Philip Glass Songtexte
Protest from Satyagraha
Akhnaten: Act I, Scene 3. The Window of Appearances
Akhnaten - Hymn to the Sun
Evening Song
Protest (Satyagraha)
Geboren am 31. Januar 1937
Gruppen
Waiting for the Barbarians
- Waiting for the Barbarians: Act 1. Prelude
- Waiting for the Barbarians: Act 1, Scene One. “In fact, we never had a prison”
- Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1
- Waiting for the Barbarians: Act 1, Scene Three. “You sent for me.”
- Waiting for the Barbarians: Act 1, Scene Four. “You’re working late.”
- Waiting for the Barbarians: Act 1, Scene Five. “Normally speaking, we would never approve of torture…”
- Waiting for the Barbarians: Act 1, Scene Six. “Take off your cap”
- Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2
- Waiting for the Barbarians: Act 1, Scene Eight. “Do you like living in the town?”
- Waiting for the Barbarians: Act 1, Scene Nine. “…To demonstrate our strength to the barbarians”
- Waiting for the Barbarians: Act 1, Scene Ten. “Did you have a good evening?”
- Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3
- Waiting for the Barbarians: Act 1, Scene Twelve. “What is it?”
- Waiting for the Barbarians: Act 1, Scene Thirteen. “Can you see them?” (Trip into the Mountains)
- Waiting for the Barbarians: Act 1, Scene Fourteen. “Who gave you permission to desert your post?”
- Waiting for the Barbarians: Act 2, Scene One. “Here, in the dark”
- Waiting for the Barbarians: Act 2, Scene Two. Dreamscape no. 4
- Waiting for the Barbarians: Act 2, Scene Three. “What is going on?”
- Waiting for the Barbarians: Act 2. Prologue to Scene Four
- Waiting for the Barbarians: Act 2, Scene Four. “Perhaps you would be so kind”
- Waiting for the Barbarians: Act 2, Scene Five. “Enemy, barbarian lover!”
- Waiting for the Barbarians: Act 2, Scene Six. “So we’re still feeding you well?”
- Waiting for the Barbarians: Act 2, Scene Seven. Dreamscape no. 5
- Waiting for the Barbarians: Act 2, Scene Eight. “Tell me, what has happened”
- Waiting for the Barbarians: Act 2, Scene Nine. “You don’t have to go”
- Waiting for the Barbarians: Act 2, Scene Ten. “Our town is beautiful”
“Heroes” Symphony: From the Music of David Bowie & Brian Eno
- Heroes (von American Composers Orchestra, Dennis Russell Davies)
- Abdulmajid (von American Composers Orchestra, Dennis Russell Davies)
- Sense of Doubt (von American Composers Orchestra, Dennis Russell Davies)
- Sons of the Silent Age (von American Composers Orchestra, Dennis Russell Davies)
- Neuköln (von American Composers Orchestra, Dennis Russell Davies)
- V2 Schneider (von American Composers Orchestra, Dennis Russell Davies)
Mehr Songtexte
- Mishima / Opening
- November 25: Morning
- 1934: Grandmother & Kimitake
- Temple of the Golden Pavilion ("Like Some Enormous Music")
- 1937: Saint Sebastian
- Kyoko's House ("Stage Blood Is Not Enough")
- November 25: Ichigaya
- 1957: Award Montage
- Runaway Horses ("Poetry Written with a Splash of Blood")
- 1962: Body Building
- November 25: The Last Day
- F-104: Epilogue From Sun and Steel
- Two Pages
- Itaipu: I. Mato Grosso
- Itaipu: II. The Lake
- Itaipu: III. The Dam
- Itaipu: IV. To the Sea
- The Canyon
- The Man in the Bath
- Diaspora
- Company: I
- Company: II
- Company: III
- Company: IV
- Violin Concerto: I
- Violin Concerto: II
- Violin Concerto: III
- Akhnaten: Prelude
- Akhnaten: Act II, Scene 3: Dance
- Glósóli
- Act I, Scene 1
- Act I, Scene 2, Part 1
- Act I, Scene 2: Interlude
- Act I, Scene 2: Conclusion
- Act I, Scene 3
- Act II, Scene 1
- Act II, Scene 2
- Act III, Scene 1
- Act III, Scene 2
- Act III, Scene 3
- Kuru Field of Justice
- Window of Appearances
- Bed
- Web Logo
- Sheba's Longing
- It's Your Choice
- Barbara's House
- Satyagraha - Evening Song
- The Photographer - A Gentleman's Honor (vocal)
- Songs From Liquid Days - Open the Kingdom
- Glassworks - Glasspiece No.1: Rubric
- Symphony No. 2: Movement I
- Symphony No. 2: Movement II
- Symphony No. 2: Movement III
- Interlude from Orphée (Act II, Scene 5)
- Concerto for Saxophone Quartet and Orchestra: Movement I
- Concerto for Saxophone Quartet and Orchestra: Movement II
- Concerto for Saxophone Quartet and Orchestra: Movement III
- Concerto for Saxophone Quartet and Orchestra: Movement IV
- Song I
- Song II
- Song III
- Song IV
- Song V
- Song VI
- Song VII
- Tissue No. 1
- Tissue No. 2
- Tissue No. 6
- Tissue No. 7
- Scene 1: Les Enfants Terribles Overture
- Scene 2: Paul Is Dying
- Scene 3: A Snowball
- Scene 4: Two Halves of the Same Body
- Scene 5: He Didn't Say Goodbye
- Scene 7: She Slapped Me
- Scene 8a: The Lived Their Dream
- Scene 8b: And Then Leave
- Scene 9: Call Me Elisabeth
- Scenes 10-11: Crisscross Pattern
- Scene 11a: Terrible Interlude
- Scene 12: Unaware of its Taboos
- Scene 13: One Wheel Spinning
- Scenes 14a-14b: Cocoon of Shawls
- Scene 15: Lost
- Scene 16: He Wrote His Own Name
- Scene 17: Are You In Love, Agathe?
- Scene 18: From Dargelos
- Scene 19: She Took the Path
- Scene 20: Paul's End
- One+One
- Dracula
- The Crypt
- Carriage without a Driver
- The castle
- The Drawing Room
- "Excellent, Mr Renfield"
- The Three Consorts of Dracula
- The Storm
- In the Theatre
- Lucy's Bitten
- Seward Sanatorium
- Renfield
- In His Cell
- When the Dream Comes
- Dracula Enters
- Or a Wolf
- Women in White
- Renfield in the Drawing Room
- Dr. Van Helsing and Dracula
- Mina on the Terrace
- Mina's Bedroom / The Abbey
- The End of Dracula
- Morning Passages
- "For Your Own Benefit"
- Vanessa and the Changelings
- "I'm Going to Make a Cake"
- "Why Does Someone Have to Die?"
