Paul Wee Songtexte
Songtexte
- Piano Concerto No. 20 in D Minor, K. 466 (Arr. C.V. Alkan for Piano):I. Allegro
- Symphony No. 3 in E-Flat Major, S. 464 No. 3 (After Beethoven's Op. 55):III. Scherzo. Allegro vivace
- Symphony No. 3 in E-Flat Major, S. 464 No. 3 (After Beethoven's Op. 55):II. Marcia funebre. Adagio assai
- Symphony No. 3 in E-Flat Major, S. 464 No. 3 (After Beethoven's Op. 55):I. Allegro con brio
- Piano Concerto No. 20 in D Minor, K. 466 (Arr. C.V. Alkan for Piano):II. Romance
- Piano Concerto No. 20 in D Minor, K. 466 (Arr. C.V. Alkan for Piano):III. Rondo. Allegro assai
- Symphony No. 3 in E-Flat Major, S. 464 No. 3 (After Beethoven's Op. 55):IV. Finale. Allegro molto
- L'art du chant appliqué au piano, op. 70: No. 12, Il mio tesoro (After Mozart's K. 527)
- L'art du chant appliqué au piano, op. 70: No. 14, La dove prende (After Mozart's K. 620)
- L'art du chant appliqué au piano, op. 70: No. 22, Dafydd y garreg wen
- L'art du chant appliqué au piano, op. 70: No. 5a, Lacrimosa (After Mozart's K. 626)
- L'art du chant appliqué au piano, op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")
- L'art du chant appliqué au piano, op. 70: No. 3, Adelaide (After Beethoven's op. 46)
- L'art du chant appliqué au piano, op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
- L'art du chant appliqué au piano, op. 70: No. 1, A te, o cara (After Bellini's "I puritani")
- L'art du chant appliqué au piano, op. 70: No. 10, Der Müller und der Bach (After Schubert's D. 795)
- L'art du chant appliqué au piano, op. 70: No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")
- 3 Mélodies de Franz Schubert, op. 79: No. 2, Der Neugierige (After Schubert's D. 795)
- L'art du chant appliqué au piano, op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
- L'art du chant appliqué au piano, op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
- L'art du chant appliqué au piano, op. 70: No. 4, Pietà, signore (Attrib. Stradella)
- L'art du chant appliqué au piano, op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
- L'art du chant appliqué au piano, op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
- L'art du chant appliqué au piano, op. 70: No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]
- L'art du chant appliqué au piano, op. 70: No. 19, Casta diva (After Bellini's "Norma")
- 3 Mélodies de Franz Schubert, op. 79: No. 3, Die Post (After Schubert's D. 911)
- Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
- L'art du chant appliqué au piano, op. 70: No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")
- 10 Piano Pieces, op. 36: No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
- L'art du chant appliqué au piano, op. 70: No. 5b, Sull'aria (After Mozart's K. 492)
- L'art du chant appliqué au piano, op. 70: No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")
- L'art du chant appliqué au piano, op. 70: No. 11, Schelm, halt fest! (After Weber's J. 277)
- L'art du chant appliqué au piano, op. 70: No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)
- L'art du chant appliqué au piano, op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)
- L'art du chant appliqué au piano, op. 70: No. 24, Fenesta vascia (After Cottrau)
- L'art du chant appliqué au piano, op. 70: No. 20, Voi che sapete (After Mozart's K. 492)
- 3 Mélodies de Franz Schubert, op. 79: No. 1, Täuschung (After Schubert's D. 911)
- L'art du chant appliqué au piano, op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
- Concerto for Solo Piano, op. 39 nos. 8-10: II. Adagio
- Symphony for Solo Piano, op. 39 nos. 4-7: I. Allegro moderato
- Concerto for Solo Piano, op. 39 nos. 8-10: I. Allegro assai
- Symphony for Solo Piano, op. 39 nos. 4-7: III. Menuet. Tempo di minuetto
- Symphony for Solo Piano, op. 39 nos. 4-7: II. Marche funèbre. Andantino
- Symphony for Solo Piano, op. 39 nos. 4-7: IV. Finale. Presto
- Concerto for Solo Piano, op. 39 nos. 8-10: III. Allegretto alla barbaresca
- Symphony no. 3 in E-flat major, S. 464 no. 3: I. Allegro con brio
- Piano Concerto no. 20 in D minor, K. 466: II. Romance
- Piano Concerto no. 20 in D minor, K. 466: I. Allegro
- Symphony no. 3 in E-flat major, S. 464 no. 3: II. Marcia funebre. Adagio assai
- Symphony no. 3 in E-flat major, S. 464 no. 3: III. Scherzo. Allegro vivace
- Symphony no. 3 in E-flat major, S. 464 no. 3: IV. Finale. Allegro molto
- Piano Concerto no. 20 in D minor, K. 466: III. Rondo. Allegro assai
- Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto
- Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)
- Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro
- Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga: Allegro ma non troppo
- Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo: Assai vivace
- Piano Sonata no. 30 in E major, op. 109: II. Prestissimo
- Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto
- Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia)
- Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto)
- Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo
- Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile
- Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)
- Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
- Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
- Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
- Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
