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Henry Purcell Songtexte
Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas) Orpheus Britannicus: "So when the glittering Queen of Night" If Love's a Sweet Passion from The Fairy Queen One Charming Night I Attempt from Love's Sickness to Fly

Geboren am 10. September 1659, Gestorben am 21. November 1695

Big Purcell Box (Compilation)

Songtexte von Henry Purcell - Big Purcell Box

  1. The Fairy Queen, Z. 629, Suite I: I. Air
  2. The Fairy Queen, Z. 629, Suite I: II. Rondeau
  3. The Fairy Queen, Z. 629, Suite I: III. Dance for the Fairies
  4. The Fairy Queen, Z. 629, Suite I: IV. Hornpipe
  5. The Fairy Queen, Z. 629, Suite I: V. Jig
  6. The Fairy Queen, Z. 629, Suite II: I. Prelude
  7. The Fairy Queen, Z. 629, Suite II: II. Mondey’s Dance
  8. The Fairy Queen, Z. 629, Suite II: III. Air
  9. The Fairy Queen, Z. 629, Suite II: IV. Chaconne
  10. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Symphony (Largo-Allegro-Adagio)
  11. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art
  12. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Sound the Trumpet
  13. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Come Ye Sons of Art (reprise)
  14. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Strike the Viol
  15. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: the Day that Such a Blessing
  16. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: Bid the Virtues
  17. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z, 323: These are the Sacred Charms
  18. Come Ye Sons of Art (Ode on the birthday of Queen Mary, 1694), Z. 323: See Nature Rejoicing
  19. The Fantasias for Viol, Three-Voice Fantasia No. 1, in D Minor, Z. 732 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  20. The Fantasias for Viol, Three-Voice Fantasia No. 2, in F Major, Z. 733 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  21. The Fantasias for Viol, Three-Voice Fantasia No. 3, in G Minor, Z. 734 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  22. The Fantasias for Viol, Four-Voice Fantasia No. 5, in D Minor, Z. 739 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  23. The Fantasias for Viol, Four-Voice Fantasia No. 6, in a Minor, Z. 740 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  24. The Fantasias for Viol, Four-Voice Fantasia No. 1, in G Minor, Z. 735 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  25. The Fantasias for Viol, Four-Voice Fantasia No. 7, in E Minor, Z. 741 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  26. The Fantasias for Viol, Four-Voice Fantasia No. 2, in B-flat Major, Z. 736 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  27. The Fantasias for Viol, Four-Voice Fantasia No. 8, in G Major, Z. 742 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  28. The Fantasias for Viol, Four-Voice Fantasia No. 3, in F Major, Z. 737 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  29. The Fantasias for Viol, Four-Voice Fantasia No. 4, in C Minor, Z. 738 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  30. The Fantasias for Viol, Four-Voice Fantasia No. 9, in D Minor, Z. 743 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  31. The Fantasias for Viol, Fantasia upon One note, 5 Voices in F Major, Z. 744 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  32. The Fantasias for Viol, in Nomine of 7 Part, Z. 747 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  33. The Fantasias for Viol, in Nomine of 6 Parts, Z. 746 (von Concentus Musicus Wien & Nikolaus Harnoncourt)
  34. Rejoice in the Lord Alway (The Bell Anthem), Z. 49
  35. Musick's Handmaid, Lessons 1-6: i. Song Tune in C Major, Z. T694 (von George Malcolm)
  36. Musick's Handmaid, Lessons 1-6: ii. Con Spirito, Z.647 (von George Malcolm)
  37. Musick's Handmaid, Lessons 1-6: iii. March in C Major, Z648 (von George Malcolm)
  38. Musick's Handmaid, Lessons 1-6: iv. New Minuet in D Minor, Z.T689 (von George Malcolm)
  39. Musick's Handmaid, Lessons 1-6: v. Minuet in a Minor, Z.649 (von George Malcolm)
  40. Musick's Handmaid, Lessons 1-6: vi. Minuet in a Minor, Z.650 (von George Malcolm)
  41. Musick's Handmaid, Lessons 7-12: i. a New Scotch Tune in G Major, Z. 655 (von George Malcolm)
  42. Musick's Handmaid, Lessons 7-12: ii. a New Ground in E Minor, Z. T682 (von George Malcolm)
