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  5. Young, La Monte

La Monte Young Songtexte
Two Sounds (Beginning; 1961)

Geboren am 14. Oktober 1935

Trio for Strings (Live)

Songtexte von La Monte Young - Trio for Strings

  1. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 1 (von The Theatre of Eternal Music String Ensemble)
  2. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 3 (von The Theatre of Eternal Music String Ensemble)
  1. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 2 (von The Theatre of Eternal Music String Ensemble)
  2. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 4 (von The Theatre of Eternal Music String Ensemble)
  1. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 5 (von The Theatre of Eternal Music String Ensemble)
  2. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 7 (von The Theatre of Eternal Music String Ensemble)
  1. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 6 (von The Theatre of Eternal Music String Ensemble)
  2. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC: Part 8 (von The Theatre of Eternal Music String Ensemble)
  1. Trio for Strings (original full length just intonation version) 15 IX 05 ca. 9:21:00 PM — 15 IX 06 ca. 12:23:00 AM NYC (von The Theatre of Eternal Music String Ensemble)

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC (Live)

Songtexte von La Monte Young - The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 1

  1. [silence]
  2. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 1

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Parts 2 & 3

  1. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 2
  2. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 3

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Parts 4 & 5

  1. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 4
  2. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 5

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 6

  1. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 6

The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 7

  1. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 7

Mehr Songtexte

  1. Second Dream
  2. Voice And Sinewaves
  3. Bowed Gong
  4. 90 XII 9 c. 9:35 - 10:52 PM NYC - The Melodic Version (1984) of The Second Dream... (1962)
  5. The Well-Tuned Piano, Part 4
  6. The Well-Tuned Piano, Part 5
  7. Trio for Strings
  8. The Well-Tuned Piano, Part 3
  9. The Well-Tuned Piano, Part 2
  10. The Well-Tuned Piano, Part 1
  11. The Tortoise, His Dreams and Journeys
  12. B♭ Dorian Blues
  13. Pre-Tortoise Dream Music
  14. On Remembering a Naiad (Five Small Pieces for String Quartet): A Wisp
  15. On Remembering a Naiad (Five Small Pieces for String Quartet): A Leaf
  16. On Remembering a Naiad (Five Small Pieces for String Quartet): A Twig
  17. On Remembering a Naiad (Five Small Pieces for String Quartet): A Tooth
  18. On Remembering a Naiad (Five Small Pieces for String Quartet): A Gnarl
  19. The Well-Tuned Piano Part 1
  20. The Well-Tuned Piano Part 2
  21. The Well-Tuned Piano Part 3
  22. The Well-Tuned Piano, Part 7
  23. The Well-Tuned Piano Part 4
  24. The Well-Tuned Piano Part 5
  25. The Well-Tuned Piano, Part 8
  26. The Well-Tuned Piano, Part 6
  27. 90 XII 9 c. 9:35 – 10:52 PM NYC — The Melodic Version (1984) Of the Second Dream of the High Tension Line Stepdown Transformer From the Four Dreams of China (1962)
  28. Piano Study (1961)
  29. Poem for Chairs, Tables, Benches, Etc.
  30. Two Sounds (Beginning; 1961)
  31. Two Sounds (Conclusion; 1961)
  32. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 10
  33. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 9
  34. The Well‐Tuned Piano 81 X 25 6:17:50–11:18:59 PM NYC, Part 8
  35. Volgadelta 23
  36. For Guitar
  37. Death Chant
  38. Raga Shudh Sarang
