Henry Purcell Songtexte
Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)
Orpheus Britannicus: "So when the glittering Queen of Night"
If Love's a Sweet Passion from The Fairy Queen
One Charming Night
I Attempt from Love's Sickness to Fly
Geboren am 10. September 1659, Gestorben am 21. November 1695
Big Purcell Box (Compilation)
- The Fairy Queen, Z. 629, Suite I: I. Air
- The Fairy Queen, Z. 629, Suite I: II. Rondeau
- The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies
- The Fairy Queen, Z. 629, Suite I: IV. Hornpipe
- The Fairy Queen, Z. 629, Suite I: V. Jig
- The Fairy Queen, Z. 629, Suite II: I. Prelude
- The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance
- The Fairy Queen, Z. 629, Suite II: III. Air
- The Fairy Queen, Z. 629, Suite II: IV. Chaconne
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio)
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise)
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms
- Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing
- The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, in Nomine of 7 Part, Z. 747 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- The Fantasias for Viol, in Nomine of 6 Parts, Z. 746 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
- Rejoice in the Lord Alway (The Bell Anthem), Z. 49
- Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694 (von George Malcolm)
- Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647 (von George Malcolm)
- Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648 (von George Malcolm)
- Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689 (von George Malcolm)
- Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649 (von George Malcolm)
- Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656 (von George Malcolm)
- Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688 (von George Malcolm)
- My Beloved Spake, Z. 28: Symphony
- My Beloved Spake, Z. 28: My Beloved Spake
- My Beloved Spake, Z. 28: For, Lo, the Winter is Past
- My Beloved Spake, Z. 28: the Time of Singing
- My Beloved Spake, Z. 28: and the Voice of the Turtle
- My Beloved Spake, Z. 28: the Fig Tree
- My Beloved Spake, Z. 28: Arise
- My Beloved Spake, Z. 28: My Beloved is Mine
- Harpsichord Suite No. 6 in D Major: I. Prelude (von George Malcolm)
- Harpsichord Suite No. 6 in D Major: II. Allemande (von George Malcolm)
- Harpsichord Suite No. 6 in D Major: III. Hornpipe (von George Malcolm)
- The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns
- The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair
- The Masque in Dioclesian, Z. 627: Come, come away
- The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods
- The Masque in Dioclesian, Z. 627: Paspe (Passepied)
- The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love
- The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame
- The Masque in Dioclesian, Z. 627: Make room for the great God
- The Masque in Dioclesian, Z. 627: I’m here with my jolly crew
- The Masque in Dioclesian, Z. 627: Dance of the Bacchanals
- The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring
- The Masque in Dioclesian, Z. 627: Can Drusilla give me no more?
- The Masque in Dioclesian, Z. 627: Canaries
- The Masque in Dioclesian, Z. 627: Tell me why, my charming fair
- The Masque in Dioclesian, Z. 627: Dance
- The Masque in Dioclesian, Z. 627: All our days and nights
- The Masque in Dioclesian, Z. 627: Dance
- The Masque in Dioclesian, Z. 627: Triumph Victorious Love
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe
- The Masque in Dioclesian, Z. 627: Instrumental Interlude
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance
- 82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune
- The Masque in Dioclesian, Z. 627: Instrumental Interlude
- The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance
- The Masque in Dioclesian, Z. 627: Country Dance
- Chaconne in G Minor, Z. 730
- Fantasia in G minor, Z.735
- Fantasia in B-flat major, Z.736
- Fantasia in F major, Z.737
- Fantasia in C minor, Z.738
- Fantasia on One Note, Z.745
- Fantasia in D minor, Z.739
- Fantasia in a minor, Z.740
- Fantasia in E minor, Z.741
- Fantasia in G major, Z.742
- Fantasia in D minor, Z.743
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture)
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Airy Violin
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): in Vain the Am'rous Flute
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Fife and All the Harmony of War
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest
- Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo)
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love
- Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. in a Consort of Voices
- Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture
- Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau
- Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air
- Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air
- Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet
- Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air
- Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig
- Abdelazer Or the Moor’S Revenge Suite, Z.570: VIII. Hornpipe
- Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air
- The Married Beau, or the Curious Impertinent, Z. 603: I. Overture
- The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe
- The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air
- The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air
- The Married Beau, or the Curious Impertinent, Z. 603: V. Jig
- The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe
- The Married Beau, or the Curious Impertinent, Z. 603: VII. March
- The Married Beau, Or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground
- The Gordian Knot Untied, Z. 597: I. Overture
- The Gordian Knot Untied, Z. 597: II. Air
- The Gordian Knot Untied, Z. 597: III. Rondeau Minuet
- The Gordian Knot Untied, Z. 597: IV. Air
- The Gordian Knot Untied, Z. 597: V. Jig
- The Gordian Knot Untied, Z. 597: VI. Chaconne
- The Gordian Knot Untied, Z. 597: VII. Air
- The Gordian Knot Untied, Z. 597: VIII. Minuet
- The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture
- The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air
- The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe
- The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II
- The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro
- Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731
- Oedipus (1692), Z. 583 “Music for a While”
- I Love and I Must, Z. 382
- The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines
- The Fairy Queen – Epithalalmium “Thrice Happy Lovers”
- “If Music Be the Food of Love", 1st Version, Z 379A
- The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186
- Not All My Torments, Z. 400
- Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184
- King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling"
- Pausanias, Z. 585 “Sweeter than Roses"
- The Fatal Hour Comes on Apace, Z. 421
- Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar”
- The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly"
- Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom”
- Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?"
