Beverly Sills Songtexte
Anna Bolena: "Cielo a' miei lunghi spasmi" / "Coppia iniqua"
Mignon: "Oui, pour ce soir je suis reine des fées... Je suis Titania la blonde" (Philine)
Zaide / Ruhe sanft, mein holdes Leben
Geboren am 25. Mai 1929, Gestorben am 02. Juli 2007
Beverly Sills and Friends (Compilation)
- Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon) (von Beverly Sills, Philharmonia Orchestra, Julius Rudel)
- Manon : Acte III, Scene 1. Gavotte “Obéissons, quand leur voix appelle” (Manon, Britgny)
- Manon : Acte IV. “Un mot, s’il vous plaît, Chevalier” (Manon, des Grieux, cast) (von Beverly Sills, Nico Castel, Michele Raynaud, Helia T'Hezan, Nicolai Gedda, Patricia Kern, Gérard Souzay, Ambrosian Opera Chorus, John McCarthy, Philharmonia Orchestra, Julius Rudel)
- Lucia di Lammermoor: Atto I. Duetto “Sulla tomba che rinserra” (Edgardo, Lucia)
- Lucia di Lammermoor: Atto II. Scena 2. “Chi mi frena in tal momento?“ / “Chi raffrena il mio furore?“ (Sextet, coro)
- I puritani: Atto I, Scena 2. Duetta “O amato zio“ … “Sai com’arde in petlo mio“ (Elvira, Giorgio)
- I puritani: Atto I, Scena 2. “Chi mosse a’ miei desir il genitor?“
- I puritani: Atto I, Scena 2. “Odi … Qual suon si desta?“
- Anna Bolena: Atto II, Scena 1. “Dio, che mi vedi in core“ (von Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel)
- Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio“ (Anna, Giovanna) (von Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel)
- Anna Bolena: Atto II, Scena 1. “Dal mio cor punita io sono“ (von Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel)
- Anna Bolena: Atto II, Scena 1. “Va, infelice, e teco reca“ (von Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel)
- Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“ (von Beverly Sills, Kenneth MacDonald, Beverly Wolff, Gwynne Howell, Don Garrard, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra, Sir Charles Mackerras)
- Maria Stuarda: Atto II, Scena 3. “Deh! l’accogli!“ … “Morta al mondo, e morta al trono"“ (Leicester, Maria)
- Maria Stuarda: Atto II, Scena 3. “Va, preparati, furente“ (Elisabetta)
- Les Contes d’Hoffmann : Acte III. Barcarolle “Belle nuit, ô nuit d’amour“ (Niklausse, Giulietta) (von Beverly Sills, Susanne Marsee, London Symphony Orchestra, Julius Rudel)
- Les Contes d’Hoffmann : Acte III. Duetto “Cher ange !” (Depertutto. Giulietta) (von Beverly Sills, Norman Treigle, Stuart Burrows, The John Alldis Choir, London Symphony Orchestra, Julius Rudel)
- Les Contes d’Hoffmann : Acte III. “Malheureux, tu ne comprends donc pas” (von Beverly Sills, Norman Treigle, Stuart Burrows, The John Alldis Choir, London Symphony Orchestra, Julius Rudel)
- The Ballad of Baby Doe: Act I, Scene 2 “Willow, where we meet together” (Baby Doe) (von Beverly Sills, New York City Opera Orchestra, Emerson Buckley)
- The Ballad of Baby Doe: Act I, Scene 2. “Oh, Mr. Tabor!” (Baby Doe, Tabor)
- The Ballad of Baby Doe: Act I, Scene 2. “Warm as the autumn light” (Tabor, Baby Doe, Augusta) (von Emerson Buckley, Beverly Sills, Frances Bible, New York City Opera Orchestra, Emerson Buckley)
- Le Toréador : Acte I. ”Ah ! vous dirai-je, maman” (Coraline)
- Der Hirt auf dem Felsen, D 965 (von Beverly Sills, Charles Wadsworth, Gervase de Peyer)
- Meine Seele hort im Schen, HWV 207 (von Beverly Sills, Charles Wadsworth, Paula Robison, Leslie Parnas)
- Artaxerxes: Act III, no 28. Aria “The soldier tir’d of war’s alarms” (von Beverly Sills, Charles Wadsworth, Leslie Parnas, Charles Treger)
- “La rosa” (Cantata)
- The Comedy of Errors: “Lo! Here the gentle lark“
- Der Zarewitsch: Akt I. “Einer wird kommen“ (von Beverly Sills, London Philharmonic Orchestra, Julius Rudel)
Scenes and Arias from French Opera
- Manon: Acte III. "Je marche sur tous les chemins" / Fabilau "Oui, dans les bois et dans le plaine..." (Manon, Chœur)
- Louise: Acte III. "Depuis le jour" (Louise)
- Hamlet: Acte IV. Scène la folie d'Ophélie "A vos jeux, mes amis" / "Partagez-vous mes fleurs !" / "Et maintenent écoutez ma chanson !" (Ophélie, Chœur)
- Mignon: Acte II. "La Philine est vrainment divine" / Polonaise "Je suis Titania" (Philine, Chœur)
- Robert le Diable: Acte IV. Cavatine "Robert, toi que jaime.." (Isabella)
- Les Huguenots: Acte II. "O beau pays de las Touraine" (Marguerite de Valois, Chœur)
Sillsiana (Compilation)
- Artaxerxes, opera in 3 acts: The Soldier's tir'd of war's alarms (von Beverly Sills, Charles Wadsworth, Leslie Parnas, Charles Treger)
- Semele, oratorio, HWV 58: Act 1. Accompagnato: Ah me! What refuge now is left me?