- Choosing Life
- Reting's Eyes
- Deel's Song
- Symphony No. 3, I
- Symphony No. 3, II
- Symphony No. 3, III
- Symphony No. 3, IV
- Symphony No. 2, I
- Symphony No. 2, II
- Symphony No. 2, III
- Glasspieces: Glasspiece #1 ("Rubric")
- Glasspieces: Glasspiece #2 ("Façades")
- Glasspieces: Glasspiece #3 ("Funeral" from Akhnaten)
- Sophie's Ride to the Castle
- Dance IV for Organ
- Dance II for Organ
- Satyagraha
- The Light
- Symphony No. 4, "Heroes": I. Heroes
- Symphony No. 4, "Heroes": II. Abdulmajid
- Symphony No. 4, "Heroes": III. Sense of Doubt
- Symphony No. 4, "Heroes": IV. Sons of the Silent Age
- Symphony No. 4, "Heroes": V. Neukoln
- Symphony No. 4, "Heroes": VI. V2 Schneider
- Act I, Prelude: Refrain, Verse 1 / Verse 2
- Act I, Prelude: Verse 3
- Act I, Scene 1: Funeral of Amenhotep III
- Act I, Scene 2: The Coronation of Akhnaten
- Act I, Scene 3: The Window of Appearances
- Act II, Scene 1: The Temple
- Act II, Scene 2: Akhnaten and Nefertiti
- Act II, Scene 3: The City / Dance (beginning)
- Act II, Scene 3: Dance
- Act II, Scene 4: Hymn
- Act III, Scene 1: The Family
- Act III, Scene 2: Attack and Fall
- Act III, Scene 3: The Ruins
- Act III, Scene 4: Epilogue
- Adam's Theme
- Help Me
- Looking
- Boston Blackie
- Comets and Vegas
- Deception
- The Whole Truth
- Remembering
- Adam's Nightmare
- Miller's Theme
- Hypnotic Time
- Harris' Story
- Randall
- Strange and Abstract
- Lies
- Strange Welcome
- Emily
- [unknown]
- Etude No. 4
- Etude No. 6
- Etude No. 7
- Etude No. 8
- Etude No. 10
- From Iron Horse
- Jahweh and Allah Battle
- To P.O.
- from Crossing Nation
- From Wichta Vortex Sutra
- From Howl, Part II
- From Cabin in the Rockies
- From Nagasaki Days (Numbers in Red Notebook)
- Aunt Rose
- From the Green Automobile
- from N.S.A Dope Calypso
- from Nagasaki Days (Everybody's Fantasy)
- Ayers Rock / Uluru Song and "Throw Out the Yellow Journalists..."
- Father Death Blues (from Don't Grow Old)
- Dam
- Akhaten's Hymn to the Aten
- In the Upper Room Dance VIII
- Dance Number 5
- Gentleman's Honour
- Knee Play 3
- Part 5: Beginning
- Part 5: Conclusion
- Part 6
- Part 7
- Part 8
- Part 9
- Part 10
- Part 11
- Part 12
- Winnie Goes to the Sea
- Low Evil
- Damned If I Don't
- Evil Grade
- Piece in the Shape of a Square
- Gradus
- Music in Contrary Motion
- Orphée Suite: I. The Café
- Orphée Suite: II. Orphée's Bedroom
- Orphée Suite: III. Journey to the Underworld
- Orphée Suite: IV. Orphée and the Princess
- Orphée Suite: V. Return to Orphée's House
- Orphée Suite: VI. Orphée's Return
- Orphée Suite: VII. Orphee's Bedroom
- Trilogy Sonata: III. Dance From Act 2 of Akhnaten
- Epilogue From Monsters of Grace
- Adams' Story
- Harris' Crimes, Part One
- Harris' Testimony
- Harris' Crimes, Part Two
- Harris' Childhood
- A Gentleman's Honor
- The Kuru Field of Justice
- Dance 8
- Act V, The Rome Selection: Prologue
- Act V, The Rome Selection: Scene A
- Act V, The Rome Selection: Scene B
- Act V, The Rome Selection: Scene C
- Victor's Lament
- Ik-Ook
- Symphony No. 3, Movement I
- Symphony No. 3, Movement II
- Symphony No. 3, Movement III
- Symphony No. 3, Movement IV
- Interlude No. 1 from The CIVIL warS
- Mechanical Ballet from The Voyage
- Interlude No. 2 from The CIVIL warS
- Prologue - I Can't Make the Hills
- I Came Down From the Mountains
- Want to Fly
- The Light Came Through the Window
- Puppet Time
- G-d Opened My Eyes
- You Go Your Way
- I Was Doing Something
- Not a Jew
- Babylon
- I Enjoyed the Laughter
- This Morning I Woke Up Again
- I Want to Love You Now
- Don't Have the Proof
- Mother Mother
- You Came to Me This Morning
- I Am Now Able
- Roshi's Very Tired
- Epilogue - Merely a Prayer
- Metamorphosis I
- Metamorphosis II
- Metamorphosis III
- Metamorphosis IV
- Metamorphosis V
- Heroes
- The Photographer
- Building / Train
- Abdulmajid
- Sense of Doubt
- Sons of the Silent Age
- Neuköln
- V2 Schneider
- Symphony for Eight
- Company
- Mishima
- The Secret Agent
- Emigrations
- The Secret Agent Ending
- Attack and Fall
- Subterraneans
- Some Are
- Warszawa
- Dance no. 2
- Act I: A Gentleman's Honor (vocal)
- Act II
- A Gentleman's Honor (instrumental)
- Act III
- Concerto for Cello and Orchestra: I
- Concerto for Cello and Orchestra: II
- Concerto for Cello and Orchestra: III
- Concerto Fantasy for Two Timpanists and Orchestra: I
- Concerto Fantasy for Two Timpanists and Orchestra: II
- Concerto Fantasy for Two Timpanists and Orchestra: Cadenza
- Concerto Fantasy for Two Timpanists and Orchestra: III
- Metamorphosis: One
- Metamorphosis: Two
- Metamorphosis: Four
- Metamorphosis: Five
- Swans Take Flight
- The Bath
- The Gaze, the Scents
- The Battle
- Ballet of the Birds
- The Birth of the Fawn
- The Peacock and the Japanese Cranes
- The Grebe's Race on Water
- The Kangaroos
- From Insects to Whales
- The Happy Couples
- The Orangutans and the Small Ducks
- From Gazelles to Kangaroos
- The Return of the Animals
- The Swans Return / End Title
- Part VI
- Music in Twelve Parts - Part 1
- Music in Twelve Parts - Part 2
- Music in Twelve Parts - Part 3
- Music in Twelve Parts - Part 4
- Music in Twelve Parts - Part 5
- Music in Twelve Parts - Part 6
- Music in Twelve Parts - Part 7
- Music in Twelve Parts - Part 8
- Music in Twelve Parts - Part 9
- Music in Twelve Parts - Part 10
- Music in Twelve Parts - Part 11
- Music in Twelve Parts - Part 12
- Cassandra's Dream
- Howard's Request / In the Apt.