- The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs"
- Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro
- Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio
- Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro
- Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave
- Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro
- Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato
- Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione
- Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace
- The Faerie Queen, Z. 629: Secrecie’s Song (von Alfred Deller, Gustav Leonhardt & Leonhardt‐Consort)
- The Faerie Queen, Z. 629: Mystery’s Song (von Alfred Deller, Gustav Leonhardt & Leonhardt‐Consort)
- Cantata “If ever I more riches did desire,” Z. 544 – Here let my life (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
- Ode on St. Cecilia’s Day, Z. 339 “Welcome to All the Pleasures” – Here the Deities approve (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
- Dioclesian, Z. 627 – Since from my dear Astrea’s sight (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
- The Faerie Queen, Z. 629: the Plaint (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
- Dido and Aeneas, Z. 626: Overture
- Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
- Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
- Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
- Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
- Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
- Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
- Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
- Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart
- Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
- Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
- Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales
- Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance
- Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
- Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
- Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
- Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate
- Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
- Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
- Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
- Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform
- Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell
- Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
- Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
- Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
- Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain
- Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
- Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
- Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
- Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
- Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
- Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance
- Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
- Dido and Aeneas, Z. 626, Act 3: V. Our next motion
- Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
- Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew
- Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain
- Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
- Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
- Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
- Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come
X5 Free Classical Sample: Purcell 350 Years (Compilation)
- Incidental music to "Abdelazer or the moor's revenge", Z 750: Minuet
- Sonata in D major for flute and continuo
- Music for the Funeral of Queen Mary: March (von Philip Jones Brass Ensemble)
- Anthem, Z 002: Behold, I bring you glad tidings (von Mainzer Kammerorchester)
- Voluntary on the Doxology (Old 100th) (von Musica Antiqua New York)
The Best of Henry Purcell (Compilation)
- The Indian Queen, Z. 630: Trumpet Overture (von Norman Engel, Kevin Mallon, Aradia Ensemble)
- Jubilate Deo in D major
- Dido and Aeneas, Z. 626: Overture (von Scholars Baroque Ensemble)
- Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor) (von Scholars Baroque Ensemble)
- Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance (von Scholars Baroque Ensemble)
- Dido and Aeneas, Z. 626: Act III, Scene II. "When I am laid in earth" (Dido)
- Four-Part Fantazias: VII. Fantazia in C minor, Z. 738 (von Rose Consort of Viols)
- Amphitryon, Z. 572 "The 2 Sosias": A Pastoral Dialogue Betwixt Thyrsis and Iris
- The Fairy Queen, Z. 629: Act IV. Symphony
- Blow up the trumpet in Sion, Z. 10 (von Oxford Camerata, Jeremy Summerly, Laurence Cummings)
- Chacony, Z. 730 (von Aradia Ensemble, Kevin Mallon)
- Music on the Death of Queen Mary: March, Z. 860A
- Music on the Death of Queen Mary: Thou knowest, Lord, the secrets of our hearts, Z. 58B (von Oxford Camerata, Jeremy Summerly, Laurence Cummings)
- Suite No. 2 in G minor, Z. 661: III. Corant (von Terence Charlston)
- Now that the sun hath veiled his light, "An Evening Hymn on a Ground", Z. 193
- The Indian Queen, Z. 630: Trumpet Tune
- Welcome to all the pleasures, "Ode on St. Cecilia's Day", Z. 339 (von Jeni Bern, Susan Bisatt, Choir of the Golden Age, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Orchestra of the Golden Age, Robert Glenton)
Classic FM: Dido's Lament (Compilation)
- Chaconne in G minor, Z. 730 (von Trevor Pinnock, The English Concert)
- Sound, Sound the Trumpet (von Michael Chance, Timothy Wilson, The English Concert, Trevor Pinnock)
- Arise, Ye Subterranean Winds (From the Tempest) (von Hervey Alan, Philomusica of London, Anthony Lewis)
- Rondeau (From Abdelazer) (von Academy of Ancient Music, Christopher Hogwood)
- If the Music Be the Food of Love (From Twelfth Night)
- Air From Abdelazer (von Academy of Ancient Music, Christopher Hogwood)
- Fairest Isle (From King Arthur)
- Hornpipe -- Scotch Tune (From Amphitryon) (von Academy of Ancient Music, Christopher Hogwood)
- Birthday Ode for Queen Mary (von Emma Kirkby, Anthony Rooley)
- Trumpet Tune (From the Indian Queen) (von Peter Hurford, Michael Laird Brass Ensemble)
- O God, Thou Art My God
- Magnificat and Nunc Dimittis in G Minor: Magnificat
- Magnificat and Nunc Dimittis in G Minor: Nunc Dimittis
- Remember Not, Lord, Our Offences
- Funeral Sentences for the Death of Queen Mary
- Symphony From the Fairy Queen (From the Fairy Queen) (von English Baroque Soloists, Sir John Eliot Gardiner)
- Music for a While (From Oedipus) (von James Bowman, Academy of Ancient Music, Christopher Hogwood)
- Sweeter Than Roses (From Pausanias) (von Emma Kirkby, Anthony Rooley)
- Evening Hymn
- Jehova, quam multi sunt hostes mei
- Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)