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Boston Symphony Orchestra Songtexte
The Planets, op. 32: VII. Neptune, the Mystic

Anfang 1881

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Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon (Compilation)

Songtexte von Boston Symphony Orchestra - Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon

Debussy: Nocturnes, L.91 / Ravel: Daphnis et Chloé Suite No.2, M.57b; Pavane pour une infante défunte, M.19; Le Poème de l'Extase, Op.54

  1. Nocturnes, L. 91: I. Nuages. Modéré (von Boston Symphony Orchestra, Claudio Abbado)
  2. Nocturnes, L. 91: II. Fêtes. Animé et très rythmé (von Boston Symphony Orchestra, Claudio Abbado)
  3. Nocturnes, L. 91: III. Sirènes. Modérément animé
  4. Daphnis et Chloé Suite no. 2, M. 57b
  5. Pavane pour une infante défunte, M.19 (von Boston Symphony Orchestra, Claudio Abbado)
  6. Le Poème de l'Extase, Op .54 (von Boston Symphony Orchestra, Claudio Abbado)

Tchaikovsky: Symphony No.1 In G Minor, Op.13, TH.24 - "Winter Reveries"

  1. Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": I. Allegro tranquillo (von Boston Symphony Orchestra, Michael Tilson Thomas)
  2. Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": II. Adagio cantabile ma non tanto (von Boston Symphony Orchestra, Michael Tilson Thomas)
  3. Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": III. Scherzo (Allegro scherzando giocoso) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  4. Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": IV. Finale (Andante lugubre - Allegro maestoso) (von Boston Symphony Orchestra, Michael Tilson Thomas)

R. Strauss: Also sprach Zarathustra, Op.30, TrV 176 / Holst: The Planets, Op.32

  1. Also sprach Zarathustra, op. 30, TrV 176: I. Einleitung, oder Sonnenaufgang (von Boston Symphony Orchestra, William Steinberg)
  2. Also sprach Zarathustra, op. 30, TrV 176: II. Von den Hinterweltlern (von Boston Symphony Orchestra, William Steinberg)
  3. Also sprach Zarathustra, op. 30, TrV 176: III. Von der großen Sehnsucht (von Boston Symphony Orchestra, William Steinberg)
  4. Also sprach Zarathustra, op. 30, TrV 176: IV. Von den Freuden und Leidenschaften (von Boston Symphony Orchestra, William Steinberg)
  5. Also sprach Zarathustra, op. 30, TrV 176: V. Das Grablied
  6. Also sprach Zarathustra, op. 30, TrV 176: VI. Von der Wissenschaft (von Boston Symphony Orchestra, William Steinberg)
  7. Also sprach Zarathustra, op. 30, TrV 176: VII. Der Genesende (von Boston Symphony Orchestra, William Steinberg)
  8. Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied: Das Nachtlied (von Boston Symphony Orchestra, William Steinberg)
  9. Also sprach Zarathustra, op. 30, TrV 176: IX. Das Nachtwandlerlied (von Boston Symphony Orchestra, William Steinberg)
  10. The Planets, op. 32: I. Mars, the Bringer of War (von Boston Symphony Orchestra, William Steinberg)
  11. The Planets, op. 32: II. Venus, the Bringer of Peace (von Boston Symphony Orchestra, William Steinberg)
  12. The Planets, op. 32: III. Mercury, the Winged Messenger (von Boston Symphony Orchestra, William Steinberg)
  13. The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (von Boston Symphony Orchestra, William Steinberg)
  14. The Planets, op. 32: V. Saturn, the Bringer of Old Age (von Boston Symphony Orchestra, William Steinberg)
  15. The Planets, op. 32: VI. Uranus, the Magician (von Boston Symphony Orchestra, William Steinberg)
  16. The Planets, op. 32: VII. Neptune, the Mystic

Ruggles: Sun-Treader / W. H. Schuman: Concerto For Violin And Orchestra / Piston: Symphony No.2

  1. Sun-treader: 1.Quarter note= 69 Poco accelerando (bar/Takt/mesure 1) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  2. Sun-treader: II. Tempo eighth note = 126 (bar 51a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  3. Sun-treader: III. Lento (bar 119) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  4. Sun-treader: IV. A tempo (bar 138a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  5. Sun-treader: V. Quarter note = 69 Poco accelerando (bar 169) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  6. Sun-treader: VI. Serene, but with great expression (bar 191) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  7. Concerto For Violin And Orchestra: I. Allegro risoluto: Cadenza
  8. Concerto For Violin And Orchestra: II. Introduzione. Adagio: Allegretto
  9. Symphony no. 2: I. Moderato (von Boston Symphony Orchestra, Michael Tilson Thomas)
  10. Symphony no. 2: II. Adagio (von Boston Symphony Orchestra, Michael Tilson Thomas)
  11. Symphony no. 2: III. Allegro (von Boston Symphony Orchestra, Michael Tilson Thomas)

Debussy: Images For Orchestra, L. 122; Prélude à l'après-midi d'un faune, L.86 / Tchaikovsky: Romeo And Juliet, Fantasy Overture, TH.42