- Cassandra's Dream Finale
- Akhnaten: Act I, i. "Funeral of Amenhotep III"
- Music in Twelve Parts: Part VII
- Music in Twelve Parts: Part VIII
- Music in Twelve Parts: Part IX
- Music in Twelve Parts: Part X
- Einstein on the Beach: Trial 2/Prison: "Prematurely Airconditioned Supermarket" (edited)
- Einstein on the Beach: Bed/Prelude
- Étoile Polaire: Étoile Polaire
- Étoile Polaire: River Run
- Étoile Polaire: Are Years What? (for Marianne Moore)
- Étoile Polaire: Ange des Orages
- Étoile Polaire: Ave
- Étoile Polaire: Montage
- Dressed Like an Egg: Part IV
- Dressed Like an Egg: Part V
- Satyagraha: Act I "Tolstoy", Scene 1: The Kuru Field of Justice
- Satyagraha: Act I "Tolstoy", Scene 2: Tolstoy Farm (1910)
- Satyagraha: Act II "Tagore", Scene 1: Confrontation and Rescue
- Satyagraha: Act II "Tagore", Scene 3: Protest (1908)
- Satyagraha: Act III "King", Scene 1: Newcastle March (1913) - Part 3: Evening Song
- Koyaanisqatsi: Koyaanisqatsi
- Koyaanisqatsi: Organic
- Koyaanisqatsi: Cloudscape
- Koyaanisqatsi: Resource
- Koyaanisqatsi: Vessels
- String Quartet No. 2 "Company": Movement I
- String Quartet No. 2 "Company": Movement II
- String Quartet No. 2 "Company": Movement III
- String Quartet No. 2 "Company": Movement IV
- Étude for Piano No. 2
- Étude for Piano No. 9
- String Quartet No. 5: Movement I
- String Quartet No. 5: Movement II
- String Quartet No. 5: Movement III
- String Quartet No. 5: Movement IV
- String Quartet No. 5: Movement V
- Étude for Piano No. 5
- Étude for Piano No. 3
- String Quartet No. 2 "Buczak": Movement I
- String Quartet No. 2 "Buczak": Movement II
- String Quartet No. 4 "Buczak": Movement III
- The Civil warS: a tree is best measured when it is down, Act V "The Rome Section": Prologue (American Composers Orchestra, feat. conductor: Dennis Russell Davies)
- Hydrogen Jukebox: Song #3: From "Iron Horse" (conductor: Martin Goldray)
- Hydrogen Jukebox : Song #2: "Jaweh and Allah Battle" (conductor: Martin Goldray)
- Hydrogen Jukebox: Song #11: From "The Green Automobile" (conductor: Martin Goldray)
- Hydrogen Jukebox: Song #9: From "Nagasaki Days (Numbers in Red Notebook)" (conductor: Martin Goldray)
- Hydrogen Jukebox: Song #10: "Aunt Rose" (conductor: Martin Goldray)
- Hydrogen Jukebox: Song #6: From "Wichita Vortex Sutra" (conductor: Martin Goldray)
- Symphony No. 5 "Requiem, Bardo, Nirmanakaya": VII. Suffering (edited) (conductor: Dennis Russell Davies)
- Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 1: Funeral of Amenhotep III (Stuttgart State Opera Orchestra and Chorus, feat. conductor: Dennis Russell Davies)
- Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 3: The Window of Appearances (edited) (Stuttgart State Opera Orchestra and Chorus, feat. conductor: Dennis Russell Davies)
- Akhnaten, Act III "Year 17 and the Present - Akhnaten" , Scene 4: Epilogue (Stuttgart State Opera Orchestra and Chorus, feat. conductor: Dennis Russell Davies)
- Symphony No. 3: Movement I (Stuttgart Chamber Orchestra, feat. conductor: Dennis Russell Davies)
- Symphony No. 3: Movement II (Stuttgart Chamber Orchestra, feat. conductor: Dennis Russell Davies)
- Symphony No. 3: Movement III (Stuttgart Chamber Orchestra, feat. conductor: Dennis Russell Davies)
- Symphony No. 3: Movement IV (Stuttgart Chamber Orchestra, feat. conductor: Dennis Russell Davies)
- Symphony No. 8: Movement I (Bruckner Orchester Linz, feat. conductor: Dennis Russell Davies)
- Symphony No. 8: Movement II (Bruckner Orchester Linz, feat. conductor: Dennis Russell Davies)
- Symphony No. 8: Movement III (Bruckner Orchester Linz, feat. conductor: Dennis Russell Davies)
- Mishima: Opening
- Mishima: Closing
- Dracula Epilogue
- String Quartet No. 4 "Buczak": Movement I
- String Quartet No. 4 "Buczak": Movement II
- String Quartet No. 5: III
- Quartet No. 4: I
- Quartet No. 4: II
- Quartet No. 4: III
- Quartet No. 3 "Mishima": I. 1957 - Award Montage
- Quartet No. 3 "Mishima": II. November 25 - Ichigaya
- Quartet No. 3 "Mishima": III. 1934 - Grandmother and Kimitake
- Quartet No. 3 "Mishima": IV. 1962 - Body Building
- Quartet No. 3 "Mishima": V. Blood Oath
- Quartet No. 3 "Mishima": VI. Mishima/Closing
- Quartet No. 2 "Company": I
- Quartet No. 2 "Company": II
- Quartet No. 2 "Company": III
- Quartet No. 2 "Company": IV
- Quartet No. 5: I
- Quartet No. 5: II
- Quartet No. 5: III
- Quartet No. 5: IV
- Quartet No. 5: V
- String Quartet No. 1: Part 2
- String Quartet No. 1: Part 1
- Candyman Suite: Helen's Theme
- Music in Twelve Parts, Part 12
- Music in Twelve Parts, Part 11
- Music in Twelve Parts, Part 10
- Aguas da Amazonia: Paru River
- String Quartet No. 2 "Company": I
- Mina's Bedroom/The Abbey
- Scene Ten: "Did you have a good evening?"
- Scene Two: "Dreamscape No. 4"
- Scene Five: "Normally speaking, we would never approve of torture..."
- String Quartet No. 3 "Mishima": II. November 25: Ichigaya
- String Quartet No. 3 "Mishima": II. November 25-Ichigaya
- String Quartet No. 3 "Mishima": III. 1934: Grandmother and Kimitake
- Prologue to Scene Four
- Selections From Passages: Offering
- String Quartet No. 4 "Buczak": III
- Coleman's Dilemma
- String Quartet No. 3 "Mishima": I. 1957: Award Montage
- Scene One: "Here, In the dark"
- Scene Eight: "Do you like living in the town?"
- Candyman II: Annie's Theme
- String Quartet No. 3 "Mishima": IV. 1962: Body Building
- Akhnaten: Funeral of Amenhotep
- Scene Ten: "Our town is beautiful"
- Scene Two: "Dreamscape No. 1"
- Scene Seven: "Dreamscape No. 5"
- String Quartet No. 5: I
- String Quartet No. 4 "Buczak": I
- Music in Twelve Parts: III
- Music in Twelve Parts: VII
- String Quartet No. 2 "Company": III
- Scene Nine: "...To demonstrate our strength to the barbarians"
- String Quartet No. 5: V
- Aguas da Amazonia: Japurá River
- Music in Twelve Parts: V: Beginning
- Scene Three: "What is going on?"