  43. Musick's Handmaid, Lessons 7-12: iii. a New Irish Tune, Z. 646 (von George Malcolm)
  44. Musick's Handmaid, Lessons 7-12: iv. Rigadoon in C Major, Z. 653 (von George Malcolm)
  45. Musick's Handmaid, Lessons 7-12: v. Sefauchi's Farewell in D Minor, Z. 656 (von George Malcolm)
  46. Musick's Handmaid, Lessons 7-12: vi. Minuet in D Minor, Z. T688 (von George Malcolm)
  47. My Beloved Spake, Z. 28: Symphony
  48. My Beloved Spake, Z. 28: My Beloved Spake
  49. My Beloved Spake, Z. 28: For, Lo, the Winter is Past
  50. My Beloved Spake, Z. 28: the Time of Singing
  51. My Beloved Spake, Z. 28: and the Voice of the Turtle
  52. My Beloved Spake, Z. 28: the Fig Tree
  53. My Beloved Spake, Z. 28: Arise
  54. My Beloved Spake, Z. 28: My Beloved is Mine
  55. Harpsichord Suite No. 6 in D Major: I. Prelude (von George Malcolm)
  56. Harpsichord Suite No. 6 in D Major: II. Allemande (von George Malcolm)
  57. Harpsichord Suite No. 6 in D Major: III. Hornpipe (von George Malcolm)
  58. The Masque in Dioclesian, Z. 627: Call the Nymphs and the Fauns
  59. The Masque in Dioclesian, Z. 627: Let the Graces and Pleasures Repair
  60. The Masque in Dioclesian, Z. 627: Come, come away
  61. The Masque in Dioclesian, Z. 627: Behold O mighty’st of gods
  62. The Masque in Dioclesian, Z. 627: Paspe (Passepied)
  63. The Masque in Dioclesian, Z. 627: Oh the Sweet Delights of love
  64. The Masque in Dioclesian, Z. 627: Let monarchs fight for power and fame
  65. The Masque in Dioclesian, Z. 627: Make room for the great God
  66. The Masque in Dioclesian, Z. 627: I’m here with my jolly crew
  67. The Masque in Dioclesian, Z. 627: Dance of the Bacchanals
  68. The Masque in Dioclesian, Z. 627: Still I’m wishing, still desiring
  69. The Masque in Dioclesian, Z. 627: Can Drusilla give me no more?
  70. The Masque in Dioclesian, Z. 627: Canaries
  71. The Masque in Dioclesian, Z. 627: Tell me why, my charming fair
  72. The Masque in Dioclesian, Z. 627: Dance
  73. The Masque in Dioclesian, Z. 627: All our days and nights
  74. The Masque in Dioclesian, Z. 627: Dance
  75. The Masque in Dioclesian, Z. 627: Triumph Victorious Love
  76. The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Music
  77. The Masque in Dioclesian, Z. 627: Incidental Music in the play, First Act Tune or Hornpipe
  78. The Masque in Dioclesian, Z. 627: Instrumental Interlude
  79. The Masque in Dioclesian, Z. 627: Incidental Music in the play, Dance of the Furies
  80. The Masque in Dioclesian, Z. 627: Incidental Music in the play, Second Act Tune
  81. The Masque in Dioclesian, Z. 627: Incidental Music in the play, the Chair Dance
  82. 82 the Masque in Dioclesian, Z. 627: Incidental Music in the play, Third Act Tune
  83. The Masque in Dioclesian, Z. 627: Instrumental Interlude
  84. The Masque in Dioclesian, Z. 627: Incidental Music in the play, Butterfly Dance
  85. The Masque in Dioclesian, Z. 627: Country Dance
  86. Chaconne in G Minor, Z. 730
  87. Fantasia in G minor, Z.735
  88. Fantasia in B-flat major, Z.736
  89. Fantasia in F major, Z.737
  90. Fantasia in C minor, Z.738
  91. Fantasia on One Note, Z.745
  92. Fantasia in D minor, Z.739
  93. Fantasia in a minor, Z.740
  94. Fantasia in E minor, Z.741
  95. Fantasia in G major, Z.742
  96. Fantasia in D minor, Z.743
  97. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Symphony (Overture)
  98. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail Bright Cecilia
  99. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hark, Each Tree
  100. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Tis Nature's Voice
  101. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Soul of the World
  102. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Thou Tun'st This World
  103. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): With That Sublime Celestial Lay
  104. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Wond'rous Machine
  105. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Airy Violin
  106. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): in Vain the Am'rous Flute
  107. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): the Fife and All the Harmony of War
  108. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Let These Among Themselves Contest
  109. Ode for St. Cecilia’s Day: Hail, Bright Cecilia, Z. 328 (1692): Hail! Bright Cecilia