  1. Images For Orchestra, L. 122: I. Gigues (von Boston Symphony Orchestra, Michael Tilson Thomas)
  2. Images For Orchestra, L. 122, II. Ibéria: I. Par les rues et par les chemins (von Boston Symphony Orchestra, Michael Tilson Thomas)
  3. Images For Orchestra, L. 122, II. Ibéria: 2. Les parfums de la nuit (von Boston Symphony Orchestra, Michael Tilson Thomas)
  4. Images For Orchestra, L. 122, II. Ibéria: III. Le matin d'un jour de fête (von Boston Symphony Orchestra, Michael Tilson Thomas)
  5. Images For Orchestra, L. 122: III. Rondes de printemps (von Boston Symphony Orchestra, Michael Tilson Thomas)
  6. Prelude a L'Apres-Midi D'Un Faune , L. 86
  7. Romeo and Juliet, TH 42: Andante non tanto quasi Moderato: Allegro giusto - Moderato assai (von Boston Symphony Orchestra, Claudio Abbado)

Smetana: Má Vlast, JB1:112

  1. Má Vlast, JB1:112: I. Vysehrad (von Boston Symphony Orchestra, Rafael Kubelík)
  2. Má Vlast, JB1:112: II. Vltava (von Boston Symphony Orchestra, Rafael Kubelík)
  3. Má Vlast, JB1:112: III. Sarka (von Boston Symphony Orchestra, Rafael Kubelík)
  4. Má Vlast, JB1:112: IV. Z ceskych luhu a haju (von Boston Symphony Orchestra, Rafael Kubelík)
  5. Má Vlast, JB1:112: V. Tábor (von Boston Symphony Orchestra, Rafael Kubelík)
  6. Má Vlast, JB1:112: VI. Blanik (von Boston Symphony Orchestra, Rafael Kubelík)

Stravinsky: Le Sacre du Printemps; Le Roi des étoiles / Hindemith: Symphonie "Mathis der Maler"; Konzertmusik Für Streichorchester Und Blechbläser, Op. 50

  1. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: I. Introduction (von Boston Symphony Orchestra, Michael Tilson Thomas)
  2. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: II. Les augures printaniers: Danses des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
  3. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: III. Jeu du rapt (von Boston Symphony Orchestra, Michael Tilson Thomas)
  4. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: IV. Rondes printanières (von Boston Symphony Orchestra, Michael Tilson Thomas)
  5. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: V. Jeux des cités (von Boston Symphony Orchestra, Michael Tilson Thomas)
  6. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VI. Cortège du sage: Le sage (von Boston Symphony Orchestra, Michael Tilson Thomas)
  7. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: 7b. Dance of the Earth (von Boston Symphony Orchestra, Michael Tilson Thomas)
  8. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VII. Danse de la terre (von Boston Symphony Orchestra, Michael Tilson Thomas)
  9. Le Sacre du Printemps, Pt 2: Le Sacrifice: I. Introduction (von Boston Symphony Orchestra, Michael Tilson Thomas)
  10. Le Sacre du Printemps, Pt 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
  11. Le Sacre du Printemps, Pt 2: Le Sacrifice: III. Glorification d'élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
  12. Le Sacre du Printemps, Pt 2: Le Sacrifice: IV. Évocation des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
  13. Le Sacre du Printemps, Pt 2: Le Sacrifice: V. Action rituelle des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
  14. Le Sacre du Printemps, Pt 2: Le Sacrifice: VI. Danse sacrale: l'élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
  15. Le Roi des étoiles: Molto sostenuto-Maestoso e tranquillo-Tempo primo
  16. Symphonie "Mathis der Maler": I. Engelkonzert (von Boston Symphony Orchestra, William Steinberg)
  17. Symphonie "Mathis der Maler": II. Grablegung (von Boston Symphony Orchestra, William Steinberg)
  18. Symphonie "Mathis der Maler": III. Versuchung des heiligen Antonius (von Boston Symphony Orchestra, William Steinberg)
  19. Konzertmusik Für Streichorchester Und Blechbläser, op. 50: Part 1 (von Boston Symphony Orchestra, William Steinberg)
  20. Konzertmusik Für Streichorchester Und Blechbläser, op. 50: Part 2 (von Boston Symphony Orchestra, William Steinberg)

Mozart: Symphony No.41 In C Major, K.551 - "Jupiter" / Schubert: Symphony No.8 In B Minor, D.759 "Unfinished"

  1. Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace (von Boston Symphony Orchestra, Eugen Jochum)
  2. Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile (von Boston Symphony Orchestra, Eugen Jochum)
  3. Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto) (von Boston Symphony Orchestra, Eugen Jochum)
  4. Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro (von Boston Symphony Orchestra, Eugen Jochum)
  5. Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato (von Boston Symphony Orchestra, Eugen Jochum)
  6. Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto (von Boston Symphony Orchestra, Eugen Jochum)

