprightly, gay"
- The Fairy Queen, Act IV: Autumn: "See, see my many colour'd fields"
- The Fairy Queen, Act IV: Winter: "Next Winter comes slowly"
- The Fairy Queen, Act IV: Fourth Act Tune: Air
- The Fairy Queen, Act V: Prelude
- The Fairy Queen, Act V: Juno: "Thrice happy lovers"
- The Fairy Queen, Act V: The Plaint: "O let me weep!"
- The Fairy Queen, Act V: Entry Dance
- The Fairy Queen, Act V: Symphony
- The Fairy Queen, Act V: Chinese Man: "Thus the gloomy world"
- The Fairy Queen, Act V: Chinese Woman: "Thus happy and free"
- The Fairy Queen, Act V: Chinese Man: "Yes, Daphne"
- The Fairy Queen, Act V: Monkeys' Dance
- The Fairy Queen, Act V: "Hark! how all things with one sound rejoice"
- The Fairy Queen, Act V: "Hark! the echoing air a triumph sings"
- The Fairy Queen, Act V: "Sure the dull God of Marriage does not hear"
- The Fairy Queen, Act V: Prelude / Hymen: "See, I obey"
- The Fairy Queen, Act V: "Turn then thine eyes"
- The Fairy Queen, Act V: Hymen: "My torch indeed will from such brightness shine"
- The Fairy Queen, Act V: "They shall be as happy as they are fair"
- The Fairy Queen, Act V: Chaconne
- In All Our Cinthia's Shining Sphere
- Tell Me Why
- As Amoret and Thyrsis Lay
- Fair Iris and Her Swain
- Go Tell Amynta, Gentle Swain
- Why, My Daphne, Why Complaining?
- What Can We Poor Females Do?
- Love and Despair
- In Some Kind Dream
- Lost Is My Quiet for Ever
- Stript of Their Green Our Groves Appear
- You say,'tis Love
- For Love Ev'ry Creature Is Formed by His Nature
- Trio Sonata in 4 parts No. 1 in G minor, Z. 802: I. Adagio
- Trio Sonata in 4 parts No. 1 in G minor, Z. 802: II. Canzona: Allegro
- Trio Sonata in 4 parts No. 1 in G minor, Z. 802: III. Largo
- Trio Sonata in 4 parts No. 1 in G minor, Z. 802: IV. Vivace - Grave
- Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: I. Adagio
- Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: II. Canzona: Allegro
- Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: III. Adagio
- Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: IV. Largo
- Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: V. Allegro
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: I. Grave
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: II. Largo
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: III. Adagio
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: IV. Canzona
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: V. [Allegro] 9/8 - Grave
- Trio Sonata in 4 parts No. 4 in D minor, Z. 805: I. Adagio
- Trio Sonata in 4 parts No. 4 in D minor, Z. 805: II. Canzona
- Trio Sonata in 4 parts No. 4 in D minor, Z. 805: III. Adagio
- Trio Sonata in 4 parts No. 4 in D minor, Z. 805: IV. Vivace
- Trio Sonata in 4 parts No. 4 in D minor, Z. 805: V. Largo
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: I.
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: II. Canzona
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: III. Largo
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: IV. Adagio
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: V. Presto
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: VI. Allegro - Adagio
- Trio Sonata in 4 parts No. 6 in G minor "Ground on the Bass of Lully's 'Scocca pur'", Z. 807
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: I. Vivace
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: II. Largo
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: III. Grave
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: IV. Canzona
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: V. Allegro
- Trio Sonata in 4 parts No. 7 in C major, Z. 808: VI. Adagio
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: I. Adagio
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: II. Canzona
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: III. Grave
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: IV. Largo
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: V. Allegro
- Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: I.
- Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: II. Adagio
- Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: III. Canzona: Allegro
- Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: IV. Grave
- Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: V. Allegro
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: I. Adagio
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: II. Canzona: Allegro
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: III. Grave
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: IV. Largo
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: V. Allegro
- Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Largo
- Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Grave
- Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Canzona
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809 [appendix]: Grave
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809 [appendix]: Largo
- Dido and Aeneas, Act I: Shake the Cloud / Chorus: Banish sorrow
- Dido and Aeneas, Act I: Ah! Belinda / Ritornelle
- Dido and Aeneas, Act I: Grief increases by concealing / Chorus: When monarchs unite
- Dido and Aeneas, Act I: Fear no Danger
- Dido and Aeneas, Act I: See, your royal guest appears / Chorus: Cupid only throws the dart / If not for mine... / Pursue thy conquest, Love
- Dido and Aeneas, Act I: A Dance Gittars Chacony
- Dido and Aeneas, Act I: Chorus: To the hills and the vales
- Dido and Aeneas, Act II, Scene 1: Prelude / Wayward sisters / Chorus: Harm's our delight
- Dido and Aeneas, Act II, Scene 1: The Queen of Carthage / Chorus: Ho ho ho / Ruin'd ere the set of sun? / Chorus: Ho ho ho
- Dido and Aeneas, Act II, Scene 1: Chorus: In our deep vaulted cell
- Dido and Aeneas, Act II, Scene 2: Chorus: Thanks to these lonesome vales
- Dido and Aeneas, Act II, Scene 2: Gitter ground a Dance
- Dido and Aeneas, Act II, Scene 2: Oft she visits / Ritornelle
- Dido and Aeneas, Act II, Scene 2: Behold, upon my bending spear / Chorus: Haste, haste to town
- Dido and Aeneas, Act II, Scene 2: Stay, Prince
- Dido and Aeneas, Act III, Scene 1: Prelude / Chorus: Come away, fellow sailors / The Sailor's Dance
- Dido and Aeneas, Act III, Scene 1: See the flags and streamers curling / Our next motion / Chorus: Destruction's our delight / The Witches' Dance
- Dido and Aeneas, Act III, Scene 2: Your counsel all is urg'd in vain
- Dido and Aeneas, Act III, Scene 2: Chorus: Great minds against themselves conspire
- Dido and Aeneas, Act III, Scene 2: Thy hand, Belinda / When I am laid
- Dido and Aeneas, Act III, Scene 2: Chorus: With drooping wings / Cupids Dance
- Ode, Z 344 "Ye tuneful muses": I. Symphony
- Ode, Z 344 "Ye tuneful muses": II. Duet (Basses I-II) - Ritornello - Chorus "Ye tuneful muses"
- Ode, Z 344 "Ye tuneful muses": III. Aria (High Tenor) - Chorus - Ritornello "Be lively then and gay"
- Ode, Z 344 "Ye tuneful muses": IV. Aria (Bass) - Chorus "In his just praise"
- Ode, Z 344 "Ye tuneful muses": V. Ritornell - Aria (Tenor) - Chorus "From the rattling of drums"
- Ode, Z 344 "Ye tuneful muses": VI. Trio (Alto, High Tenor, Bass) "To music's softer but yet kind"
- Ode, Z 344 "Ye tuneful muses": VII. Aria (Alto) - Ritornello "With him he brings the partner of his throne"
- Ode, Z 344 "Ye tuneful muses": VIII. Duet (Sopranos I-II) "Happy in a mutual love"
- Ode, Z 344 "Ye tuneful muses": IX. Aria (High Tenor) - Chorus "Whilst in music and verse our duty we show"
- Ode, Z 322 "Celestial music did the gods inspire": I. Symphony
- Ode, Z 322 "Celestial music did the gods inspire": II. Aria (Bass) - Chorus "Celestial music did the Gods inspire"
- Ode, Z 322 "Celestial music did the gods inspire": III. Aria (Alto) "Her charming strains expel tormenting care"
- Ode, Z 322 "Celestial music did the gods inspire": IV. Aria (Soprano) "Thus Virgil's Genius lov'd"
- Ode, Z 322 "Celestial music did the gods inspire": V. Duet (High Tenor, Bass) - Ritornello "Whilst Music did improve Amphion's song"
- Ode, Z 322 "Celestial music did the gods inspire": VI. Aria (Alto) "When Orpheus sang all Nature did rejoice"
- Ode, Z 322 "Celestial music did the gods inspire": VII. Trio (Alto, Tenor, Bass) - Chorus "Let Phyllis by her voice"
- Ode, Z 325 "From hardy climes": I. Symphony
- Ode, Z 325 "From hardy climes": II. Aria (Bass) - Chorus - Ritornello "From hardy Climes and dangerous Toils of War"
- Ode, Z 325 "From hardy climes": III. Aria (High Tenor) - Duet (Sopranos I-II) - Ritornello "As Fame, Great Sir, before you ran"
- Ode, Z 325 "From hardy climes": IV. Aria (Bass) - Chorus - Ritornello "Wake then, my Muse"
- Ode, Z 325 "From hardy climes": V. Aria (Tenor) - Ritornello "The Sparrow and the gentle Dove"
- Ode, Z 325 "From hardy climes": VI. Trio (Alto, High Tenor, Bass) - Ritornello "So all the Boons indulgent"
- Ode, Z 325 "From hardy climes": VII. Aria (Soprano) - Chorus "Hence without Scheme or Figure to descry"
- I was glad when they said unto me, 1685
- O consider my adversity, Z 032
- I was glad when they said unto me, Z 019
- In the black dismal dungeon, Z 190
- Save me, O God, Z 051
- Te Deum in B flat, Z 230
- Jubilate in B flat, Z 230
- Thy way, O God, is holy, Z 060
- Drum Processional
- March, Z 860
- Man that is born of a woman, Z 027
- In the midst of life, Z 017b
- Thou knowest, Lord, the secrets of our hearts, Z 058b
- Thou knowest, Lord, the secrets of our hearts, Z 058c
- Canzona, Z 860
- Drum Recessional
- Trio Sonata in 3 parts No. 1 in G minor, Z. 790
- Trio Sonata in 3 parts No. 2 in B flat major, Z. 791
- Trio Sonata in 3 parts No. 3 in D minor, Z. 792
- Trio Sonata in 3 parts No. 4 in F major, Z. 793
- Trio Sonata in 3 parts No. 5 in A minor, Z. 794
- Trio Sonata in 3 parts No. 6 in C major, Z. 795
- Trio Sonata in 3 parts No. 7 in E minor, Z. 796
- Trio Sonata in 3 parts No. 8 in G major, Z. 797
- Trio Sonata in 3 parts No. 9 in C minor, Z. 798
- Trio Sonata in 3 parts No. 10 in A major, Z. 799
- Trio Sonata in 3 parts No. 11 in F minor, Z. 800
- Trio Sonata in 3 parts No. 12 in D major, Z. 801
- The plaint
- I Attempt From Love's Sickness
- Not All My Torments
- From Rosy Bow'Rs
- O Lead Me to Some Peaceful Gloom
- Retired From Any Mortal's Sight
- Come, Ye Sons of Art: Sound the Trumpet - Come, Ye Sons of Art, Away
- King Arthur: Air (2nd Act Tune)
- Ode, Z 320 "Arise, My Muse": I. Symphony
- Ode, Z 320 "Arise, My Muse": II. Aria (Alto) "Arise, my muse"
- Ode, Z 320 "Arise, My Muse": III. Chorus - Ritornello "Ye sons of music"
- Ode, Z 320 "Arise, My Muse": IV. Aria (Tenor, Bass) - Chorus "Then sound your instruments"
- Ode, Z 320 "Arise, My Muse": V. Aria (Alto) "See how the glitt'ring ruler of the day"
- Ode, Z 320 "Arise, My Muse": VI. Aria (Altos I-II) - Chorus - Ritornello "Hail, gracious Gloriana, hail"
- Ode, Z 320 "Arise, My Muse": VII. Aria (Bass) "And since the time's distress to wars' alarms"
- Ode, Z 320 "Arise, My Muse": VIII. Aria (Alto, Tenor, Bass) "To quell his country's foes"
- Ode, Z 320 "Arise, My Muse": IX. Aria (Alto) "But, ah, I see Eusebia drown'd in tears"
- Ode, Z 320 "Arise, My Muse": X. Aria (Bass) - Aria (Alto) - Chorus "But Glory cries"
- Ode, Z 339 "Welcome to All the Pleasures": I. Symphony
- Ode, Z 339 "Welcome to All the Pleasures": II. Aria (Alto, Tenor, Bass) - Chorus - Ritornello "Welcome to all the pleasures that delight"
- Ode, Z 339 "Welcome to All the Pleasures": III. Aria (Alto) - Ritornello "Here the Deities approve"
- Ode, Z 339 "Welcome to All the Pleasures": IV. Aria (Sopranos I-II, Bass) - Ritornello "While joys celestial"
- Ode, Z 339 "Welcome to All the Pleasures": V. Aria (Alto, Tenor, Bass) - Chorus "Then lift up your voices"
- Ode, Z 339 "Welcome to All the Pleasures": VI. Ritornello - Aria (Tenor) - Ritornello "Beauty, thou scene of love"
- Ode, Z 339 "Welcome to All the Pleasures": VII. Aria (Tenor) - Chorus "In a consort of voices"
- Ode, Z 332 "Now Does the Glorious Day Appear": I. Symphony
- Ode, Z 332 "Now Does the Glorious Day Appear": II. Chorus - Ritornello "Now does the glorious day appear"
- Ode, Z 332 "Now Does the Glorious Day Appear": III. Aria (Tenor, Bass) "Not any one such joy could bring"
- Ode, Z 332 "Now Does the Glorious Day Appear": IV. Aria (Tenor) - Ritornello "Now does the glorious day appear"
- Ode, Z 332 "Now Does the Glorious Day Appear": V. Chorus - Ritornello "Now does the glorious day appear"
- Ode, Z 332 "Now Does the Glorious Day Appear": VI. Aria (Bass) "It was a work of full as great a weight"
- Ode, Z 332 "Now Does the Glorious Day Appear": VII. Aria (Alto) "By beauteous softness mixed with majesty"
- Ode, Z 332 "Now Does the Glorious Day Appear": VIII. Aria (Basses I-II) "Her hero too"
- Ode, Z 332 "Now Does the Glorious Day Appear": IX. Aria (Soprano, Alto, Tenor) "Our dear religion"
- Ode, Z 332 "Now Does the Glorious Day Appear": X. Aria (Tenor) - Ritornello "No more shall we the great Eliza boast"
- Ode, Z 332 "Now Does the Glorious Day Appear": XI. Chorus "Now, now, with one united voice"
- Shake the Cloud from off Your Brow
- Ah! Ah! Ah! Belinda, I Am Press'd
- Grief Increase by Concealing
- Fear No Danger to Ensue
- See, See Your Royal Guest Appears
- Wayward Sisters, You that Fright
- In Our Deep Vaulted Cell the Charm We'll Prepare
- Thanks to These Lovesome Vales
- Oft She Visits This Lov'd Mountain
- Stay, Prince and Hear Great Jove's Command
- Come away, Fellow Sailors, Your Anchors Be Weighing
- See the Flags and Streamers Curling
- Your Counsel is All Urged in Vain
- Thy Hand, Belinda, Darkness Shades Me
- Ode, Z 328 "Hail! bright Cecilia": I. Symphony
- Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia"
- Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks"
- Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice"
- Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World"
- Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below"
- Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay"
- Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!"
- Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin"
- Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute"
- Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War"
- Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest"
- Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia"
- Ode, Z 342 "Who can from joy refrain": I. Overture
- Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain"
- Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race"
- Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane"
- Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine"
- Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet"
- Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame"
- The Fairy Queen: Overture
- The Fairy Queen, Act I: Come let us leave the Town
- The Fairy Queen, Act I: Fill up the bowl then
- The Fairy Queen, Act II: Come all ye songsters of the Sky
- The Fairy Queen, Act II: May the God of Wit inspire
- The Fairy Queen, Act II: Now join your Warbling Voices all
- The Fairy Queen, Act II: Sing while we trip it on the Green
- The Fairy Queen, Act II: See, even Night her self is here
- The Fairy Queen, Act II: I am come to lock all fast
- The Fairy Queen, Act II: One charming Night
- The Fairy Queen, Act II: Hush, no more, be silent all
- The Fairy Queen, Act III: Dance for the followers of Night
- The Fairy Queen, Act III: If love's a Sweet Passion, why does it torment?
- The Fairy Queen, Act III: Ye Gentle Spirits of the Air, appear
- The Fairy Queen, Act III: Now the Maids and the men are making of hay
- The Fairy Queen, Act III: When I have often heard you Maids complaining
- The Fairy Queen, Act III: A Thousand Thousand ways we'll find
- The Fairy Queen, Act IV: Now the night is chas'd away
- The Fairy Queen, Act IV: Let the Fifes, and the Clarions, and shrill trumpets sound
- The Fairy Queen, Act IV: When a cruel long Winter has frozen the earth
- The Fairy Queen, Act IV: Hail! Great Parent of us all
- The Fairy Queen, Act IV: Thus the ever Grateful Spring
- The Fairy Queen, Act IV: Here's the Summer, Sprightly, Gay
- The Fairy Queen, Act IV: See my many Colour'd Fields
- The Fairy Queen, Act IV: Next Winter comes Slowly, Pale, Meager, and Old
- The Fairy Queen, Act V: Thrice happy Lovers, may you be
- The Fairy Queen, Act V: O Let me ever, ever weep
- The Fairy Queen, Act V: Thus the gloomy World
- The Fairy Queen, Act V: Thus Happy and Free
- The Fairy Queen, Act V: Yes, Xansi, in your Looks I find
- The Fairy Queen, Act V: Hark! how all things in one Sound rejoice
- The Fairy Queen, Act V: Hark! how the Echoing Air a Triumph sings
- The Fairy Queen, Act V: Sure the dull God of Marriage does not hear
- The Fairy Queen, Act V: See, see, I obey
- The Fairy Queen, Act V: Turn then the Eyes upon those Glories there
- The Fairy Queen, Act V: My Torch, indeed, will from such Brightness shine
- The Fairy Queen, Act V: Chaconne: The Grand Dance
- The Fairy Queen, Act V: They shall be as happy as they're fair
- The Fairy Queen, Appendix: First Musick Prelude
- The Fairy Queen, Appendix: First Musick Hornpipe
- The Fairy Queen, Appendix: Second Musick Air
- The Fairy Queen, Appendix: Second Musick Rondeau
- The Fairy Queen, Appendix: Second Act Tune: Air
- The Fairy Queen, Appendix: Fourth Act Tune: Air
- The Fairy Queen, Appendix: Third Act Tune: Hornpipe
- The Fairy Queen, Appendix: Entry Dance
- Dido & Aeneas: Overture - Act I
- Dido & Aeneas: Act II. Scene 1
- Dido & Aeneas: Act II. Scene 2
- Dido & Aeneas: Act III. "Great minds against themselves conspire"
- Dido & Aeneas: Act III. Monologue & Dido's Death
- Come Let Us Drink
- The Miller's Daughter
- Sir Walter Enjoying His Damsel
- A Health to the Nut Brown Lass
- Prithree Ben't So Sad and Serious
- I Gave Her Cakes and I Gave Her Ale
- Young John the Gard'Ner
- Once, twice, thrice I Julia tried
- Of All the Instruments
- Under This Stone
- Since Time So Kind to Us Does Prove
- 'Tis Women Makes Us Love
- If Ever I More Riches Did Desire
- Laudate Ceciliam (1683)
- Woden, first to thee - The White Horse Neigh'd Aloud - To Woden Thanks We Render
- The Lot Is Cast, And Tanfan Pleas'd
- Brave Souls, To Be Renown'd In Story
- I Call You All To Woden's Hall
- Come If You Dare
- Hither, This Way, This Way Bend
- Let Not A Moonborn Elf Mislead Ye
- Come, Follow Me
- How Blest Are Shepherds
- Sheperd, Leave Decoying
- Come, Shepherds, Lead Up A Lively Measure
- Prelude - The Frost Scene - What Ho! Thou Genius Of This Isle
- Prelude While The Cold Genius Rises - What Power ArtThou
- Thou Doting Fool
- Great Love, I Know Thee Now
- No Part Of My Dominion
- Prelude - See, See, We Assemble
- 'Tis I That Have Warm'd Ye - 'Tis Love That Has Warm'd Us
- Sound A Parley - 'Tis Love That Has Warm'd Us
- Chacony in G minor, Z 730
- Overture in D minor, Z 771
- Pavan in B flat major, Z 750
- Ground in D minor, Z D 222
- Overture (with Suite) in G major, Z 770
- Pavan in A minor, Z 749
- Fantasia (Chaconne): Three Parts on a Ground in D major, Z 731
- Overture in G minor, Z 772
- Suite in D major, Z 667
- Pavan of Four Parts in G minor, Z 752
- Sefauchi's Farewell in D minor, Z 656
- A New Ground in E minor, Z T 682
- Sonata in A minor, Z 804
- Fantasia a 4, No. 7
- The Father Brave
- Return, Revolting Rebels
- Two Daughters Of This Aged Stream Are We
- Passacaglia - How Happy The Lover - Ritornello - For Love Every Creature
- Ye Blust'ring Brethren Of The Skies
- Song Tune - Round Thy Coast
- For Folded Flocks, And Fruitful Plains
- Ritornello - Your Hay It Is Mow'd
- You Say 'Tis Love
- Trumpet Tune - Warlike Consort
- St George - Our Natives Not Alone Appear
- Chaconne
- The Double Dealer: Overture - Hornpipe
- The Old Bachelor: Rondeau - Menuet - Boree - March - Jig
- Birthday Song for Queen Mary: Crown the Altar
- Amphitryon: Hornpipe - Scotch Tune
- The Fairy Queen: O let Me Weep
- Sonata No.9 in F Major
- Abdelazer: Overture - Rondeau
- Bess of Bedlam
- The Married Beau: Trumpet Air - March - Hornpipe on a Ground
- The Indian Queen: Trumpet Ouverture
- Abdelazer, or The Moor's Revenge: Rondeau
- The Gordian Knot Unty'd: Chaconne
- The Indian Queen: Symphony & Dance
- Fantasie D major (Three Parts Upon a Ground)
- Close thine eyes and sleep secure
- Ground in Gamut
- Rejoice in the Lord always
- Voluntary in d minor
- Fantasie for viola da gamba VIII
- Of all the instruments that are
- Masque of the four seasons: Entry of Phoebus
- Masque of the four seasons: Prelude: When a cruel long winter has frozen the earth
- Masque of the four seasons: Chorus: Hail! Great parent of usall
- Masque of the four seasons: Spring: Thus the ever grateful spring
- Masque of the four seasons: Summer: Here's the summer
- Masque of the four seasons: Autumn: See my many colour'd fields
- Masque of the four seasons: Winter: Next, winter comes slowly
- Voluntary in G major, Z 720
- A Morning Hymn : Thou wakeful Shepherd, Z 198
- A Divine Hymn : Lord, what is Man ?, Z 192
- Voluntary in D minor, Z 718
- The Aspiration : How long, great God, Z 189
- In the black dismal Dungeon of Despair, Z 190
- O solitude, Z 406
- Voluntary in C major, Z 714
- The Blessed Virgin's Expostulation : Tell me, some pitying Angel, Z 196
- Voluntary in D minor, for Double Organ, Z 719
- On our Saviour's Passion : The Earth trembled, Z 197
- With sick and famished eyes, Z 200
- Verse in F major, Z 716
- Full of wrath, Z 185
- Voluntary on the Old 100th (A major), Z 721
- Adam's Sleep : Sleep, Adam, Sleep, Z 195
- An Evening Hymn : Now that the sun, Z 193
- 'Shake the cloud from off your brow'
- 'Ah! Belinda I am prest with torment'
- 'Grief increases by concealing'
- 'Whence could so much virtue spring?'
- 'See, your royal guest appears'
- 'Cupid only throws the dart'
- 'If not for mine, for Empire's sake' -
- Gittars Chacony
- 'To the hills and vales'
- Prelude - 'Wayward sisters' - 'Harms our delight'
- 'The Queen of Carthage' - 'Ho ho ho!'
- 'Ruin'd 'ere the set of sun?' - 'Ho ho ho!'