- Aguas da Amazonia: Negro River
- Aguas da Amazonia: Xingu River
- Scene Fourteen: "Who gave you permission to desert your post?"
- Candyman II: Daniel's Flashback
- String Quartet No. 4 "Buczak": II
- Another Look at Harmony, Part IV: 4. Oscillating and repeated chords - then new melodic line added
- Satyagraha, Act III: Conclusion
- String Quartet No. 3 "Mishima": III. 1934-Grandmother and Kimitake
- Selections From Passages: Channels And Winds
- String Quartet No. 3 "Mishima": VI. Mishima/Closing
- Aguas da Amazonia: Purus River
- Funeral of Amenhotep III (Edited)
- Music in Twelve Parts: V: Conclusion
- Aguas da Amazonia: Tapajós River
- String Quartet No. 5: IV
- Scene Thirteen: "Can you see them? (Trip into the mountains)
- Scene Eight: "Tell me, what has happened"
- Music in Twelve Parts: VI
- Suite
- String Quartet No. 5: II
- String Quartet No. 3 "Mishima": V. Blood Oath
- Satyagraha: Evening Song
- Candyman II: Reverend's Walk
- String Quartet No. 2 "Company": II
- Tirol Concerto for Piano and Orchestra: Movement II
- Music in Twelve Parts: XII
- Scene One: "In fact, we never had a prison"
- String Quartet No. 2 "Company": IV
- Scene Four: "You're working late."
- Music in Twelve Parts: VIII
- Scene Eleven: "Dreamscape No. 3"
- Scene Three: "You sent for me."
- Scene Six: "Take off your cap"
- Tirol Concerto for Piano and Orchestra: Movement I
- Tirol Concerto for Piano and Orchestra: Movement III
- Aria From Act III of Satyagraha
- Music in Twelve Parts: XI
- Scene Seven: "Dreamscape No. 2"
- Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 3: The Window of Appearances (edited) (Stuttgart State Opera Orchestra and Chorus, feat. conductor: Dennis Russell Davies)
- The Photographer: A Gentleman's Honor (vocal)
- Selections From Passages: Meetings Along the Edge
- Coleman's Consequences
- Music in Twelve Parts: I
- Molly Is a Dreamer
- Music in Twelve Parts: X
- String Quartet No. 3 "Mishima": I. 1957-Award Montage
- Aguas da Amazonia: Tiquiê River
- Scene Nine: "You don't have to go"
- Aguas da Amazonia: Amazon River
- Etudes for Solo Piano, Volume I, Nos. 1-10: II. Etude No.2
- Coleman's Theme
- "You're a Reporter!"
- String Quartet No. 3 "Mishima": IV. 1962-Body Building
- Metamorphosis: Metamorphosis I
- Scene Four: "Perhaps you would be so kind"
- Scene Five: "Enemy, Barbarian Lover!"
- Scene Six: "So we're still feeding you well?"
- Aguas da Amazonia: Madeira River
- Music in Twelve Parts: IX
- Land-Grab
- Scene Twelve: "What is it?"
- Music in Twelve Parts: IV
- Music in Twelve Parts: II
- Etudes for Piano, Volume I: Nos. 1-10: Etude No. 2
- Symphony No.8: I.
- Symphony No. 3: Movement IV
- Symphony No. 8: Movement II
- Symphony No. 8: Movement I
- Symphony No. 3: Movement I
- Symphony No. 8: Movement III
- Symphony No. 3: Movement III
- Symphony No. 3: Movement II
- Four Movements for Two Pianos: II.
- Four Movements for Two Pianos: III.
- Symphony No. 7 "Toltec": III. "The Blue Deer"
- Four Movements for Two Pianos: IV.
- Symphony No. 7 "Toltec": II. "The Hikuri" (Sacred Root)
- The Hours: Escape!
- Symphony No. 7 "Toltec": I. "The Corn"
- Four Movements for Two Pianos: I.
- The Hours: Morning Passages
- Scene 6: The Somnambulist
- Melodies for Saxophone: Melody 11 (tenor)
- Melodies for Saxophone: Melody 4 (soprano)
- Melodies for Saxophone: Melody 10 (alto)
- Melodies for Saxophone: Melody 8 (baritone)
- Melodies for Saxophone: Melody 7 (soprano)
- Concerto for Saxophone (Quartet version): IV
- Melodies for Saxophone: Melody 12 (baritone)
- Melodies for Saxophone: Melody 9 (tenor)
- Melodies for Saxophone: Melody 6 (alto)
- Concerto for Saxophone (Quartet version): III
- Melodies for Saxophone: Melody 1 (alto)
- Melodies for Saxophone: Melody 5 (tenor)
- Melodies for Saxophone: Melody 13 (tenor)
- Concerto for Saxophone (Quartet version): II
- The Windcatcher, Part 1
- Melodies for Saxophone: Melody 3 (baritone)
- Concerto for Saxophone (Quartet version): I
- The Windcatcher, Part 3
- Melodies for Saxophone: Melody 2 (soprano)
- The Windcatcher, Part 2
- 600 Lines
- Candyman: Helen's Theme and More
- Overture to La belle et la bete
- A Brief History of Time Selections
- No Reservations Combine
- Naqoyqatsi: Primacy of Number
- Notes on a Scandal: I Knew Her
- Trilogy Sonata: I. Einstein on the Beach: Knee Play No. 4
- Trilogy Sonata: II. Satyagraha: Act III: Conclusion
- Neverwas Set
- Jenipapo: No. 14
- The Illusionist: Finale
- Trilogy Sonata: III. Akhnaten: Act III: Dance
- Anima Mundi
- Echorus
- Satyagraha: Act I, Scene 2: Tolstoy Farm (1910)
- Music in Twelve Parts, Part 7
- VIII - Gryphius 3: Eyes. Optical Paradox
- Glassworks: "Facades"
- Act 3: Martin Luther King, Jr.: New Castle March (1913): b.
- I - Questions 1
- Translations and Credits
- Music in Twelve Parts, Part 3
- Satyagraha: Act III: Newcastle March (1913), Part 1
- Mindwalk
- Satyagraha: Act II, Scene 3: Protest (1908)
- Dance VIII
- Violin Concerto No. 2 "The American Four Seasons": Song No. 3
- Violin Concerto No. 2 "The American Four Seasons": Song No. 1
- Violin Concerto No. 2 "The American Four Seasons": Song No. 2
- Le Passion d'avenant
- Dance
- III - Hypotheses
- VII - Questions 2
- Civil Wars (Köln)
- The Lake
- Act 1: Leo Tolstoy: Tolstoy Farm (1910)
- Dreaming Awake
- Act III, Scene 1: Trial/Prison
- Bed: Prelude
- Compassion in Exile
- [applause] / [outro]
- Knee Play 4
- II - Polyeder
- II - Gryphius 4: To the Stars
- String Quartet No. 3 "Buczak": III
- Music in Twelve Parts, Part 6
- Clouds
- Passages
- Act II, Scene 2: Night Train
- Act 3: Martin Luther King, Jr.: New Castle March (1913): c.