Berlioz: Symphonie Fantastique, Op.14, H 48

  1. Symphonie fantastique, op. 14, H 48: I. Rêveries. Passions (Largo: Allegro agitato ed appassionato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Symphonie fantastique, op. 14, H 48: II. Un bal (Valse: Allegro non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Symphonie fantastique, op. 14, H 48: III. Scène aux champs (Adagio) (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Symphonie fantastique, op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Symphonie fantastique, op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto: Allegro - Ronde du Sabbat: Poco meno mosso) (von Boston Symphony Orchestra, Seiji Ozawa)

Beethoven: Symphony No.5 In C Minor, Op.67; Piano Concerto No.5 In E Flat Major Op.73 -"Emperor"

  1. Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von Boston Symphony Orchestra, Rafael Kubelík)
  2. Symphony no. 5 in C minor, op. 67: II. Andante con moto (von Boston Symphony Orchestra, Rafael Kubelík)
  3. Symphony no. 5 in C minor, op. 67: III. Allegro (von Boston Symphony Orchestra, Rafael Kubelík)
  4. Symphony no. 5 in C minor, op. 67: IV. Allegro (von Boston Symphony Orchestra, Rafael Kubelík)
  5. Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
  6. Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
  7. Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)

Berlioz: La Damnation de Faust, Op.24

  1. La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps" (von Boston Symphony Orchestra, Seiji Ozawa)
  2. La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier" (von Boston Symphony Orchestra, Seiji Ozawa)
  3. La Damnation de Faust, op. 24, H 111, Pt. 1: Marche hongroise (von Boston Symphony Orchestra, Seiji Ozawa)
  4. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes" (von Boston Symphony Orchestra, Seiji Ozawa)
  5. La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!" (von Boston Symphony Orchestra, Seiji Ozawa)
  6. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!" (von Boston Symphony Orchestra, Seiji Ozawa)
  7. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!" (von Boston Symphony Orchestra, Seiji Ozawa)
  8. La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" (von Boston Symphony Orchestra, Seiji Ozawa)
  9. La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen" (von Boston Symphony Orchestra, Seiji Ozawa)
  10. La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille" (von Boston Symphony Orchestra, Seiji Ozawa)
  11. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses" (von Boston Symphony Orchestra, Seiji Ozawa)
  12. La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust" (von Boston Symphony Orchestra, Seiji Ozawa)
  13. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VII. "Margarita!" (von Boston Symphony Orchestra, Seiji Ozawa)
  14. La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit" (von Boston Symphony Orchestra, Seiji Ozawa)

Berlioz: La Damnation de Faust, Op.24

  1. La Damnation de Faust, op. 24, H 111, Pt. 3: (Prélude: La retraite) (von Boston Symphony Orchestra, Seiji Ozawa)
  2. La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant" (von Boston Symphony Orchestra, Seiji Ozawa)
  4. La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé" (von Boston Symphony Orchestra, Seiji Ozawa)
  5. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes" (von Boston Symphony Orchestra, Seiji Ozawa)
  6. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle" (von Boston Symphony Orchestra, Seiji Ozawa)
  7. La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison" (von Boston Symphony Orchestra, Seiji Ozawa)
  8. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!" (von Boston Symphony Orchestra, Seiji Ozawa)
  9. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!" (von Boston Symphony Orchestra, Seiji Ozawa)
  10. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme" (von Boston Symphony Orchestra, Seiji Ozawa)
  11. La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes" (von Boston Symphony Orchestra, Seiji Ozawa)
  12. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense" (von Boston Symphony Orchestra, Seiji Ozawa)
  13. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée" (von Boston Symphony Orchestra, Seiji Ozawa)
  14. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix" (von Boston Symphony Orchestra, Seiji Ozawa)
  15. La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur) (von Boston Symphony Orchestra, Seiji Ozawa)
  16. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve" (von Boston Symphony Orchestra, Seiji Ozawa)

Ravel: Boléro, M.81; Une barque sur l'océan, M. 43; Menuet antique, M. 7; Alborada del gracioso - Orchestral version, M. 43; Pavane pour une infante défunte, M. 19; La valse, M.72

  1. Boléro , M. 81: Original Version, M. 81 (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Miroirs, M.43, Orch. Ravel: III. Une barque sur l'océan (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Menuet antique: for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Alborada del gracioso , M 43: Orchestral version (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Pavane pour une infante défunte , M.19 (von Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa)
  6. La Valse , M.72 (von Boston Symphony Orchestra, Seiji Ozawa)

Ravel: Le Tombeau de Couperin, M.68; Ma mère l'oye, M.60; Rapsodie espagnole, M.54