- 'In our deep vaulted cell the charm we'll prepare'
- 'Thanks to these lonsome vales'
- Gittars Passacaille
- 'Oft she visits this lone mountain'
- 'Behold, upon my bending spear' - 'Haste, haste to town'
- 'Stay, Prince, and hear great Jove's command'
- 'Then since our charms have sped'
- Prelude - 'Come away, fellow sailors' - The Sailors' Dance
- 'See the flags and streamers curling'
- 'Our next motion'
- Almand - 'Your counsel all is urg'd in vain'
- 'Great minds against themselves conspire'
- 'Thy hand, Belinda, darkness shades me'
- 'With drooping wings ye Cupids come'
- A Morning Hymn : "Thou wakeful Shepherd", Z 198
- A Divine Hymn : "Lord, what is Man ?", Z 192
- The Aspiration : "How long, great God", Z 189
- "In the black dismal Dungeon of Despair", Z 190
- "O solitude", Z 406
- The Blessed Virgin's Expostulation : "Tell me, some pitying Angel", Z 196
- On our Saviour's Passion : "The Earth trembled", Z 197
- "With sick and famished eyes", Z 200
- "Full of wrath", Z 185
- Adam's Sleep : "Sleep, Adam, Sleep", Z 195
- An Evening Hymn : "Now that the sun", Z 193
- Suite No. 1 in G major, Z 660: I. Prelude
- Suite No. 1 in G major, Z 660: II. Almand
- Suite No. 1 in G major, Z 660: III. Corant
- Suite No. 1 in G major, Z 660: IV. [Minuet]
- Chacone in G minor, ZT 680 (from "Timon of Athens")
- Suite No. 2 in G minor, Z 661: I. Prelude
- Suite No. 2 in G minor, Z 661: II. [Almand]
- Suite No. 2 in G minor, Z 661: III. Corant
- Suite No. 2 in G minor, Z 661: IV. Sarabande
- Ground, ZT 681 (from "Ye tuneful Muses")
- Suite No. 3 in G major, Z 662: I. Prelude
- Suite No. 3 in G major, Z 662: II. Almand
- Suite No. 3 in G major, Z 662: III. Courante
- A New Ground, ZT 682 (from "Welcome to all the pleasures")
- Suite No. 4 in A minor, Z 663: I. Prelude
- Suite No. 4 in A minor, Z 663: II. Almand
- Suite No. 4 in A minor, Z 663: III. Corante
- Suite No. 4 in A minor, Z 663: IV. Saraband
- Suite No. 4 in A minor, Z 663: V. Jig
- Ground in Gamut, Z 645
- Suite No. 5 in C major, Z 666: I. Prelude
- Suite No. 5 in C major, Z 666: Ia. Prelude
- Suite No. 5 in C major, Z 666: II. Almand
- Suite No. 5 in C major, Z 666: III. Corant
- Suite No. 5 in C major, Z 666: IV. Saraband
- Ground, ZD 221
- Suite No. 6 in D major, Z 667: I. Prelude
- Suite No. 6 in D major, Z 667: II. Almand
- Suite No. 6 in D major, Z 667: III. Hornpipe
- Round O, ZT 684 (from "Abdelazer")
- Suite No. 7 in D minor, Z 668: I. [Improvised prelude]
- Suite No. 7 in D minor, Z 668: II. Almand, very slow. 'Bell-barr'
- Suite No. 7 in D minor, Z 668: III. Corant
- Suite No. 7 in D minor, Z 668: IV. Hornpipe
- Ground, ZD 222 (from "Celebrate the festival")
- Suite No. 8 in F major, Z 669: I. Prelude
- Suite No. 8 in F major, Z 669: II. Almand
- Suite No. 8 in F major, Z 669: III. Courante
- Suite No. 8 in F major, Z 669: IV. Minuet
- The Fairy Queen: Acte II. Choeur "May the god of Wit inspire"
- The Fairy Queen: Acte II. Choeur "Now join your warbling voices all" & Danse des Fées
- The Fairy Queen: Acte III. Dialogue entre Coridon et Mopsa
- King Arthur: Acte III. Scène 2
- Dido & Aeneas: Acte III. Monologue et mort de Didon
- Sonate VII en mi mineur, Z.796: Adagio
- Sonate VII en mi mineur, Z.796: Canzona
- Sonate VII en mi mineur, Z.796: Largo
- Chacony a 4 en sol mineur, Z.730
- Fair est Isle (King Arthur)
- O Solitude (Poèeme Katherine Philips)
- Ode on St. Cecilia's Day (1683): Ouverture
- Ode on St. Cecilia's Day (1683): Choeur "Welcome to all the pleasures"
- Ode on Queen Mary's Birthday (1692): Ouverture
- Ode on Queen Mary's Birthday (1692): "Love's Goddess sure was blind" (alto solo)
- Ode on Queen Mary's Birthday (1692): "May the blest example chase" (alto solo)
- Ode on Queen Mary's Birthday (1692): "May such days" (duo altos)
- Ode on Queen Mary's Birthday (1692): "May she to heaven late return" (choeur)
- Suite in C major
- Thou Tun'st This World Below (Hail! Bright Cecilia)
- Trumpet Tune and Air
- Trumpet Tune "Cibell" for harpsichord in C major, ZT 678 (arr. trumpets: Elgar Howarth)
- Come All Ye Songsters (The Fairy Queen, Act II, No. 9)
- Sweet Than Roses (Pausanias, the Betrayer of His Country)
- Song, Z 739 "If Music be the Food of Love" 1692 setting
- Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air
- The Fairy Queen, Z 729: Act V. The Plaint "O, let me Weep"
- King Arthur, or, The British Worthy, Z 628: Act V. "Fairest Isle" (Venus)
- Song, Z 413 "She Loves and she Confesses too"
- Dido and Aeneas, Z 626: Act III "Thy Hand Belinda" (Dido) - Dido's Lament "When I am Laid in Earth"
- Come Again: Sweet Love Doth Now Invite
- Dido and Aeneas: Thy Hand, Belinda / When I Am Laid in Earth
- Suite: Intrada
- Suite: Rondo
- Suite: Dido's Lament
- Suite: Tuba Tune "Cebell"
- Suite: Trumpet Tune and Bell Interlude
- Trumpet Tune And Ayre
- Sonata in Three Movements for Trumpets
- Minuet
- A new Irish tune
- Four Part Fantasia No. 2
- Dido and Aeneas: Act II. "Oft she visits this lov'd mountain (2nd Woman, Aeneas, Dido, Belinda)
- Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus)
- The Fairy Queen, Act V, Monkey's Dance
- Sonata V - G Minor
- Circe, Z. 575. "We Must Assemble By a Sacrific"
- The Cares of Lovers
- Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh"
- The Fairy Queen, Act II, May the God of wit inspire the sacred nine
- Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" (Aeneas, Dido)
- King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover"
- King Arthur, Act I, Woden, first to thee a milk-white steed
- The Gordion Knot Unty'd, Z. 597. Chaconne
- Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine"
- King Arthur, Act I, I call you all to Woden's Hall
- Sonata VI - G Minor
- King Arthur, Act V, Ye blust'ring brethern of the skies
- Sonata VIII - G Major
- Didon & Enée : Thy hand, Belinda - When I am laid in earth with drooping wings
- The Indian Queen, Act II, I come to sing great Zempoalla's story
- King Arthur: Act I. "Come if you dare" - First Act Tune
- The Fairy Queen, Act III, Third Act Tune: Hornpipe
- King Arthur, Act III, See, see, we assemble thy revels to hold
- The Indian Queen, Act V, While thus we bow before your shrine
- Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage, whom we hate" (Sorceress) / Chorus "Ho Ho Ho!"
- Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Belinda, Dido)
- Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance
- Sonata VI in G minor: I. Adagio
- Sonata V in G minor: II. Canzona
- Dioclesian, Act II, A Symphony of flutes in the air - Since the toils and the hazards of war ... Let the priests with processions ... All sing Diocles' glory
- Dido and Aeneas, Act I, Overture
- Dioclesian, Act V, Prelude - Call the Nymphs and the Fawns from the woods
- When her languishing eyes said 'Love'
- Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am pressed with torment" (Dido)
- Chacony, Z730
- The Fairy Queen, Act V, The Plaint: O let me ever, ever weep
- Come, ye sons of art : Sound the trumpet - Come, ye sons of art, away
- Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda)
- Timon of Athens, Who can resist such mighty charms?
- King Arthur: Act V. "Our natives not alone appear"
- Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales" (Belinda)
- Sonata I in B minor: II. Canzona
- Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet"
- Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urged in vain" (Aeneas, Belinda, Dido)
- Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" (Two Witches)
- Sonata II in E-flat major: III. Adagio
- King Arthur, Act V, Trumpet Tune
- Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas)
- Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus)
- The Indian Queen, Act III, Seek not to know what must not be reveal'd
- Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido)
- The Indian Queen, First Music - First Air
- Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus)
- Sonata IV in D minor: V. Largo
- King Arthur, Act II, Come, follow me
- La reine indienne : Trumpet Overture
- The Fairy Queen, Air - Rondeau
- Dido and Aeneas, Act III, Great minds against themselves conspire ... Thy hand, Belinda
- The Gordion Knot Unty'd, Z. 597. Second Music II: Minuet
- Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth" (Dido)
- The Fairy Queen, Act IV, Let the fifes and the clarions and shrill trumpets sound
- Sonata III in A minor: I. Grave
- Pavan in B-flat major, Z 750
- King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters"
- What a sad fate is mine, a song on a Ground
- The Fairy Queen, Act III, Ye gentle spirits of the air, appear!
- King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks"
- Sonata III - A Minor
- Pausanias: Sweeter tha roses
- Circe: III. Come every demon
- Sonata II in E-flat major: II. Canzona: Allegro
- Dioclesian, Act I, First Act Tune: Hornpipe
- Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (First Witch)
- The Libertine: I. Nymphs and shepherds
- King Arthur: Act I. "Brave souls, to be renown'd in story"
- The Tempest, Act III, Kind fortune smiles
- Timon of Athens, The cares of lovers, their alarms, their sighs, their tears
- The Tempest, Act II, Arise, arise, ye subteranean winds
- Le roi Arthur : Acte III
- King Arthur: Act V. "Saint George"
- Dioclesian, Act V, Canaries - Tell me why my charming fair
- Sonata VII in C major: II. Largo
- The Fairy Queen, Act V, Prelude. Thrice happy lovers, may you be for ever free
- The Indian Queen, Act III, Trumpet Overture
- Dioclesian, Act V, All our days and our nights shall be spent in delights
- Dido and Aeneas: Act III, Scene I. "See, see the flags" (Two Witches, Sorceress) - "Our next motion" (Sorceress)
- King Arthur, Act III, Sound a parley ... 'Tis Love that has warm'd us
- King Arthur, Act III, Third Act Tune: Hornpipe
- Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe
- Sonata VII - C Major
- Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment" (Dido)
- Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches)
- Sonata IV in D minor: I. Adagio
- Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas)
- Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe
- King Arthur: Act I. "Woden, first to thee"
- Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas, Chorus)
- The Fairy Queen, Act IV, Now the night is chased away
- King Arthur, Act V, Fairest Isle, all isles excelling
- They That Go Down To The Sea In Ships
- Dido and Aeneas: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido, Chorus)
- Sonata V in G minor: I. []
- Sonata V in G minor: VI. Allegro
- King Arthur, Act IV, How happy the lover ... For love ev'ry creature is form'd ... In vain are our graces
- King Arthur: Act V, Scene. 2: Song Tune: "Your Hay"
- Dioclesian, Act III, The Chair Dance
- Sonata II in E-flat major: IV. Largo
- Dido and Aeneas, Z. 626: Act I. Chorus "Cupid only throws the dart"
- Circe, Z. 575. "Come Every Demon"
- Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus)
- Dioclesian, Act II, Ritornello - To Mars let 'em raise - Ritornello
- Sonata IX in F major: I. []
- The Indian Queen, Act III, Ye twice ten hundred deities
- The Fairy Queen, Act V, Sure the dull God of Marriage does not hear. Prelude. See, I obey ... Turn then thine eyes upon those glories here ... My torch indeed will from such brightness shine
- Sonata IX in F major: II. Canzona: Allegro
- Dido and Aeneas, Act I, If not for mine, for Empire's sake ... Pursue thy conquest
- Dido and Aeneas: Act II. "But ere we this perform" (Witches, Chorus)
- Sonata IX in F major: III. Grave
- Dido and Aeneas: Overture / Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
- Abdelazer: III. Air - Jig - Hornpipe - Air
- Music for a while, from Oedipus
- Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince, and hear great Jove's command" (Aeneas, Spirit)
- Musique pour la reine Mary : March - Man that is born
- Dido and Aeneas, Z. 626: Act II. Prelude for the Witches - "Wayward sisters" (Sorceress)
- Sonata VIII In G Minor: V. Vivace
- Amphitryon, Z. 572 "The Two Sosias": VIII. Borree
- The Gordion Knot Unty'd, Z. 597. Overture
- The Indian Queen, Act III, I attempt from love's sickness to fly in vain
- Circe: V. Magicians' Dance - Pluto, arise!
- Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Destruction's our delight"
- Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Dido)
- King Arthur: Act II. "Let not a moonborn elf mislead ye" - "Hither this way, this way bend"
- King Arthur, Air
- King Arthur, Act II, Come shepherds, lead up a lively measure. Hornpipe
- Sonata VIII In G Minor: II. Canzona
- Dido and Aeneas, Act I, Whence could so much virtue spring?
- King Arthur, Act I, Brave souls, to be renown'd in story
- King Arthur, Act II, Second Act Tune: Air
- Dido and Aeneas: Act III. "See the flags and streamers curling" (Sorceress, Witches, Chorus)
- Dioclesian, Act V, Country Dance
- The Tempest, Act V, No stars again shall hurt you from above
- Dioclesian, Overture
- Dioclesian, Act V, Make room, make room - Dance of Bachanals
- Dido and Aeneas, Z. 626: Act I. Chorus "When monarchs unite, how happy their state"
- The Fairy Queen, Act V, Chaconne
- The Tempest, Act II, Where does the black fiend Ambition reside?
- Dido and Aeneas, Act II, Then since our charms have sped. The Grove's Dance
- King Arthur: Act V. "You say 'tis Love"
- The Fairy Queen, Act II, Now join your warbling voices all
- King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment"
- King Arthur: Act II. Second Act Tune (Air)
- The Fairy Queen, Act V, They shall be as happy as they're fair
- Circe: II. Their necessary aid you use
- King Arthur, Act V, Saint George the patron of our Isle
- Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda)
- Sonata V in G minor: III. Largo
- Dido and Aeneas, Act I, The Triumphing Dance
- The Indian Queen, Prologue, By ancient prophecies we have been told
- Sonata II in E-flat major: V. Allegro
- Dido and Aeneas, Act II, But ere we this perform, we'll conjure up a storm
- Blow up the trumpet in Sion, Z10
- Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus)
- Now that the sun has veil'd his light
- The Gordion Knot Unty'd, Z. 597. First Act Tune: Air
- Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors" (First Sailor)
- Dido and Aeneas: Act III. Prelude / Sailors' Dance (Sailor, Chorus)
- Dioclesian, Act II, Great Diocles the Boar has kill'd
- Timon of Athens, Love quickly is pall'd, tho' with labour, 'tis gain'd
- Dido and Aeneas: Act III, Scene I. "Come away" (Sailor, chorus) - The Sailor's Dance
- The Tempest, Act V, Halcyon days, now wars are ending, you shal find wheree'er you sail
- Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido)
- Dido and Aeneas, Act II, Oft she visits this lov'd mountain
- Didon & Enée : Prélude pour les sorcières - In our deep vaulted cell
- King Arthur, Act V, Trumpet Tune (Warlike Consort)
- The Tempest, Act V, The Nereids and Tritons shall sing and shall play
- King Arthur, Act V, Our natives not alone appear to court the martial prize
- Ah! How sweet it is to love, from Tyranic Love or The Royal Martyr
- King Arthur: Act II. "Hither, this way, this way bend"
- Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow"
- The Tempest, Act III, Come unto these yellow sands ... Hark! hark! the watchdogs bark
- King Arthur, Act III, What ho! thou genius of this isle, what ho!
- Ground In C For Harpsichord
- King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces"
- Music for the funeral of queen Mary: March
- King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George"
- Dido and Aeneas, Z. 626: Act I. Chorus "Banish sorrow, banish care"
- The Libertine: V. To arms, heroic prince
- The Fairy Queen, Act I, Come, let us leave the town
- King Arthur: Act III. Third Act Tune (Hornpipe)
- Sonata IV in D minor: III. Adagio
- King Arthur: Act IV. "Two daughters of this aged stream are we"
- Timon of Athens, A symphony of Pipes imitating the chirping of Birds, Hark, how the songsters of the grove sing
- Sonata IV in D minor: IV. Vivace
- Ode, Z 342 "Who can from joy refrain": I. Overture
- Amphitryon, Z. 572 "The Two Sosias": II. Saraband
- The Fairy Queen, Act II, See, even Night herself is here ... I am come to lock all fast ... One charming night ... Hush, no more
- The Gordion Knot Unty'd, Z. 597. Third Act Tune: Air
- When First I Saw Aurelia's Eyes
- Dido and Aeneas: Act II. "Thanks to these lonesome vales" (Belinda, Chorus)
- Sonata VII in C major: IV. Canzona
- Dido and Aeneas, Act II, Stay, Prince, and hear great Jove's command
- Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress)
- King Arthur: Act V, Scene. 2: Venus: "Fairest Isle"
- Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda)
- The Fairy Queen, Act III, Dialogue between Coridon and Mopsa. Dance for the haymakers
- The Tempest, Act V, See, see, the heavens smile
- Dioclesian, Act III, When I first saw the bright Aurelia's eyes
- King Arthur: Act II. "Come, shepherds, lead up a lively measure" - Hornpipe
- Sonata V in G minor: IV. Adagio
- Dioclesian, Act II, Second Act Tune
- The Indian Queen, Act III, Symphony for hautboys
- Sonata X in D major: IV. Largo
- The Indian Queen, Act II, Symphony, Allegro
- King Arthur, Act V, Round thy coast, fair nymph of Britain
- Circe, Z. 575. "Lovers Who To Their First Embraces Go"
- Jubilate Deo
- Sonata II in E-flat major: I. Adagio
- King Arthur: Act III. "'Tis I that have warm'd ye" - "'Tis Love that has warm'd us"
- Amphitryon, Z. 572 "The Two Sosias": VI. Minuet
- The Indian Queen, Act II, Symphony, Canzona
- Dido and Aeneas: Act III. "With drooping wings" (Chorus)
- Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings"
- Dido and Aeneas, Z. 626: Act III, Scene I. "Our next motion" (Sorceress)
- King Arthur, Overture
- The Fairy Queen, Act III, When I have often heard young maids complaining
- The Indian Queen, Second Music - Second Hornpipe
- King Arthur, Act V, Chaconne
- The Fairy Queen, Act III, Dance for the Green Men
- Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell"
- Dido and Aeneas, Act I, Fear no danger to ensue
- Circe, Z. 575. Magicians' Dance
- Dido and Aeneas, Act I, Grief increases by concealing ... When monarchs unite
- Dioclesian, Act II, Charon, the peaceful Shade invites - Symphony - Let all mankind the pleasure share
- A Morning Hymn (Thou wakeful shepherd)
- Dido and Aeneas: Act I. "Grief increases by concealing" (Belinda, Dido) - "When monarchs unite, how happy their state" (Chorus)
- King Arthur: Act IV. Fourth Act Tune (Air)
- Sonata VII in C major: VI. Adagio
- The Indian Queen, Prologue, Trumpet Tune - reprise
- The earth trembled
- The Tempest, Act III, Dry those eyes which are o'erflowing
- Sonata IX - F Major - The Golden Sonata
- Hail! Bright Cecilia, Z 328: III. Hark! hark! Each Tree (alto, bass)
- The Indian Queen, Act IV, They tell us that your mighty powers
- The Indian Queen, Act III, We the spirits of the air
- Sonata VIII In G Minor: I. Adagio
- Dioclesian, Act IV, Sound, Fame, thy brazen trumpet sound!
- Dido and Aeneas: Act I. "Shake the cloud from off your brow" (Belinda, chorus)
- King Arthur, Act V, Symphony
- Man Is For The Woman Made
- Hail! Bright Cecilia, Z 328: V. Soul of the World! (choir)
- Sonata IV - D Minor
- The Indian Queen, Act II, I fly from the place where flattery reigns
- Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit)
- Dioclesian, Act II, Dance of Furies
- Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas, Belinda)
- King Arthur, Act III, Great Love, I know thee now
- Sonata No. 9 in F major
- Dioclesian, Second Music
- Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" (Sorceress, Two Witches)
- King Arthur, Act II, Let not a moonborn elf mislead ye. Hither, this way
- Anthem, Z 002: Behold, I bring you glad tidings
- The Indian Queen, Act III, Third Act Tune
- Timon of Athens, Hence with your trifling deity!
- Timon of Athens, But ah! how much are our delights more dear
- Sonata III in A minor: II. Largo
- Dido and Aeneas, Act III, Your counsel all is urg'd in vain
- Dioclesian, Act V, Dance
- Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus)
- Hail! Bright Cecilia, Z 328: VI. Thou tun'st this World (soprano)
- The Tempest, Act IV, Dear pretty youth unveil those eyes
- Sonata III in A minor: V. [Allegro] Grave
- Dido and Aeneas: Act I. "Ah Belinda, I am press'd with torment" (Dido)
- The Indian Queen, Act III, Ah! how happy are we!
- Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire"
- Timon of Athens, Come all, come all to me, make haste
- The Indian Queen, Prologue, Wake, Quivera
- Dido and Aeneas: Act III, Scene II. "With drooping wings" (Chorus)
- The Tempest, Act IV, Dance of Devils
- Sonata X in D major: I. Adagio
- Sonata X - D Major
- The Gordion Knot Unty'd, Z. 597. Second Act Tune: Rondo Minuet
- Pious Celinda goes to pray'rs
- Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido)
- Timon of Athens, Love in their little veins inspires their cheerful notes
- Dioclesian, Act IV, Fourth Act Tune
- Sonata I in B minor: III. Largo
- Timon of Athens, Return, revolting rebels! Where d'ye go?
- The Tempest, Act V, Great Neptune! now no more let Aeolus enrage the sea
- Dioclesian, First Music
- The Fairy Queen, Act I, Scene of the Drunken Poet
- The Gordion Knot Unty'd, Z. 597. Fourth Act Tune: Jig
- Sonata VIII In G Minor: III. Grave
- King Arthur, Act V, Your hay it is mow'd
- King Arthur: Act II. "Come, follow me"
- Dido and Aeneas: Act II. "Stay, Prince" (Spirit, Aeneas)
- Didon & Enée : Ouverture
- Dido and Aeneas, Act I, Shake the cloud off from your brow
- Dido and Aeneas: Act III, Scene I. The Witches' Dance
- King Arthur, Act II, How blest are shepherds, how happy their lasses
- Dido and Aeneas, Z. 626: Act I. The Triumphing Dance
- The Indian Queen, First Music - Second Air
- Sonata V in G minor: V. Presto
- The Indian Queen, Prelude - I come to sing great Zempoalla's story
- Dido and Aeneas, Act II, Behold, upon my bending spear ... Haste, haste to town
- The Tempest, Act IV, The sailors' dance
- The Indian Queen, Overture - Adagio
- The Indian Queen, Act II, Begone, curst fiends of Hell
- Dido and Aeneas, Act III, Come away, fellow sailors
- Dido and Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second Woman)
- Sonata I in B minor: IV. Vivace
- Sonata IX in F major: IV. Allegro
- Dioclesian, Act III, Chaconne (Two in one upon a Ground)
- King Arthur: Act I. "I call you all to Woden's Hall"
- Amphitryon, Z. 572 "The Two Sosias": V. Air
- King Arthur, Act I, "Come if you dare", our trumpets sound
- Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain"
- Sonata VII in C major: V. Allegro
- King Arthur: Act III. "Sound a parley" - "'Tis Love that has warm'd us"
- King Arthur: Act III. Prelude while the Cold Genius rises - "What power art thou"
- Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda; darkness shades me" (Dido)
- The Tempest, Overture
- King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren"
- Sonata IX in F major: I. Adagio
- The Fairy Queen, Act IV, Symphony
- Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane"
- Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
- Dido and Aeneas, Act III, With drooping wings
- The Indian Queen, Act III, We the spirits of the air - reprise
- Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman)
- The Tempest, Act V, Your awful voice I hear and I obey ... Come down, my blusterers, swell no more
- King Arthur, Act III, Prelude while Cold Genius rises. What power art thou
- The Fairy Queen, Act II, Sing while we trip it. Dance of the fairies
- Dido and Aeneas, Z. 626: Act I. Chorus "Fear no danger to ensue" (Belinda, Second Woman)
- King Arthur: Act III. "Great Love, I know thee now"
- King Arthur, Act III, No part of my dominion shall be waste
- The Fairy Queen, Act IV, Entry of Phoebus. When a cruel long Winter has frozen the earth
- Dioclesian, Act III, Third Act Tune
- The Fairy Queen, Act I, First act tune: Jig
- Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor)
- The Fairy Queen, Prelude - Hornpipe
- King Arthur: Act I. "The lot is cast, and Tanfan pleas'd"
- Dioclesian, Act V, Dance - Triumph, triumph victorious Love
- The Married Beau, Overture
- The Libertine: III. Prelude
- Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest"
- The Indian Queen, Trumpet Tune
- King Arthur, Act III, Thou doting fool, forbear, forbear!
- Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus)
- The Indian Queen, Act II, Scorn'd Envy, here's nothing that thou canst blast
- Dido and Aeneas, Act II, Prelude for the witches. Wayward sisters
- Voluntary on the Doxology (Old 100th)
- Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame"
- Sonata I in B minor: I. Adagio
- Ode à Sainte Cécile : Choeur final
- Sonata I - B Minor
- Sonata III in A minor: III. Adagio
- Praise The Lord, O Jerusalem
- Dioclesian, Act V, Since from my dear Astrea's sight I was so rudely torn
- Circe, Z. 575. "Pluto, Arise!"
- The Fairy Queen, Act V, Entry dance. Symphony. Thus the gloomy world at first began to shine ... Thus happy and free ... Yes, Daphne, in your face I find
- Hail! Bright Cecilia, Z 328: IV. 'Tis Nature's Voice (alto)
- Dido and Aeneas: Act III, Scene II. "Great minds against themselves conspire" (Chorus) - "Thy hand, Belinda" (Dido)
- Abdelazer, or the Moor's Revenge, Rondeau
- King Arthur, Act I, The white horse neigh'd ... To Woden, our defender
- The Indian Queen, Second Music - First Hornpipe
- Dioclesian, Act II, Let the soldiers rejoice
- Timon of Athens, Overture
- The Tempest, Act II, Around, around we pace, around this accursed place
- O Sing Unto The Lord
- King Arthur, Act V, You say, 'tis Love creates the pain
- The Libertine: IV. Prepare, prepare, new guests draw near
- Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies
- Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance
- Sonata X in D major: II. Canzona: Allegro
- The Fairy Queen, Act V, Hark! How all things with one sound rejoice ... Hark! the echoing air
- Dido and Aeneas, Act I, See, your royal guest appears ... Cupid only throws the dart
- The Fairy Queen, Act I, Overture
- Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome vales" (Belinda)
- Dido and Aeneas, Act I, Ah Belinda, I am prest with torment not to be confest
- Don Quixote: From rosie bow'rs
- Dido and Aeneas, Act III, See, see the flags and streamers
- The Tempest, Act III, Full fathom five thy father lies
- King Arthur, Act II, Hither, this way
- Circe, Z. 575. "Their Necessary Aid You Use"
- Sonata II - E Flat Major
- The Tempest, Act V, Aeolus, you must apprear,my great commands to hear ... While these pass o'er the deep, your stormy winds must cease
- Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman)
- The Fairy Queen, Act II, Come all ye songsters of the sky
- Dido and Aeneas: Act II, Scene II. "Then since our charmes have sped" (Chorus) - The Grove's Dance
- Dido and Aeneas, Z. 626: Act II, Scene I. "Ruined ere the set of sun?" (Sorceress, Two Witches) / Chrous "Ho Ho Ho!"
- Sonata X in D major: V. Allegro
- Dioclesian, Act V, Still I'm wishing, still desiring
- Dido and Aeneas, Z. 626: Act III, Scene I. The Witches' Dance
- Dioclesian, Act V, Prelude - Behold, O mightiest of Gods
- Dido and Aeneas, Act II, The queen of Carthage ... Ho ho ho ho ho ho!
- O! Fair Cedaria
- Amphitryon, Z. 572 "The Two Sosias": I. Overture
- Sonata X in D major: III. Grave
- King Arthur, Act III, Prelude
- King Arthur: Act V, Scene. 2: Chaconne
- Dido and Aeneas, Act III, When I am laid in earth
- King Arthur, Act I, The lot is cast, and Tanfan pleas'd
- The Indian Queen, Act II, What flatt'ring noise is this
- Dioclesian, Act III, What shall I do to show how much I love her?
- Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales"
- Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune
- Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race"
- The Gordion Knot Unty'd, Z. 597. Second Music: Air
- Dido and Aeneas, Act III, The Witches' Dance
- Dido and Aeneas, Act II, In our deep vaulted cell
- The Fairy Queen, Act III, A thousand, thousand ways we'll find to entertain the hours
- Dido and Aeneas, Act II, Ritornelle. Thanks to these lonesome vales
- The Tempest, Act II, Dance of Winds
- Abdelazer: II. Rondeau - Air - Air - Menuet
- Sonata IV in D minor: II. Canzona
- Ode à Sainte Cécile : Hail ! Bright Cecilia
- If music be the food of love (Z.379a)
- Dioclesian, Act IV, Trumpet Tune
- King Arthur, Act IV, Fourth Act Tune: Air
- Circe: I. We must assemble by a sacrifice
- La tempête : No stars again shall hurt you
- Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman)
- Dido and Aeneas, Z. 626: Overture
- King Arthur: Act I. "The white horse neigh'd aloud"
- Dioclesian, Act V, Ah! the sweet delights of love!
- Dioclesian, Act V, Let monarchs fight for power and for fame
- King Arthur, Act IV, Two daughters of this aged stream are we
- Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Haste, haste to town" (Belinda)
- Abdelazer: I. Overture
- Sonata VIII In G Minor: IV. Largo
- Timon of Athens, Curtain Tune
- Sonata V in G minor: VII. Adagio
- King Arthur: Act V. "For folded flocks, and fruitful plains"
- The Fairy Queen, Act IV, Hail! Great parent of us all ... Thus the ever grateful Spring ... Here's the Summer, sprightly gay ... See, see my many coloured fields ... Next, Winter comes slowly ... Hail! great parent of us all
- Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas)
- The Indian Queen, Overture - Allegro
- King Arthur, Act V, For folded flocks, and fruitful plains
- Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus)
- King Arthur: Act III. "See, see, we assemble" - Dance
- Timon of Athens, Come, let us agree, there are pleasures divine
- Circe: IV. Lovers, who to their first embraces go
- Dido and Aeneas: Act II. "Wayward sisters" (Sorceress, Chorus)
- Le roi Arthur : Air (Air pour le 2e Acte)
- The Fairy Queen, Act II, Second act tune: Air
- Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus)
- Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" (Belinda, Dido)
- King Arthur: Act V. "Ye blust'ring brethren of the skies"
- The Libertine: II. We come
- Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Aeneas, Belinda, Dido)
- The Fairy Queen, Act III, If Love's a sweet passion, why does it torment?
- Sonata III in A minor: IV. Canzona
- Sonata VII in C major: I. Vivace
- If music be the food of Love (Z.379c)
- The Indian Queen, Act III, Air
- Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus)
- Dioclesian, Act V, Come, come away, no delay
- King Arthur: Act III. "What ho! thou genius of this isle"
- The Fairy Queen, Act III, Dance for the Fairies
- Dido and Aeneas, Z. 626: Act II, Scene I. "Wayward sisters, you that fright" (Sorceress) / Chorus "Harm's our delight"
- The Indian Queen, Prologue, Why should men quarrel here
- The Fairy Queen, Act III, Symphony while the swans come forward
- Dioclesian, Act IV, Butterfly Dance
- Dido and Aeneas, Act III, Destruction's our delight, delight our greatest sorrow
- The Indian Queen, Act II, Symphony, Adagio
- Beati omnes qui timent Dominum, Z 131
- The Indian Queen, Act III, Minuet
- King Arthur, Act III, 'Tis I, 'tis I that have warm'd ye ... 'Tis Love that has warm'd us
- King Arthur, Act II, Shepherd, shepherd, leave decoying
- Sonata VII in C major: III. Grave
- My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For lo! the winter is past, the rain is over
- My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Symphony; My beloved spake and said unto me
- It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: To tell of thy loving kindness early in the morning
- O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him upon the well-tuned cymbals
- My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the time of the singing of birds is come.
- Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: Let mine eyes run down with tears night and day
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O sing unto the Lord a new song
- It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: For thou Lord, hast made me glad through thy works
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O worship the Lord in the beauty of holiness
- O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Remember me, O Lord
- O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Who can express the noble acts of the Lord
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Symphony
- It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: O Lord, how glorious are thy works
- It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: Symphony; It is a good thing to give thanks
- Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Be thou exalted, Lord, in thine own strength
- O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Blessed be the Lord God of Israel
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: The Lord is great, and cannot worthily be praised
- O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: O give thanks unto the Lord, for he is gracious
- O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Symphony; O praise God in His holiness
- My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is mine, and I am his. Alleluia
- My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Symphony; The fig tree putteth forth her green
- O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him in his noble acts
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Sing unto the Lord, and praise him
- Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: We acknowledge, O Lord, our wickedness
- Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Praise the Lord, O Jerusalem
- O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Tell it out among the heathen that the Lord is king
- Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: Do not abhor us, for thy name's sake
- O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: That I may see the felicity of thy chosen
- Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Symphony
- Dido & Aeneas, Z. 626: Overture
- Dido & Aeneas, Z. 626: Act I. The Triumphing Dance
- Dido & Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) / "Destruction's our delight" (Chorus)
- Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches)
- Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus)
- Dido & Aeneas, Z. 626: Act III. "Thy hand, Belinda, darkness shades me" (Dido) / "When I am laid in earth" (Dido)
- Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) / "Banish sorrow, bannish care" (Chorus)
- Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches)
- Dido & Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second woman) / Ritornelle
- Dido & Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus)
- Dido & Aeneas, Z. 626: Act III. Prelude "Come away, fellow sailors, your anchors be weighting" (First sailor, Chorus)
- Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus)
- Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus)
- Dido & Aeneas, Z. 626: Act III. The Witches' Dance
- Dido & Aeneas, Z. 626: Act II. Ritornelle / "Thanks to these lonesome vales" (Belinda, Chorus)
- Dido & Aeneas, Z. 626: Act II. "In our deep-vaulted cell the charm we'll prepare" (Chorus)
- Dido & Aeneas, Z. 626: Act II. Echo Dance of Furies
- The Fairy Queen, Z 629: Act 1, I. First music, Prelude
- Suite No. 6 in D major, Z. 667: III. Hornpipe
- The Fairy Queen, Z 629: Act 1, IV. Second music, Rondeau
- The Prophetess, Z 624: II. Second Musick
- The Fairy Queen, Z 629: Act 2, I. A prelude
- Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus)
- Suite No. 5 in C major, Z. 666: II. Almand
- Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus)
- Suite No. 1 in G major, Z. 660: I. Prelude
- The Fairy Queen, Z 629: Act 3, III. Dance for the Green men
- Suite No. 5 in C major, Z. 666: IV. Saraband
- Overture in D minor, Z. 628/2, "King Arthur"
- Alternative Prelude for Suite No. 4 in A minor
- Suite No. 8 in F major, Z. 669: IV. Minuet
- The Prophetess, Z 624: VII. Retornella
- Round O, Z. 684, "Abdelazer"
- Overture in C major, Z. 574/1, "Bonduca"
- Suite No. 3 in G major, Z. 662: II. Almand
- The Fairy Queen, Z 629: Act 4, I. Symphony: Prelude, Canzona, Largo, Allegro, Adagio, Allegro
- The Fairy Queen, Z 629: Act 5, III. Symphony
- Suite No. 8 in F major, Z. 669: III. Courante
- The Fairy Queen, Z 629: Act 5, IV. Monkey's dance
- Overture in gamut flat, Z.T693, "The Virtuous Wife"
- Suite No. 7 in D Minor, Z. 668: II. Corant
- Suite No. 4 in A Minor, Z. 663: IV. Saraband
- Suite No. 2 in G minor, Z. 661IV. Saraband
- The Prophetess, Z 624: VI. The Chair Dance
- The Prophetess, Z 624: I. First Musick
- The Fairy Queen, Z 629: Act 1, V. Overture
- The Fairy Queen, Z 629: Act 3, II. Dance for the Fairies
- Suite No. 5 in C major, Z. 666: I. Prelude
- The Prophetess, Z 624: III. Symphony for Trumpets & violins
- Suite No. 4 in A Minor, Z. 663: I. Prelude
- Suite No. 2 in G Minor, Z. 661: III. Corant
- Suite No. 6 in D major, Z. 667: I. Prelude
- Dido & Aeneas: Act III (The Ships)
- The Fairy Queen, Z 629: Act 3, IV. Dance for the Haymakers
- Alternative Prelude for Suite No. 2 in G minor
- The Prophetess, Z 624: V. Dance of the Furies: Soft music - Dance
- Dido & Aeneas: Act II Scene 2 (The Grove)
- The Fairy Queen, Z 629: Act 5, II. Entry dance
- Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus)
- Suite No. 2 in G Minor, Z. 661: II. Almand
- The Fairy Queen, Z 629: Act 2, IV. A Fairies Dances
- Suite No. 7 in D Minor, Z. 668: III. Hornpipe
- The Prophetess, Z 624: IV. Retornella
- Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus)
- Suite No. 7 in D minor, Z. 668: I. Almand "Bell-barr"
- haconne in G minor, Z.T680, "Timon of Athens"
- The Fairy Queen, Z 629: Act 5, I. Prelude
- The Fairy Queen, Z 629: Act 3, I. Prelude 'Love's a sweet passion'
- Dido & Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Æneas)
- Dido & Aeneas: Overture and Act I
- Suite No. 8 in F major, Z. 669: II. Almand
- Suite No. 6 in D major, Z. 667: II. Almand
- The Fairy Queen, Z 629: Act 5, V. Chaconne, Dance for the Chinese Man and Woman
- Suite No. 2 in G Minor, Z. 661: I. Prelude
- The Fairy Queen, Z 629: Act 2, V. A dance for the Followers of Night
- The Fairy Queen, Z 629: Act 2, II. 'A bird's Prelude'
- The Fairy Queen, Z 629: Act 4, II. Entry of Phoebus
- Suite No. 4 in A minor, Z. 663: III. Corant
- Dido & Aeneas: Act II Scene 1 (The Cave)
- Suite No. 3 in G major, Z. 662: III. Courante
- The Fairy Queen, Z 629: Act 2, VI. Second act tune, Air
- Suite No. 3 in G major, Z. 662: I. Prelude
- Suite No. 8 in F major, Z. 669: I. Prelude
- The Fairy Queen, Z 629: Act 1, III. Second music, Air
- A New Ground in E minor, Z.T682
- Suite No. 1 in G major, Z. 660: II. Almand
- The Fairy Queen, Z 629: Act 3, I. Overture, symphony while the swams come forward
- Suite No. 1 in G major, Z. 660: III. Corant
- Suite No. 5 in C major, Z. 666: III. Corant
- Overture in D major, Z.T692, "The Fairy Queen"
- The Fairy Queen, Z 629: Act 5, VI. 'Fifth act tune'
- The Fairy Queen, Z 629: Act 3, V. Third act tune: hornpipe
- Suite No. 1 in G major, Z. 660: IV. Minuet
- The Fairy Queen, Z 629: Act 1, II. First music, Hornpipe
- The Fairy Queen, Z 629: Act 2, III. Echo
- Suite No. 4 in A Minor, Z. 663: II. Almand
- The Fairy Queen, Z 629: Act 4, III. Fourth act tune, Air
- The Fairy Queen, Z 629: Act 1, VI. First act tune, Jig
- Blow up the trumpet in Sion, Z. 10
- The Indian Queen, Z. 630: Trumpet Overture
- Music on the Death of Queen Mary: Thou knowest, Lord, the secrets of our hearts, Z. 58B
- Welcome to all the pleasures, "Ode on St. Cecilia's Day", Z. 339
- Chacony, Z. 730
- Four-Part Fantazias: VII. Fantazia in C minor, Z. 738
- Music on the Death of Queen Mary: March, Z. 860A
- Amphitryon, Z. 572 "The 2 Sosias": A Pastoral Dialogue Betwixt Thyrsis and Iris
- The Fairy Queen, Z. 629: Act IV. Symphony
- Hear My Prayer, o Lord, Z. 015
- If Music Be the Food of Love, Z. 379
- The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion"
- Rejoice in the Lord Always, Z. 049
- The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways"
- The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky"
- The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony
- Fly, Bold Rebellion, Z 324: "Be welcome then, great sir"
- Come, Ye Sons of Art, Away, Z. 323: "Sound the trumpet"
- Remember Not, Lord, Our Offences, Z. 050
- Now That the Sun Hath Veiled His Light, Z. 193: "Now that the sun hath veiled his light"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau"
- The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast"
- Hail, Bright Cecilia, Z. 328: "With rapture of delight... Hail bright Cecilia"
- From Hardy Climes and Dangerous Toils of War, Z. 325: "The sparrow and the gentle dove"
- The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night"
- Raise, Raise the Voice, Z. 334: "Mark, how readily each pliant string"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then"
- Thou Know'st, Lord, the Secrets of Our Hearts, Z. 058
- Dido & Aeneas, Z. 626: "When I am laid in earth" (Dido)
- Welcome, Welcome Glorious Morn, Z. 338
- The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night"
- Why, Why Are All the Muses Mute?, Z. 343: "O how blest is the isle"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!"
- King Arthur, or The British Worthy, Z. 628: Aria "Fairest isle, all isles excelling"
- Hosanna to the Highest, Z. 187
- Let Mine Eyes Run Down With Tears, Z. 024
- O! Fair Cedaria, Hide Those Eyes, Z. 402
- She Loves and She Confesses Too, Z. 413
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all"
- Te Deum and Jubilate in D major, Z. 232: "Vouchsafe, o Lord, to keep us this day"
- The Fairy Queen, Z. 629: Part III "The sweet passion": Overture
- Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors"
- Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince"
- Dido and Aeneas, Z. 626: Act I. "Ruin'd ere the set of sun"
- Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" / Chorus "Cupid only throws the dart" / "If not for mine..." / "Pursue thy conquest, love"
- Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urg'd in vain"
- Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth"
- Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain"
- Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome dales"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne"
- Dido and Aeneas, Z. 626: Act II, Scene II. Dance - Gitter ground
- Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" - Ritornelle
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage"
- Dido and Aeneas, Z. 626: Act II, Scene I. "Echo dance of furies"
- Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain"
- Dido and Aeneas, Z. 626: Act II, Scene I. Prelude - "Wayward sisters" / Chorus "Harm's our delight"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air"
- Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" / Chorus "Ho ho ho" / "Ruin'd ere the set of sun?" / Chorus "Ho ho ho"
- Dido and Aeneas, Z. 626: Act III, Scene I. Prelude / Chorus "Come away, fellow sailors" - The Sailor's Dance
- Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" - Cupid's Dance
- Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?"
- Dido and Aeneas, Z. 626: Act I. "Fear no danger"
- Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment"
- Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey"
- Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" / Chorus "When monarchs unite"
- Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony
- Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda" / "When I am laid in earth"
- Dido and Aeneas, Z. 626: Act I. "Ah! Belinda" - Ritornelle
- Dido and Aeneas, Z. 626: Act I. Overture
- Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" / Chorus "Haste, haste to town"
- Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy"
- Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform"
- Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling"
- Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow"
- Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue"
- Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes"
- Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" / "Our next motion" / Chorus "Destruction's our delight" - The Witches' Dance
- Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony
- Dido and Aeneas, Z. 626: Act I. Prelude for the Witches - "Wayward sisters"
- Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear"
- Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" / Chorus "Banish sorrow"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy"
- Trio Sonata No. 8 in G major, Z. 797: II. Poco Largo, Allegro
- Trio Sonata No. 8 in G major, Z. 797: I. Canzona
- Trio Sonata No. 1 in G minor, Z. 790: IV. Largo
- Trio Sonata No. 7 in E minor, Z. 796: V. Vivace
- Trio Sonata No. 9 in C minor, Z. 798: III. Canzona, Adagio
- Trio Sonata No. 2 in B-flat major, Z. 791: IV. Allegro
- Trio Sonata No. 10 in A major, Z. 799: III. Grave, Presto
- Trio Sonata No. 7 in E minor, Z. 796: II. Canzona
- Trio Sonata No. 7 in E minor, Z. 796: I. Adagio
- Trio Sonata No. 10 in A major, Z. 799: I. Adagio
- Trio Sonata No. 5 in A minor, Z. 794: III. Largo
- Trio Sonata No. 7 in E minor, Z. 796: IV. Grave
- Trio Sonata No. 9 in C minor, Z. 798: II. Largo
- Trio Sonata No. 11 in F minor, Z. 800: II. Canzona
- Trio Sonata No. 1 in G minor, Z. 790: I. Adagio
- Trio Sonata No. 12 in D major, Z. 801: III. Poco Largo
- Trio Sonata No. 1 in G minor, Z. 790: III. Adagio, Presto
- Trio Sonata No. 5 in A minor, Z. 794: IV. Grave, Canzona
- Trio Sonata No. 8 in G major, Z. 797: III. Grave, Vivace
- Trio Sonata No. 2 in B-flat major, Z. 791: II. Largo, Presto
- Trio Sonata No. 3 in D minor, Z. 792: III. Poco Largo, Allegro
- Trio Sonata No. 11 in F minor, Z. 800: I. Adagio
- Trio Sonata No. 5 in A minor, Z. 794: II. Adagio
- Trio Sonata No. 3 in D minor, Z. 792: I. Grave, Adagio
- Trio Sonata No. 11 in F minor, Z. 800: III. Adagio
- Trio Sonata No. 12 in D major, Z. 801: V. Allegro
- Trio Sonata No. 4 in F major, Z. 793: III. Poco Largo
- Trio Sonata No. 6 in C major, Z. 795: II. Canzona
- Trio Sonata No. 6 in C major, Z. 795: III. Largo
- Trio Sonata No. 7 in E minor, Z. 796: III. Largo
- Trio Sonata No. 4 in F major, Z. 793: I. Adagio
- Trio Sonata No. 4 in F major, Z. 793: II. Canzona
- Trio Sonata No. 4 in F major, Z. 793: IV. Allegro
- Trio Sonata No. 9 in C minor, Z. 798: IV. Allegro
- Trio Sonata No. 1 in G minor, Z. 790: II. Vivace
- Trio Sonata No. 12 in D major, Z. 801: I. Adagio
- Trio Sonata No. 6 in C major, Z. 795: I. Adagio
- Trio Sonata No. 3 in D minor, Z. 792: II. Canzona
- Trio Sonata No. 6 in C major, Z. 795: IV. Allegro
- Trio Sonata No. 12 in D major, Z. 801: II. Canzona
- Trio Sonata No. 10 in A major, Z. 799: II. Largo
- Trio Sonata No. 5 in A minor, Z. 794: I. Canzona
- Trio Sonata No. 2 in B-flat major, Z. 791: III. Adagio
- Trio Sonata No. 11 in F minor, Z. 800: IV. Largo
- Trio Sonata No. 2 in B-flat major, Z. 791: I. Adagio
- Trio Sonata No. 9 in C minor, Z. 798: I. Adagio
- Trio Sonata No. 12 in D major, Z. 801: IV. Grave, Presto
- Trio Sonata in 4 parts No. 9 in F major, Z. 810: III. Canzona
- Trio Sonata of 3 parts No. 1 in G minor, Z. 790: III. Adagio, Presto
- Fantasia for strings upon one note, Z. 745
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: V. Allegro
- Suite for 2 violins, viola, and basso continuo in G major: IV. Air
- Trio Sonata in 4 parts No. 7 in E minor, Z. 808: I. Vivace
- Trio Sonata of 3 parts No. 1 in G minor, Z. 790: I. Adagio
- Sonata for violin and basso continuo in G minor, Z. 780: I. Adagio
- Trio Sonata in 4 parts No. 3 in A minor, Z. 804: IV. Allegro
- Trio Sonata in 4 parts No. 9 in F major, Z. 810: I. Vivace
- Pavan for 2 violins and basso continuo in A minor, Z. 749
- Sonata for violin and basso continuo in G minor, Z. 780: II. Allegro
- Fantasia for strings No. 1, Z. 732
- Trio Sonata of 3 parts No. 9 in C minor, Z. 798: II. Largo
- Trio Sonata of 3 parts No. 9 in C minor, Z. 798: IV. Allegro
- Trio Sonata of 3 parts No. 1 in G minor, Z. 790: IV. Largo
- Trio Sonata in 4 parts No. 10 in D major, Z. 811: II. Canzona (allegro)
- Chacony for 2 violins, viola, and basso continuo, Z. 730
- Pavan for 3 violins and basso continuo in G minor, Z. 752
- Fantasia for strings No. 5, Z. 736
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: V. Presto, allegro, adagio
- Fantasia for strings No. 13, Z. 744
- Trio Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave
- Trio Sonata of 3 parts No. 10 in A major, Z. 799: I. Adagio
- Suite for 2 violins, viola, and basso continuo in G major: V. Jigg
- Trio Sonata in 4 parts No. 6 in G minor (Chaconne), Z. 807: Adagio
- Trio Sonata in 4 parts No. 8 in G minor, Z. 809: V. Vivace
- Pavan for 2 violins and basso continuo in A major, Z. 748
- Trio Sonata in 4 parts No. 9 in F major, Z. 810: II. Adagio
- Trio Sonata in 4 parts No. 5 in G minor, Z. 806: I. Adagio
- Fantasia for strings No. 7, Z. 738
- Trio Sonata of 3 parts No. 5 in A minor, Z. 794: III. Largo
- Sonata for trumpet, strings, and basso continuo in D major, Z. 850: III. Presto
- Pavan for 2 violins and basso continuo in B-flat major, Z. 750
- Trio Sonata of 3 parts No. 8 in G major, Z. 797: I. Canzona
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco Largo
- Overture for 2 violins, viola, and basso continuo in G major, Z. 770
- Pavan for 2 violins and basso continuo in G minor, Z. 751
- Suite for 2 violins, viola, and basso continuo in G major: III. Borry
- Trio Sonata of 3 parts No. 6 in C major, Z. 795: IV. Allegro
- Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: III. Adagio
- Suite for 2 violins, viola, and basso continuo in G major: II. Air
- Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: IV. Largo, allegro
- Trio Sonata in 4 parts No. 7 in E minor, Z. 808: II. Largo
- Trio Sonata of 3 parts No. 4 in F major, Z. 793: I. Adagio
- Fantasia for strings No. 3, Z. 734
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona
- Overture for 2 violins, 2 violas, and basso continuo in G minor, Z. 772
- Trio Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo
- Trio Sonata in 4 parts No. 1 in B minor, Z. 802: II. Largo
- Trio Sonata in 4 parts No. 7 in E minor, Z. 808: III. Grave, Canzona
- Trio Sonata of 3 parts No. 11 in F minor, Z. 800: III. Adagio
- Overture for 2 violins, viola, and basso continuo in D minor, Z. 771
- Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: II. Largo, Presto
- Fantasia for strings No. 6, Z. 737
- Trio Sonata of 3 parts No. 10 in A major, Z. 799: III. Grave, Presto
- Fantasia for strings No. 10, Z. 741
- Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: III. Adagio
- Trio Sonata of 3 parts No. 9 in C minor, Z. 798: III. Canzona, Adagio
- Trio Sonata of 3 parts No. 6 in C major, Z. 795: II. Canzona
- Trio Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona
- Trio Sonata of 3 parts No. 4 in F major, Z. 793: II. Canzona
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave, Presto
- Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: I. Adagio
- Trio Sonata of 3 parts No. 1 in G minor, Z. 790: II. Vivace
- Trio Sonata in 4 parts No. 9 in F major, Z. 810: IV. Grave
- Sonata for trumpet, strings, and basso continuo in D major, Z. 850: I. Allegro
- Fantasia for strings No. 12, Z. 743
- Prelude for recorder in D minor, Z. 773
- Trio Sonata in 4 parts No. 1 in B minor, Z. 802: I. Adagio, Canzona (allegro)
- Cibell for trumpet, strings, and basso continuo in C major, Z. 678
- Trio Sonata in 4 parts No. 1 in B minor, Z. 802: III. Vivace
- Fantasia for strings in nomine of 6 parts, Z. 746
- Trio Sonata of 3 parts No. 4 in F major, Z. 793: IV. Allegro
- Trio Sonata of 3 parts No. 3 in D minor, Z. 792: II. Canzona
- Sonata for trumpet, strings, and basso continuo in D major, Z. 850: II. Adagio
- Trio Sonata of 3 parts No. 11 in F minor, Z. 800: II. Canzona
- Trio Sonata of 3 parts No. 10 in A major, Z. 799: II. Largo
- Suite for 2 violins, viola, and basso continuo in G major: I. Overture
- Trio Sonata of 3 parts No. 5 in A minor, Z. 794: IV. Grave, Canzona
- Trio Sonata of 3 parts No. 4 in F major, Z. 793: III. Poco Largo
- Trio Sonata of 3 parts No. 9 in C minor, Z. 798: I. Adagio
- Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: IV. Allegro
- Trio Sonata of 3 parts No. 3 in D minor, Z. 792: III. Poco Largo, Allegro
- Fantasia for strings No. 8, Z. 739
- The Staircase Overture for 2 violins and basso continuo in B-flat major
- Trio Sonata of 3 parts No. 8 in G major, Z. 797: II. Poco Largo, Allegro
- Trio Sonata in 4 parts No. 9 in F major, Z. 810: V. Allegro
- Sonata for violin and basso continuo in G minor, Z. 780: IV. Vivace
- Trio Sonata in 4 parts No. 7 in E minor, Z. 808: IV. Allegro
- Trio Sonata of 3 parts No. 5 in A minor, Z. 794: II. Adagio
- Fantasia for strings No. 11, Z. 742
- Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: I. Adagio
- Trio Sonata of 3 parts No. 5 in A minor, Z. 794: I. Canzona
- Trio Sonata of 3 parts No. 6 in C major, Z. 795: III. Largo
- Trio Sonata in 4 parts No. 2 in E-flat major, Z. 803: II. Canzona (allegro)
- Trio Sonata of 3 parts No. 3 in D minor, Z. 792: I. Grave, Adagio
- Trio Sonata of 3 parts No. 6 in C major, Z. 795: I. Adagio
- Sonata for violin and basso continuo in G minor, Z. 780: III. Largo
- Trio Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio
- Fantasia for strings No. 4, Z. 735
- Trio Sonata of 3 parts No. 11 in F minor, Z. 800: I. Adagio
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio
- Fantasia for strings in nomine of 7 parts, Z. 747
- Fantasia for strings No. 9, Z. 740
- Trio Sonata of 3 parts No. 8 in G major, Z. 797: III. Grave, Vivace
- Trio Sonata of 3 parts No. 11 in F minor, Z. 800: IV. Largo
- Fantasia, 3 parts on a Ground for three recorders, Z. 731
- Fantasia for strings No. 2, Z. 733
- Trio Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace
- Hornpipe, ZT. 685
- Prelude in C major
- Suite for harpsichord No. 3 in G major, Z. 662: II. Almand
- Suite for harpsichord No. 5 in C major, Z. 666: I. Prelude
- Suite for harpsichord No. 2 in G minor, Z. 661: III. Corant
- A Minuet, Z. 650
- Saraband with Division, Z. 654
- Suite for harpsichord No. 6 in D major, Z. 667: I. Prelude
- Suite for harpsichord No. 1 in G major, Z. 660: I. Prelude
- Suite for harpsichord No. 7 in D minor, Z. 668: II. Corant
- Suite for harpsichord No. 6 in D major, Z. 667: II. Almand
- Ground in gamut, Z. 645
- Suite for harpsichord No. 8 in F major, Z. 669: III. Corant
- Aire, Z. 676
- Trumpet tune called the Cibell, ZT. 678
- Aire, ZT. 675
- Suite for harpsichord No. 5 in C major, Z. 666: IV. Saraband
- Suite for harpsichord No. 5 in C major, Z. 666: III. Corant
- Air, Z. 641
- Canary, ZT. 677
- March, Z. 648
- Air, Z. 693 No. 2
- Suite for harpsichord No. 4 in A minor, Z. 663: IV. Saraband
- March, Z. 647
- Ground in C Minor, ZT. 681
- Trumpet Minuet, ZD. 230
- The Queens dolour, Z. 670
- Suite for harpsichord No. 7 in D minor, Z. 668: III. Hornpipe
- Ground in C minor, ZD 221
- Aire, ZT. 696 No. 2
- Suite for harpsichord No. 3 in G major, Z. 662: I. Prelude
- Suite for harpsichord No. 4 in A minor, Z. 663: I. Prelude
- Suite for harpsichord No. 2 in G minor, Z. 661: I. Prelude
- Minuet, Z. 651
- Suite for harpsichord No. 4 in A minor, Z. 663: III. Corante
- A song tune, ZT. 695
- Songtune, ZT. 694
- Suite for harpsichord No. 8 in F major, Z. 669: I. Prelude
- Suite for harpsichord No. 7 in D minor, Z. 668: I. Almand, very slow
- A new ground, ZT. 682
- Suite for harpsichord No. 8 in F major, Z. 669: II. Almand
- Suite for harpsichord No. 4 in A minor, Z. 663: II. Almand
- Suite for harpsichord No. 2 in G minor, Z. 661: II. Almand
- Hornpipe, ZT. 683
- March, ZT. 687
- Suite for harpsichord No. 1 in G major, Z. 660: IV. Minuet
- A new Irish tune, Z. 646
- Air, Z. 630 No. 1
- (Gavotte) Almond in D-sol-re#, ZD. 219 No. 1
- Round O, ZT. 684
- A new Schotch tune, Z. 655
- Prelude in G minor
- Suite for harpsichord No. 1 in G major, Z. 660: II. Almand
- Chaconne, ZT. 680
- Trumpet tune, ZT. 697
- New Minuet, ZT. 689
- Suite for harpsichord No. 3 in G major, Z. 662: III. Courante
- Trumpet tune, ZT. 698
- Riggadoon, Z. 653
- Jigg, ZD 223
- (Saraband) Borry in D-sol-re#, ZD 219 No. 2
- Minuet, Z. 649
- Suite for harpsichord No. 2 in G minor, Z. 661: IV. Saraband
- Rigaudon, ZD. 227
- Corant, Z. 644
- Ground in D Minor, ZD. 222
- Minuet, ZT. 688
- Jigg, ZT. 686
- Suite for harpsichord No. 5 in C major, Z. 666: II. Almand
- Suite for harpsichord No. 8 in F major, Z. 669: IV. Minuet
- Sefuchi's Farewell, Z. 656
- Suite for harpsichord No. 6 in D major, Z. 667: III. Hornpipe
- Suite for harpsichord No. 1 in G major, Z. 660: III. Corant
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio
- Rejoice in the Lord Always, Z. 49
- Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860
- Chacony in 4 parts in G minor, Z. 730
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol"
- Suite of 4 parts in G major, Z. 770: IV. Minuet
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IX. "The airy violin"
- Trio Sonata of 3 parts in D major, Z. 801: VI. Allegro
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away"
- Dido & Aeneas, Z. 626: Act II, Scene II
- My Heart Is Inditing, Z. 30
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices"
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues"
- Te Deum in D major, Z. 232
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IV. "'Tis nature's voice"
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: I. Symphony - Canzona & Adagio- Allegro - Grave - Allegro
- Pavan of 3 parts in A major, Z. 748
- Overture of 5 parts in G minor, Z. 772
- Trio Sonata of 3 parts in D major, Z. 801: I. Adagio
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet"
- Overture of 4 parts in D minor, Z. 771
- Overture of 4 parts in G major, Z. 336
- Trio Sonata of 3 parts in E minor, Z. 796: II. Canzona
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: III. "Hark! Hark! Each tree"
- Dido & Aeneas, Z. 626: Act III. Monologue & Dido's Death
- Trio Sonata of 3 parts in E minor, Z. 796: V. Vivace
- O Lord God of Hosts, Z. 37
- Dido & Aeneas, Z. 626: Overture - Act I
- Trio Sonata of 3 parts in D major, Z. 801: IV. Grave
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: X. "In vain the am'rous flute"
- Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: II. "Hail! Bright Cecilia"
- Trio Sonata of 3 parts in D major, Z. 801: II. Canzona
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures"
- Trio Sonata of 3 parts in E minor, Z. 796: IV. Grave
- Trio Sonata of 3 parts in E minor, Z. 796: I. Adagio
- Suite of 4 parts in G major, Z. 770: II. Sarabande
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VI. "Thou tun'st this world below"
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIV. "With rapture of delight" - "Hail! Bright Cecilia"
- Pavan of 3 parts in B-flat major, Z. 750
- Pavan of 3 parts in A minor, Z. 749
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love"
- Remember not, Lord, our offences, Z. 50
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away"
- Suite of 4 parts in G major, Z. 770: I. Overture
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial"
- Dido & Aeneas, Z. 626: Act III - "Great minds against themselves conspire"
- Hear my prayer, O Lord, Z. 15
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing"
- Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VIII. "Voluntary" - "Wonderous machine!"