- String Quartet No. 3 "Buczak": II
- Violin Concerto No. 1: I. quarter note = 104 — quarter note = 120
- Act I, Scene 1: Train
- A brief history of time
- Satyagraha: Act III: Newcastle March (1913), Part 2
- Act 1: Leo Tolstoy: On the Kuru Field of Justice
- [introduction (continued)]
- String Quartet No. 3 "Buczak": I
- Trial 2 / Prison: Prematurely Air-Conditioned Supermarket
- Act 2: Rabindranath Tagore: Indian Opinion (1906)
- Pieces for a ballet
- Music With Changing Parts: Part 1
- Music With Changing Parts: Part 3
- Music With Changing Parts: Part 2
- Music With Changing Parts: Part 4
- III - Genesis
- Metamorphosis 4
- Why Does Someone Have to Die
- Pruitt Igoe
- Act III, Scene 2: Dance 2
- Tirol Concerto for Piano & Orchestra: III
- Tse
- IV - Gryphius 1: Upon the Night
- String Quartet No. 1: I
- Tirol Concerto for Piano & Orchestra: I
- Szene 1: Funeral of Amenhotep III
- Violin Concerto No. 1: III. quarter note = ca. 150 — Coda: Poco meno quarter note = 104
- I - On Astrology
- In The Upper Room
- Act 2: Rabindranath Tagore: Confrontation and Rescue (1896)
- String Quartet No. 1: II
- Concerto for Cello and Orchestra No. 1: I
- Music in Twelve Parts, Part 9
- The Abbey
- Knee Play 1
- Violin Concerto No. 2 "The American Four Seasons": I
- Trial 2 / Prison: Ensemble
- Dressed like an egg
- Poet Acts
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": I. "The Corn"
- Music in Twelve Parts, Part 5
- Satyagraha: Act III: Newcastle March (1913), Part 3
- V - Emphemerides
- VI - Gryphius 2
- Knee Play 5
- Dracula: Epilogue
- Escapei
- The Olympian - Lighting of the Torch
- Trial 1: All Men Are Equal
- Bed: Cadenza
- Act II, Scene 1: Dance 1
- Violin Concerto No. 2 "The American Four Seasons": Prologue
- Act 2: Rabindranath Tagore: Protest (1908)
- Microchip
- Act 3: Martin Luther King, Jr.: New Castle March (1913): a.
- Act IV, Scene 2: Bed
- Tirol Concerto for Piano & Orchestra: II
- Metamorphosos five
- String Quartet No. 3 "Mishima": VI. Mishima / Closing
- Belle raconte son histoire
- Violin Concerto No. 2 "The American Four Seasons": III
- V - Physica Coelestis
- Knee Play 2
- Music in Twelve Parts, Part 8
- IV - Gryphius 5: Tears of the Fatherland
- Concerto for Cello and Orchestra No. 1: III
- Hours
- Phaedra
- Comets & vegas (Thin blue line)
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": III. "The Blue Deer"
- Knee Play No.4
- Act I, Scene 2: Trial
- Act IV, Scene 1: Building/Train
- Music in Twelve Parts, Part 4
- Concerto for Cello and Orchestra No. 1: II
- Pruitt Igoe Coda
- Harris (Thin blue line)
- [introduction]
- Act 1: Leo Tolstoy: The Vow (1906)
- Violin Concerto No. 1: II. quarter note = ca. 108
- Trial 1: Entrance
- Strange & abstract (Thin blue line)
- Act IV, Scene 3: Spaceship
- String Quartet No. 3 "Mishima": III. Grandmother and Kimitake
- Bed: Aria
- The Grid Introduction
- Violin Concerto No. 2 "The American Four Seasons": II
- Symphony No. 7 for orchestra and chorus "A Toltec Symphony": II. "The Hikuri (the Sacred Root)"
- Satyagraha: Act I, Scene 3: The Vow (1906)
- Satyagraha: Act II, Scene 2: Indian Opinion (1906)
- Satyagraha: Act I, Scene 1: The Kuru Field of Justice
- Unwelcome Friend
- Satyagraha: Act II, Scene 1: Confrontation and Rescue (1896)
- Violin Concerto No. 2 "The American Four Seasons": IV
- SloMo People
- V-2 Schneider
- Trial 1: Mr. Bojangles
- Trial 2 / Prison: I Feel the Earth Move
- Satyagraha 3. Akt "Conclusion"
- Sonata for Violin and Piano No. 1: II
- Sonata for Violin and Piano No. 1: I
- Sonata for Violin and Piano No. 1: III
- Einstein on the Beach: Act I, Scene I. Train
- Einstein on the Beach: Act IV, Scene II. Bed
- Einstein on the Beach: Act IV, Scene I. Building/Train
- Einstein on the Beach: Act III, Scene I. Trial/Prison
- Einstein on the Beach: Act II, Scene I. Dance 1
- Einstein on the Beach: Act IV, Scene III. Spaceship
- Einstein on the Beach: Act II, Scene II. Night Train
- Einstein on the Beach: Act III, Scene II. Dance 2
- Einstein on the Beach: Act I, Scene II. Trial
- Concerto for Violin and Orchestra: = 104 - = 120
- Violin Concerto: II.
- III. Concerto for Violin and Orchestra
- "Heroes" Symphony: II. "Abdulmajid"
- I "Subterraneans" from "Low" Symphony
- Concerto for Violin and Orchestra
- I. Concerto for Violin and Orchestra
- II. Concerto for Violin and Orchestra
- "Heroes" Symphony: IV. "V2 Schneider"
- Gradus (For Jon Gibson)
- Truman Sleeps (from 'The Truman Show')
- 'Trilogy' Sonata; III Dance, from Aknaten (Scene 3)
- Olympian
- Opening from 'Glassworks'
- 'Trilogy' Sonata; II Satyagraha, Conclusion, Act III
- 'Trilogy' Sonata; I Knee Play No. 4 from Einstein on the Beach
- Opening from 'Glassworks' (arr. Jeroen van Veen)
- Tililadodin
- Metamorphosis: IV. Flowing
- Metamorphosis; I. Moderate
- Metamorphosis: III. Moderately Fast
- Metamorphosis: V. Moderate
- Metamorphosis: II. Flowing
- Floe '87
- Warda's Whorehouse Inside Out Version
- Alight Spiral Ship
- Mad Rush Organ
- Duet
- Violin Concerto no. 2 (Ulster Orchestra feat:. conductor: Takuo Yuasa soloist:: Adele Anthony)
- Ayers Rock / Uluru Song and “Throw Out the Yellow Journalists…”
- Father Death Blues (from Don’t Grow Old)
- From Nagasaki Days (Everybody’s Fantasy)
- Movement IV
- Intensive Times
- Symphony no. 3 (for strings): IV
- Symphony no. 3 (for strings): I
- Suite from "The Hours": III
- Symphony no. 3 (for strings): III
- Suite from "The Hours": II
- Symphony no. 3 (for strings): II
- Suite from "The Hours": I
- Vessel
- Solo Piano: Metamorphosis One
- The Photographer: A Gentleman's Honour
- Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?"
