Louis Markos Songtexte
Songtexte
- Heresies and Fallacies — W.K. Wimsatt and Cleanth Brooks
- Origins of Modernism
- Kant's Critique of Judgment
- Paradise Regained — The Space Trilogy I
- Horace's Ars Poetica
- The Legacy of C.S. Lewis
- Nature and Supernature — Miracles and the Problem of Pain
- Mr. Wordsworth's "Preface"
- Varieties of Post-Modernism
- The Function of Criticism — Matthew Arnold and T.S. Eliot
- Burke on the Sublime and Beautiful
- Lewis the Scholar — Apologist for the Past
- Jacques Derrida on Deconstruction
- Dryden, Pope, and Decorum
- Longinus on the Sublime
- Plato — Kicking Out the Poets
- Suffering Unto Wisdom — Till We Have Faces and a Grief Observed
- Coleridge — Transcendental Philosopher
- Sidney's "Apology for Poetry"
- The Beginning and the End — The Chronicles of Narnia III
- Argument by Desire — Surprised by Joy and the Pilgrim's Regress
- Heaven and Hell — The Screwtape Letters and the Great Divorce
- Shelley's Defense of Poetry
- Wordsworth, Coleridge, and British Romanticism
- The Status of Poetry — I.A. Richards and John Crowe Ransom
- Ethics and the Tao — Mere Christianity and the Abolition of Man
- Aristotle's Poetics — Mimesis and Plot
- Archetypal Theory — Saint Paul to Northrop Frye
- Smuggled Theology — The Chronicles of Narnia I
- Aristotle's Poetics — Character and Catharsis
- Structuralism — Ferdinand de Saussure to Michel Foucault
- Journeys of Faith — The Chronicles of Narnia II
- Hegel and the Journey of the Idea
- Schiller on Aesthetics
- Thinking Theoretically
- Temptation, Struggle, and Choice — The Space Trilogy II