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIII. "Hail! Bright Cecilia"
- Dido & Aeneas, Z. 626: Act II, Scene I
- Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A
- St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices"
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms"
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XII. "Let these amongst themselves contest"
- Suite of 4 parts in G major, Z. 770: III. Bourrée
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XI. "The fife and all the harmony of war"
- Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B
- Trio Sonata in 4 parts in G minor, Z. 807
- Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C
- Pavan of 3 parts in G minor, Z. 751
- Trio Sonata of 3 parts in E minor, Z. 796: III. Largo
- Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave"
- Trio Sonata of 3 parts in D major, Z. 801: III. Poco largo
- Trio Sonata of 3 parts in D major, Z. 801: V. Presto
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VII. "With that sublime celestial lay"
- Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: V. "Soul of the world!"
- Funeral Sentences for the Death of Queen Mary II: March, Z. 860i
- Pavan in 4 parts (for 3 violins) in G minor, Z. 752
- Suite of 4 parts in G major, Z. 770: V. Jig
- An Evening Hymn "Now that the sun hath veiled his light", Z. 193
- The Indian Queen, Z. 630 No. 17h: "I attempt from love's sickness to fly"
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro
- Ground in C Minor, ZD. 221
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto
- Voluntary in G major, Z. 720
- Trumpet Tune in C major, called "The Cibell", ZT. 678
- Chaconne in G minor, ZT. 68
- Don Quixote, Z. 578 No. 9: "From Rosy Bow'rs"
- Voluntary in C major, Z. 717
- Bonduca, Z. 574 No. 17: "O lead me to some peaceful gloom"
- March in C major, ZT. 687
- King Arthur, Z. 628 No. 38: Aria "Fairest isle"
- Trumpet Voluntary in D major
- Not All My Torments Can Your Pity Move, Z. 400
- Prophetess, Z. 627 No. 31: "Since from my dear Astrea's sight"
- Trumpet Tune in C major, ZT. 698
- Voluntary in D minor for Double organ, Z. 19
- Voluntary on The Old 100th, Z. 721
- Voluntary in D minor, Z. 718
- Oedipus, Z. 583 No. 2: "Music for awhile"
- A Ground in Gamut in G major, Z. 645
- The Fairy Queen, Z. 629 No. 39bc: "Thrice happy lovers"
- King Arthur, Z. 628: Act II, Scene II
- Pausanius, Z. 585 No. 1: "Sweeter than roses"
- O Solitude, My Sweetest Choice, Z. 406
- Trio Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave
- Verse in F major, Z. 716
- The History of King Richard II, Z. 581 No. 1: "Retir'd from any mortal's sight"
- King Arthur, Z. 628: Act V, Scene II. Aria "Ye blust'ring brethren of the skies"
- Music for the Funeral of Queen Mary: "O, I'm sick of life", Z. 140
- King Arthur, Z. 628/2: Overture in D minor
- Suite No. 2 in G Minor, Z. 661: IV. Saraband
- Round O "Abdelazer", Z. 684
- Music for the Funeral of Queen Mary: "Man that is born of a woman", Z. 27
- Music for the Funeral of Queen Mary: Voluntary in C, Z. 717
- Music for the Funeral of Queen Mary: Canzona, Z. 860
- Music for the Funeral of Queen Mary: A Double Verse in G
- Bonduca, Z. 574/1: Overture in C major
- Chaconne in G minor "Timon of Athens", ZT. 680
- Music for the Funeral of Queen Mary: The Queen's Funeral March (procession), Z. 860
- Music for the Funeral of Queen Mary: "Remember not, Lord, our offences", Z. 50
- Overture in G minor "The Virtuous Wife", ZT. 693
- Music for the Funeral of Queen Mary: "Thou knowest, Lord, the secrets" (2nd setting), Z. 58c
- Overture in D major "The Fairy Queen", ZT. 692
- Music for the Funeral of Queen Mary: "In the midst of life", Z. 17a
- A New Ground in E minor, ZT. 682
- Music for the Funeral of Queen Mary: "Rejoice in the Lord alway", Z. 49
- Music for the Funeral of Queen Mary: "Give sentence with me, O God", Z. 12
- Music for the Funeral of Queen Mary: "Thou know'st, Lord, the secrets of our hearts" (1st setting), Z. 58a
- Music for the Funeral of Queen Mary: "O God, thou art my God", Z. 35
- Music for the Funeral of Queen Mary: "Jehova, quam multi sunt hostes", Z. 135
- Music for the Funeral of Queen Mary: "Hear my prayer, O Lord", Z. 15
- Music for the Funeral of Queen Mary: The Queen's Funeral March (recession), Z. 860
- Music for the Funeral of Queen Mary: "My beloved spake", Z. 28
- Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (procession)
- O Give Thanks Unto the Lord, Z. 33
- Music for the Funeral of Queen Mary, Z. 860: I. March / II. Canzona
- Thou Know'st, Lord, the Secrets of Our Hearts (1st Setting), Z. 58a
- Thou Know'st, Lord, the Secrets of Our Hearts, Z. 58c
- Te Deum and Jubilate Deo in D major, Z. 232: II. "Thou art the King of Glory"
- Rejoice in the Lord Alway, Z. 49
- Voluntary in C, Z. 717
- O God, Thou art my God, Z. 35
- A Double Verse in G
- Give Sentence With Me, o God, Z. 12
- Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (recession)
- Te Deum and Jubilate Deo in D major, Z. 232: IV. Jubilate in D major
- In the Midst of Life, Z. 17a
- My beloved spake, Z. 28
- Te Deum and Jubilate Deo in D major, Z. 232: III. "Vouchsafe, O Lord, to keep us this day without sin"
- Jehova, quam multi sunt hostes, Z. 135
- O, I'm Sick of Life, Z. 140
- Thou Know'st, Lord, the Secrets of Our Hearts (2nd setting), Z. 58c
- Te Deum and Jubilate Deo in D major, Z. 232: I. "We praise thee"
- Funeral Sentences: "Man that is born", Z. 27 / "In the midst of life", Z. 17b / "Thou know'st, Lord", Z. 58b
- Man That Is Born of a Woman, Z. 27
- Trio Sonata in 3 parts No. 2 in B-flat major, Z. 791
- Harpsichord Suite No. 1 in G major, Z. 660: II. Almand
- Harpsichord Suite No. 7 in D minor, Z. 668: II. Corant
- Harpsichord Suite No. 2 in G minor, Z. 661: IV. Sarabande
- Harpsichord Suite No. 5 in C major, Z. 666: IV. Sarabande
- Harpsichord Suite No. 2 in G minor, Z. 661: III. Corant
- Harpsichord Suite No. 3 in G major, Z. 662: III. Corant
- Harpsichord Suite No. 4 in A minor, Z. 663: II. Almand
- Harpsichord Suite No. 4 in A minor, Z. 663: IV. Sarabande
- Harpsichord Suite No. 5 in C major, Z. 666: II. Almand
- Harpsichord Suite No. 8 in F major, Z. 669: I. Prelude
- Harpsichord Suite No. 6 in D major, Z. 667: III. Hornpipe
- Harpsichord Suite No. 1 in G major, Z. 660: III. Corant
- Harpsichord Suite No. 2 in G minor, Z. 661: II. Almand
- Dido and Aeneas, Z. 626: Act II, Scene I. "Ruined ere the set of sun?" (Sorceress, Two Witches) / Chorus "Ho Ho Ho!"
- Harpsichord Suite No. 3 in G major, Z. 662: II. Almand
- Harpsichord Suite No. 7 in D minor, Z. 668: I. Almand
- Harpsichord Suite No. 5 in C major, Z. 666: I. Prelude
- Voluntary for double organ in D minor, Z. 719
- Harpsichord Suite No. 1 in G major, Z. 660: IV. Minuet
- Harpsichord Suite No. 4 in A minor, Z. 663: I. Prelude
- Harpsichord Suite No. 8 in F major, Z. 669: II. Almand
- Harpsichord Suite No. 8 in F major, Z. 669: III. Corant
- Harpsichord Suite No. 5 in C major, Z. 666: III. Corant
- Harpsichord Suite No. 6 in D major, Z. 667: I. Prelude
- Voluntary in G, Z. 720
- Harpsichord Suite No. 5 in C major, Z. 666: V. Jigg
- Harpsichord Suite No. 7 in D minor, Z. 668: III. Hornpipe
- Harpsichord Suite No. 6 in D major, Z. 667: II. Almand
- Harpsichord Suite No. 3 in G major, Z. 662: I. Prelude
- Harpsichord Suite No. 1 in G major, Z. 660: I. Prelude
- Harpsichord Suite No. 2 in G minor, Z. 661: I. Prelude
- Harpsichord Suite No. 4 in A minor, Z. 663: III. Corant
- Harpsichord Suite No. 8 in F major, Z. 669: IV. Minuet
- Harpsichord Suite No. 1 in D major, Z. 660: IV. Minuet
- Harpsichord Suite No. 1 in D major, Z. 660: I. Prelude
- A New Ground in E minor, Z. 682
- Ground in C major, Z. 681
- Harpsichord Suite No. 4 in A minor, Z. 663: III. Corante
- Harpsichord Suite No. 2 in G minor, Z. 661: IV. Saraband
- Harpsichord Suite No. 7 in D minor, Z. 668: I. Prelude
- Harpsichord Suite No. 1 in D major, Z. 660: II. Almand
- Harpsichord Suite No. 5 in C major, Z. 666: IV. Saraband
- Ground in C major, ZD. 221
- Round O, Z. 684
- Harpsichord Suite No. 1 in D major, Z. 660: III. Corant
- A health to the nut-brown lass, Z. 240
- Sir Walter enjoying his damsel, Z. 273
- I gave her cakes and I gave her ale, Z. 256
- Of all the instruments that are, Z. 263
- If ever I more riches did desire, Z. 544
- Young John the gard'ner, Z. 292
- The miller's daughter riding, Z. 277
- Laudate ceciliam, Z. 329
- Under this stone lies Gabriel John, Z. 286
- Prithee be n't so sad and serious, Z. 269
- 'Tis women makes us love, Z. 281
- Once, twice, thrice I Julia tried, Z. 265
- Come let us drink, Z. 245
- Since time so kind to us does prove, Z. 272
- A thousand sev'ral ways I tried, Z. 359
- King Arthur, Z. 628: Act III. The Frost Scene
- King Arthur, Z. 628: Act III. Chorus "See, see"
- King Arthur, Z. 628: Act III. Symphony
- Fantasia I in 3 parts
- The Fairy Queen, Z. 629: "I attempt from love's sickness"
- Intermèdes instrumentaux
- King Arthur, Z. 628: Act V. Symphony
- Fantasia IX in 4 parts, June 23 1680
- In nomine in 6 parts
- King Arthur, Z. 628: Act II. "Hither this way"
- King Arthur, Z. 628: Act II. "Come follow me"
- Fantasia VIII in 4 parts, June 22 1680
- Fantasia XII in 4 parts, August 31 1680
- King Arthur, Z. 628: Act I. "Woden first to thee"
- King Arthur, Z. 628: Act III. Duet "Sound a parley"
- In nomine in 7 parts
- King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover"
- King Arthur, Z. 628: Act I. "Come if you dare"
- King Arthur, Z. 628: Act II. "Come, shepherds"
- Distressed Innocence, Z. 577: Slow Air
- King Arthur, Z. 628: Act IV. "Two daughters of this aged stream"
- The Fairy Queen, Z. 629: Act V. Air
- Verse anthems: Rejoice in the Lord alway
- King Arthur, Z. 628: Act III. "Thou doting fool"
- King Arthur, Z. 628: Act I. "Brave souls"
- Verse anthems: Voluntary in D minor
- Ask me to love no more, Z. 358
- King Arthur, Z. 628: Act IV. Symphony
- Fantasia V in 4 parts, June 11 1680
- Fantasia VII in 4 parts, June 19 1680
- King Arthur, Z. 628: Act V. "For folded flocks"
- Fantasia XI in 4 parts, August 18 1680
- King Arthur, Z. 628: Act III. "No part of my dominion"
- King Arthur, Z. 628: Act III. "What ho!"
- Fantasia VI in 4 parts, June 14 1680
- King Arthur, Z. 628: Act II. Symphony
- Fantasia II in 3 parts
- King Arthur, Z. 628: Act I. "The lot is cast"
- King Arthur, Z. 628: Act V. "Round thy coast"
- King Arthur, Z. 628: Act V. Duet. "You say 'tis love"
- King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying"
- Verse anthems: O sing unto the Lord
- Verse anthems: My beloved spake
- King Arthur, Z. 628: Act II. "Let not a moon-born elf"
- Incassum Lesbia, incassum rogas, Z. 383
- King Arthur, Z. 628: Act I. "To Woden thanks we render"
- King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives"
- Bacchus is a pow'r divine, Z. 360
- King Arthur, Z. 628: Act I. "I call you all"
- Fantasia X in 4 parts, June 30 1680
- King Arthur, Z. 628: Act V. "Fairest isle"
- Intermède instrumental
- O solitude, my sweetest choice!, Z. 406
- Song Tune Instrumental
- King Arthur, Z. 628: Act III. "What Power art thou"
- King Arthur, Z. 628: Act II. "How blest are shepherds"
- The fatal hour comes on apace, Z. 421
- Verse anthems: Praise The Lord, O Jerusalum
- King Arthur, Z. 628: Act V. "Ye Blust'ring brethren"
- Fantasia upon one note
- King Arthur, Z. 628: Act V. "Your hay it is mow'd"
- King Arthur, Z. 628: Act III. "Tis I that have warm'd ye"
- Now that the sun hath veiled his light, Z. 193
- While Thyrsis, wrapt in downy sleep, Z. 437
- Verse anthems: My heart is inditing
- Fantasia III in 3 parts
- King Arthur, Z. 628: Act III. Prelude
- King Arthur, Z. 628: Act V. Chaconne
- Fantasia IV in 4 parts, June 10 1680
- King Arthur, Z. 628: Act V. Trumpet Tune
- Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
- King Arthur, Z. 628: Ouverture
- King Arthur, Z. 628: Air
- If pray'rs and tears, Z. 380
- King Arthur, Z. 628: Act III. "Great love"
- What a sad fate is mine, Z. 428
- Beneath a dark and melancholy grove, Z. 461
- In Cloris all soft charm agree, Z. 384
- King Arthur, Z. 628: Symphony
- Fantazia No. 11 in 4 parts
- Fantazia No. 8 in 4 parts
- Fantazia No. 5 in 4 parts
- Fantazia No. 1 in 3 parts
- Fantazia No. 4 in 4 parts
- Fantazia No. 10 in 4 parts
- Fantazia No. 7 in 4 parts
- Fantazia upon one note in 5 parts
- Fantazia No. 2 in 3 parts
- Fantazia No. 12 in 4 parts
- Fantazia No. 9 in 4 parts
- Fantazia No. 3 in 3 parts
- Fantazia No. 6 in 4 parts
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: These are the sacred charms
- Man that is born of a woman, Z 27
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Symphony
- Music for the Funeral of Queen Mary, 1695: Canzona, Z 860b
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Bid the Virtues
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Long may she reign
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Thus Nature, rejoicing
- Thou know'st, Lord, the secrets of our hearts, Z 58b
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Love's goddess sure was blind
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Many, many such days
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Strike the viol
- Praise the Lord, O Jerusalem, Z 46
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony. Largo - Allegro - Adagio
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony - Come, come, ye sons of Art
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Our short, but their eternal choice
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Come, come, ye sons of Art
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: May her blest example chase
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: The day that such a blessing gave
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Sound the trumpet
- In the midst of life, Z 17b
- Music for the Funeral of Queen Mary, 1695: Drum Processional
- Funeral Anthem of Queen Mary, 1695: Thou knowest, Lord, the secrets of our hearts, Z 58c
- Music for the Funeral of Queen Mary, 1695: March, Z 860a
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Those eyes, that form
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Sweetness of nature
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: See Nature, rejoicing
- Music for the Funeral of Queen Mary, 1695: Drum Recessional
- Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: May she to Heaven late return
- Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: As much as we below shall mourn
- Dido & Aeneas: II. Ritornelle in d, Air, Dance in d
- The Fairy Queen: VII. Symphony / Canzona-Largo-Allegro-Adagio-Allegro
- Dido & Aeneas: VI. Chacony
- The Fairy Queen: II. Air & Rondeau in B
- Dido & Aeneas: IV. The Sailors' Dance in B
- The Fairy Queen: VI. Hornpipe in D
- Dido & Aeneas: V. The Witches' Dnace in B
- Abdelazer: IV. Minuett in G, Air in g
- Dido & Aeneas: I. Overture & Air in c, The Triumphing Dance in C
- Abdelazer: VI. Hornpipe in B, Air in g
- King Arthur: III. Air in d, Air in a, Song tune in a
- Abdelazer: V. Jigg in g
- The Fairy Queen: I. Prelude & Hornpipe in g
- King Arthur: VI. Passacaglia in g
- King Arthur: II. Symphony in g, Air in G, Hornpipe in g
- Dido & Aeneas: III. Echo Dance of Furies in F
- Abdelazer: III. Air in D, Air in G
- Abdelazer: I. Overture in d
- King Arthur: IV. Symphony in C, Trumpet tune in C
- The Fairy Queen: III. Overture in D
- King Arthur: V. Frost Dance in c, Hornpipe in G
- The Fairy Queen: IV. Prelude & Entry Dance in C, Dance for the Fairies in G
- The Fairy Queen: V. Overture in g - Air in G - Prelude in g
- Abdelazer: II. Rondeau in d
- King Arthur: I. Overture in d, Air in d, Overture in D
- Act II Scene 1: In our deep vaulted cell (Chorus)
- Act I: Whence could so much virtue spring (Dido, Belinda)
- Act III Scene 1: Our next motion (Sorceress)
- Act III Scene 2: When I am laid in earth (Dido)
- Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido)
- Act I: The Triumphing Dance
- Act III Scene 1: The Sailor's Dance
- Act III Scene 1: The Witches' Dance
- Act III Scene 1: Prelude - Come away, fellow sailors (Sailor, Chorus)
- Act I: To the hills and the vales (Chorus)
- Act I: Ah! Belinda, I am press'd with torment (Dido)
- Act I: Shake the cloud from off your brow (Belinda, Chorus)
- Act I: See, your Royal guest appears (Belinda, Aeneas, Dido)
- Act II Scene 1: Prelude for the Witches
- Act II Scene 2: Ritornelle
- Act II Scene 1: Echo Dance of Furies
- Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas)
- Act III Scene 1: Destruction's our delight (Chorus)
- Act II Scene 1: But, ere we this perform (1st and 2nd Witches)
- Act III Scene 2: Thy hand, Belinda; darkness shades me (Dido)
- Act I: Cupid only throws the dart (Chorus)
- Act I: Grief increases by concealing (Belinda, Dido, Chorus)
- Act II Scene 1: The Queen of Carthage, whom we hate (Sorceress, Chorus)
- Act II Scene 2: Oft she visits this lone mountain (2nd Woman)
- Act I: Pursue thy conquest, Love (Belinda)
- Act II Scene 1: Harm's our delight (Chorus)
- Act I: Fear no danger to ensue (Belinda, 2nd Woman and Chorus)
- Act II Scene 2: Thanks to these lonesome vales (Belinda, Chorus)
- Act II Scene 1: Wayward sisters (Sorceress, 1st Witch)
- Act III Scene 1: See, the flags and streamers curling (Sorceress, 1st and 2nd Witches)
- Act III Scene 2: Great minds against themselves conspire (Chorus)
- Act I: If not for mine, for Empire's sake (Aeneas)
- Act II Scene 2: Haste to town (Belinda, Chorus)
- Act III Scene 2: With drooping wings ye cupids come (Chorus)
- Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas)
- Act II Scene 2: Then since our Charm's have sped (Chorus)
- Act II Scene 1: Ruin'd ere the set of sun (1st and 2nd Witches, Sorceress, Chorus)
- The Comical History of Don Quixote, Z. 578: Part I: "Let the dreadful engines"
- Pausanias, Z. 585: "Sweeter than roses"
- Song, Z. 379A (1st version, 1692) "If music be the food of love"
- King Arthur, Z. 628: Venus's Song. "Fairest isle, all isles excelling"
- Bonduca, Z. 574: Bonduca's Song. "Oh! lead me to some peaceful gloom"
- Fantasia upon a ground in D minor for 3 violins and continuo, Z. 731
- The Blessed Virgin's Expostulation, Z. 186 "Tell me, some pitying angel"
- The Faerie Queen, Z. 629: Epithalamium. "Thrice happy lovers"
- Dioclesian, Z. 627: "What shall I do to show all much I love her?"