  1. Le Tombeau de Couperin, M. 68, Orchestral version: I. Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Le Tombeau de Couperin, M. 68, Orchestral version: II. Forlane (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Le Tombeau de Couperin, M. 68, Orchestral version: III. Menuet (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Le Tombeau de Couperin, M. 68, Orchestral version: IV. Rigaudon (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Ma mère l'Oye, M. 60, Orchestral version: Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Ma mère l'Oye, M. 60, Orchestral version: Danse du rouet et scène: Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Ma mère l'Oye, M. 60, Orchestral version: Pavane de la Belle au bois dormant (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Ma mère l'Oye, M. 60, Orchestral version: Les entretiens de la Belle et de la Bête (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Ma mère l'Oye, M. 60, Orchestral version: Petit Poucet (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Ma mère l'Oye, M. 60, Orchestral version: Laideronnette, Impératrice des Pagodes (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Ma mère l'Oye, M. 60, Orchestral version: Apothéose: Le jardin féerique (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Rapsodie espagnole, M. 54: I. Prélude à la nuit (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Rapsodie espagnole, M. 54: II. Malagueña (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Rapsodie espagnole, M. 54: III. Habanera (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Rapsodie espagnole, M. 54: IV. Feria (von Boston Symphony Orchestra, Seiji Ozawa)

Ravel: Daphnis et Chloé, M. 57; Valses nobles et sentimentales, M.61

  1. Daphnis et Chloé, M. 57, Première partie: Introduction: Lent - Trè modéré (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Daphnis et Chloé, M. 57, Première partie: Danse religieuse: Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Daphnis et Chloé, M. 57, Première partie: Scène: Un peu plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Daphnis et Chloé, M. 57, Première partie: Scène: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Daphnis et Chloé, M. 57, Première partie: Scène: Vif - Plus modéré - Très modéré - Pesant (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Daphnis et Chloé, M. 57, Première partie: Danse légère et gracieuse de Daphnis: Assez lent - Animé - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Daphnis et Chloé, M. 57, Première partie: Scène: Lent - Moins lent - Très libre (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Daphnis et Chloé, M. 57, Première partie: Scène: Danse de Lyceion - Scène (Les pirates) (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Daphnis et Chloé, M. 57, Première partie: Scène: Modérément animé - Très animé - Lent - Très agité (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Daphnis et Chloé, M. 57, Première partie: Scène: Modéré - Plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Daphnis et Chloé, M. 57, Première partie: Scène: Danse lente et mystérieuse (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Daphnis et Chloé, M. 57, Deuxième partie: Scène: Même mouvement (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Daphnis et Chloé, M. 57, Deuxième partie: Danse guerrière (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Daphnis et Chloé, M. 57, Deuxième partie: Scène: Un peu moins animé (von Boston Symphony Orchestra, Seiji Ozawa)
  17. Daphnis et Chloé, M. 57, Deuxième partie: Scène: Danse suppliante de Chloé (von Boston Symphony Orchestra, Seiji Ozawa)
  18. Daphnis et Chloé, M. 57, Deuxième partie: Scène: Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
  19. Daphnis et Chloé, M. 57, Deuxième partie: Scène: Lent - Plus animé (von Boston Symphony Orchestra, Seiji Ozawa)
  20. Daphnis et Chloé, M. 57, Troisième partie: Lever du jour: Scène (von Boston Symphony Orchestra, Seiji Ozawa)
  21. Daphnis et Chloé, M. 57, Troisième partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx (von Boston Symphony Orchestra, Seiji Ozawa)
  22. Daphnis et Chloé, M. 57, Troisième partie: Scène: Très lent (von Boston Symphony Orchestra, Seiji Ozawa)
  23. Daphnis et Chloé, M. 57, Troisième partie: Scène: Lent - Animé - Lent - Animé (von Boston Symphony Orchestra, Seiji Ozawa)
  24. Daphnis et Chloé, M. 57, Troisième partie: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
  25. Valses nobles et sentimentales, M. 61: I. Modéré: très franc (von Boston Symphony Orchestra, Seiji Ozawa)
  26. Valses nobles et sentimentales, M. 61: II. Assez lent: avec une expression intense (von Boston Symphony Orchestra, Seiji Ozawa)
  27. Valses nobles et sentimentales, M. 61: III. Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
  28. Valses nobles et sentimentales, M. 61: IV. Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
  29. Valses nobles et sentimentales, M. 61: V. Presque lent: dans un sentiment intime (von Boston Symphony Orchestra, Seiji Ozawa)
  30. Valses nobles et sentimentales, M. 61: VI. Assez vif (von Boston Symphony Orchestra, Seiji Ozawa)
  31. Valses nobles et sentimentales, M. 61: VII. Moins vif (von Boston Symphony Orchestra, Seiji Ozawa)
  32. Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) (von Boston Symphony Orchestra, Seiji Ozawa)

Bartók: The Miraculous Mandarin Suite , BB 82, Sz. 73; Concerto For Orchestra, Sz. 116