  110. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): I. Symphony, Maestoso-Vivace
  111. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): II. Welcome to All the Pleasures, Z. 339
  112. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): III. Here the Deities Approve
  113. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): IV. While Joys Celestial
  114. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): V. Then Lift Up Your Voices
  115. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VI. Adagio (harpsichord solo)
  116. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VII. Beauty Thou Scene of Love
  117. Welcome to All the Pleasures, Z. 339 (Ode on St Cecilia's Day, 1683): VIII. in a Consort of Voices
  118. Abdelazer or the Moor’s Revenge Suite, Z.570: I. Overture
  119. Abdelazer or the Moor’s Revenge Suite, Z.570: II. Rondeau
  120. Abdelazer or the Moor’s Revenge Suite, Z.570: III. Air
  121. Abdelazer or the Moor’s Revenge Suite, Z.570: IV. Air
  122. Abdelazer or the Moor’s Revenge Suite, Z.570: V. Minuet
  123. Abdelazer or the Moor’s Revenge Suite, Z.570: VI. Air
  124. Abdelazer or the Moor’s Revenge Suite, Z.570: VII. Jig
  125. Abdelazer Or the Moor’S Revenge Suite, Z.570: VIII. Hornpipe
  126. Abdelazer or the Moor’s Revenge Suite, Z.570: IX. Air
  127. The Married Beau, or the Curious Impertinent, Z. 603: I. Overture
  128. The Married Beau, or the Curious Impertinent, Z. 603: II. Hornpipe
  129. The Married Beau, or the Curious Impertinent, Z. 603: III. Slow Air
  130. The Married Beau, or the Curious Impertinent, Z. 603: IV. Trumpet Air
  131. The Married Beau, or the Curious Impertinent, Z. 603: V. Jig
  132. The Married Beau, or the Curious Impertinent, Z. 603: VI. Hornpipe
  133. The Married Beau, or the Curious Impertinent, Z. 603: VII. March
  134. The Married Beau, Or the Curious Impertinent, Z. 603: VIII. Hornpipe on a Ground
  135. The Gordian Knot Untied, Z. 597: I. Overture
  136. The Gordian Knot Untied, Z. 597: II. Air
  137. The Gordian Knot Untied, Z. 597: III. Rondeau Minuet
  138. The Gordian Knot Untied, Z. 597: IV. Air
  139. The Gordian Knot Untied, Z. 597: V. Jig
  140. The Gordian Knot Untied, Z. 597: VI. Chaconne
  141. The Gordian Knot Untied, Z. 597: VII. Air
  142. The Gordian Knot Untied, Z. 597: VIII. Minuet
  143. The Virtuous Wife, or Good Luck at Last, Z. 611: I. Overture
  144. The Virtuous Wife, or Good Luck at Last, Z. 611: II. Slow Air
  145. The Virtuous Wife, or Good Luck at Last, Z. 611: III. Hornpipe
  146. The Virtuous Wife, or Good Luck at Last, Z. 611: IV. Minuets I and II
  147. The Virtuous Wife, or Good Luck at Last, Z. 611: V. Allegro
  148. Fantasia upon a Ground for 3 Violins for Three Violins and Continuo, Z. 731
  149. Oedipus (1692), Z. 583 “Music for a While”
  150. I Love and I Must, Z. 382
  151. The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines
  152. The Fairy Queen – Epithalalmium “Thrice Happy Lovers”
  153. “If Music Be the Food of Love", 1st Version, Z 379A
  154. The Blessed Virgin’s Expostulation “Tell Me, Some Pitying Angel", Z. 186
  155. Not All My Torments, Z. 400
  156. Upon a Quiet Conscience “Close Thine Eyes and Sleep Secure", Z. 184
  157. King Arthur, Z. 628 – Venus’s Song “Fairest Isle, all isles excelling"
  158. Pausanias, Z. 585 “Sweeter than Roses"
  159. The Fatal Hour Comes on Apace, Z. 421
  160. Ode on Queen Mary’s Birthday, Z. 321 “Crown the Altar”
  161. The Indian Queen, Z. 630 “I Attempt from Love's Sickness to Fly"
  162. Bonduca, Z. 574 – Bonduca’s Song: “O Lead Me to Some Peaceful Gloom”
  163. Dioclesian, Z. 627 “What Shall I Do to Show How Much I Love Her?"
  164. The Comical History of Don Quixote, Z. 578 “From Rosy Bowrs"
  165. Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: I. Allegro
  166. Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: II. Adagio
  167. Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: III. Canzona Allegro
  168. Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: IV. Grave
  169. Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810: V. Allegro
  170. Sonata in G Minor for Violin and Continuo, Z. 780: I. Adagio - Moderato
  171. Sonata in G Minor for Violin and Continuo, Z. 780: II. Adagio con espressione
  172. Sonata in G Minor for Violin and Continuo, Z. 780: III. Vivace
