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Dan Gardoqui Songtexte

What the Robin Knows: Bird Language Audio Library (Live)

  1. Typical song: rhythmic, melodic phrases
  2. Whinny calls: may be used when agitated, in aggressive encounters, or as a mild alarm
  3. Peek! and tut! alarms: used as alarm calls, often near nest (can also be used as aggressive voice in intraspecies encounters)
  4. High seeee alarm: an alarm call made in proximity to an aerial predator (usually hawk); the high-pitched call is difficult to locate
  5. Typical song: a high, metallic trill (sometimes confused with chipping sparrows)
  6. Two-parted song and chips: a variation on a typical song, then contact calls
  7. Kew-kew-kew: calls often used during and after aggressive encounters
  8. Tsit! Tsit! Tsit! alarm: subtle, quiet alarm vocalizations of the Junco
  9. Typical song: usually begins with 2 to 3 clear notes, then a complex array of notes follows
  10. Chip calls: calls often used as an alarm call or when agitated
  11. Seep calls: high, clear contact calls used in families and flocks
  12. Zee calls: calls given by fledglings
  13. Song: regional variation of song is normal in this species
  14. Variation on song: males have a complex repertoire; here’s an example with nasal notes
  15. Alarm: listen to the harsh, raspy notes of this alarm call
  16. Calls: often vary by age and gender
  17. Song: this classic loud, clear song says “tea-kettle, tea-kettle, tea-kettle”
  18. Song: another typical variation says “che-wortel, che-wortel, che-wortel”
  19. Song with female chatter: a male sings while a female pipes in with raspy calls
  20. Ti-dink! calls: loud notes used as contact calls between birds
  21. Dit-dit alarm: urgent alarm calls given by females
  22. Male alarm: persistent, raspy calls like this mean trouble for the wrens
  23. Song: an example of this unique outburst of song
  24. Alarm: persistent, raspy, scolding alarm calls sound similar to other wren alarms
  25. Song: a wavering series of melodic notes (variation in song is normal with this species)
  26. Alarm: loud tschat! calls indicate trouble is nearby
  27. Aggressive chatter: used when combating others of its kind
  28. Male songs: a wetland chorus of conk-a-ree
  29. Female calls and song: chack calls and high-pitched chatter song of females
  30. Contact: loud chack! calls used within the flock
  31. Cheer alarm: one of many loud, whistled alarms given by red-wings
  32. Song: examples of loud, clear whistles of cardinal songs; variation is common
  33. Chit and song: typical contact calls, then a “cheer-cheer, whoit, whoit …” song with a “chrrrr” call at tagged into the end (the chrrrr is likely meant a as display of fitness, as it’s believed to be a very sound difficult to make
  34. Alarm: tink! alarm calls (louder and more urgent than chit call notes)
  35. Songs: two examples of their song
  36. Mew and chip: Mew call used for a variety of purposes (as an alarm when scolding or mobbing, as a contact call when feeding, and in some male-to-male aggressive situations). Chip calls usually given in moderately alarming situations (e.g., handling by ...
  37. More mew and chip calls: slightly different variations of #36
  38. Song: examples of this loud, complex song from one of the tiniest birds in North America
  39. Chi-dit calls: used mostly as a contact call (both in flight and when perched); also used occasionally in aggressive male chases
  40. Song: examples of one of the most celebrated songs of all North American songbirds
  41. Chup-chup and vreee: the functions of these calls are not entirely known, but the chup-chup is often an alarm used in hostile situations, while vreee may be both an alarm and a contact call
  42. Weeh: this raspy vocalization is mostly used by agitated birds as an alarm call
  43. Song: this easily recognized whistle song says “Oh-sweet-Canada-Canada-Canada”
  44. Seep and pink!: the quieter seep vocalization is used mostly as contact call; the louder pink! is primarily a general alarm call (but can be heard when going to roost as well)
  45. Song: typical long, warbling song of the American Goldfinch
  46. Po-ta-to-chip: a contact call given both in flight and when stationary
  47. Bay-bee: an alarm call, given by distressed birds, often at or near the nest. Also mixed in are nasally “what-the-hell” calls, also made by the goldfinches
  48. Chip-pee: a begging call given by persistent fledglings as they follow parents around
  49. Song: the song of the black-capped chickadee is a loud, clear, whistled fee-bee
  50. Chick-a-dee: a variable vocalization with multiple functions, including predator mobbing (in this case, the more dees at the end, the more threatening the predator); as an “all clear” call after the predator has left; or as a food source is located
  51. Alarm: a small flock of chickadees vocalizes in the presence of a sharp-shinned hawk. Listen for all the high-pitched see and rapid fire zap notes mixed in with chick-a-dee-dee-dee-dee-dee (up to 9 dees in this example) alarm calls
  52. Kill-deer: known primarily as a flight display call often in alarm situations, sometimes simply as an assembly call
  53. Te-dit-dit: an alarm call given by wary birds; often head bobbing is associated with this call
  54. Deet!: an alarm call given by birds on the ground, usually near nest
  55. Agressive trill: a sputtering alarm call given by a bird chasing predator from nest
  56. Assembly or rally call: a common call, chi-CA-go, usually given more than 10 times
  57. Pit-pit-pit: an alarm call given when a predator is detected; can be mixed in with a rally call
  58. Bob-white!: made mostly by unmated males in the spring (like a “song”)
  59. Scatter call: one of the most common contact calls used to locate and coordinate movement of flock members
  60. Alarm: bobwhites use a variety of alarm calls, starting softly and increasing in frequency and intensity as a predator draws nearer
  61. Alarm: in this example, the crows are mobbing a human (who is making field recordings of birds)
  62. Alarm: here the crows are mobbing a red-tailed hawk
  63. Jeer: used as a contact call as well as in mobbing and other alarming situations. Gradation of calls, ability to mimic, complex vocal abilities, and large vocabulary make classification of Blue Jay calls very difficult
  64. Red-Tailed Hawk call: here the Steller’s Jay mimics the call of a red-tailed hawk. Exact function is unknown, but it’s often given by a hidden bird, maybe to manipulate other wildlife
  65. Alarm: the alarm begins with owl vocalizing and bill snapping (agitation), then magpie scolding calls, more owl hoots, magpie scolds, and so on
  66. Terrestrial threat: a repeated loud, sharp chip!-chip!-chip! warns of ground predators and threats
  67. Aerial threat: a repeated low, dull cluck-cluck-cluck warns of aerial predators and threats
  68. Chip! trill: usually given by a chipmunk diving for cover from threat
  69. Various calls: begins with scold sequence alarm, followed by territorial chatter (also known as chatter-trill), interspersed with whining calls given in social encounters
  70. Harsh nasal calls: used as both an alarm and in nonthreatening social situations
  71. Social calls: typical squeaky, wheezy social calls of prairie dogs
  72. Alarm: typical high-pitched barks of agitated prairie dogs
  73. Alarm: a deer snort sequence, then snorting while bounding away
  74. Alarm: a mockingbird mobs a barn owl while making harsh, raspy vocalizations
  75. Alarm: with a Coopers Hawk nearby, a purple finch belts out a very strange alarm—a vireo song

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