  39. Just Charles and Cello in the Romantic Chord in a Setting of Abstract #1 From Quadrilateral Phase Angle Traversals With Dream Light
  40. Raga Kut Todi
  41. For Brass I
  42. For Brass II
  43. Young's Dorian Blues in G
  44. 19 X 71 6:52 to 7:42 NYC From Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery
  45. [radio announcer]
  46. 12 I 64 Sunday Morning Blues
  47. B♭ Dorian Blues Saturday 19th November 1963 - 5th Day of the Hammer
  48. The Well Tuned Piano 8 VI 64 - Day of Gammedeon
  49. 2 Sounds
  50. 12 | 64 Sunday Morning Blues
  51. Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery
  52. Drift Study
  53. Day of the Antler (The Obsidian Ocelot)
  54. The Lower Map of the Eleven’s Division in the Romantic Symmetry
  55. Bb Dorian Blues
  56. Composition 1960 #7
  57. Bb Dorian Blues Saturday 19th November 1963 - 5th Day of The Hammer
  58. The Tortoise Droning Selected Pitches From the Holy Numbers for the Two Black Tigers, the Green Tiger and the Hermit
  59. Oceans
  60. Tonecycle Base 30 Hz 2:3:7
  61. 42 for Henry Flint
  62. Densities II for Clarinet, Saxophone, Marimba & Violin
  63. 31 VII 69 10:26-10:49 PM
  64. Raga Dabari
  65. 23 VIII 64 2:50:45-3:11 Am, the Volga Delta [22 rpm]
  66. Piano Piece for David Tudor #3
  67. Drift Study 4:37:40 - 5.09. - 4.37 PM 5 VIII 68 NYC 25'
  68. B Flat Dorian Blues 28th/63
  69. Ludlow Blues for Clarinet, Saxophone, Trombone & Tape
  70. Day of the Holy Mountain I
  71. The Well-Tuned Piano In The Magenta Lights Complete Concert
  72. Day of the Holy Mountain II A
  73. Day of the Holy Mountain II B
  74. The Celebration of the Tortoise
  75. Raga Bhairava
  76. The Well-Tuned Piano
  77. The Tortoise: His Dreams & Journeys
  78. The Fire Is a Mirror
  79. The Tamburas of Pandit Pran Nath
  80. For Brass
  81. Early Tuesday Morning Blues
  82. Drift Study 4:37:40 - 5.09:50 PM 5 VIII 68 NYC 25'
  83. 19 X 71 6:52-7:42 NYC From Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornemental Light Years Tracery
  84. 566 for Henry Flint
  85. Arabic Numeral (Any Integer) To H.F.
  86. 23 VIII 63 2:50:45-3:11 AM, The Volga Delta
  87. Perspectives II: For La Monte Young
  88. Trio For Strings Original Full Length Just Intonation Version (1958-1984-1998-2001-2005-2015) 15 IX 05 Ca. 9:21:00 PM - 15 IX 06 Ca. 12:23:00 AM NYC
  89. Tortoise's Dreams and Journeys (excerpt) (1966)
  90. Early Tuesday Morning Blues (excerpt) (1963)
  91. Well-Tuned Piano (excerpt) (1964)
  92. Day of the Antler (The Obsidian Ocelot) (excerpt) (1964)
  93. Bb Dorian Blues 28th/63 (excerpt) (1963)
  94. For Brass (excerpt) (1957)
  95. Poem for Chairs, Tables, Benches, Etc. (excerpt) (1960)
  96. Young’s Dorian Blues in G
  97. The Well‐Tuned Piano
  98. Map of 49’s Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery
  99. 23 VIII 64 2:50:45–3:11 AM, the Volga Delta [22 rpm]
  100. B♭ Dorian Blues Saturday 19th November 1963 – 5th Day of the Hammer
  101. The Well Tuned Piano 8 VI 64 – Day of Gammedeon
  102. Poem for Chairs, Tables, Benches, Etc. (Beginning)
  103. 19 X 71 6:52–7:42 NYC From Map of 49’s Dream the Two Systems of Eleven Sets of Galactic Intervals Ornemental Light Years Tracery
  104. Piano Study
  105. Poem for Chairs, Tables, Benches, Etc. (Conclusion)
  106. The Well‐Tuned Piano in the Magenta Lights Complete Concert
  107. Pre‐Tortoise Dream Music
  108. 31 VII 69 10:26–10:49 PM
  109. 19 X 71 6:52 to 7:42 NYC From Map of 49’s Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery
  110. Raga by Ravva (Conclusion)
  111. Two Sounds
  112. Densities II for Clarinet, Saxophone, Marimba and Violin
  113. Ludlow Blues for Clarinet, Saxophone, Trombone and Tape
  114. Raga Darbari
  115. Tonecycle Base 30 Hz, 2:3:7
  116. 23 VIII 64 2:50:45–3:11 AM the Volga Delta
  117. Two Sounds (Beginning)
  118. Two Sounds (Conclusion)

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