- Waiting for the Barbarians: Act 2, Scene Four. "Perhaps you would be so kind"
- Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap"
- Waiting for the Barbarians: Act 2, Scene One. "Here, in the dark"
- Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains)
- Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians"
- Waiting for the Barbarians: Act 2, Scene Eight. "Tell me, what has happened"
- Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?"
- Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison"
- Waiting for the Barbarians: Act 2, Scene Five. "Enemy, barbarian lover!"
- Waiting for the Barbarians: Act 2, Scene Ten. "Our town is beautiful"
- Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?"
- Waiting for the Barbarians: Act 2, Scene Three. "What is going on?"
- Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?"
- Waiting for the Barbarians: Act 2, Scene Six. "So we're still feeding you well?"
- Waiting for the Barbarians: Act 1, Scene Three. "You sent for me."
- Waiting for the Barbarians: Act 2, Scene Nine. "You don't have to go"
- Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture..."
- Waiting for the Barbarians: Act 1, Scene Four. "You're working late."
- Glasspieces: Glasspiece #1 (“Rubric”)
- Glasspieces: Glasspiece #2 (“Façades”)
- Quartet no. 5: II.
- Quartet no. 4: I.
- Quartet no. 2 "Company": III.
- Quartet no. 4: III.
- Quartet no. 2 "Company": II.
- Quartet no. 5: III.
- Quartet no. 4: II.
- Quartet no. 2 "Company": IV.
- Quartet no. 5: IV.
- Quartet no. 2 "Company": I.
- Quartet no. 5: V.
- Quartet no. 5: I.
- The Juniper Tree: Prologue
- The Juniper Tree: Bird Song
- The Juniper Tree: Act Two: Scene One
- The Juniper Tree: Scene Three
- Theatrical Trailer
- Orphée Suite: IV. Orphée and the Princess (transcribed by Paul Barnes)
- Orphée Suite: VI. Orphée's Return (transcribed by Paul Barnes)
- Orphée Suite: II. Orphée's Bedroom (transcribed by Paul Barnes)
- Epilogue from Monsters of Grace (transcribed by Paul Barnes)
- Orphée Suite: V. Return to Orphée's House (transcribed by Paul Barnes)
- Trilogy Sonata: III. Dance from Act II Scene III of Akhnaten (arranged by Paul Barnes)
- Orphée Suite: VII. Orphée's Bedroom - Reprise (transcribed by Paul Barnes)
- Orphée Suite: III. Journey to the Underworld (transcribed by Paul Barnes)
- Orphée Suite: I. The Cafe (transcribed by Paul Barnes)
- Trilogy Sonata: II. Act III Conclusion from Satyagraha (arranged by Michael Riesman)
- Trilogy Sonata: I. Knee Play no. 4 from Einstein on the Beach (arranged by Philip Glass)
- A Musical Portrait of Chuck Close: II
- A Musical Portrait of Chuck Close: I
- Etude No. 20
- Etude No. 13
- Etude No. 12
- Etude No. 11
- Etude No. 17
- Etude No. 16
- Etude No. 15
- Etude No. 14
- Etude No. 19
- Etude No. 18
- "Low" Symphony, Part 2: Some Are
- In Again Out Again (Philip Glass)
- Symphony no. 1 "Low". 2. Some Are
- Symphony no. 1 "Low": 3. Warszawa
- Symphony no. 1 "Low": 1. Subterraneans
- Symphony No. 1 "Low": I. Subterraneans
- Symphony No. 1 "Low": II. Some Are
- Symphony No. 1 "Low": III. Warszawa
- Satyagraha Conclusion, Act 3
- Orphée Suite: VII. Orphée's Bedroom - Reprise
- Something She Has to Do.
- The Olympian: Lighting of the Torch
- Dreaming of Fiji
- Raising the Sail
- Anthem - Part 2
- Mishima: III.
- Mishima: II.
- Mishima: VI.
- Mishima: I.
- Mishima: IV.
- Mishima: V.
- Concert Overture (2012)
- Glasspiece #1 ("Rubric" from Glassworks)
- In Again Out Again
- The Hours: Why Does Someone Have To Die?
- The Hours: An Unwelcome Friend
- The Truman Show: Truman Sleeps
- Knee Play 4 (from "Einstein on the Beach")
- Etude 5
- Six Etudes for Piano, Original 1994 Version: 2 (q = 108)
- Six Etudes for Piano, Original 1994 Version: 1 (q = 168)
- Six Etudes for Piano, Original 1994 Version: 5 (q = 96)
- Six Etudes for Piano, Original 1994 Version: 6 (q = 176)
- Six Etudes for Piano, Original 1994 Version: 3 (q = 132)
- Six Etudes for Piano, Original 1994 Version: 4 (q = 104)
- Song #7 from Howl, Part II
- Song #1 from Iron Horse
- Song #13 from Nagasaki Days (Everybody’s Fantasy)
- Song #14 Ayers Rock/Uluru Song and “Throw Out the Yellow Journalists…”
- Song #4 To P.O.
