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Early Music Consort of London, David Munrow Songtexte
Dominator Domine

Instruments of the Middle Ages and Renaissance

The Middle Ages

  1. Saltarello
  2. Shepherd’s tune
  3. (a) Saltarello (b) Ballade “Dame, se vous m’estés”
  4. Pastourelle “Au tans d’aost”
  5. A prisai qu’en chantant plour
  6. Ach owê, daz nâch liebe ergât
  7. Dou tres douz non
  8. Virelai “Gracïeuse”
  9. Dansa “Ben volgra, s’esser poges”
  10. English Te Deum
  11. Chansonnette “Quan je voi iver retorner”
  12. Madrigal “Ay, sconsolato ed amoroso”
  13. Estampie
  14. Chanson “Joliveté et bone amor”
  15. Ellend du hast
  16. (a) Fanfare “Untarn slaf tut den sumer wol” (b) Fanfare “Ad modum tubae”
  17. (a) Ballade “De moi doloureus” (b) Das Nachthorn (c) Geisslerlied “Maria muoter reinû maît” (d) Der Trumpet
  18. (a) Lai “Qui porroit un guierredon” (b) Dance tune
  19. Goliard melody “O Roma nobilis”
  20. Hymn to St Magnus “Nobilis humilis”
  21. Madrigal “Tanto soavemente”
  22. Madrigal “Di novo è giunto”
  23. Chanson “Amours que porra”
  24. Aquel que de voontade
  25. Virelai “Quant je sui mis”
  26. English dance
  27. La septime estampie real
  28. Ballata “Poi che da te mi convien”
  29. Virelai “Comment qu’a moy”
  30. Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”

The Renaissance

  1. Two courantes
  2. Chanson “Ce qui souloit”
  3. Caro ortolano
  4. Padouana
  5. Bicinium “Le cuer de vous”
  6. Bicinium “Mon petit cuer”
  7. Three Bransles Doubles
  8. Chanson “Amor me poingt”
  9. Chanson “Hellas! Amour”
  10. The Fairie Round (von David Munrow, Early Music Consort of London)
  11. Entrada réal
  12. (a) Prelude “Ascensus simplex” (b) “Min Hertz hat sich ser gefröwet”
  13. Toccata from the Naples MS
  14. Variations on the Romanesca
  15. Ballo Francese
  16. (a) Unmuted Toccata from Orfeo, 1607 (b) Muted Toccata from Orfeo, 1607
  17. (a) Solo: Adagio and Allegro (b) Consort “Lobt Gott ihr Christen alle gleich”
  18. Canzona for “due canti”
  19. Bicinium “Amour cruel”
  20. Canzona Quarta for “basso solo”
  21. Orlando sleepeth
  22. A Fancy — Praelude, or Voluntary
  23. Ballo Anglese
  24. Galliarde for cittern and bass
  25. Toccata prima
  26. Galliard
  27. Duet “Le Rossignol”
  28. Fantasia XI from El maestro, 1536
  29. Pavana (Variations on the Romanesca)
  30. (a) Consort: Fantasy in four parts (b) Lyra viol: Duet “Forget me not”
  31. La volta

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