- The Comical History of Don Quixote, Z. 578: Part III: "From rosy bow'rs"
- Song, Z. 382 "I love and I must"
- Upon a Quiet Conscience, Z. 184 "Close thine eyes"
- Ode on Queen Mary's birthday (1693), Z. 321: "Crown the altar"
- Oedipus (1692), Z. 583: Song. "Music for a while"
- The Indian Queen, Z. 630: "I attempt from love's sickness to fly"
- Song, Z. 421 "The fatal hour comes apace"
- Song, Z. 400 "Not all my torments"
- Dido and Aeneas, Z. 626: Act I. "Cupid only throws the dart" (Cupid)
- Dido and Aeneas, Z. 626: Act III. "The Witches' Dance" (Jack of the Lanthorn Dance)
- Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda)
- Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido)
- Dido and Aeneas, Z. 626: Act II. "The Queen of Carthage, whom we hate" (Sorceress)
- Dido and Aeneas, Z. 626: Act II. Echo Dance of the Furies
- Dido and Aeneas, Z. 626: Act III. "Great minds against themselves conspire" (Chorus)
- Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing..." (Belinda, Dido)
- Dido and Aeneas, Z. 626: Act II. "Haste, haste to town" (Belinda, Chorus)
- Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido)
- Dido and Aeneas, Z. 626: Act III. The Sailors' Dance
- Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus)
- Dido and Aeneas, Z. 626: Act II. "In our deep vaulted cell" (Chorus)
- Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Aeneas)
- Dido and Aeneas, Z. 626: Act III. "Destruction's our delight" (Chorus)
- Dido and Aeneas, Z. 626: Act II. Prelude for the Witches
- Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas)
- Dido and Aeneas, Z. 626: Act II. Ritornello
- Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido)
- Dido and Aeneas, Z. 626: Act II. "Thanks to these lonesome vales" (Belinda, Chorus)
- Dido and Aeneas, Z. 626: Act III. Prelude for the sailors
- Dido and Aeneas, Z. 626: Act II. "Harm's our delight and mischief all our skill" (Chorus)
- Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" (Chorus)
- Dido and Aeneas, Z. 626: Act I. "Pursue thy conquest, Love" (Belinda)
- Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress)
- Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus)
- Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas)
- Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
- Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas, Dido)
- Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain" (Second Woman)
- Dido and Aeneas, Z. 626: Act II. "But ere we this perform" (Witches)
- Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress, Witches)
- Dido and Aeneas, Z. 626: Act I. "When monarchs unite, how happy their state" (Chorus)
- Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido)
- Dido and Aeneas, Z. 626: Act III. "Our next motion" (Sorceress)
- Dido and Aeneas, Z. 626: Act II. "Wayward sisters, you that fright" (Sorceress, First Witch)
- Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus)
- Thou Knowest, Lord Z58c
- Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet"
- Orpheus Britannicus: "Why should men quarrel?"
- Orpheus Britannicus: "Thou tun'st this world"
- Orpheus Britannicus: "Let sullen discorn smile"
- Orpheus Britannicus: "So when the glittering Queen of Night"
- Trio Sonata in F major, Z 810 "Golden Sonata": IV. Grave
- Trio Sonata in F major, Z 810 "Golden Sonata": II. Adagio
- Trio Sonata in F major, Z 810 "Golden Sonata": I. Allegro
- Trio Sonata in F major, Z 810 "Golden Sonata": III. Canzona
- Trio Sonata in F major, Z 810 "Golden Sonata": V. Allegro
- An Elegy on the Death of Mr. John Playford "Gentle Shepherds"
- Trumpet Voluntary
- The Queen's Dolour
- Mad Bess of Bedlam
- Dido and Æneas: Act III. Dido's Lament
- Fantasia No. 5 in 4 parts in B-flat major, Z 736 (11 June 1680)
- Works for Organ: Verse in F (Z716)
- Duet (Two married people): I am glad I have met him
- Trio (Envy & two assistants): What flatt'ring noise
- Suite 5 in C Major Z666 - Prelude
- Music for the Chapel Royal of England: Verse Anthem "My beloved spake"
- Birthday Song for Queen Mary: Crown the Altar, deck the Shrine
- Double Voluntary in D minor
- Soft notes and gently raised (A Serenading Song) Z. 510
- The Libertine: Prelude
- Pavan in A major Z. 748
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: The fife and all the harmony of war (The King's Consort feat. conductor: Robert King)
- Trumpet Symphony
- From 20 Keyboard pieces: Prelude
- Welcome, viceregent of the mighty king, Z340
- Miscellaneous Pieces From Oxford Manuscripts - Aire
- Miscellaneous Pieces From Oxford Manuscripts - Air
- Solo (Envy): I fly from the place
- Suite 1 in G Major Z660 - Prelude
- Music for the Funeral of Queen Mary: IV. "In the Midst of Life We Are in Death"
- Suite 4 in a Minor Z663 - Prelude
- Birthday Ode for Queen Mary
- Chinese woman - Turn then thine eyes
- Fairies - Hail ! Great parent of us all
- Works for Organ: Voluntary for double organ (Z719)
- Fantazia a 4 in A minor (23rd June 1680)
- Fantazia a 5 iupon one Note in F major
- Fantazia 12
- Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas)
- Solo (Fames): Begone, curst fiends of Hell
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Symphony (The King's Consort feat. conductor: Robert King)
- Voluntary in A major
- Fantazia a 4 in E minor (30th June 1680)
- Six Transcriptions - Trumpet Tune Zt698
- Music for the Funeral of Queen Mary: VI. "Thou Knowest, Lord, the Secrets of Our Hearts"
- Chacony a 4 in G minor
- The Fairy Queen: Symphony
- Dance, Solo (Fame) & Chorus: I come to sing great Zempoalla's story
- A chinese woman - Hark how all things
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Hark each tree (The King's Consort feat. conductor: Robert King)
- Hornpipe -- Scotch Tune (From Amphitryon)
- Come, ye sons of art, away, Z323 Ouverture
- O dive custos Auriacae domus, Z504
- We reap all the pleasures Z. 547
- Suite 4 in a Minor Z663 - Corante
- Come, ye sons of art, away, Z323 See Nature, rejoicing has shown us the way
- Suite 8 in F Major Z669 - Minuet
- Fantasia No. 10 in 4 parts in E minor, Z 741 (30 June 1680)
- Suite in C (Z665): Jigg
- Music for the Chapel Royal of England: Motet "Jehovah, quam multi sunt hostes mei"
- 5 part Fantazia "Upon One Note"
- Fantasia No. 7 in 4 parts in C minor, Z 738 (19 June 1680)
- Suite 5 in C Major Z666 - Corant
- Lord, what is man, lost man, that thou shouldst be so mindful of him, Z192
- Miscellaneous Pieces From Oxford Manuscripts - Round O
- Jubilate Deo in D
- Works for Organ: Voluntary in G (Z720)
- Solo (Fame): Scorn'd Envy
- Bright Cecilia: Variations on a Theme by Purcell: Sognante (BBC Philharmonic Orchestra feat. conductor: Gianandrea Noseda)
- Fantazia 11
- Fantasia No. 1 in 3 parts in D minor, Z 732
- The Noise of Foreign Wars (première recording)
- Solo (A follower of Hymen) & Chorus: Come. all, come at my call
- Suite 1 in G Major Z660 - Corant
- O Lord, rebuke me not
- Prelude & Song (Orazia): They tell us that your mighty powers
- Suite 8 in F Major Z669 - Corant
- Fantazia a 4 in C minor (19th June 1680)
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Let these amongst themselves contest (The King's Consort feat. conductor: Robert King)
- In Nomine in 6 parts in G minor, Z 746
- An Evening Hymn: Now that the sun
- Second Music - First Aire
- Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda … When I am laid in earth
- Suite 8 in F Major Z669 - Prelude
- Suite in C (Z665): Courant
- Suite 2 in G Minor Z661 - [Almand]
- The God of Dreams descends
- Fourth Act Tune
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: In vain the am'rous flute (The King's Consort feat. conductor: Robert King)
- O God, thou hast cast us out and scatter'd us abroad, Z36
- Solo (Fame) & Chorus: i come to sing
- Hail, bright Cecilia, Z328 Soul of the world! inspir'd by thee the jarring seeds of matter did agree
- Now that the sun hath veiled his light ('An Evening Hymn')
- Works for Organ: Voluntary on the old 100th
- Suite in C (Z665): Almond
- Suite 7 in D Minor Z668 - Corant
- Suite 3 in G Major Z662 - Almand
- Incassum, Lesbia, rogas, Z383
- Jehova, quam multi sunt hostes mei!, Z135
- Air From Abdelazer
- Trumpet Tune (From the Indian Queen)
- If ever I more riches did desire Z. 544
- Suite 6 in D Major Z667 - Almand
- In Nomine Dorian in 7 parts in G minor, Z 747
- Come, ye sons orfart, away, Z323 Strike the viol, touch the lute
- Suite 7 in D Minor Z668 - Almand 'bell-barr'
- Fantazia 10
- Fantazia a 4 in G minor (10th June 1680)
- From 20 Keyboard pieces: Minuet
- Fantazia a 4 in A minor, fragment
- Suite 3 in G Major Z662 - Courante
- Trio
- Hail, bright Cecilia, Z328 The fife and all the harmony of war in vain attempt the passions to alarm
- Voluntary in G minor
- 4 part Fantazia (incomplete)
- Music for the Funeral of Queen Mary: III. Canzona
- Solo (Hymen): To bless the genial bed
- Suite 4 in a Minor Z663 - Saraband
- First Music - Second Aire
- Young Thyrsis' fate, ye hills and groves, deplore, Z473
- O God, thou art my God, Z35
- Fantasia No. 11 in 4 parts in G major, Z 742 (18 August 1680)
- The God of Dreams rises
- My beloved spake, Z28
- Duet (Aerial Spirits): Ah! how happy are we
- Autumn - See my many coloured fields
- Second Music - Second Aire (Hornpipe)
- Trumpet Overture
- Rejoice in the Lord alway, Z49
- Sweeter Than Roses (From Pausanias)
- Suite in C (Z665): Prelude
- Come, ye sons of art, away, Z323 The day that such a blessing gave no common festival should be
- Suite 1 in G Major Z660 - [Minuet]
- Works for Organ:Voluntary in C (Z717)
- Fantazia a 4 in F major (14th June 1680)
- Winter - Now winter comes slowly
- I was glad when they said unto me, Z19
- Suite 7 in D Minor Z668 - Hornpipe
- Duet (Two of Cupid's followerw): Make haste to put on love's chains
- Music for the Funeral of Queen Mary: V. Canzona
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: With that sublime celestial lay (The King's Consort feat. conductor: Robert King)
- Abdelazer: Air - Jig - Hornpipe - Air
- Bright Cecilia: Variations on a Theme by Purcell: Fantastico (BBC Philharmonic Orchestra feat. conductor: Gianandrea Noseda)
- How pleasant is this flowery plain and grove! Z. 543
- Suite 4 in a Minor Z663 - Almand
- Hymen - See I obey
- Music for the Funeral of Queen Mary, Canzona
- Fantasia No. 3 in 3 parts in G minor, Z 734
- Raise, Raise the Voice
- Music for the Funeral of Queen Mary: I. March
- Hark, Damon, hark Z. 541
- Pavan in G minor Z. 751
- Dido & Aeneas Act II: But ere we this perform (Two Witches)
- Dido and Aeneas: When I am laid in earth
- Suite 2 in G Minor Z661 - Corant
- Solo (High Priest) & Chorus: You, who at the altar stand
- First Music - First Aire
- Music for the Funeral of Queen Mary: VIII. March
- A chinese woman - Thus happy and free
- From 20 Keyboard pieces: Minuet (13)
- Suite 5 in C Major Z666 - Almand
- Attendants - Now the night is chased away
- Solo (Ismeron): You twice ten hundred deities
- Fantasia No. 6 in 4 parts in F major, Z 737 (14 June 1680)
- Fantazia a 3 in G minor
- I was glad
- Close thine eyes and sleep secure, Z184
- Music for the Chapel Royal of England: Full Anthem "O God, thou hast cast us out and scatter'd us abroad"
- From 20 Keyboard pieces: Air
- Music for the Funeral of Queen Mary, Thou knowest, Lord, the secrets of our hearts (third sentence)
- Fantazia a 3 in D minor
- Juno - Thrice happy lovers
- Symphony & Chorus: All dismal sounds
- Suite 6 in D Major Z667 - [Hornpipe]
- Hail, bright Cecilia, Z328 Hark! Hark! Each tree its silence breaks
- Come, ye sons of art, away, Z323 Bid the virtues, bid the Graces to the sacred shrine repair
- Summer - Here's the Summer
- Suite 5 in C Major Z666 - Saranband
- Solo: Wake, Quivera, wake
- Duet (Boy & Quivera): If there by they
- Six Transcriptions - March Zt687
- Spring - Thus the ever grateful Spring
- Music for the Chapel Royal of England: Full Anthem "Hear my prayer"
- Bright Cecilia: Variations on a Theme by Purcell: Solenne (BBC Philharmonic Orchestra feat. conductor: Gianandrea Noseda)
- Praise the Lord, o my soul, and all that is within me, Z47
- Suite 6 in D Major Z667 - Prelude
- Come, ye sons of art, away, Z323 These are the sacred charms that shield her daring hero in the field
- Why, why are all the Muses mute? Z343
- The chinese man - Thus the gloomy world
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Hail! bright Cecilia (The King's Consort feat. conductor: Robert King)
- Six Transcriptions - [Trumpet Tune] Zt 697
- Hail, bright Cecilia, Z328 Symphony
- Solo (Hymen): Good People
- 7 part In nomine
- Fantazia a 4 in B flat major (11th June 1680)
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Soul of the world (The King's Consort feat. conductor: Robert King)
- Pavan a 4 for three violins
- Oh! what a scene does entertain my sight Z. 506
- Hail, bright Cecilia, Z328 With that sublime celestial lay dare any eahtly songs compare?
- Solo (God of Dreams): Seek not to know
- Fantazia a 4 in D minor (31st August 1680)
- Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood
- Fantasia No. 8 in 4 parts in D minor, Z 739 (22 June 1680)
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Thou tun'st this world (The King's Consort feat. conductor: Robert King)
- Fantazia a 4 in D minor (12nd June 1680)
- Ode for St. Cecilia's Day
- Music for the Funeral of Queen Mary, Man that is born of a woman hath but a short time to live (first sentence)
- A chinese woman - Sure the dull God of Marriage
- Trumpet Air
- Phoebus - When a cruel long winter
- Chaconne in G minor
- Miscellaneous Pieces From Oxford Manuscripts - Ground in Gamut
- Suite 2 in G Minor Z661 - Prelude
- Hymen - My torch indeed
- From 20 Keyboard pieces: Jig (17)
- My heart is inditing, Z30
- From 20 Keyboard pieces: Air (12)
- Caprice de chacone
- Fantasia No. 12 in 4 parts in D minor, Z 743 (31 August 1680)
- Pausanias: Sweeter than Roses
- From 20 Keyboard pieces: Thus happy
- Chorus - They shall be as happy as they're fair
- The Married Beau: Trumpet Air - March - Hornpipe
- Suite 2 in G Minor Z661 - Saraband
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: Wondrous machine! (The King's Consort feat. conductor: Robert King)
- Come, ye sons of art, away, Z323 Come, ye sons of art, away
- The Chinese Man - Yes, Xansi
- Come, ye sons of art, away, Z323 Sound the trumpet till around you make the listening shores rebound
- Rondeau (From Abdelazer)
- Duet (Another two Aerial Spirits) & Chorus: We the spirits of the air
- Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire
- A chinese woman - Hark how the echoing air
- Praise the Lord, O my soul, and all that is within me
- Come, ye sons of art, away, Z323 Come, come, ye sons of art, come, come away
- Hail, bright Cecilia, Z328 Hail, bright Cecilia
- Music for the Funeral of Queen Mary, In the midst of life we are in death (second sentence)
- Hail, bright Cecilia, Z328 Wondous machine! to thee the warbling lute, though us'd to conquest
- Voluntary in G major
- From 20 Keyboard pieces: Hornpipe
- Symphony From the Fairy Queen (From the Fairy Queen)
- Hail, bright Cecilia, Z328 Thou tun'st this world below, the spheres above
- Duet (Two married people): My Honey
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: The airy violin (The King's Consort feat. conductor: Robert King)
- From 20 Keyboard pieces: Hornpipe (10)
- From 20 Keyboard pieces: Prelude in A (alternative version to suite No.4, Z663)
- Six Transcriptions - Chacone Zt 680
- Solo (Girl): Why should men quarrel?
- Works for Organ:Voluntary in d minor (Z718)
- Pavan in B flat major Z. 750
- Music for the Chapel Royal of England: Verse Anthem "Rejoice in the Lord alway"
- Fantasia No. 2 in 3 parts in F major, Z 733
- Fantazia 1
- Solo (Cupid): The joys of wedlock
- Fantasia No. 4 in 4 parts in G minor, Z 735 (10 June 1680)
- Hail, bright Cecilia, Z328 The airy violin and lofty viol quit the field
- Solo (One of Cupid's followers): Sound the trumpet
- Solo (Boy): By ancient prophesies
- Music for the Funeral of Queen Mary: II. "Man That Is Born"
- Fantazia 8
- Fantazia 9
- Fantazia 6
- Fantazia 7
- Fantazia 4
- Fantazia 5
- Fantazia 2
- Fantazia 3
- Music for a While (From Oedipus)
- Six Transcriptions - [Jig] Zt686
- Music for the Funeral of Queen Mary, March
- Attendants - Let the files ... sound
- In guilty night, Z134
- In nomine a 7 in D minor
- Suite in C (Z665): Saraband
- Remember not, Lord, our Offences, Z50
- Hark how the wild musicians sing Z. 542
- Pavan in A minor Z. 749
- St. Matthew Passion, BWV 244, Part II: Aria: Erbarme dich, mein Gott
- O Lord, rebuke me not, Z40
- Six Transcriptions - [Trumpet Tune, Called the Cibell] Z 678
- Arise, Ye Subterranean Winds (From the Tempest)
- Solo (Zempoalla): I attempt from Love's sickness
- Hail, bright Cecilia, Z328 Let these among themselves contest which can discharge its single duty best
- Tell me some pitying angel, quickly say (The Blessed Virgin's Expostulation), Z196
- Fantazia a 4 in G major (19th August 1680)
- Suite 8 in F Major Z669 - Almand
- 6 part In nomine
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328: 'Tis Nature's voice (The King's Consort feat. conductor: Robert King)
- Raise, raise the voice, Z334
- Chorus: Let loud Renown
- Music for the Chapel Royal of England: Verse Anthem "My heart is inditing"
- In nomine a 6 in G minor
- Voluntary in C major
- See where she sits ('Weeping') Z. 508
- Fantasia No. 9 in 4 parts in A minor, Z 740 (23 June 1680)
- Fantasia upon One Note in F major, Z 645
- Trumpet Sonata No. 1: Adagio
- Suite 1 in G Major Z660 - Almand
- Chorus: While thus we bow
- From 20 Keyboard pieces: Minuet (11)
- Dido & Aeneas Act I: If not for mine (Aeneas)
- Trumpet Sonata No. 1: Allegro
- Rejoice in the Lord ('The Bell Anthem')
- Ode for St. Cecilia's Day "Hail, Bright Cecilia", Z. 328 (arr. Colin Matthews): Tema (BBC Philharmonic Orchestra feat. conductor: Gianandrea Noseda)
- Fantazia a 3 in F major
- Now that the sun has veiled his light (An Evening Hymn on a Ground), Z193
- Third Act Tune (Rondeau)
- Suite 3 in G Major Z662 - Prelude
- Hear my prayer, o Lord, and let my crying come to thee, Z15
- Suite from The Fairy Queen: I. Prelude/Rondeau
- Suite from The Fairy Queen: V. Chaconne
- Suite from The Fairy Queen: IV. Dance of the Followers of Night
- Suite from The Fairy Queen: III. Dance of the Savages
- Suite from The Fairy Queen: II. Fairy Dance
- Lord, What Is Man
- See, Even Night
- Oedipus: Act III "Music for a While"
- Tyrranic Love, or The Royal Martyr: Act IV "Ah! How Sweet It Is to Love"
- The Indian Queen: Act III "I Attempt From Love's Sickness to Fly"
- The Blessed Virgin's Expostulation
- The Fairy Queen: Act V "Hark! How All Things"
- Fantasia à 4 "Three parts on a ground"
- Fantasia à 4 "Chacony"
- Fantasia à 5 "Upon one note"
- Once, Twice, Thrice
- Would You Know
- Since Time So Kind
- Entrada From 'The Indian Queen' (Z. 630 Entrada)
- Sonata No. 2 in D major for Trumpet, Strings & Basso Continuo, Z. 850: II. Adagio
- Sonata No. 2 in D major for Trumpet, Strings & Basso Continuo, Z. 850: I. Overture: Grave - Allegro
- 'Trumpet Overture' from 'The Indian Queen'
- Abdelazar "The Moor's Revenge": Hornpipe in D minor "Round O", ZT684
- Sonata No. 2 in D major for Trumpet, Strings & Basso Continuo, Z. 850: III. March
- Thy Hand, Belinda / When I Am Laid
- Dido and Aeneas: Act III, final scene: Thy hand Belinda, When I am laid
- Dido and Aeneas: Act III, final scene: With drooping wings
- Dido's Lament from Dido and Aeneas
- She Loves and She Confesses
- 2nd Overture in D
- Minuet in G
- A New Ground in E minor
- Here the Deities Approve
- Frost Dance in C
- Overture in D
- Hornpipe in D Minor
- Allegro From Sinfonia (Act II)
- If Love's a Sweet Passion
- O Solitude Z. 406
- Fairy Queen: Act 4 - Largo
- Fairy Queen: Act 4 - Entry of Phoebus
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Minuet
- Fairy Queen: Act 4 - Allegro
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Cibell
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Hornpipe
- Chacony for 4 in G Minor for Strings & Continuo
- Fairy Queen: Act 4 - Canzona
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: To Arms
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Britons, Strike Home...
- Fantazia Three Parts Upon a Ground in D Major for 3 Violins & Continuo
- Fairy Queen: Act 4 - Adagio
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Aire
- Suite From Bonduca or British Heroïne for Trumpet, Percussions, Strings & Continuo: Overture Song Tune Aire Hornpipe Aire Hornpipe Aire Minuet Cibell
- Fairy Queen: Act 4 - Symphonia
- Thou knowest, Lord
- Serse (Xerxes), HWV 40, Act I: Frondi tenere e belle… Ombra mai fu, "Largo"
- In nomine à 6 in G minor, Z. 746
- Fantasia à 4 No. 5 in B flat major
- 6-Part in Nomine
- Sonata i D-dur, Z. 850: III. (Allegro)
- Sonata i D-dur, Z. 850: II. Adagio
- Sonata i D-dur, Z. 850: I. (Allegro)
- Musike from "King Arthur": I. Trumpet Tune
- Musike from "King Arthur": II. Symphony
- Musike from "King Arthur": IV. Warlike Consort
- Musike from "King Arthur": III. Song Tune 1 "Round Thy Shores"
- Chacony in G minor Z 730
- King Arthur: Act V. Dance / "Fairest isle"
- King Arthur: Second Music. Overture
- King Arthur: Act II. "Let not a moon-born elf mislead ye"
- King Arthur: Act V. "Saint George, the patron of our Isle"
- King Arthur: Act V. "Round the coast"
- King Arthur: Act V. "You say, 'tis Love"
- King Arthur: Act IV. Air
- King Arthur: Act III. "'Tis I, 'this I that have warm'd ye"
- King Arthur: Act V. "Your hay, it is mov'd"
- King Arthur: Act I. "The white horse neigh'd aloud" / "To Woden thanks we render"
- King Arthur: First Music. Chaconne
- King Arthur: Act II. "Hither, this way bend"
- King Arthur: Act I. "Come if you dare" / First Act Tune
- King Arthur: Act IV. Passacaglia
- King Arthur: Second Music. Air
- King Arthur: Act II. Symphony / "Sheperd, sheperd, leave decoying"
- King Arthur: Act III: Third Act Tune. Hornpipe
- King Arthur: Act III. "Thou doting fool, forbear"
- King Arthur: Act II. Second Act Tune. Air
- King Arthur: Act II. "Come Sheperds"
- King Arthur: Act III. "See, see, we assemble"
- King Arthur: Act I. "Woden, first to thee" / "We have sacrific'd"
- King Arthur: Act V. "Ye blustring brethren"
- King Arthur: Act II. "How blest are sheperds"
- King Arthur: Act III. "Sound a parley" / "'Tis Love, 'tis Love that has warm'd us"
- Funeral Sentences for Queen Mary: In the midst of life
- Funeral Sentences for Queen Mary: Canzona
- Lord, How Long Wilt Thou Be Angry
- Here my Prayer, O Lord
- Funeral Sentences for Queen Mary: Thou knowest, Lord
- Funeral Sentences for Queen Mary: Man that is born of a woman
- Funeral Sentences for Queen Mary: Funeral March
- Rigadoon
- Rigadon
- Rigadoon (piano accompaniment)
- Incidental Music to Abdelazar, or The Moor's Revenge
- Dido and Aeneas: Act III. "Thy hand, Belinda...When I am laid in earth"
- Dido and Aeneas: Dido's Lament "When I'm Laid in Earth"
- Rondo
- By beauteous softness mixed with majesty
- Thrice Happy Lovers (An Epithalamium), Z. 629 No. 39
- The Plaint, Z. 629 No. 40
- When First Amintas Sued for a Kiss, Z. 430
- From Silent Shades, Z. 370
- Now the Night Is Chas’d Away, Z. 629 No. 28
- Fairest Isle, Z. 628 No. 38
- Music for a While, Z. 583 No. 2
- I Attempt From Love’s Sickness to Fly in Vain, Z. 630 No. 17
- They Tell Us That You Mighty Powers Above, Z. 630 No. 19
- The Fatal Hour, Z. 421
- If Love’s a Sweet Passion, Z. 629 No. 17
- Oh! Fair Cedaria, Z. 402
- Sweeter Than Roses, Z. 585 No. 1
- Man Is for the Woman Made, Z. 605 No. 3
- The Blessed Virgin’s Expostulation, Z. 196
- An Evening Hymn, Z. 193
- O Solitude, Z. 406
- The Bashful Thames, Z. 333 No. 4
- Trumpet Tune & Air: Bell Interlude
- "Abdelazar" Suite: Minuet
- "The Fairy Queen" Suite: Chaconne
- "The Fairy Queen" Suite: Canzone
- "The Fairy Queen" Suite: Prelude
- "The Fairy Queen" Suite: Rondeau
- "Abdelazar" Suite: Overture
- "Abdelazar" Suite: Ayre
- "The Fairy Queen" Suite: Allegro to Act IV
- "The Fairy Queen" Suite: Hornpipe
- "Abdelazar" Suite: Rondeau
- The Fairy Queen: Appendix. First Musick Prelude
- I was glad when they said unto me
- The Fairy Queen: Act III. Dance for the Followers of Night
- The Fairy Queen: Act I. "Come let us leave the Town"
- The Fairy Queen: Appendix. Third Act Tune. Hornpipe
- The Fairy Queen: Act II. "See, even Night her self is here"
- The Fairy Queen: Act IV. Entry of Phoebus
- The Fairy Queen: Act III. "If love's a Sweet Passion, why does it torment?"