- Song #10 Aunt Rose
- Song #8 from Cabin in the Rockies
- Song #6 from Wichta Vortex Sutra
- Song #12 from N.S.A. Dope Calypso
- Song #3 from Iron Horse
- Song #2 Jahweh and Allah Battle
- Song #9 from Nagasaki Days (Numbers in Red Notebook)
- Song #15 Father Death Blues (from Don’t Grow Old)
- Song #11 from The Green Automobile
- Song #5 from Crossing Nation; Over Denver Again; Going to Chicago and To Poe: Over the Planet, Air Albany-Baltimore
- III. Sense of Doubt
- II. Creation of the Cosmos
- VI. Evil and Ignorance
- I. Subterraneans
- V. Neukoln
- IV. Creation of Human Beings
- XII. Dedication of Merit
- IV. Sons of the Silent Age
- II. Abdulmajid
- V. Love and Joy
- VII. Suffering
- III. The Blue Deer
- II. The Hikuri (Sacred Root)
- VI. V2 Schneider
- XI. Paradise
- Movement III (11:59)]
- III. Warszawa
- VIII. Compassion
- I. The Corn
- I. Heroes
- III. Creation of the Sentient Beings
- IX. Death
- I. Before the Creation
- X. Judgment and Apocalypse
- Movement V
- II. Some Are
- Ragas in Minor Scale
- Act III: King Part 1
- Act I: Year 1 of Akhnaten's Reign - Thebes - Scene 3 - The Window of Appearances
- Hymn to the Sun (Akhnaten)
- Act II: Years 5 to 15 - Thebes and Akhetaten - Scene 1 - Temple
- Act III - Year 17 and the Present - Akhetaten - Scene 1: Epilogue
- Act II - Year 5 to 15 - Thebes and Akhetaten - Scene 3: Dance (Conclusion)
- Tolstoy Farm (Satyagraha)
- Concerto for Violin and Orchestr III ♩ = 150
- Itaipu IV. To the Sea
- Sadhanipa
- Akhnaten and Nefertiti (Akhnaten)
- Act II, Scene I - Dance 1 (Field with Spaceship)
- Protest (Satyagraha)
- Act I, Scene II - Trial
- Glasspieces - Glasspiece #3 ("Funeral" From Akhnaten)
- Act I: Tolstoy Scene 1: The Kuru Field of Justice
- Act 4, Scene 3 - Spaceship
- Glasspieces - Glasspiece #2 ("Facades")
- Act 3, Scene 2 - Dance 2 (Field with Spaceship)
- Evening Song (Satyagraha)
- Act II: Years 5 to 15 - Thebes and Akhetaten - Scene 2 - Akhnaten and Nefertiti
- Offering
- Act I: Year 1 of Akhnaten's Reign - Thebes - Prelude - Refrain - Verse 1 - Verse 2
- Act II: Tagore Scene 1: Confrontation and Rescue (1896)
- Glasspieces - Glasspiece #1 ("Rubric")
- Act I: Year 1 of Akhnaten's Reign - Thebes - Scene 2 - The Coronation of Akhnaten
- Prashanti
- Act II, Scene II - Night Train
- Act III - Year 17 and the Present - Akhetaten - Scene 1: The Ruins
- Video Dream (From Powaqqatsi)
- Act III - Year 17 and the Present - Akhetaten - Scene 1: The Family
- Concerto for Violin and Orchestra I ♩ = 104
- In the Upper Room - Dance VIII
- Act III: King Part 3
- Knee Play 5 (Einstein on the Beach)
- Act 4, Scene 2 - Bed
- Act I: "A Gentleman's Honor" (vocal)
- "A Gentleman's Honor"
- Act II - Year 5 to 15 - Thebes and Akhetaten - Scene 3: The City - Dance (Beginning)
- Meetings Along the Edge
- Itaipu II. The Lake
- Liquid Days (Part One)
- Act I: Year 1 of Akhnaten's Reign - Thebes - Scene 1 - Funeral of Amenhotep III
- Bed (Einstein on the Beach)
- Facades (from Glassworks)
- Itaipu III. The Dam
- Act II: Tagore Scene 2: Indian Opinion (1906)
- Act I: Tolstoy Scene 2: Tolstoy Farm (1910)
- Open the Kingdom (Liquid Days, Part Two)
- Act I: Year 1 of Akhnaten's Reign - Thebes - Verse 3
- Epilogue (Akhnaten)
- Act I, Scene I - Train
- Act III: King Part 2
- Concerto for Violin and Orchestr II ♩ = 108
- Kuru Field of Justice (Satyagraha)
- Act II: Tagore Scene 3: Protest (1908)
- Knee Play 1 (Einstein on the Beach)
- The Windcatcher - Part I
- Act 4, Scene 1 - Building
- Itaipu I. Mato Grosso
- Opening (from Glassworks)
- In the Upper Room - Dance I
- Trial - Prison (Einstein on the Beach)
- Melody For [Tenor] Saxophone No. 5
- In the Upper Room - Dance V
- Act I: Tolstoy Scene 3: The Vow (1906)
- Act II - Year 5 to 15 - Thebes and Akhetaten - Scene 4: Hymn
- Act 3, Scene 1 - Trial/Prison
- Window of Appearances (Akhnaten)
- Melody For [Baritone] Saxophone No. 12
- Melody for [Alto] Saxophone No. 10
- Act III - Year 17 and the Present - Akhetaten - Scene 1: Attack and Fall
- Runaway Horses (“Poetry Written with a Splash of Blood”)
- Kyoko’s House (“Stage Blood Is Not Enough”)
- Temple of the Golden Pavilion (“Like Some Enormous Music”)
- Osamu’s Theme: Kyoko’s House
- F‐104: Epilogue From Sun and Steel
- Adam's Story
- Metamorphosis: Metamorphosis 2
- Crossing Nation Introduction
- Einstein on the Beach Introduction
- Music In Similar Motion Introduction
- Wichita Vortex Sutra Introduction
- The Bed Introduction
- from Music With Changing Parts
- Knee Play 5 Introduction
- Anima Mundi, The Witness Introduction
- from Knee Play 5
- Hydrogen Jukebox Introduction
- Music With Changing Parts Introduction
- Part 8 Introduction
- from the Bed
- Music In Twelve Parts Introduction
- Spaceship Interoduction
- from spaceship
- from Music In Similar Motion
- from The Witness
- from Part 8
- The Windcatcher, Part III
- The Windcatcher, Part I
- Melody for Saxophone no. 10
- Melody for Saxophone No. 12
- Melody for Saxophone No. 5
- Video Dream (from the Powaqqatsi soundtrack)
- Mishima Closing
- Mishima Theme
- Violon concerto n°1 - Movement I
- Violon concerto n°1 - Movement II
- Violon concerto n°1 - Movement III
- Satyagraha: Act 3: Martin Luther King, Jr.: New Castle March (1913): a.
- Symphony no. 3: IV
- Satyagraha: Act 3: Martin Luther King, Jr.: New Castle March (1913): b.
- Satyagraha: Act 2: Rabindranath Tagore: Confrontation and Rescue (1896)
- Satyagraha: Act 3: Martin Luther King, Jr.: New Castle March (1913): c.
