Jeremy Siepmann Songtexte
Geboren am 16. Januar 1942, Gestorben am 06. April 2016
Songtexte
- Mozart as Eternal Child
- Goldberg Variations and Anna Magdalena's Notebook
- Dashed Hopes of Escape
- Frustrations Intensify
- Sexual Awakening
- Death, Deception, and Grief
- Fired by the Archbishop, Mozart seeks his fortune elsewhere
- A Miracle Exported
- Bach's Efforts to Leave Leipzig
- New Beginnings: Bach Remarries and His Family Grows
- Beethoven as a pianist
- Destiny versus Popularity
- A Prodigy at Home
- Bach the Husband and Father
- Beethoven's Vienna
- Bach in Weimar (And in Jail)
- Bach's Duties at Lepzig
- An Unexpected Triumph
- Father, Father-figure, and Friendship
- A Dream Come True
- The Ernesti Affair
- Mozart, Love, and Filial Obedience
- Bach and the Organ
- Bach in Trouble
- Bach Leaves Weimar
- Adolf Scheibe's Scathing Views on Bach
- Hammerklavier Sonata, op. 106 (exc.)
- Domestic Happiness and the Move to Leipzig
- Symphony No. 7 in A (finale)
- Trio in C Minor, op. 1 no. 1 (finale)
- Childhood and Youth
- Prodigy and the Child: At Home and Abroad
- Prague, Figaro and Celebrity
- Leopold and the Eternal Child
- To Paris Under Protest
- Bach's Frustration at Leipzig
- Despair and Recovery
- The Great Keyboard Works on Educational Agenda
- A Letter to the King
- Decline, Death and Immortality
- Bach Takes Up the Poet's Pen
- Italian Investments
- Sonata in C, op. 2 No. 3 (finale)
- Reunion, Parenthood, Grief, and Resilience
- Appassionata Sonata (finale)
- Bach's Visit to Frederick the Great
- Bach at Cothen
- German Dance, WoO 8, No. 4
- Bach and Opera
- Bach the Younger Composer
- The Composer Comes of Age
- Don Giovanni, Death, and Desolation
- Beethoven as Pianist
- From Grief to Joy Through Faith
- Piano Concerto No. 2 in B flat (finale)
- The Onset of Deafness
- Recrimination and Capitulation
- Sextet in E flat, op. 81b (first movement)
- Bach and the Brandenburgs
- Family Background and Early Years
- Genius in Adversity
- The Genius Emerges Fully Fledged
- Beethoven as Friend, Pupil and Artist
- Decline and Death
- Salzburg's Ambassadors
- Love, Marriage... and Leopold
- The King of Poland's Jubilee
- On the Cadge
- Liberation in Vienna
- The Grand Tour
- Bach the Teacher
- The Twilight Years
- A Miraculous Outpouring
- Seventh Symphony, first movement (exc.)
- Pastoral symphony (exc.)
- Beethoven and Fate
- His attitudes to Publication
- Beethoven and Heroism
- Battle Symphone (exc.)
- Beethoven 'kidnaps' Karl
- Violin Sonata in G, op. 96, first movement
- Archduke Trio
- A Winning Streak
- Serioso Quartet, op. 95. first movement
- Beethoven in Love
- Beethoven, Goethe and Self-pity
- Beethoven's Manner & Appearance
- Coriolan Overture
- Beethoven as Conductor
- String Quartet in B flat, Op. 130 ('Cavatina')
- Beethoven the Performer
- Eroica Symphony, finale (exc.)
- Beethoven the Revolutionary
- The Crest of the Wave
- Fifth Symphony, first movement (complete)
- Beethoven and Friendship
- Prisoner's Chorus from Fidelio
- Razumovsky Quartet No. 1 pp.59 no. 1, Adagio (exc.)
- Emperor Concerto, finale (complete)
- Beethoven's Death
- Sonata Pathétique, op. 13 (Exc.)
- Septet in B flat (Scherzo)
- His Final Works
- Beethoven and Women
- Piano Sonata in C-Sharp Minor, op. 27, no. 2 (exc.)
- Fifth Symphony, finale (exc.)
- Beethoven in Crisis: the Heiligenstadt Testament
- Piano sonata No. 32, Op. 111
- Beethoven and Unrequited Love
- Beethoven as a ' parent '
- Beethoven and the Transcendence of Suffering
- Beethoven on his Method of Composing
- The Immortal Beloved
- Beethoven and Suffering
- Eroica Symphony: Funeral March (exc.)
- Music 6: Ninth Symphony (exc.)
- Symphony no. 2 in D, finale (exc.)
- To the Brink of Suicide-and beyond
- Ninth symphony (Scherzo) (exc.)
- Violin Concerto in D, op. 61, First movement (exc.)