  1. The Miraculous Mandarin, BB 82, op. 19 (Sz.73): Suite (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Concerto For Orchestra, BB 123, Sz.116: I. Introduzione (Andante non troppo: Allegro vivace) (von Boston Symphony Orchestra, Rafael Kubelík)
  3. Concerto For Orchestra, BB 123, Sz.116: II. Giuoco della coppie (Allegretto scherzando) (von Boston Symphony Orchestra, Rafael Kubelík)
  4. Concerto For Orchestra, BB 123, Sz.116: III. Elegia (Andante, non troppo) (von Boston Symphony Orchestra, Rafael Kubelík)
  5. Concerto For Orchestra, BB 123, Sz.116: IV. Intermezzo interrotto (Allegretto) (von Boston Symphony Orchestra, Rafael Kubelík)
  6. Concerto For Orchestra, BB 123, Sz.116: V. Finale (Pesante: Presto) (von Boston Symphony Orchestra, Rafael Kubelík)

Glazunov: Chant du Ménestrel, Op.71 / Shostakovich: Cello Concerto No.2, Op.126 / de Falla: El sombrero de tres picos

  1. Chant du Ménestrel, op. 71
  2. Cello Concerto no. 2, op. 126: I. Largo
  3. Cello Concerto no. 2, op. 126: II. Allegretto
  4. Cello Concerto no. 2, op. 126: III. Allegretto
  5. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Introducción (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
  6. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Atardecer (von Boston Symphony Orchestra, Seiji Ozawa)
  7. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Danza de la molinera (Fandango) (von Boston Symphony Orchestra, Seiji Ozawa)
  8. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Las uvas (von Boston Symphony Orchestra, Seiji Ozawa)
  9. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza de los vecinos (Seguidillas) (von Boston Symphony Orchestra, Seiji Ozawa)
  10. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del molinero (Farruca) (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
  11. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del corregidor (von Boston Symphony Orchestra, Seiji Ozawa)
  12. El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza final (Jota) (von Boston Symphony Orchestra, Seiji Ozawa)

Berlioz: Roméo et Juliette, Op.17, H.79

  1. Roméo et Juliette, op. 17, H.79, Part 1: Introduction (von Seiji Ozawa, Boston Symphony Orchestra)
  2. Roméo et Juliette, op. 17, H.79, Part 1: Prologue: "D'anciennes haines endormies" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
  3. Roméo et Juliette, op. 17, H.79, Part 1: Strophe 1: "Premiers transports que nul n'oublie" (von Seiji Ozawa, Boston Symphony Orchestra, Julia Hamari, New England Conservatory Chorus, Lorna Cooke deVaron)
  4. Roméo et Juliette, op. 17, H.79, Part 1: Récitatif et Scherzetto: "Bientôt de Roméo": "Mab! la messagère" - "Bientôt la mort est souveraine" (von Seiji Ozawa, Boston Symphony Orchestra, Jean Dupouy, New England Conservatory Chorus, Lorna Cooke deVaron)
  5. Roméo et Juliette, op. 17, H.79, Part 2: Roméo seul: Tristesse - Concert et bal. (von Seiji Ozawa, Boston Symphony Orchestra)
  6. Roméo et Juliette, op. 17, H.79, Part 3: "Ohé! Capulets": Scène d'amour (von Boston Symphony Orchestra, Seiji Ozawa, New England Conservatory Chorus, Lorna Cooke deVaron)

Berlioz: Roméo et Juliette, Op.17, H.79

  1. Roméo et Juliette, op. 17, H.79, Part 4: Scherzo. La Reine Mab ou la Fée des songes (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Roméo et Juliette, op. 17, H.79, Part 5: Convoi funebre "Jetez des fleurs pour la vierge expirée" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
  3. Roméo et Juliette, op. 17, H.79, Part 6: Romeo au tombeau des Capulets (von Seiji Ozawa, Boston Symphony Orchestra)
  4. Roméo et Juliette, op. 17, H.79, Part 4: Invocation: Réveil de Juliette (von Seiji Ozawa, Boston Symphony Orchestra)
  5. Roméo et Juliette, op. 17, H.79, Part 4: Joie délirante, désespoir "Dernières angoisses et mort" (von Seiji Ozawa, Boston Symphony Orchestra)
  6. Roméo et Juliette, op. 17, H.79, Part 7: Final. "Quoi! Roméo de retour! Roméo" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam, New England Conservatory Chorus, Lorna Cooke deVaron)
  7. Roméo et Juliette, op. 17, H.79, Part 7: Final. "Pauvres enfants que je pleure" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam)
  8. Roméo et Juliette, op. 17, H.79, Part 7: Final. "Mais notre sang rougit leur glaive" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
  9. Roméo et Juliette, op. 17, H.79, Part 7: Final. "Jurez donc, par l'auguste symbole" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)

Ives: 3 Places In New England; Symphony No.4; Central Park In The Dark

  1. 3 Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) (von Boston Symphony Orchestra, Michael Tilson Thomas)
  2. 3 Places in New England: II. Putnam's Camp, Redding, Connecticut (von Boston Symphony Orchestra, Michael Tilson Thomas)
  3. 3 Places in New England: III. From "The Housatonic at Stockbridge" by Robert Underwood Johnson (von Boston Symphony Orchestra, Michael Tilson Thomas)
  4. Symphony no. 4: I. Prelude (Walt Whitman) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Symphony no. 4: II. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Symphony no. 4: III. Fugue. Andante moderato (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Symphony no. 4: IV. Very slowly: Largo maestoso (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
  8. Central Park in The Dark (von Boston Symphony Orchestra, Seiji Ozawa)

Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29

  1. Symphony no. 5 in E minor, op. 64, TH.29: I. Andante: Allegro con anima (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Symphony no. 5 in E minor, op. 64, TH.29: II. Andante cantabile, con alcuna licenza: Moderato con anima (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Symphony no. 5 in E minor, op. 64, TH.29: III. Valse (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Symphony no. 5 in E minor, op. 64, TH.29: IV. Finale (Andante maestoso: Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)

Brahms: Symphony No.1 In C Minor, Op.68

  1. Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto: Allegro - Meno allegro (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Symphony no. 1 in C minor, op. 68: II. Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Symphony no. 1 in C minor, op. 68: IV. Adagio: Piu andante - Allegro non troppo, ma con brio - Piu allegro (von Boston Symphony Orchestra, Seiji Ozawa)

Respighi: Pines Of Rome, P. 141; Roman Festivals, P. 157; Fountains Of Rome, P. 106

  1. Pines of Rome, P. 141: The Pines Of Villa Borghese (I pini di Villa Borghese) (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Pines of Rome, P. 141: The Pines near a Catacomb (Pini presso una catacomba) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Pines of Rome, P. 141: The Pines of the Janiculum (I pini del Gianicolo) (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Pines of Rome, P. 141: The Pines of the Appian Way (I pini della Via Appia) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Roman Festivals, P. 157: I. Circenses (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Roman Festivals, P. 157: II. Giubileo (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Roman Festivals, P. 157: III. L'Ottobrata (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Roman Festivals, P. 157: IV. La Befana (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Fountains of Rome, P. 106: I. The Valle Giulia Fountain at Daybreak (La fontana de Valle Giulia à l'alba) (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Fountains of Rome, P. 106: II. The Triton Fountain in the Morning (La Fontana del Tritone al mattino) (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Fountains of Rome, P. 106: III. The Trevi Fountain at Midday (La Fontana di Trevi al meriggio) (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Fountains of Rome, P. 106: IV. The Villa Medici Fountain at Sunset (La Fontana di Villa Medici al tramonto) (von Boston Symphony Orchestra, Seiji Ozawa)

Respighi: Ancient Airs And Dances, Suites No.1-3

  1. Ancient Airs And Dances, Suite no. 1, P. 109: I. Balletto detto "Il Conte Orlando" (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Ancient Airs And Dances, Suite no. 1, P. 109: II. Gagliarda (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Ancient Airs And Dances, Suite no. 1, P. 109: III. Villanella (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Ancient Airs And Dances, Suite no. 1, P. 109: IV. Passo mezzo e Mascherada (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Ancient Airs And Dances, Suite no. 2, [P. 138]: I. Laura soave: balletto con gagliarda, saltarello e canario (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Ancient Airs And Dances, Suite no. 2, [P. 138]: II. Danza rustica (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Ancient Airs And Dances, Suite no. 2, [P. 138]: III. Campanae parisienses: Aria (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Ancient Airs And Dances, Suite no. 2, [P. 138]: IV. Bergamasca (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Ancient Airs And Dances, Suite no. 3, P. 172: I. Italiana (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Ancient Airs And Dances, Suite no. 3, P. 172: II. Arie di corte (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Ancient Airs And Dances, Suite no. 3, P. 172: III. Siciliana (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Ancient Airs And Dances, Suite no. 3, P. 172: IV. Passacaglia (von Boston Symphony Orchestra, Seiji Ozawa)

Liszt: A Faust Symphony, S.108

  1. A Faust Symphony, S. 108: I. Faust (von Boston Symphony Orchestra, Leonard Bernstein)
  2. A Faust Symphony, S. 108: II. Gretchen (von Boston Symphony Orchestra, Leonard Bernstein)
  3. A Faust Symphony, S. 108: III. Mephistopheles And Final Chorus

Rimsky-Korsakov: Scheherazade, Op.35 / Bartók: Music For Strings, Percussion And Celesta, Sz. 106

  1. Scheherazade, op. 35: I. The Sea And Sinbad's Ship (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
  2. Scheherazade, op. 35: II. The Story Of The Calender Prince (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
  3. Scheherazade, op. 35: III. The Young Prince And The Young Princess (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
  4. Scheherazade, op. 35: IV. Festival At Bagdad: The Sea - The Shipwreck Against A Rock Surmounted By A Bronze Warrior (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
  5. Music for Strings, Percussion and Celesta, BB 114 (Sz.106): I. Andante tranquillo (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Music for Strings, Percussion and Celesta, BB 114 (Sz.106): II. Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Music for Strings, Percussion and Celesta, BB 114 (Sz.106): III. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Music for Strings, Percussion and Celesta, BB 114 (Sz.106): IV. Allegro molto (von Boston Symphony Orchestra, Seiji Ozawa)