- Satyagraha: Act 2: Rabindranath Tagore: Indian Opinion (1906)
- Einstein on the Beach: Dance 1
- Satyagraha: Act 2: Rabindranath Tagore: Protest (1908)
- Symphony no. 4 “Heroes”: I. Heroes
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: VII. Suffering
- Symphony no. 8: II
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: V. Love and Joy
- Symphony no. 8: III
- Symphony no. 4 “Heroes”: VI. V2 Schneider
- Symphony no. 8: I
- Einstein on the Beach: Night Train
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: IV. Creation of Human Beings
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: II. Creation of the Cosmos
- Symphony no. 4 “Heroes”: IV. Sons of the Silent Age
- Glassworks: Closing
- Symphony no. 4 “Heroes”: III. Sense of Doubt
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: III. Creation of the Sentient Beings
- Symphony no. 3: I
- Glassworks: Rubric
- Satyagraha: Act 1: Leo Tolstoy: The Vow (1906)
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: XII. Dedication of Merit
- Einstein on the Beach: Bed: Cadenza
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: IX. Death
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: X. Judgment and Apocalypse
- Einstein on the Beach: Trial 2 / Prison: Ensemble
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: I. Before the Creation
- Einstein on the Beach: Trial 1: Entrance
- Symphony no. 3: III
- Einstein on the Beach: Trial 1: Mr. Bojangles
- Symphony no. 4 “Heroes”: V. Neukoln
- Satyagraha: Act 1: Leo Tolstoy: On the Kuru Field of Justice
- Symphony no. 3: II
- Einstein on the Beach: Dance 2
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: XI. Paradise
- Symphony no. 4 “Heroes”: II. Abdulmajid
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: VIII. Compassion
- Satyagraha: Act 1: Leo Tolstoy: Tolstoy Farm (1910)
- Einstein on the Beach: Trial 1: All Men Are Equal
- Einstein on the Beach: Bed: Aria
- Symphony no. 5 “Requiem, Bardo, Nimanakaya”: VI. Evil and Ignorance
- Einstein on the Beach: Trial 2 / Prison: I Feel the Earth Move
- Akhnaten: Act II, Scene III. The City / Dance (Beginning)
- Einstein on the Beach: Act One: Scene 2: Trail
- Akhnaten: Act I, Scene III. The Window of Appearances
- Akhnaten: Act III, Scene IV. Epilogue
- Einstein on the Beach: Act Three: Scene 1: Trail/Prison
- Akhnaten: Act III, Scene III. The Ruins
- Akhnaten: Act II, Scene I. The Temple
- Akhnaten: Act II, Scene IV. Hymn
- Akhnaten: Act I, Scene II. The Coronation of Akhnaten
- Akhnaten: Act II, Scene II. Akhnaten and Nefertiti
- Akhnaten: Act III, Scene I. The Family
- Akhnaten: Act I, Prelude. Refrain, Verse 1, Verse 2
- Akhnaten: Act I, Prelude. Verse 3
- Akhnaten: Act III, Scene II. Attack and Fall
- Akhnaten: Act II, Scene III. The City / Dance (Conclusion)
- Akhnaten: Act I, Scene I. Funeral of Amenhotep III
- Metamophosis Five
- Metamophosis Two
- Glassworks - Rubric
- Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 3: The Window of Appearances (edited)
- Glassworks - Islands
- Metamophosis Four
- Glassworks - Closing
- Metamophosis One
- Metamophosis Three
- Out of the Dark
- Planet of Life
- Elements
- Beginnings
- Into the Air
- On Land
- Out of the Sea
- Metamorphosis II (Arr. for Violin and Piano)
- Excellent Mr Renfield
- Dr Van Helsing and Dracula
- Lucys Bitten
- Minas Bedroom The Abbey
- Akhnaten: Act I: Prelude: Verse 3
- Akhnaten: Act III: Scene 1. The Family
- Akhnaten: Act III: Scene 3. The Ruins
- Akhnaten: Act II: Scene 1. The Temple
- Akhnaten: Act II: Scene 3. The City / Dance (Beginning)
- Akhnaten: Act I: Prelude: Refrain, Verse 1, Verse 2
- Akhnaten: Act I: Scene 2. The Coronation of Akhnaten
- Akhnaten: Act I: Scene 1. Funeral of Amenhotep III
- Akhnaten: Act II: Scene 4. Hymn
- Akhnaten: Act II: Scene 2. Akhnaten and Nefertiti
- Akhnaten: Act III: Scene 4. Epilogue
- Akhnaten: Act III: Scene 2. Attack and Fall
- Akhnaten: Act I: Scene 3. The Window of Appearances
- Akhnaten: Act II: Scene 3. The City / Dance (Conclusion)
- Cue 8, Jake Walks With Helen
- Cue 4a
- Cue 3, Mirror to Bed
- Cue 26, Helen Crawls out of Fire
- Cue 22, Helen on Bridge
- Cue 13, Helen Calls Home
- Cue 4, Going to Cabrini
- Cue 21, Helen Escapes
- Cue 5, Face to Razor
- Cue 25, It Was Always You, Helen
- Cue 20, After murder of Psychiatrist
- Cue 24, With Candyman
- Cue 1, Opening Credits
- Cue 19, Candyman Floating over Bed
- Cue 7, Professor's Story (Some of them wonder)
- Cue 25a, It Was Always You, Helen
- Cue 13, Candyman in the Kitchen
- Cue 27, The Funeral
- Cue 2b, (Piano)
- Cue 6, Anne Marie Tells Story
- Cue 2a, Helen's Tune (Melodic organ)
- Cue 15, Candyman at the End of the Hall
- Cue 2c, (Musicbox)
- Cue 12, First Meeting With Candyman
- Cue 10, Helen Goes Down
- Cue 23, Return to Cabrini
- Cue 17, Helen in Police Car
- Akhnaten: Act I, Prelude: Verse 3
- Akhnaten: Act II, Scene 3. The City – Dance (Beginning)
- Adam's Statement
- The Dam
- Akhnaten And Nefertiti From Akhnaten
- A Gentleman’s Honor
- Video Dream from the Powaqqatsi Soundtrack
- Facades from Glassworks
- The Windcatcher
- Satyagraha, Act I: The Vow
- Satyagraha, Act III: Newcastle March, Part 3
- Satyagraha, Act I: The Kuru Field of Justice
- Satyagraha, Act III: Newcastle March, Part 2
- Satyagraha, Act II: Confrontation and Rescue
- Satyagraha, Act II: Protest
- Satyagraha, Act III: Newcastle March, Part 1
- Satyagraha, Act I: Tolstoy Farm
- Satyagraha, Act II: Indian Opinion
- Piece In The Shape Of A Square (1967)
- Arabesque In Memoriam (1988)
- The Poet Acts (From "The Hours")
- The Poet Acts (from “The Hours”)
- “I’m Going to Make a Cake”
- “Why Does Someone Have to Die?”
- “For Your Own Benefit”
- Love Scene
- Residential Hotel
- Skull Reconstruction
- Car Chase
- Scott’s Flashbacks
- Asher Surprises Agent Scott
- Costa Moving Out
- The End
- Gallery Chase
- Asher Kills Mother
- Martin Reese Childhood
- Adam’s Theme
- Adam’s Nightmare
- Miller’s Theme
- It’s Your Choice (Part I)
- The History (Part I)
- Courage (Part II)
- Betrayal (Part I)
- Sheba & Steven / Good Girl
- Courage (Part I)
- I Knew Her / End Credits
- Betrayal (Part III)
- The History (Part II)
- The Promise (Part I)
- Discovery / Confession
- The Promise (Part II)
- It’s Your Choice (Part II)
- Betrayal (Part II)
- Music in Contrary Motion: Cell 21-22
- Music in Contrary Motion: Cell 23
- Music in Contrary Motion: Cell 1-10
- Music in Contrary Motion: Cell 15-18
- Music in Contrary Motion: Cell 19-20
- Music in Contrary Motion: Cell 11-14
- Facades (From "Glassworks")
- The Olympian: Lighting of the Torch and Closing (Official Music of the 23rd Oympics (1984))
- Concerto for Violin and Orchestra III. Crotchet = 150
- Concerto for Violin and Orchestra II. Crotchet = 108
- Concerto for Violin and Orchestra I. Crotchet = 104
- The Windcatcher Part III
- Dreaming of Fiji (From "The Truman Show")
- Opening (From "Glassworks")
- The Windcatcher, Pt. I
- Video Dream (From "Powaqqatsi")
- Glass: Suite from Les enfants terribles: IV. Paul ’s End
- Glass: Suite from Les enfants terribles: II. The Somnambulist
- Glass: Suite from Les enfants terribles: I. Overture
- Glass: Suite from Les enfants terribles: III. She Took The Path
- The Orchard