- The Fairy Queen: Act V. "My Torch, indeed, will from such Brightness shine"
- Music for the Funeral of Queen Mary: Canzona, Z860
- The Fairy Queen: Act V. Monkeys' Dance
- The Fairy Queen: Act III. Dance for the Haymakers
- The Fairy Queen: Appendix. Second Act Tune. Air
- The Fairy Queen: Act III. Dance for the Green Men
- The Fairy Queen: Act V. Symphony
- The Fairy Queen: Act II. "Hush, no more, be silent all"
- The Fairy Queen: Act II. "Sing while we trip it on the Green"
- The Fairy Queen: Act V. "Thrice happy Lovers, may you be"
- The Fairy Queen: Act V. "Thus the gloomy World"
- The Fairy Queen: Act IV. "See my many Colour'd Fields"
- But death, alas! ... When I am laid in earth ... With drooping wings (Dido and Aeneas)
- The Fairy Queen: Act III. Symphony While the Swans Come Forward
- Music for the Funeral of Queen Mary: Thou knowest, Lord, Z58c
- Music for the Funeral of Queen Mary: Thou knowest, Lord, Z58b
- The Fairy Queen: Act II. "Come all ye songsters of the Sky"
- The Fairy Queen: Appendix. Second Musick Air
- The Fairy Queen: Act IV. "Next Winter comes Slowly, Pale, Meager, and Old"
- The Fairy Queen: Act I. "Fill up the bowl then"
- O consider my adversity, Z32
- Music for the Funeral of Queen Mary: Drum Recessional
- Beati ommes qui timent Dominum, Z131
- The Fairy Queen: Appendix. First Musick Hornpipe
- The Fairy Queen: Act II. Prelude
- In the black dismal dungeon of despair, Z190
- The Fairy Queen: Act IV. "Now the night is chas'd away"
- The Fairy Queen: Act III. "When I have often heard you Maids complaining"
- Jubilate in B Flat, Z230
- Symphony (The Fairy Queen)
- The Fairy Queen: Act V. "O Let me ever, ever weep"
- The Fairy Queen: Appendix. Entry Dance
- The Fairy Queen: Act I. First Act Tune. Jig
- Save me, O God, Z51
- The Fairy Queen: Act V. Chaconne. The Grand Dance
- The Fairy Queen: Act V. "Yes, Xansi, in your Looks I find"
- The Fairy Queen: Act V. "Hark! how the Echoing Air a Triumph sings"
- The Fairy Queen: Act III. "Ye Gentle Spirits of the Air, appear"
- The Fairy Queen: Act IV. "When a cruel long Winter has frozen the earth"
- Music for the Funeral of Queen Mary: In the midst of life, Z17b
- The Fairy Queen: Appendix. Fourth Act Tune. Air
- Music for the Funeral of Queen Mary: Drum Processional
- The Fairy Queen: Act V. "Turn then the Eyes upon those Glories there"
- The Fairy Queen: Act IV. "Here's the Summer, Sprightly, Gay"
- The Fairy Queen: Act IV. "Let the Fifes, and the Clarions, and shrill trumpets sound"
- Rondeau (Abdelazer)
- The Fairy Queen: Act IV. "Hail! Great Parent of us all"
- The Fairy Queen: Act III. Dance for the Fairies
- The Fairy Queen: Act III. "A Thousand Thousand ways we'll find"
- The Fairy Queen: Act V. "See, see, I obey"
- The Fairy Queen: Act II. "I am come to lock all fast"
- The Fairy Queen: Act III. "Now the Maids and the men are making of hay"
- The Fairy Queen: Act V. "Thus Happy and Free"
- Music for the Funeral of Queen Mary: Man that is born of a woman, Z27
- The Fairy Queen: Act V. Prelude
- Thy way, O God, is holy, Z60
- Music for the Funeral of Queen Mary: March, Z860
- The Fairy Queen: Act II. "Now join your Warbling Voices all"
- The Fairy Queen: Appendix. Second Musick Rondeau
- Te Deum in B Flat, Z230
- The Fairy Queen: Act V. "Hark! how all things in one Sound rejoice"
- The Fairy Queen: Act IV. "Thus the ever Grateful Spring"
- The Fairy Queen: Act V. "Sure the dull God of Marriage does not hear"
- The Fairy Queen: Act II. "May the God of Wit inspire"
- The Fairy Queen: Act II. "One charming Night"
- The Fairy Queen: Act V. "They shall be as happy as they're fair"
- Sleep, Adam, Z. 195
- Lord, What Is Man?, Z. 192
- Dido & Aeneas: Act III. "Thy Hand Belinda" / "When I Am Laid in Earth"
- Sonata a 2
- 3 Parts upon a Ground
- Third Act Tune
- Act III: Ye, gentle spirits of the air
- Act II: Hush, no more
- Act III: A thousand ways
- Act II: Come all ye songsters
- First Musick: Prelude
- Act II: May the God of Wit
- Act III: Symphony
- First Musick: Hornpipe
- Act II: I am come to lock all
- Second Musick: Rondeau
- Second Act Tune
- Act II: Now join your warbling dance
- Scene of the Drunken Poet
- First Act Tune
- Act III: Dances. For the Green Men
- Act I: Come let us leave the town
- Act II: See, even Night
- Act II: Fairy dance
- Second Musick: Air
- Act III: Dances. For the Fairies
- Act III: When I have often heard
- Act III: If love's a sweet passion
- Act II: One charming night
- Act III: Dialogue
- Dance for the Haymakers
- Act II: While Echo shall remote
- "O all ye people, clap your hands"
- "Hosanna to the highest"
- The Indian Queen: Second Music. Air
- The Indian Queen: Act III. Symphony "Seek not to know what must not be reveal'd"
- The Indian Queen: Act IV. Fourth Act Tune Air
- King Arthur: Act IV, Scene II. "How happy the Lover" / Fourth Act Tune
- King Arthur: Act V, Scene II. Symphony / Song Tune "Round thy Coasts" / "For Folded Flocks"
- The Indian Queen: Act II. Symphony
- The Indian Queen: Act V. "You who at the altar stand"
- The Indian Queen: Prologue. "Why should men quarrel?"
- The Indian Queen: Prologue. "By anceint prophecies"
- The Indian Queen: Act II. "What flatt'ring noise is this"
- "The Masque" from Timon of Athens: "Come all" / "Who can resist" / "Return, revolting rebels!"
- The Indian Queen: Act III. Trumpet Overture
- King Arthur: Act IV, Scene II. "Two Daughters"
- The Indian Queen: Act III. "Ah! Ah! How happy are we!"
- "The Masque" from Timon of Athens: Duet "Hark" / Solo "Love in their little veins" / Trio "But ah" / Solo "Hence with your trifling deity"
- The Indian Queen: Act III. "Ye twice ten hundred deities" / "By the croaking of the toad"
- The Indian Queen: Act III. "I attempt from Love's sickness to fly in vain"
- King Arthur: Act V, Scene II. "You say" / "This not my passion" / "But one soft moment"
- The Indian Queen: Act II. "I come to sing great Zempoalla's story"
- The Indian Queen: Additional Act. Masque "To bless the genial bed" / "Come all, come at my call" (Daniel Purcell)
- The Indian Queen: First Music. Air
- The Indian Queen: Additional Act. Masque "I'm glad I have met him" (Daniel Purcell)
- The Indian Queen: Additional Act. Masque Trumpet Air "Let loud renown with all her thousand tongues" (Daniel Purcell)
- The Indian Queen: Act V. "While thus we bow"
- The Indian Queen: Act II. Trumpet Tune
- King Arthur: Act V, Scene II. Chaconne
- The Indian Queen: Act III. Third Act Tune Rondeau
- The Indian Queen: Additional Act. Masque "Make haste, make haste to put on love's chains" (Daniel Purcell)
- "The Masque" from Timon of Athens: Overture / Air / Overture
- The Indian Queen: Prologue. "Wake Quivera, wake"
- The Indian Queen: Act II. "We come to sing Zempoalla's story"
- The Indian Queen: Trumpet Tune
- King Arthur: Act V, Scene II. "Fairest Isle"
- King Arthur: Act V, Scene II. Song Tune "Your Hay"
- The Indian Queen: Act III. "We the spirits of the air"
- "The Masque" from Timon of Athens: Solo "The cares of lovers" / Solo "Love quickly is palled" / Duet, Chorus "Come, let us agree"
- The Indian Queen: Additional Act. Masque Symphony (Daniel Purcell)
- The Indian Queen: Prologue. Trumpet Tune
- The Indian Queen: Act II. "Scorn'd Envy, here's nothing"
- The Indian Queen: Act II. Second Act Tune
- King Arthur: Act V, Scene II. Trumpet Tune / Honour "St. George"
- The Indian Queen: Act III. Dance
- The Indian Queen: Act II. Dance
- The Indian Queen: Additional Act. Masque "The joys of wedlock soon are past" / "Sound, sound the trumpet" (Daniel Purcell)
- The Indian Queen: Act IV. "They tell us that you mighty powers above"
- Dido and Aeneas, "Dido's Lament"
- Dido and Aeneas "Dido's Lament"
- Rondeau From Abdelazer
- Chacony in G Minor in 4 Parts
- Suite (Purcell)
- King Arthur: Second Music. Air
- O God, thou art my God, Z35
- King Arthur: Act III: Third Act Tune. Hornpipe
- King Arthur: First Music. Chaconne
- King Arthur: Second Music. Overture
- King Arthur: Act II. Second Act Tune. Air
- Remember not, O Lord
- Trumpet Sonata in D major No.2 : II Adagio
- Trumpet Sonata in D major No.2 : I Grave - Allegro
- Trumpet Sonata in D major : I Allegro
- Trumpet Sonata in D major No.2 : III March
- Trumpet Sonata in D major : II Adagio
- Trumpet Sonata in D major : III Allegro
- Pox on You for a Fop
- New Irish Tune
- Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
- Abdelazer: Rondeau
- Sonata [Suite] For Trumpet, 2 Violins, Viola & Continuo in D Major, Z. 850
- Concerto en Mi bémol majeur pour trompette et orchestre à cordes: II. Largo
- Concerto en Mi bémol majeur pour trompette et orchestre à cordes: III. Allegro
- The Indian Queen: Ouverture en Ré majeur pour trompette, cordes et continuo (arr. Lionel Salter)
- Concerto en Mi bémol majeur pour trompette et orchestre à cordes: I. Allegro
- O Solitude Z.406
- Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio
- Come ye sons of art, Z. 323: VII. Bid the Virtues
- Funeral Sentences: In the midst of life, Z. 17a
- Funeral Sentences: Man that is born of a woman, Z. 27
- Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c
- Funeral Sentences: Thou knowest, Lord, Z. 58b
- Funeral Music for Queen Mary: Canzona, Z. 860ii
- Come ye sons of art, Z. 323: IV. Come ye sons of art
- Welcome to all the pleasures, Z. 339: I. Symphony
- Funeral Music for Queen Mary: March, Z. 860i
- Act 4: Autumn: See my many coloured fields
- Act 5: Chorus: They shall be as happy as they're fair
- King Arthur ("The British Worthy") - Second Music: Overture
- King Arthur ("The British Worthy") - Act II: Shepherd, shepherd leave decoying
- Act 3: Dance for the Fairies
- Act 2: Second Act Tune: Air
- Act 3: Dance for the Green Men
- Of old, when Heroes thought it base: “And in each track of glory since” (Tenor, Bass & Chorus)
- The Fairy Queen - Act IV: Chaconne: Dance for a Chinese Man and Woman
- Act 5: A Chinese Woman: Hark! now all things
- Act 1: First Act Tune: Jig
- Welcome to all the pleasures: “In a consort of voices” (Tenor & Chorus)
- The Fairy Queen - Act I: Overture
- The Prophetess ("The History of Dioclesian") - Act II: Dance of Furies
- The Indian Queen: Act IV. Fourth Act Tune: Air
- Act 2: Secrecy: One charming night
- Act 3: Dialogue Between Coridon and Mopsa: Now the maids and the men
- Act 4: Entry of Phoebus
- King Arthur ("The British Worthy") - Second Music: Aire: Minuet
- Act 3: Soprano Solo, Chorus: If love's a sweet passion
- Act 1: Scene of the Drunken Poet: Fill up the bowl
- Act 2: Night: See, even Night herself is here
- Act 1: Duet: Come let us leave the town
- The Fairy Queen - Second Music: Air
- Act 4: Hail! Great Parent of us all
- The Fairy Queen - Act I: Dance for the Green Men
- The Indian Queen: Act III. "I attempt form Love's sickness to fly in vain"
- Act 4: Winter: Next winter comes slowly
- The Fairy Queen - Act IV: Symphony
- The Fairy Queen - Act I: Dance for the Fairies
- The Prophetess ("The History of Dioclesian") - Act III: Chaconne ("Two in One Upon a Ground")
- The Fairy Queen - Act IV: Entry Dance
- The Indian Queen: Act V. "You who at the altar stand" / "All dismal sounds"
- Of old, when Heroes thought it base: “So when the glitt'ring Queen of Night” (Tenor)
- Come, ye sons of art, away: “Come ye sons of art” (Symphony & Chorus)
- Second Musick: Overture
- Welcome to all the pleasures: “Beauty, thou scene of love” (Tenor)
- Act 3: Third Act Tune: Hornpipe
- The Indian Queen - Act II: Scene 2: Symphony
- King Arthur ("The British Worthy") - Act V: Chaconne
- Come, ye sons of art, away: “Strike the viol, touch the lute” (Countertenor)
- Act 2: Prelude: Come all ye songsters of the sky
- Act 5: Chaconne: Dance for the Chinese man and woman
- The Indian Queen: First Music: Air-Hornpipe
- Come, ye sons of art, away: “The day that such a blessing gave” (Bass & Chorus)
- The Fairy Queen - First Music: Hornpipe
- The Indian Queen: Act III. Third Act Tune: Rondeau
- King Arthur ("The British Worthy") - Act II: How blest are shepherds
- Act 2: Chorus: Now join your warbling voices all
- Act 3: Symphony while the swans come forward
- Act 4: An Attendant, Chorus: Now the night is chased away
- The Prophetess ("The History of Dioclesian") - Act II: Second Act Tune
- King Arthur ("The British Worthy") - Act I : First Act Tune
- The Indian Queen: Act II. "We come to sing great Zempoalla's story"
- Act 5: Two Chinese Women, Hymen: They shall be as happy as they're fair
- Come, ye sons of art, away: “These are the sacred charms” (Bass)
- Of old, when Heroes thought it base: Symphony
- Act 2: Soprano Solo: Sing while we trip it
- Act 4: Symphony
- Act 5: Juno: Thrice happy lovers
- Come, ye sons of art, away: “Bid the Virtues, bid the Graces“ (Soprano)
- Of old, when Heroes thought it base: “And now when the renown'd Nassau” (Countertenor & Tenor)
- Act 4: Spring: Thus the ever grateful spring
- Act 2: Sleep, Chorus: Hush, no more
- Act 2: Dance for the Followers of Night
- The Fairy Queen - Act I: Symphony
- The Indian Queen: Prologue. "By ancient prophecies"
- Act 5: A Chinese Woman: Hark! The echoing air
- Act 5: A Chinese Man: Thus the gloomy world
- The Indian Queen: Second Music: Air-Hornpipe
- Act 5: Two Chinese Women: Sure the dull God of Marriage
- Act 4: Phoebus: When a cruel long winter
- Of old, when Heroes thought it base: “The pale and purple rose” (Countertenor)
- Act 4: Summer: Here's the summer, sprightly, gay
- Welcome to all the pleasures: “Then lift up your voices” (Bass & Chorus)/“The pow’r shall divert us a pleasanter way” (Countertenor, Tenor, Bass & Chorus)
- Act 4: Duet: Let the fifes and the clarions
- Act 3: Dance for the Haymakers
- Come, ye sons of art, away: “Sound the trumpet, sound” (Countertenor I & II)
- The Fairy Queen - Second Music: Rondeau
- Welcome to all the pleasures: “Welcome to all the pleasures” (Countertenor, Tenor, Bass & Chorus)
- Welcome to all the pleasures: “Here the deities approve” (Countertenor)/”While joys celestial” (Soprano I & II, Tenor)
- The Fairy Queen - Act I: Gigue
- The Prophetess ("The History of Dioclesian") - Second Music
- Of old, when Heroes thought it base: “Let music join” (Chorus)
- King Arthur ("The British Worthy") - Act V: Fairest Isle, all isles excelling
- Act 2: Prelude, Choral Trio: May the God of Wit inspire
- Come, ye sons of art, away: “Come ye sons of art, away” (Countertenor & Chorus)
- Act 3: A Nymph: When I have often heard
- Of old, when Heroes thought it base: “The bashful Thames, for beauty so renowned” (Tenor & Chorus)
- Act 3: Duet, Chorus: A thousand, thousand ways
- Of old, when Heroes thought it base: “They did no storms nor threat’nings fear” (Bass I & II)
- Act 5: Symphony
- Act 4: Fourth Act Tune: Air
- Act 5: The Plaint: O let me ever, ever weep
- Welcome to all the pleasures: Overture
- Act 5: Prelude
- The Prophetess ("The History of Dioclesian") - First Music
- Of old, when Heroes thought it base: “Of old, when Heroes thought it base” (Bass) / “Brigantium, honour’d with a race divine” (Countertenor & Bass)
- Act 3: Soprano Solo: Ye gentle spirits of the air
- Act 5: A Chinese Man: Yes, Xansi
- Come, ye sons of art, away: Overture
- Of old, when Heroes thought it base: “Sound all to him” (Bass recitative & Chorus)
- Act 5: Entry Dance
- Come, ye sons of art, away: “See Nature, rejoicing” (Soprano, Bass & Chorus)
- Act 4: Chorus: Hail! Great parent of us all
- Of old, when Heroes thought it base: “Sound, trumpets, sound!” (Countertenor)
- Act 5: Hymen: See, see I obey
- The Indian Queen: Act III. Symphony / "Seek not to know what must not be reveal'd"
- The Fairy Queen - First Music: Prelude
- Act 5: Monkey's Dance
- Act 2: Mystery: I am come to lock all fast
- The Fairy Queen - Act I: Song Tune ("If Loves´s a sweet passion")
- Act 5: A Chinese Woman, Chorus: Thus happy and free
- Incidental Music to "Abdelazar", or "The Moor's Revenge"
- Fantasia in D minor, Z. 743
- Fantasia in E minor, Z. 741
- Abdelazar "The Moor’s Revenge": Hornpipe in D minor "Round O", ZT684
- Fantasia upon One Note in F major, Z 745
- The virtuous wife
- Suite
- Abdelazar “The Moor’s Revenge”: Hornpipe in D minor “Round O”, ZT684
- Sonata No. 2 in D major for Trumpet, Strings & Basso Continuo, Z. 850: I. Overture: Grave – Allegro
- Chacony
- Abdelazer Suite: II. Rondeu - Air - Air - Minuet
- Abdelazer Suite: III. Air - Jig - Horpipe - Air
- Abdelazer Suite: I. Overture
- Pavan a 3 in G Minor (Sol mineur), Z.751
- Suite a 4 in G (Sol majeur), Z.770 - 3. Bourrée
- Suite a 4 in G (Sol majeur), Z.770 - 1. Overture
- Sonata No.12 in D (Ré majeur), Z.801 - 4. Grave
- Hail! Bright Cecilia: In vain the am'rous flute
- Suite a 4 in G (Sol majeur), Z.770 - 2. Sarabande
- Chacony a 4 in G Minor (Sol mineur), Z.730
- Hail! Bright Cecilia: Symphony (Introduction)-Canzona & Adagio-Allegro-Grave-Allegro
- Hail! Bright Cecilia: Hail! Bright Cecilia
- Suite a 4 in G (Sol majeur), Z.770 - 5. Jig
- Sonata No.6 in G Minor (Sol mineur), Z.807
- Hail! Bright Cecilia: Let these amongst themselves contest
- Pavan a 3 in A (La majeur), Z.748
- Hail! Bright Cecilia: Hark! hark! each tree
- Overture a 5 in G Minor (Sol mineur), Z.772
- Sonata No.12 in D (Ré majeur), Z.801 - 2. Canzona
- Hail! Bright Cecilia: With rapture of delight-Hail! Bright Cecilia
- Sonata No.7 in E Minor (Mi mineur), Z.796 - 5. Vivace
- Sonata No.12 in D (Ré majeur), Z.801 - 1. Adagio
- Sonata No.7 in E Minor (Mi mineur), Z.796 - 3. Largo
- Suite a 4 in G (Sol majeur), Z.770 - 4. Minuet
- Sonata No.12 in D (Ré majeur), Z.801 - 5. Presto
- Three Parts on a Ground in D (Ré majeur), Z.731
- Sonata No.12 in D (Ré majeur), Z.801 - 3. Poco largo
- Pavan a 3 in B Flat (Si bémol majeur), Z.750
- Sonata No.12 in D (Ré majeur), Z.801 - 6. Allegro
- Sonata No.7 in E Minor (Mi mineur), Z.796 - 4. Grave
- Pavan a 3 in A Minor (La mineur), Z.749
- Hail! Bright Cecilia: Thou tun'st this world below
- Hail! Bright Cecilia: With that sublime celestial lay
- Sonata No.7 in E Minor (Mi mineur), Z.796 - 2. Canzona
- Hail! Bright Cecilia: The airy violin
- Hail! Bright Cecilia: The fife and all the harmony of war
- Overture a 4 in D Minor (Ré mineur), Z.771
- Pavan a 4 (for 3 violins) in G Minor (Sol mineur), Z.752
- Sonata No.7 in E Minor (Mi mineur), Z.796 - 1. Adagio
- Hail! Bright Cecilia: 'Tis Nature's voice
- Overture a 4 in G (Sol majeur), Z.336
- Hail! Bright Cecilia: Voluntary in D minor-Wonderous machine!
- Hail! Bright Cecilia: Soul of the world!
- Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 1: Man that is born
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z.323: Sound the trumpet
- Music for the Funeral of Queen Mary, Z.860: Canzona
- Music for the Funeral of Queen Mary, Z.860: March
- Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 2: In the midst of life
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z.323: Come, ye sons of Art, come away
- Funeral Sentences for the Funeral of Queen Mary, Z.27 No. 3: Thou knowest, Lord, the secrets of our Hearts
- Sweetness of nature
- Three Parts upon a Ground in D
- Pavane à 4 in G
- Welcome to all the Pleasures: Here the Deities approve
- Sonata of three parts Nr. 2 B-dur: Largo, Presto/Adagio, Vivace/Allegro
- Dido and Aeneas: 3. Akt, 1. Szene (the Ships)
- Ödipus: Music for a while
- The Fairy Queen: 4. Akt (Ausschnitt)
- Now that the Sun hath Veil'd his Light
- King Arthur: 3. Akt, 2. Szene, The King's Musick
- Pavane à 3 in A
- The Fairy Queen: First Musick (Prelude, Hornpipe)
- Ouverture de "King Arthur"
- Hail ! Bright Cecilia
- Fairey Queen - Rondeau
- Dioclesian - Trumpet Tune
- The fife and all the harmony of war
- Indian Queen - Hornpipe
- With that sublime celestial lay
- King Arthur - Song Tune: How blest are shepards
- Hark each tree
- King Arthur - Aire
- Dioclesian - Country Dance
- King Arthur - Song Tune: Fairest isle
- Dioclesian - Aire
- Fairey Queen - Aire 4 in 2 (Dance for the followers of Night)
- Fairey Queen - Overture
- King Arthur - Trumpet Tune
- Fairey Queen - Song Tune: Sing while we trip it
- Dioclesian - Song Tune: Let the soldiers rejoice
- Wondrous machine
- Fairey Queen - Jigg
- Let these amongst themselves contest
- Fairey Queen - Preludio
- Indian Queen - Rondeau
- Thou tun'st this world
- Indian Queen - Overture
- King Arthur - Chacone
- Fairey Queen - Hornpipe
- Fairey Queen - Aire
- King Arthur - Song Tune: Come, if you dare
- Fairey Queen - Song Tune: Thus happy and free
- King Arthur - Overture
- Fairey Queen - Chacone
- Indian Queen - Trumpet Tune
- King Arthur - Hornpipe
- The airy violin
- Fairey Queen - Dance for Furies (Fairies)
- Dioclesian - Hornpipe
- Indian Queen - Song Tune: We spirits of the air
- Indian Queen - Aire
- Dioclesian - Preludio
- Dioclesian - Overture
- King Arthur - Song Tune: Round thy coast
- Dioclesian - Canaries
- In vain the am'rous flute
- 'Tis Nature's voice
- Soul of the world
- Fairey Queen - Song Tune: If love's a sweet passion
- Fantasia 4, Z735
- Siciliana (arr. Archibald Martin Henderson)
- Harpsichord Suites no. 1 & 8 in G major, Z. 660 & 669
- Minuet (arr. Archibald Martin Henderson)
- Air (arr. Archibald Martin Henderson)
- Gavotte (arr. Archibald Martin Henderson)
- Dido and Aeneas, "Dido's Lament", Part 2 (Emily Van Evera, Consort of Musicke feat. conductor: Anthony Parrott)
- Dido and Aeneas, "Dido's Lament", Part 1 (Emily Van Evera, Consort of Musicke feat. conductor: Anthony Parrott)
- Dido's Lament (Dido and Aeneas)
- Lost in my quiet
- Here's that will challenge all the Fair
- When the cock begins to crow
- I Spy Celia
- Rondo [Britten's Theme]
- Of old, when heroes thought it base (The Yorkshire Feast Song): 'Sound, trumpets, sound!'