Mahler: Symphony No.1 In D Major

  1. Symphony no. 1 in D major: I. Langsam. Schleppend (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Symphony no. 1 in D major: "Blumine". Andante allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Symphony no. 1 in D major: II. Kräftig bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Symphony no. 1 in D major: IV. Stürmisch bewegt (von Boston Symphony Orchestra, Seiji Ozawa)

Berg: Violin Concerto "To The Memory Of An Angel" / Stravinsky: Violin Concerto In D Major

  1. Violin Concerto "To the Memory of an Angel": I. Andante: Allegro (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
  2. Violin Concerto "To the Memory of an Angel": II. Allegro: Adagio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
  3. Violin Concerto in D major: I. Toccata (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
  4. Violin Concerto in D major: II. Aria I (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
  5. Violin Concerto in D major: III. Aria II (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
  6. Violin Concerto in D major: IV. Capriccio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)

Tchaikovsky: Swan Lake, Op.20, TH.12

  1. Swan Lake, op. 20, TH. 12: Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Swan Lake, op. 20, TH. 12, Act 1: no. 1 Scène (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Swan Lake, op. 20, TH. 12, Act 1: no. 2 Valse (Corps de Ballet) (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Swan Lake, op. 20, TH. 12, Act 1: no. 3 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Swan Lake, op. 20, TH. 12, Act 1: no. 4a Pas de trois: Intrada (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Swan Lake, op. 20, TH. 12, Act 1: no. 4b Pas de trois: Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Swan Lake, op. 20, TH. 12, Act 1: no. 4c Pas de trois: Allegro semplice (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Swan Lake, op. 20, TH. 12, Act 1: no. 4d Pas de trois: Moderato (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Swan Lake, op. 20, TH. 12, Act 1: no. 4e Pas de trois: Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Swan Lake, op. 20, TH. 12, Act 1: no. 4f Pas de trois: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Swan Lake, op. 20, TH. 12, Act 1: no. 5 Pas de deux: a) Intrada-Valse: b) Andante (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Swan Lake, op. 20, TH. 12, Act 1: no. 5c Pas de deux: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Swan Lake, op. 20, TH. 12, Act 1: no. 5d Pas de deux: Coda (Allegro molto vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Swan Lake, op. 20, TH. 12, Act 1: no. 6 Pas d'action und No. 7 Sujet (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Swan Lake, op. 20, TH. 12, Act 1: no. 8 Danse des coupes (Tempo di polacca) (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Swan Lake, op. 20, TH. 12, Act 1: no. 9 Finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
  17. Swan Lake, op. 20, TH. 12, Act 2: no. 10 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  18. Swan Lake, op. 20, TH. 12, Act 2: no. 11 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  19. Swan Lake, op. 20, TH. 12, Act 2: no. 12 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  20. Swan Lake, op. 20, TH. 12, Act 2: no. 13a Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
  21. Swan Lake, op. 20, TH. 12, Act 2: no. 13b Danse des cygnes: Odette solo/Première danse de la reine des cygnes (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
  22. Swan Lake, op. 20, TH. 12, Act 2: no. 13c Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
  23. Swan Lake, op. 20, TH. 12, Act 2: no. 13d Danse des petits cygnes (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)

Tchaikovsky: Swan Lake, Op.20, TH.12

  1. Swan Lake, op. 20, TH. 12, Act 2: no. 13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Swan Lake, op. 20, TH. 12, Act 2: no. 13f Danse des cygnes: Danse générale (Valse) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Swan Lake, op. 20, TH. 12, Act 2: no. 13g Danse des cygnes: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Swan Lake, op. 20, TH. 12, Act 2: no. 14 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Swan Lake, op. 20, TH. 12, Act 3: no. 15 Danse de fançailles (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Swan Lake, op. 20, TH. 12, Act 3: no. 16 Danses du corps de ballet et des nains (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Swan Lake, op. 20, TH. 12, Act 3: no. 17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Swan Lake, op. 20, TH. 12, Act 3: no. 18 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Intrada (moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. I (Allegro) und Var.II (Andante c.m.) (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. V (Moderato) und Coda (Allegro molto) (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Swan Lake, op. 20, TH. 12, Act 3: no. 20 Danse hongroise (Czárdás) (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Swan Lake, op. 20, TH. 12, Act 3: Danse russe (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Swan Lake, op. 20, TH. 12, Act 3: no. 21 Danse espagnole (Allegro non troppo. Tempo di bolero) (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Swan Lake, op. 20, TH. 12, Act 3: no. 22 Danse napolitaine (von Boston Symphony Orchestra, Seiji Ozawa)
  17. Swan Lake, op. 20, TH. 12, Act 3: no. 23 Mazurka (von Boston Symphony Orchestra, Seiji Ozawa)
  18. Swan Lake, op. 20, TH. 12, Act 3: no. 24 Scène (Allegro: Valse - Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
  19. Swan Lake, op. 20, TH. 12, Act 4: no. 25 Entr'acte und No. 26 Scène (von Boston Symphony Orchestra, Seiji Ozawa)
  20. Swan Lake, op. 20, TH. 12, Act 4: no. 27 Danses des petits cygnes (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
  21. Swan Lake, op. 20, TH. 12, Act 4: no. 28 Scène (Allegro agitato) (von Boston Symphony Orchestra, Seiji Ozawa)
  22. Swan Lake, op. 20, TH. 12, Act 4: no. 29 Scène finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)