- Semele, oratorio, HWV 58: Act 1. Air and Chorus: Endless pleasure, endless love
- Semele, oratorio, HWV 58: Act 2. Air: O sleep, why dost thou leave me?
- Semele, oratorio, HWV 58: Act 2. Air: With fond desiring
- Semele, oratorio, HWV 58: Act 2. Duetto: Prepare then, ye immortal choir
- Semele, oratorio, HWV 58: Act 3. Recitative: O ecstasy of happiness / Air: Myself I shall adore
- Semele, oratorio, HWV 58: Act 3. Air: thus let my thanks de paid
- Semele, oratorio, HWV 58: Act 3. Air: I ever am granting, you always complain
- Semele, oratorio, HWV 58: Act 3. Air: No, no! I'll take no less
- Semele, oratorio, HWV 58: Act 3. Ah me! Too late I now repeat
- Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 1. Ach ach leibte, war so glücklich
- Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 2. Traurigkeit ward mir zum Lose
- Die Zauberflöte (The Magic Flute), opera, K. 620: Act 1. O zittere nicht, mein lieber Sohn!
- Il barbiere di Siviglia (The Barber of Seville), opera: Act 1. Una voce poco va
- L'elisir d'amore, opera: Act 2. Prendi, per me sei libero
- Ernani, opera: Act 1. Ernani, Ernani involami
- Dinorah (Le pardon de Ploërmel), comic opera in 3 acts: Act 2. Ombre légère
- Roméo et Juliette, opera: Act 1. Je veux vivre dans le rêve
- Lucrezia Borgia, opera: Prologue: Tranquilli ei posa... Com'a bello!... Si voli il primo a cogliere bacio d'un santo amore
- Lucrezia Borgia, opera: Prologue: Ciel! Che vegg'io?... Di pescatore ignobile
- Lucrezia Borgia, opera: Act 1. Cosi turbata?... Soli noi siamo
- Lucrezia Borgia, opera: Act 1. Ah, non mudia di spada!... Della Duchessa ai prieghi
- Lucrezia Borgia, opera: Act 2. Presso Lucrezia Borgia... M'odi... ah! m'odi
- Sillsiana, for voice & piano
The Art of Beverly Sills (Compilation)
- Les Vépres siciliennes: Acte I. "Merci jeunes amies" (Héléne)
- Manon: Acte III. "Je marche sur tous les chemins" / "Obéissons quand leur voix appelle" (Manon) (von John McCarthy, Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel)
- Les Contes d'Hoffmann: Acte II. "Les Oiseaux dans la charmille" (Olympia, les invités..)
- Robert le Diable: Acte IV. "Robert toi que j'aime" (Isabelle)
- Zaïde: Akt I. "Ruhe sanft, mein holdes Leben" (Zaïde)
- Breit über mein Haupt dein schwarzes Haar, op. 19 no. 2
- Der Opernball: Akt II. "Im Chambre séparée" (von Beverly Sills, London Philharmonic Orchestra, Julius Rudel)
- Ernani: Atto I. "Sorta e la notte" (Elvira) / "Ernani involami" (Elvira)
- I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo) / "Ah! non poss'io partire" (Giulietta, Capellio, Lorenzo)
- Don Pasquale: Atto I. "Quel guardo il cavaliere" / "So anch'io la virtu magica" (Norina)
- Il barbiere di Siviglia: Atto I. "Una voce poco fa" (Rosina) (von Beverly Sills, London Symphony Orchestra, James Levine)