- Of old, when heroes thought it base (The Yorkshire Feast Song): 'The pale and purple rose'
- Come, ye sons of art, away (Ode for the Birthday of Queen Mary II): 'Sound the trumpet, sound'
- Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro
- Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio
- Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona
- Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona
- Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace
- Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave
- Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo
- Sonata in 4 parts in G minor, Z. 807
- Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio
- Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco largo
- Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave
- Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto
- Fantasy upon one note
- Fantasia on a Ground and Two Pavans: I. Fantasia on a Ground
- Fantasia on a Ground and Two Pavans: II. Pavan in B-flat major
- Fantasia on a Ground and Two Pavans: II. Pavan in A major
- Dido & Aeneas: Thy hand, Belinda . . . When I am laid in earth
- Fantasy in nomine á 6
- Fantasy in Nomine á 7
- Rondo from 'Abdelazar'
- Chacony in G Minor (arr Watkinson)
- Dido and Aeneas: "When I Am Laid in Earth"
- Music for a While from Oedipus
- March-Canzona-March for the Funeral of Queen Mary
- Dance for the Chinese Man and Woman from The Fairy Queen
- Minuet from The Double Dealer Champ
- O Let Me Weep from The Fairy Queen
- Fairest Isle from King Arthur
- Curtain Tune from Timon of Athens
- If Love's a Sweet Passion from The Fairy Queen
- One Charming Night from The Fairy Queen
- Ground in D minor from Celebrate This Festival
- Ayre ('Ah, Belinda) from Dido and Aeneas
- Second Music: Rondeau from The Fairy Queen
- Symphony While the Swans Come Forward from The Fair Queen
- Round O from Abdelazar
- Hush No More, Be Silent, All from The Fairy Queen
- Symphony from Now Does the Glorious Day Appear
- The Cebell
- Duk of Gloucester's Birthday Ode: Overture
- Symphony from
- Yorkshire Feast
- Indian Queen: Trumpet Overture
- Oh solitude!
- Incassum, Lesbia, rogas, Z. 383
- Abdelazar - Air
- Trumpet Tune in D Major
- The Indian Queen - Trumpet Tune in C major Z 698
- Abdelazar - Jig Z 686
- The Indian Queen - Canary Z 677
- The Queen's Dolour Z 670
- Jig Z 223
- Timon of Athens - Chaconne Z 680
- The Plaint: O Let Me Weep, for Ever Weep
- Wondrous machine!
- Thou tun'st this world below, the spheres above
- Hail, bright Cecilia!
- Symphony Introduction Canzona Adagio Canzona Adagio Allegro Grave Allegro
- In vain the am'rous flute and soft guitar
- Hail, bright Cecilia, hail to thee!
- The fife, and all the harmony of war
- Hark, hark, each tree its silence breaks
- Sonata in D-major
- Chaconne "Three Parts upon a Ground" in F major
- Chaconne g-moll Z807
- Duk of Gloucester’s Birthday Ode: Overture
- Gentle Shepherds, You That Know (A pastoral elegy upon the death of Mr. John Playford)
- Dido & Aeneas: V. The Witches' Dance in B
- Air On a Ground Bass
- 'Thanks to these lonesome vales'
- Dido and Aeneas: Act II Scene 2 (The Grove)
- Dido and Aeneas: Act III (The Ships)
- Dido and Aeneas: Overture and Act I
- Dido and Aeneas: Act II Scene 1 (The Cave)
- King Arthur: Overture and Allegro
- The Married Beau: March
- Thy word is a lantern
- Chacony, Z628
- What Power Art Thou
- Pavan in G Minor, Z.752
- One Charming Night
- An Evening Hymn, Z 193
- O Solitude, My Sweetest Choice, Z.406
- Music for the Gordian Knot Unty'd
- Strike the Viol, Touch the Lute
- When I Am Laid in Earth (Dido's Lament)
- Music for a While, Z583
- Trumpet Sonata in D major: III. Allegro
- Trumpet Sonata in D major: I. Allegro
- Trumpet Sonata in D major No.2: III. March
- Trumpet Sonata in D major No.2: I. Grave - Allegro
- Trumpet Sonata in D major: II. Adagio
- Trumpet Sonata in D major No.2: II. Adagio
- Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the Trumpet (soprano: Isobel Baillie, piano: Gerald Moore)
- The Indian Queen: "Let us wander not unseen" / King Arthur "The British Worthy": Act II. No. 16 "Shepherd, shepherd, cease decoying" (soprano: Isobel Baillie, piano: Gerald Moore)
- Hark! The Echoing Air
- Nymphs and Shepherds
- I'll Sail Upon the Dog Star
- The Indian Queen: Symphony Act II, Scene 2
- My heart is fixed, O God, Z29
- O Lord, grant the King a long life, Z38
- Great God and just, Z186
- In thee, O Lord, do I put my trust, Z16
- Lord, who can tell how oft he offendeth?, Z26
- I will love thee, O Lord, ZN67
- Plung'd in the confines of despair, Z142
- Magnificat and Nunc dimittis in G minor, Z231: Magnificat
- Magnificat and Nunc dimittis in G minor, Z231: Nunc dimittis
- Bow down thine ear, O Lord, Z11
- O praise the Lord, all ye heathen, Z43
- Hear me, O Lord, the great support, Z133
- They that go down to the sea in ships, Z57
- Benedicite in B-flat, Z230
- Be merciful unto me, Z4
- Blessed is the man that feareth the Lord, Z9
- Who hath believed our report?, Z64
- Full of wrath, his threatening breath, Z185
- Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z198
- Why do the heathen so furiously rage together?, Z65
- Jehova, quam multi sunt hostes, Z135
- Didon et Enée : La mort de Didon
- I Was Glad When They Said Unto Me, Z. 19
- Bright Cecilia: Variations on a Theme by Purcell: Tema
- Bright Cecilia: Variations on a Theme by Purcell: Giocoso
- Bright Cecilia: Variations on a Theme by Purcell: Fantastico
- Bright Cecilia: Variations on a Theme by Purcell: Tema elaborata
- Bright Cecilia: Variations on a Theme by Purcell: Solenne
- Bright Cecilia: Variations on a Theme by Purcell: Finale grande
- Bright Cecilia: Variations on a Theme by Purcell: Scherzando
- Bright Cecilia: Variations on a Theme by Purcell: Sognante
- Suite No.6 in D; III - Hornpipe
- Suite in g; III - Corant
- Suite in g; IV - Saraband
- Suite No.6 in D; I - Prelude
- Suite in g; II - Almand
- Suite in g; I - Prelude
- Suite No.6 in D; II - Almand
- Ground in c
- Ode for the Birthday: "Come, Ye Sons of Art, Come Away"
- Ode for the Birthday: "Bid the Virtues"
- Ode for the Birthday: "The Day That Such a Blessing"
- Ode for the Birthday: Overture
- Music for the Funeral: "Thou Knowest, Lord, the Secrets of Our Hearts"
- Music for the Funeral: "Man That Is Born"
- Music for the Funeral: March
- Ode for the Birthday: "These Are the Sacred Charms"
- Music for the Funeral: "In the Midst of Life"
- Ode for the Birthday: "See, Nature, Rejoicing"
- Ode for the Birthday: "Strike the Viol"
- Ode for the Birthday: "Sound the Trumpet"
- Music for the Funeral: Canzona
- Prophetess (The History of Dioclesian), Act III: Prelude: Chaconne: Two in One Upon a Ground
- Dido and Aeneas - Acte II Scéne 1 Les Arts Florissants
- When I Am Laid in Earth, from Dido and Aeneas
- Suite from Abdelazar: 1. Rondeau
- Suite from Abdelazar: 6. Air
- Suite from Abdelazar: 4. Jig
- Suite from Abdelazar: 3. Minuet
- Suite from Abdelazar: 5. Hornpipe
- Suite from Abdelazar: 2. Air
- Dido & Aeneas: When I Am Laid in Earth (Dido’s Lament)
- O Let Me Weep
- "Trumpet Overture" from The Indian Queen
- Pavane & Chaconne
- Dido and Aeneas: Dido's lament
- Dido and Aeneas: Thy Hand Belinda
- Konzert D-Dur für Trompete und Orgel: II. Adagio
- Konzert D-Dur für Trompete und Orgel: I. Pomposo
- Konzert D-Dur für Trompete und Orgel: III. Allegro ma non troppo
- Dido's Lamento
- Overture to 1683 Ode "From hardy climes"
- By Beauteous Softness Mixed
- Trio Sonata for Two Violins & Basso Continuo no. 11 in F minor, Z 800
- Thy hand, Belinda ... When I am Laid in Earth
- King Arthur: La Mort de Molière
- The Fairy Queen, Act V: The Plaint
- The Fairy Queen, Act III: Dialog: “Now the Maids and the Men”
- Dido And Æneas, Act I: “See, your royal guest appears”/“Cupid only throws.”
- Dido And Æneas, Act II: “Prelude for.”/“Harms our.”/“The Queen”/“Ho,ho,ho”
- The Fairy Queen, Act V: Monkey’s Dance
- Dido And Æneas, Act II: “Behold, upon my bending spear”/“Haste, haste to town”
- The Fairy Queen, Act I: Scene of the Drunken Poet: “Fill up the Bowl”
- Dido And Æneas: “Ruinnd ere”/“Ho,ho,ho”/“But ere.”/“In our deep.”
- Dido And Æneas: “If not for mine”/“Pursue thy conquest, Love”
- Dido And Æneas, Act I: “Ah! Belinda”/“Grief increases”/“When monarchs unite”
- Te Deum Laudamus and Jubilate Deo in D Z232: Jubilate Deo
- Te Deum Laudamus and Jubilate Deo in D Z232: Te Deum Laudamus
- The Fairy Queen, Act V: Hark! The Ech’ing Air
- The Fairy Queen, Act I: Overture
- The Fairy Queen, Act II: No. 17 “Hush, no more”
- Dido And Æneas, Act III: “Thy hand, Belinda”/“When I am laid in earth”
- Dido and Æneas, Act II: “Prelude for.” / “Harms our.” / “The Queen” / “Ho,ho,ho”
- Dido and Æneas, Act II: “Behold, upon my bending spear” / “Haste, haste to town”
- Dido and Æneas, Act I: “Ah! Belinda” / “Grief increases” / “When monarchs unite”
- Dido and Æneas, Act I: “See, your royal guest appears” / “Cupid only throws.”
- Dido and Æneas, Act III: “Thy hand, Belinda” / “When I am laid in earth”
- The Indian Queen, semi-opera, Z. 630, Prologue: No. 4a, "Trumpet tune"
- Te Deum Laudamus and Jubilate Deo in D, Z232: Jubilate Deo
- Te Deum Laudamus and Jubilate Deo in D, Z232: Te Deum Laudamus
- Dido and Æneas: Act II. “Prelude for.” / “Harms our.” / “The Queen” / “Ho,ho,ho”
- King Arthur: ACT III Tis I that have warm'd ye
- Fairlest Isle
- Music for the funeral of queen Mary: Canzona
- King Arthur: ACT III Prelude - What ho! thou genius of this isle
- Come, ye sons of art: Come, ye sons of art
- King Arthur: ACT III Prelude -See we assemble
- A new Scotch tune
- King Arthur: ACT III Hornpipe
- Music for the funeral of queen Mary: Man that is born of a woman
- The fairy queen: The plain: o let me ever, ever weep
- O dive custos Auriacae domus
- Music for the funeral of queen Mary: Thou knowest, Lord, the secrets of our hearts
- Hail brigh Cecilia
- King Arthur: ACT III Sound a parley
- Sonate for Trumpet and strings in D
- Come, ye sons of art: Sound the trumpet
- King Arthur: ACT III What power art thou
- Music for the funeral of queen Mary: In the midst of life we are death
- King Arthur: ACT II Second act tune: Air
- Dido and Aeneas: With Drooping Wings
- Dido and Aeneas: Thy Hand Belinda, When I Am Laid
- Dido and Aeneas-When I am laid in earth
- O God, Thou hast cast us out, Z. 36
- Orchestral Suite from "Dioclesian": VIII. Prelude / Song "Let the soldiers rejoice" / Act tune
- Orchestral Suite from "Dioclesian": VII. Duet "Lost es my quiet"
- Orchestral Suite from "Dioclesian": IX. Chaconne
- Orchestral Suite from "Dioclesian": IV. Prelude / Song "Oh how happy" / Hornpipe
- Orchestral Suite from "Dioclesian": I. Overture
- Orchestral Suite from "Dioclesian": III. Dance of Bacchanals / Trumpet tune
- Orchestral Suite from "Dioclesian": VI. First music
- Orchestral Suite from "Dioclesian": V. Dance of the Furies
- Orchestral Suite from "Dioclesian": X. Second Music / Paspe / Chair dance
- Orchestral Suite from "Dioclesian": II. Dance / Song "If music be the food"
- Sonata VI in C major
- Sonata V in G minor - Chaconne
- Fantasia for viola No.12
- Fantasia for viola No.8
- Tpt Tune and Ayre
- Sefauchi's Farewell in D minor
- Sonata in A minor
- Overture in G minor
- Pavan in A minor
- Pavan in B flat major
- Fantasia (Chaconne): Three Parts on a Ground in D major
- Overture in D minor
- Overture (with Suite) in G major
- Pavan of Four Parts in G minor
- Fantasia a 4 No.7
- Suite in D major
- Ricardo II: Pasticcio (Alfred Deller)
- Fantasia n° 11, Z 742 en sol majeur
- Fantasia n° 14, Z 746 en sol mineur "In Nomine No. 1"
- Fantasia n° 8, Z 739 en ré mineur
- Fantasia n° 7, Z 738 en ut mineur
- Fantasia n° 1, Z 732 en ré mineur
- Fantasia n° 6, Z 737 en fa majeur
- Fantasia n° 13, Z 745 en fa majeur "Upon one note"
- Fantasia n° 5, Z 736 en si bémol majeur
- Fantasia n° 10, Z 741 en mi mineur
- Fantasia n° 3, Z 734 en sol mineur
- Dido and Aeneas, Z. 626: Act III. “But Death, alas! … When I am laid in earth”
- Fantasia n° 2, Z 733 en fa majeur
- Fantasia n°9, Z 740 en la mineur
- Fantasia n° 4, Z 735 en sol mineur
- Fantasia n° 15, Z 747 en sol mineur "In Nomine No. 2"
- Fantasia n° 12, Z 743 en ré mineur
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: With that sublime celestial lay
- Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales"
- Dido and Aeneas, Z.626, Act 2: "Oft she visits"
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Wondrous machine!
- Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear": "Haste, haste to town"
- Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears": "Cupid only throws the dart"
- Dido and Aeneas, Z.626, Act 1: "Ah! Belinda, I am press'd" ... "When monarchs unite, how happy"
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Soul of the world
- Dido and Aeneas, Z.626, Act 3: "With drooping wings"
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: In vain the am'rous flute and soft guitar
- Dido and Aeneas, Z.626, Act 1: The Triumphing Dance
- O sing unto the Lord a new song, Z.44
- Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors"
- Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger"
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hark, hark, each tree its silence breaks
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Tis Nature's voice
- Dido and Aeneas, Z.626, Act 3: The Witches' Dance
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Let these amongst themselves contest
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hail, bright Cecilia, hail to thee!
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: The fife, and all the harmony of war
- "My beloved spake" (Z.28)
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Thou tun'st this world below, the spheres above
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: The airy violin
- Dido and Aeneas, Z.626, Act 2: Prelude for the Witches "Wayward sisters" ... "Ho, ho, ho"
- Dido and Aeneas, Z.626, Act 2: "Stay, Prince"
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Symphony
- Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform"
- Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire"
- Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow": "Banish sorrow, banish care"
- Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight"
- Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies
- Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hail, bright Cecilia!
- Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell"
- Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling"
- Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales"
- Dido and Aeneas, Z.626: Overture
- Dido and Aeneas, Z.626, Act 3: "Thy hand, Belinda...When I am laid in earth"
- Minuetto
- Giga
- "Entrada" from The Indian Queen
- Magnificat
- O Lord, God Of Hosts
- Nunc Dimittis
- Man That Is Born Of A Woman
- Deus Misereatur
- O Go,Thou Hast Cast Us Out
- Cantate Domino
- Benedicite Omnia Opera
- King Arthur, Z. 628: Act III: Third Act Tune: Hornpipe
- King Arthur, Z. 628: Act III: Prelude - See, See, We Assemble
- King Arthur, Z. 628: Act III: 'Tis I That Have Warm'd Ye - 'Tis Love That Has Warm'd Us
- King Arthur, Z. 628: Act II: Second Act Tune: Air
- King Arthur, Z. 628: Act III: (The Frost Scene) Prelude - What Ho! Thou Genius Of This Isle
- Abdelazer. Rondeau
- King Arthur, Z. 628: Act III: Prelude While The Cold Genius Rises - What Power ArtThou
- King Arthur, Z. 628: Act III: Sound A Parley - 'Tis Love That Has Warm'd Us
- Minuet from The Double Dealer
- Come, Come Ye Sons of Art
- Hail, Bright Cecilia: With that sublime celestial lay
- Hail, Bright Cecilia: Let these amongst themselves contest
- Hail, Bright Cecilia: In vain the am'rous flute
- Hail, Bright Cecilia: Thou tun'st this world
- Hail, Bright Cecilia: 'Tis Nature's voice
- Hail, Bright Cecilia: Soul of the world
- Hail, Bright Cecilia: Hail! bright Cecilia
- Hail, Bright Cecilia: The airy violin
- Hail, Bright Cecilia: The fife and all the harmony of war
- Hail, Bright Cecilia: Symphony
- Hail, Bright Cecilia: Hark each tree
- Hail, Bright Cecilia: Wondrous machine!
- Minuet in A minor, Z. 649. No. 1 from A Keyboard Anthology, Third Series, Book 1 or No. 15 from Baroque Keyboard Pieces, Book 1 or No. 10 from English Keyboard Music 1663–1702 (ABRSM Publishing)
- Trio Sonata in F, Z810 "Golden Sonata": II. Adagio
- Sonata No. 6 in G Minor in Three Parts
- Sonata No. 2 in C in Three Parts
- Fantasia No. 4 in G Minor
- Fantasia No. 13 in F "Upon One Note"
- Fantasia No. 7 in C Minor
- Trio Sonata in F, Z810 "Golden Sonata": III. Canzona
- Fantasia No. 8 in D Minor
- Trio Sonata in F, Z810 "Golden Sonata": V. Allegro
- Sonata in Three Parts in G No. 8
- Trio Sonata in F, Z810 "Golden Sonata": IV. Grave
- Trio Sonata in F, Z810 "Golden Sonata": I. Allegro
- Ground in C Minor, Z. T681, from Ye Tuneful Muses
- I attempt from Love's sickness to fly in vain (Zempolla, 3. Akt)
- Ye twice ten hundred deities - by the croaking of the toad (Ismeron, 3. Akt)
- Rejoice in the Lord alway, verse anthem, Z.49
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Britain now thy cares beguile
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Expected spring at last is come
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Symphony: Canzona
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Happy realm beyond expressing
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Kindly treat Maria's Day
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Return fond Muse, the thoughts of war
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): 'Tis sacred, bid the trumpet cease
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): While for a righteous cause he arms
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Departing thus you'll hear him say
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): April who till now has mourn'd
- Sweeter than roses: Ed. Britten
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Crown the altar, deck the shrine
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Let sullen discord smile
- Sonata in D, Z. 850: II. Adagio
- Sonata in G Minor, Z. 780: III. Largo
- The Fairy Queen: Act 2: Dance for the Followers of Night
- Hail! Bright Cecilia
- King Arthur: Act 5: Saint George, the patron of our Isle… Our natives not alone appear (Honour/Chorus)
- Sonata No. 6 in C, Z. 795: II. Canzona
- Sonata No. 3 in A Minor, Z. 804: I. Grave
- Sonata No. 1 in B Minor, Z. 802: I. Adagio — Canzona: Allegro
- Sonata No. 10 in D, Z. 811: IV. Largo
- King Arthur: Act 5: Dialogue: You say, ’tis Love (Soprano/Bass)
- King Arthur: Second Music: Overture (Orchestra)
- Suite in C, Z. 665: Jigg
- The Fairy Queen: Act 4: First Chinese Woman: Hark, how all things (RO)
- King Arthur: Act 4: Two daughters (Sirens)
- A New Irish Tune, Z. 646 ‘Lilliburlero’
- Hail! bright Cecilia, Z. 328: Hail! bright Cecilia, Hail to thee!
- Sonata No. 2 in B flat, Z. 791: II. Largo — Presto
- King Arthur: First Music: Chaconne (Orchestra)
- Suite in C, Z. 665: Prelude
- Overture in G
- In Nomine a6, Z. 746
- Sacred music I: My op’ning eyes are purg’d, Z. D72
- Songs: The Queen’s Epicedium, Z. 383
- Sonata No. 1 in G Minor, Z. 790: III. Adagio — Presto
- Sonata No. 3 in D Minor, Z. 792: III. Poco largo — Allegro
- Sonata No. 3 in A Minor, Z. 804: IV. Allegro
- King Arthur: Act 2: How blest are shepherds (Shepherd/Chorus)
- Chaconne in G Minor, ZT. 680 (from Timon of Athens, Z. 632 No. 20)
- King Arthur: Act 3:’Tis I that have warm’d ye (Cupid/Chorus)
- Hail! bright Cecilia, Z. 328: Soul of the World!