  173. The Faerie Queen, Z. 629: Secrecie’s Song (von Alfred Deller, Gustav Leonhardt & Leonhardt‐Consort)
  174. The Faerie Queen, Z. 629: Mystery’s Song (von Alfred Deller, Gustav Leonhardt & Leonhardt‐Consort)
  175. Cantata “If ever I more riches did desire,” Z. 544 – Here let my life (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
  176. Ode on St. Cecilia’s Day, Z. 339 “Welcome to All the Pleasures” – Here the Deities approve (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
  177. Dioclesian, Z. 627 – Since from my dear Astrea’s sight (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
  178. The Faerie Queen, Z. 629: the Plaint (von Alfred Deller, Leonhardt Baroque Ensemble, Gustav Leonhardt)
  179. Dido and Aeneas, Z. 626: Overture
  180. Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow
  181. Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press’d
  182. Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press’d with torment
  183. Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state
  184. Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring
  185. Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue
  186. Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears
  187. Dido and Aeneas, Z. 626, Act 1: VIII. Cupid Only Throws the Dart
  188. Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire’s sake
  189. Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love
  190. Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales
  191. Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance
  192. Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches
  193. Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright
  194. Dido and Aeneas, Z. 626, Act 2: III. Harm’s our delight and mischief all our skill
  195. Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate
  196. Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha
  197. Dido and Aeneas, Z. 626, Act 2: VI. Ruin’d ere we this perform
  198. Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha
  199. Dido and Aeneas, Z. 626, Act 2: VIII. But Ere We This Perform
  200. Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell
  201. Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies
  202. Dido and Aeneas, Z. 626, Act 2: XI. Ritornello
  203. Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales
  204. Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov’D Mountain
  205. Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear
  206. Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town
  207. Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love’s command
  208. Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors
  209. Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors
  210. Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance
  211. Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling
  212. Dido and Aeneas, Z. 626, Act 3: V. Our next motion
  213. Dido and Aeneas, Z. 626, Act 3: VI. Destruction’s our delight
  214. Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew
  215. Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg’D in Vain
  216. Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves
  217. Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me
  218. Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth
  219. Dido and Aeneas, Z. 626, Act 3: XII. With drooping wings ye Cupids come

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Beliebte Songtexte

  1. Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)
  2. Orpheus Britannicus: "So when the glittering Queen of Night"
  3. If Love's a Sweet Passion from The Fairy Queen
  4. One Charming Night
  5. I Attempt from Love's Sickness to Fly
  6. King Arthur: Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
  7. My heart is inditing
  8. King Arthur: Act III: "What Power Art Thou"
  9. Music for a While (From Oedipus)
  10. Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (procession)
  11. Amphitryon, Z. 572 "The 2 Sosias": A Pastoral Dialogue Betwixt Thyrsis and Iris
  12. Dido and Aeneas: Act 2: Scene 2: The Grove: Thanks to these lonesome vales (Belinda/Chorus)
  13. Funeral: "Man that is born"
  14. Hail! Bright Cecilia "Ode on St Cecilia's Day": Symphony Introduction - Canzona & Adagio- Allegro - Grave - Allegro
  15. Incassum Lesbia, incassum rogas, Z. 383

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