- The Fairy Queen: Act 1: First Act Tune: Jig
- Suite in C, Z. 665: Courant
- King Arthur: Act 4: Passacaglia: How happy the lover… Ritornello: For love evr’y creature… No joys are above…In vain are our graces… Then use the sweet blessing (Tenor/Soprano/Bass/Nymphs/Men/Women/Chorus)
- Suite No. 3 in G, Z. 662: I. Prelude
- March, ZT. 687 in C (from The Married Beau, Z. 603 No. 8)
- Songs: Music for a while (Oedipus, Z. 383 No.2)
- Sonata No. 3 in D Minor, Z. 792: I. (Grave) — Adagio
- Hail! bright Cecilia, Z. 328: My beloved spake Z28
- The Fairy Queen: Act 2: Solo: Come, all ye songsters (AC)
- Sonata No. 11 in F Minor, Z. 800: IV. Largo
- Chacony in G Minor, Z. 730
- Pavan in A, Z. 748
- Fantasia Upon One Note a5, Z. 745
- Te Deum and Jubilate Deo, Z. 232: Te Deum
- Suite No. 7 in D Minor, Z. 668: I. Almand (very slow)
- The Fairy Queen: Act 4: Spring: Thus the ever grateful Spring (CS)
- Sacred music I: Close thine eyes and sleep secure, Z. 184
- Trumpet Tune in C, ZT. 697
- Sonata No. 5 in A Minor, Z. 794: III. Largo
- The Fairy Queen: Act 4: Two Chinese Women and Chorus: Sure the dull God of Marriage (GK/RO)
- Hail! bright Cecilia, Z. 328: In vain the Am’rous Flute and soft Guitar
- Sonata No. 5 in A Minor, Z. 794: I. (Canzona)
- Songs: Songs: Here the Deities approve (Welcome to all the pleasures, Z. 339)
- Dido and Aeneas: Act 1: The Palace: Fear no danger to ensue (Belinda/Woman/Chorus)
- Dido and Aeneas: Act 2: Act 3: Scene 2: Cupids’ Dance (Orchestra)
- The Fairy Queen: Act 4: Winter: Now Winter come slowly (MB)
- Air, ZT. 693 No. 2
- Sonata No. 2 in E-Flat, Z. 803: II. Canzona: Allegro
- Sonata No. 7 in E Minor, Z. 808: IV. Allegro
- King Arthur: Act 5: For folded flocks (Countertenor/Tenor/Bass)
- The Queen’s Dolour, Z. 670
- Works for organ: Voluntary on the Old 100th, Z. 721
- King Arthur: Act 5: Round thy coast (Nereid/Pan/Chorus)
- Suite in G, Z. 770: I. Overture
- Suite No. 8 in F, Z. 669: III. Corant
- Sonata No. 8 in G Minor, Z. 809: IV. Largo
- New Minuet in D Minor, ZT. 689
- Sonata No. 9 in F, Z. 8102: IV. Grave
- Sonata No. 9 in F, Z. 8102: I. Vivace
- Sonata No. 8 in G Minor, Z. 809: V. Vivace
- Sonata No. 11 in F Minor, Z. 800: I. (Adagio)
- Dido and Aeneas: Act 2: Act 3: Scene 2: With drooping wings ye Cupids come (Chorus)
- Sacred music I: Plung’d in the confines of despair, Z. 142
- King Arthur: Act 5: Ye blust’ring brethren (Aeolus)
- Sonata No. 4 in F, Z. 793: I. (Adagio)
- Sonata No. 4 in D Minor, Z. 805: V Largo
- Fantasias for strings: No. 10 a4, Z. 741
- King Arthur: Act 3: Thou doting fool (Cupid)
- Sacred music I: With sick and famish’d eyes, Z. 200
- Suite in G, Z. 770: IV. Air
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 12: Air
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 13: Menuet
- Sonata No. 4 in F, Z. 793: II. Canzona
- The Fairy Queen: Act 2: Sleep and Chorus: Hush, no more, be silent all (MB)
- King Arthur: Act 3: Prelude (Orchestra)
- Air, Z. 676
- The Fairy Queen: Act 3: Dance for the Fairies
- The History of Dioclesian, Z. 627 — excerpts: Second Act Tune
- Sonata No. 2 in E-Flat, Z. 803: I. Adagio
- Sonata No. 9 in F, Z. 8102: II. Adagio
- The History of Dioclesian, Z. 627 — excerpts: The Chair Dance
- Sonata No. 4 in F, Z. 793: IV. Allegro
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 10: Hornpipe
- Dido and Aeneas: Act 2: Act 3: Scene 2: Your counsel all is urg’d in vain (Dido/Belinda/Aeneas/Chorus)
- Hail! bright Cecilia, Z. 328: The Fife and all the Harmony of War
- Sacred music I: Lord, what is man, Z. 192
- Dido and Aeneas: Act 2: Scene 1: The Cave: The Queen of Carthage, whom we hate (Sorceress/Chorus/First and Second Witch)
- King Arthur: Act 3: Great Love, I know thee now (Genius)
- Sonata No. 4 in D Minor, Z. 805: II. Canzona
- The Fairy Queen: Act 1: Scene of the Drunken Poet (MB/GK/RO)
- Dido and Aeneas: Act 1: The Palace: If not for mine, for Empire’s sake (Aeneas/Belinda/Chorus)
- Hail! bright Cecilia, Z. 328:’Tis Nature’s Voice; thro’ all the moving Wood
- Sonata No. 12 in D, Z. 801: I. Adagio
- Sonata No. 9 in C Minor, Z. 798: I. (Adagio)
- King Arthur: Act 1: Come if you dare (Tenor/Chorus)
- Sonata No. 12 in D, Z. 801: IV. Grave — Presto
- Fantasias for strings: No. 6 a4, Z. 737
- Sonata No. 7 in E Minor, Z. 796: I. (Adagio)
- The History of Dioclesian, Z. 627 — excerpts: Still I’m wishing
- Suite in C, Z. 665: Almond
- Sonata No. 6 in C, Z. 795: IV. Allegro
- Dido and Aeneas: Act 1: The Palace: Shake the cloud from off your brow (Belinda/Chorus)
- The Fairy Queen: Act 4: A Chinese Man: Yes, Daphne, in your looks I find (AC)
- Songs: Strike the Viol (from Come, ye sons of art away, Z. 323)
- Suite No. 6 in D, Z. 667: III. (Hornpipe)
- Suite No. 8 in F, Z. 669: I. Prelude
- King Arthur: Act 3: Sound a parley…’Tis Love, ’tis Love that has warm’d us (Cupid/Genius/Chorus)
- The Fairy Queen: Act 4: Summer: Here's the Summer, sprightly, gay (WT)
- Sacred music I: Voluntary in G, Z. 720
- Dido and Aeneas: Act 1: The Palace: Whence could so much virtue spring? (Dido/Belinda/Second Woman)
- King Arthur: Act 1: The lot is cast (Soprano)
- Sonata No. 5 in G Minor, Z. 806: II. Canzona
- Works for organ: Voluntary in D Minor, Z. 718
- King Arthur: Act 2: Come, follow, follow, follow me (Philidel/Sopranos/Alto/Bass/Voices/Chorus)
- Songs: If music be the food of love, Z. 397
- Jig in G Minor, ZT. 686 (from Abdelazer, Z. 570 No. 7)
- Fantasias for strings: No. 13 a4, Z. 744 (incomplete)
- King Arthur: Act 2: Second Act Tune: Air (Orchestra)
- Sonata No. 12 in D, Z. 801: V. Allegro
- Sonata No. 10 in D, Z. 811: III. Grave
- King Arthur: Act 1: The white horse neigh’d aloud…To Woden thanks we render (Tenors/Chorus)
- Sonata No. 7 in E Minor, Z. 808: III. Grave — Canzona
- Dido and Aeneas: Act 1: The Palace: The Triumphing Dance (Orchestra)
- Sacred music I: The earth trembled, Z. 197
- Dido and Aeneas: Act 2: Scene 1: The Cave: But ere we this perform (Witches/Chorus)
- Sonata No. 1 in B Minor, Z. 802: III. Vivace
- The Fairy Queen: Act 3: Symphony while the swans come forward
- Prelude in G Minor (Alternative prelude from Suite No. 2 in G Minor Z. 661 No. 1)
- Suite No. 3 in G, Z. 662: II. Almand
- The History of Dioclesian, Z. 627 — excerpts: Dance of the Furies
- Sonata No. 5 in G Minor, Z. 806: I. Adagio
- Sonata No. 10 in A, Z. 799: III. Grave — Presto
- Sonata No. 5 in G Minor, Z. 806: III. Largo
- Funeral Sentences for the death of Queen Mary II: In the midst of life, Z. 17a
- Hail! bright Cecilia, Z. 328: O Sing unto the Lord
- Instrumental Music: Chaconne in G Minor (Timon of Athens, Z. 632)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Behold! upon my bending spear (Aeneas/Dido/Chorus)
- Overture in G Minor, Z. 772
- Curtain Tune (from Timon of Athens)
- Fantasia: Three Parts upon a Ground, Z. 731
- Sacred music I: Awake, ye dead, the trumpet calls, Z. 182
- King Arthur: Act 5: Your hay it is mow’d (Comus/Chorus)
- The Fairy Queen: Act 4: Hymen: My torch indeed (MB)
- Fantasias for strings: No. 7 a4, Z. 738
- Pavan of four parts in G Minor, Z. 752
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 1: Prelude
- Suite No. 5 in C, Z. 666: I. Prelude
- The Fairy Queen: Act 4: Two Chinese Women and Hymen with Chorus: They shall be as happy (GK/RO/ME)
- The Fairy Queen: Second Music: Air
- Sonata in G Minor, Z. 780: II. Allegro
- King Arthur: Act 1: Woden, first to thee…We have sacrific’d (Bass/Tenor/Chorus)
- The Fairy Queen: Act 3: Solo with Chorus: A thousand, thousand ways (AC)
- Fantasias for strings: No. 8 a4, Z. 739
- The Fairy Queen: Act 3: Solo: Ye gentle spirits of the air (CS)
- Song Tune in C, ZT. 695 (from ‘Sylvia, now your scorn give over’, Z. 420)
- Sonata No. 3 in A Minor, Z. 804: II. Largo
- King Arthur: Act 2: Come, shepherds (Chorus)
- The Fairy Queen: Act 4: The Plaint: O let me ever, ever weep (CS)
- Sonata No. 5 in G Minor, Z. 806: V. Presto — Allegro — Adagio
- Minuet in A Minor, Z. 650
- Sacred music I: Lord, I can suffer thy rebukes, Z. 136
- King Arthur: Act 5: Trumpet Tune (Orchestra)
- The Fairy Queen: First Music: Prelude
- King Arthur: Act 1: I call ye all (Tenor/Chorus)
- Minuet in G, Z. 651
- Lord, how long wilt Thou be angry?, Z. 25
- Suite in G, Z. 770: V. Jigg
- Sonata No. 6 in C, Z. 795: I. (Adagio)
- The Fairy Queen: Act 4: A Chinese Man: Thus the gloomy world (AC)
- King Arthur: Act 1: Brave souls (Chorus)
- Sonata No. 12 in D, Z. 801: II. Canzona
- Dido and Aeneas: Act 1: The Palace: See, your royal guest appears (Belinda/Aeneas/Dido/Chorus)
- Suite in C, Z. 665: Saraband
- Sonata in G Minor, Z. 780: I. Adagio
- Dido and Aeneas: Act 2: Scene 1: The Cave: Echo Dance of Furies (Orchestra)
- Sonata No. 7 in E Minor, Z. 796:. Largo
- Sonata No. 5 in G Minor, Z. 806: IV. Adagio
- Cibell in C, Z. 678
- Sonata No. 11 in F Minor, Z. 800: III. Adagio
- The Fairy Queen: Act 4: Phoebus: When a cruel, long Winter (AC)
- Works for organ: Voluntary in G, Z. 720
- Corant in G, Z. 644
- March in C, Z. 648
- Songs: An Evening Hymn, Z. 193
- The History of Dioclesian, Z. 627 — excerpts: Country Dance in Act V
- March in C, Z. 647
- The History of Dioclesian, Z. 627 — excerpts: Dance
- Fantasias for strings: No. 9 a4, Z. 740
- Sonata No. 10 in D, Z. 811: V. Allegro
- Sonata No. 1 in G Minor, Z. 790: II. Vivace
- The Fairy Queen: Act 1: Overture
- Suite No. 1 in G, Z. 660: IV. (Minuet)
- Sonata No. 3 in A Minor, Z. 804: III. Adagio
- Minuet in A Minor, Z. 649
- Sonata No. 10 in D, Z. 811: II. Canzona: Allegro
- Sonata No. 4 in D Minor, Z. 805: IV. Vivace
- Suite No. 1 in G, Z. 660: II. Almand
- Suite No. 6 in D, Z. 667: II. Almand
- The Fairy Queen: Act 2: Mistery: I am come to lock all fast (RO)
- The Fairy Queen: Act 4: Chaconne: Dance for a Chinese Man and Woman
- The Fairy Queen: Act 3: Dance of the Haymakers
- 20 Keyboard Pieces (ed. Davitt Moroney): Prelude in A (alternative version to Suite No. 4, Z. 663)
- King Arthur: Second Music: Air (Orchestra)
- Dido and Aeneas: Act 1: The Palace: The Baske Dance (Orchestra)
- Sacred music I: In the black, dismal dungeon of despair, Z. 190
- Sonata No. 8 in G, Z. 797: III. Grave — Vivace
- King Arthur: Act 2: Let not a moonborn elf (Grimbald)
- Sonata No. 4 in D Minor, Z. 805: III. Adagio
- The History of Dioclesian, Z. 627 — excerpts: Two in once upon a ground
- King Arthur: Act 5: Symphony (Orchestra)
- Fantasias for strings: No. 11 a4, Z. 742
- Dido and Aeneas: Act 2: Act 3: Scene 2: Thy hand, Belinda…When I am laid in earth (Dido)
- Suite No. 5 in C, Z. 666: IV. Saraband
- Trumpet Tune in C, ZT. 678 (from Cibell)
- Hail! bright Cecilia, Z. 328: The Airy Violin
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 7: Air
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 5: Thus Happy and Free
- Sacred music I: In guilty night, Z. 134
- Air, ZT. 675
- King Arthur: Act 2: Hither, this way (Philidel/Chorus)
- Dido and Aeneas: Act 2: Act 3: Scene 1: The Ships: See the flags and streamers curling (Sorceress/Witches)
- Hail! bright Cecilia, Z. 328: Hark, each Tree its silence breaks
- The Fairy Queen: Act 3: Dance for the Green Man
- King Arthur: Act 3: No part of my dominion (Cupid)
- Dido and Aeneas: Overture (Orchestra)
- Suite No. 3 in G, Z. 662: III. Courante
- The Fairy Queen: Act 4: Entry Dance
- Suite No. 8 in F, Z. 669: IV. Minuet
- Overture in D Minor, Z. 771
- Sonata No. 8 in G Minor, Z. 809: III. Grave
- Almond in D-sol-re#, ZD. 219 No. 1 (Gavotte)
- Pavan in A Minor, Z. 749
- Dido and Aeneas: Act 2: Act 3: Scene 1: The Ships: The Sailors’ Dance (Orchestra)
- Sonata No. 4 in F, Z. 793: III. Poco largo
- Sonata No. 7 in E Minor, Z. 796: V. Vivace
- A New Scotch Tune, Z. 655: ‘Peggy I must love you’
- The Fairy Queen: Act 2: Terzetto: xMay the God of Wit inspire (WT/RM/MB)
- Suite No. 8 in F, Z. 669: II. Almand
- Suite No. 4 in A Minor, Z. 663: III. Corante
- Sonata No. 5 in A Minor, Z. 794: IV. Grave — Canzona
- Prelude in D Minor, Z. 773
- King Arthur: Act 3: What power art thou (Genius)
- The Fairy Queen: Act 4: Two Other Attendants: Let the fife and the clarions (AC/RM)
- Sonata No. 10 in A, Z. 799: II. Largo
- Sonata in D, Z. 850: III. Presto
- The Fairy Queen: Act 2: Secrecy: One charming night (AC)
- Songs: Sweeter than roses (Pausanias, Z. 585 No.1)
- Sonata No. 2 in B flat, Z. 791: I. Adagio
- Sonata No. 2 in B flat, Z. 791: III. Adagio
- Fantasias for strings: No. 4 a4, Z. 735
- The History of Dioclesian, Z. 627 — excerpts: First Act Tune
- Sonata No. 8 in G, Z. 797: I. (Canzona)
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 17: Jig
- Sacred music I: Voluntary in C, Z. 717
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 2: Minuet
- Works for organ: Voluntary in D Minor, Z. 719 (for double organ)
- Dido and Aeneas: Act 2: Act 3: Scene 1: The Ships: Come away, fellow sailors (Sailor/Chorus)
- Fantasias for strings: No. 5 a4, Z. 736
- The Fairy Queen: Act 2: Solo with Chorus: Sing while we trip it (GK)
- King Arthur: Act 4: Fourth Act Tune: Air (Orchestra)
- Suite No. 5 in C, Z. 666: II. Almand
- The Fairy Queen: Act 3: Dialogue between Coridon and Mopsa: Now the Maids and the Men (MB/WT)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Thanks to these lonesome vales (Belinda/Chorus)
- Sonata No. 1 in G Minor, Z. 790: I. (Adagio)
- Fantasias for strings: No. 1 a3, Z. 732
- Sonata in G Minor, Z. 780: IV. Vivace
- Sonata No. 11 in F Minor, Z. 800: II. Canzona
- Sonata No. 8 in G Minor, Z. 809: I. Adagio
- Dido and Aeneas: Act 2: Scene 1: The Cave: Wayward sisters, you that fright (Sorceress/First Witch/Chorus)
- Suite No. 5 in C, Z. 666: III. Corant
- The History of Dioclesian, Z. 627 — excerpts: Butterfly Dance
- The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all
- Funeral Sentences for the death of Queen Mary II: Canzona, Z. 860b
- The Fairy Queen: Act 4: Two Chinese Women: Turn then thine eyes (GK/RO)
- Sonata No. 4 in D Minor, Z. 805: I. Adagio
- Sonata No. 9 in F, Z. 8102: V. Allegro
- Suite No. 1 in G, Z. 660: III. Corant
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 11: Minuet
- Trumpet Tune, ZT. 698 in C (from The Indian Queen, Z. 630 No. 4a)
- Hail! bright Cecilia, Z. 328: With that sublime Celestial Lay
- Sonata No. 7 in E Minor, Z. 796: IV. Grave
- Hail! bright Cecilia, Z. 328: Wond’rous Machine!
- Dido and Aeneas: Act 1: The Palace: Grief increases by concealing (Belinda/Dido/Second Woman/Chorus)
- The Fairy Queen: Act 3: Third Act Tune: Hornpipe
- The Fairy Queen: Act 4: Attendant and Chorus: Now the night is chas'd away (CS)
- The Fairy Queen: Act 2: Night: See, even Night herself is here (CS)
- King Arthur: Act 5: Fairest Isle (Venus)
- Dido and Aeneas: Act 2: Scene 2: The Grove: Ritornelle (Orchestra)
- Suite in G, Z. 770: II. Air
- The Fairy Queen: Act 2: Interlude
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 9: Hornpipe
- Dido and Aeneas: Act 1: The Palace: Ah! Belinda, I am press’d with torment (Dido)
- Hail! bright Cecilia, Z. 328: Thou tun’st this World below, the Spheres above
- Hail! bright Cecilia, Z. 328: Symphony
- The Fairy Queen: Act 4: Symphony
- Dido and Aeneas: Act 2: Scene 2: The Grove: Then since our charms have sped (Sorceress/Chorus)
- Sonata No. 1 in G Minor, Z. 790: IV. Largo
- Fantasias for strings: No. 2 a3, Z. 733
- Borry in D-sol-re#, ZD. 219 No. 2 (Saraband)
- The Fairy Queen: Act 3: A Nymph: When I have often heard (CS)
- Sefauchi’s Farewell, Z. 656
- The Fairy Queen: Act 4: Epithalamium — Juno: Thrice happy lovers (RO)
- Fantasias for strings: No. 3 a3, Z. 734
- Suite in G, Z. 770: III. Borry
- Dido and Aeneas: Act 2: Scene 2: The Grove: Oft she visits this lone mountain (Second Woman)
- Hail! bright Cecilia, Z. 328: Let these amongst themselves contest
- Sonata No. 7 in E Minor, Z. 796: II. Canzona
- King Arthur: Act 2: Hither, this way bend (Chorus)
- Sonata No. 9 in C Minor, Z. 798: III. Canzona — Adagio
- Jig in G Minor, ZD. 223
- Sonata No. 7 in E Minor, Z. 808: II. Largo
- Sacred music I: O, I’m sick of life, Z. 140
- Dido and Aeneas: Act 2: Scene 2: The Grove: Stay, Prince, and hear great Jove’s command! (Spirit/Aeneas)
- Sonata No. 9 in F, Z. 8102: III. Canzona
- Suite No. 6 in D, Z. 667: I. Prelude
- Sonata No. 6 in C, Z. 795: III. Largo
- Funeral Sentences for the death of Queen Mary II: Man that is born of a woman, Z. 27
- The History of Dioclesian, Z. 627 — excerpts: First Music
- The History of Dioclesian, Z. 627 — excerpts: Third Act Tune
- The Fairy Queen: Act 2: Chorus: Now join your warbling voices all
- Suite No. 1 in G, Z. 660: I. Prelude
- Rigadoon in C, Z. 653
- Sonata No. 5 in A Minor, Z. 794: II. Adagio
- The History of Dioclesian, Z. 627 — excerpts: Overture
- The Fairy Queen: Act 2: Echo
- In Nomine a7, Z. 747
- Dido and Aeneas: Act 2: Act 3: Scene 1: The Ships: A Dance (Orchestra)
- Prelude in C (from 20 Keyboard Pieces, ed. Moroney)
- Works for organ: Verse in F, Z.716
- The Staircase Overture in B flat
- Minuet in D Minor, ZT. 688 (from ‘Raise, raise the voice’, Z. 334 No. 6)
- Works for organ: Voluntary in C, Z. 717
- Sonata No. 9 in C Minor, Z. 798: II. Largo
- Dido and Aeneas: Act 2: Act 3: Scene 1: The Ships: Our next motion (Sorceress/Chorus)
- The Fairy Queen: Act 4: Second Chinese Woman and Chorus: Hark, the echoing air (CS)
- The History of Dioclesian, Z. 627 — excerpts: Canaries
- Sonata No. 12 in D, Z. 801: III. Poco largo
- Te Deum and Jubilate Deo, Z. 232: Jubilate Deo
- Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a
- Sonata No. 9 in C Minor, Z. 798: IV. Allegro
- The Fairy Queen: Act 2: Second Act Tune: Air
- Air, ZT. 696 No.2
- The Fairy Queen: Act 1: Duet: Come, let us leave the town (GK/ME)
- The Fairy Queen: Act 4: Entry of Phoebus
- Sonata No. 6 in G Minor (Chaconne), Z. 807: Adagio
- Pavan in B flat, Z. 750
- 20 Keyboard Pieces (ed. Davitt Moroney): No. 3: Air
- Sacred music I: Ground in C, Z. D221
- The Fairy Queen: Act 4: Hymen: See, I obey (MB)
- Funeral Sentences for the death of Queen Mary II: Thou knowest, Lord, Z. 58a
- The Fairy Queen: Act 4: A Chinese Woman and Chorus: Thus happy and free (GK)
- Hail! bright Cecilia, Z. 328: Hail! bright Cecilia, Hail!
- The Fairy Queen: Act 4: Fourth Act Tune: Air
- Sacred music I: O solitude, my sweetest choice, Z. 406
- Sonata No. 10 in A, Z. 799: I. (Adagio)
- Sonata No. 2 in E-Flat, Z. 803: IV. Largo — Allegro
- The Fairy Queen: Act 3: Solo with Chorus: If love’s a sweet passion (RO)
- Sonata No. 8 in G Minor, Z. 809: II. Canzona
- Sonata No. 8 in G, Z. 797: II. Poco largo — Allegro
- Air (from The Indian Queen, Z. 630 No. 1)
- Ground in G, Z. 645
- Sonata No. 1 in B Minor, Z. 802: II. Largo
- The Fairy Queen: Act 4: Monkeys’ Dance
- King Arthur: Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
- The Fairy Queen: Act 4: Autumn: See my many colour'd fields (AC)
- Dido and Aeneas: Act 2: Scene 2: The Grove: The Groves’ Dance (Orchestra)
- A New Ground, ZT. 682 (from ‘Welcome to all the pleasures’ Z339 No. 3)
- Sonata No. 2 in B flat, Z. 791: IV. Allegro
- Sonata No. 2 in E-Flat, Z. 803: III. Adagio
- Fantasias for strings: No. 12 a4, Z. 743
- Song Tune in C, ZT. 694 (from ‘Ah! how pleasant ’tis to love’, Z. 353)
- Sonata No. 3 in D Minor, Z. 792: II. Canzona
- Sonata No. 10 in D, Z. 811: I. Adagio
- King Arthur: Act 3: What ho! (Cupid)
- Sonata in D, Z. 850: I. (Allegro)
- The History of Dioclesian, Z. 627 — excerpts: Dance of the Bacchanals
- King Arthur: Act 3: Third Act Tune: Hornpipe (Orchestra)
- King Arthur: Act 3: See, see, we assemble (Chorus)
- Pavan in G Minor, Z. 751
- Air in G, Z. 641
- The Fairy Queen: Act 4: Prelude
- Sonata No. 7 in E Minor, Z. 808: I. Vivace
- Fantasia IX (23 juin 1680)
- The prophetess, Dance of Furies
- Andante maestoso (from Sonata for Trumpet & Organ)
- Remember me
- A Scots tune
- Musick for a while
- Pavane et Trio
- Hark The Echoing Air - The Fairy Queen
- "Dido's Lament" from "Dido and Aeneas"
- Soft Notes, And Genty Rais'd
- Ground Z.D221
- Dear Pretty Youth
- Amidst The Shades
- A New Ground Z.T682
- Adagio - Allegro - Adagio
- Adagio
- Cease, Anxious World
- Adagio - Allegro
- When First Aminta's Su'd For A Kiss
- Largo - Vivace
- A New Irish Tune Z.646
- A Prince
- Allegro
- Here The Deities
- With Drooping Wings Ye Cupids Come
- Purcell, Henry - Dido & Aeneas - 03. See, Your Royal Guest Appears Cupid Only Throws the Dart If Not for Mine, for Empire's Sake
- Purcell, Henry - Dido & Aeneas - 08. Oft She Visits This Loved Mountain - Behold, Upon My Bending Spear/Haste, Haste to Town
- Purcell, Henry - Dido & Aeneas - 06. In Our Deep Vaulted Cell - Echo Dance of Furies
- Purcell, Henry - Dido & Aeneas - 13. Thy Hand, Belinda/When I Am Laid in Earth
- Purcell, Henry - Dido & Aeneas - 07. Ritornelle - Thanks to These Lovesome Vales
- Purcell, Henry - Dido & Aeneas - 04. The Triumphing Dance
- Purcell, Henry - Dido & Aeneas - 12. Your Counsel All Is Urg'd in Vain - Great Minds Against Themselves Conspire
- Purcell, Henry - Dido & Aeneas - 05. Wayward Sisters/Harm's Our Delight - The Queen of Carthage - Duin'd Ere the Set of Sun
- Purcell, Henry - Dido & Aeneas - 11. See the Flags and Streamers Curling - Our Next Motion - Destruction Our Delight
- Purcell, Henry - Dido & Aeneas - 01. Overture - Shake the Cloud From Off Your Brow
- Purcell, Henry - Dido & Aeneas - 02. Ah! Belinda - Grief Increasing by Concealing/When Monarchs Unite
- Purcell, Henry - Dido & Aeneas - 09. Stay, Prince
- Purcell, Henry - Dido & Aeneas - 10. Come Away, Fellow Sailors - The Sailor's Dance
- King Arthur, Z. 628: What power art thou (Cold Genius)
- Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture)
- The Married Beau, Z 603: Hornpipe on a Ground
- Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Overture)
- Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas Z 626: Dido's Lament)
- Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur Z 628: Allegro from Second Music)
- Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar Z 570: Air)
- Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur Z 628: Fairest Isle)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Behold, upon my bending spear” (Aeneas, Dido)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Thanks to these lonesome vales” (Belinda, Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Harm's our delight and mischief all our skill” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Oft she visits this lov'd moiuntain” (Second Woman)
- Dido and Aeneas, Z 626: Overture
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “But, ere we this perform” (1st & 2nd Witches)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Our next notion must be to storm her lover” (Sorceress)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. Echo Dance of Furies
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Come away, fellow sailors” (Sailor, Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Ah! Belinda, I am preset with torment” (Dido)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. Ritornelle
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Whence could so much virtue spring?” (Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Fear no danger to ensue” (Belinda, 2nd Woman, Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Sailors' Dance
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Cupid only throws the dart” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “When monarchs unite” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “The the hills and the vales” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Grief increases by conceling” (Belinda, Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “See, your royal guest appears” (Belinda, Aeneas, Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “If not for mine, for Empire's sake” (Aeneas)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Witches' Dance
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Pursue they conquest, Love” (Belinda)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “In our deep vaulted cell” (Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “See, see the flags and streamers curling” (Sorceress, 1st & 2nd Witches)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Shake the cloud from off your brow” (Belinda)
- Dido and Aeneas, Z 626: Act III: The Palace. “With drooping wings ye Cupids come” (Chorus)
- Dido and Aeneas, Z 626: Act III: The Palace. “Great minds against themselves conspire” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Wayward sisters” (Sorceress, First Witch)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Destruction's our delight” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. The Triumphing Dance
- Dido and Aeneas, Z 626: Act III: The Palace. “Thy hand, Belinda” (Dido)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Haste, haste to town” (Belinda, Chorus)
- Dido and Aeneas, Z 626: Act III: The Palace. “Your counsel all is urg'd in vain” (Dido, Aeneas, Belinda)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Stay, Prince! And hear great Jove's command” (Spirit, Aeneas)
- Strike the Viol
- Purcell - Chacony En Sol Mineur
- Purcell - Sonate VI
- A Morning Hymn
- Voluntary in G
- Harvest Home
- Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance
- Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies
- Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)
- Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)
- Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)
- Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)
- Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)
- Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Overture
- Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)
- Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)
- Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)
- Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)
- Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance
- Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)
- Trumpet Tune, Ayre and Cibell
- Ground in C Minor, Z. 221
- The Fairy Queen, Act II: “Hush, no more, be silent”
- Timon Of Athens, Z. 632: Curtain Tune on a Ground (Transcr. for Chamber Orchestra)
- Christmas Anthem
- In These Delightful Pleasant Groves