Mozart: Clarinet Concerto In A, K.622; Bassoon Concerto In B Flat, K.191 / Takemitsu: Quatrain; A Flock Descends Into The Pentagonal Garden

  1. Clarinet Concerto in A major, K. 622: I. Allegro (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
  2. Clarinet Concerto in A major, K. 622: II. Adagio (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
  3. Clarinet Concerto in A major, K. 622: III. Rondo (Allegro) (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
  4. Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: I. Allegro (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
  5. Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: II. Andante ma Adagio (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
  6. Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: III. Rondo. Tempo di Menuetto (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
  7. Quatrain
  8. A Flock Descends into the Pentagonal Garden

Fauré: Pelléas et Mélisande, Op.80; Après un Rêve Op.7, No.1; Pavane, Op.50; Elégie, Op.24; Dolly, Op.56

  1. Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Pelléas et Mélisande, op. 80: Chanson de Mélisande
  4. Pelléas et Mélisande, op. 80: IV. Sicilienne (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Pelléas et Mélisande, op. 80: VI. Molto adagio (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Après un Rêve op.7, no.1 (Arr. by Arkadij Dubenskij) (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
  7. Pavane, op. 50
  8. Elégie, op. 24: Molto adagio (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
  9. Dolly Suite, op. 56: I. Berceuse (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Dolly Suite, op. 56: II. Mi-A-Ou (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Dolly Suite, op. 56: III. Le Jardin de Dolly (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Dolly Suite, op. 56: IV. Kitty-Valse (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Dolly Suite, op. 56: V. Tendresse (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Dolly Suite, op. 56: VI. Le pas Espagnol (von Boston Symphony Orchestra, Seiji Ozawa)

Prokofiev: Romeo And Juliet, Op.64

  1. Romeo and Juliet, op. 64: I. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Romeo and Juliet, op. 64, Act 1: II. Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Romeo and Juliet, op. 64, Act 1: III. The street awakens (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Romeo and Juliet, op. 64, Act 1: IV. Morning dance (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Romeo and Juliet, op. 64, Act 1: V. The quarrel (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Romeo and Juliet, op. 64, Act 1: VI. The fight (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Romeo and Juliet, op. 64, Act 1: VII. The duke's command (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Romeo and Juliet, op. 64, Act 1: VIII. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Romeo and Juliet, op. 64, Act 1: IX. At the Capulets' (Preparations for the ball) (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Romeo and Juliet, op. 64, Act 1: X. The young Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Romeo and Juliet, op. 64, Act 1: 1I. Arrival of the guests (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Romeo and Juliet, op. 64, Act 1: 1II. Masks (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Romeo and Juliet, op. 64, Act 1: 1III. Dance Of The Knights (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Romeo and Juliet, op. 64, Act 1: 1IV. Juliet's variation (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Romeo and Juliet, op. 64, Act 1: 1V. Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Romeo and Juliet, op. 64, Act 1: 1VI. Madrigal (von Boston Symphony Orchestra, Seiji Ozawa)
  17. Romeo and Juliet, op. 64, Act 1: 1VII. Tybalt recognizes Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
  18. Romeo and Juliet, op. 64, Act 1: 1VIII. Gavotte (von Boston Symphony Orchestra, Seiji Ozawa)
  19. Romeo and Juliet, op. 64, Act 1: 1IX. Balcony scene (von Boston Symphony Orchestra, Seiji Ozawa)
  20. Romeo and Juliet, op. 64, Act 1: 20. Romeo's variation (von Boston Symphony Orchestra, Seiji Ozawa)
  21. Romeo and Juliet, op. 64, Act 1: 2I. Love dance (von Boston Symphony Orchestra, Seiji Ozawa)
  22. Romeo and Juliet, op. 64, Act 2: 2II. Folk dance (von Boston Symphony Orchestra, Seiji Ozawa)
  23. Romeo and Juliet, op. 64, Act 2: 2III. Romeo and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
  24. Romeo and Juliet, op. 64, Act 2: 2IV. Dance of the five couples (von Boston Symphony Orchestra, Seiji Ozawa)
  25. Romeo and Juliet, op. 64, Act 2: 2V. Dance with mandolins (von Boston Symphony Orchestra, Seiji Ozawa)

Prokofiev: Romeo And Juliet, Op.64

  1. Romeo and Juliet, op. 64, Act 2: 2VI. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Romeo and Juliet, op. 64, Act 2: 2VII. The nurse and Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Romeo and Juliet, op. 64, Act 2: 2VIII. Romeo at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Romeo and Juliet, op. 64, Act 2: 2IX. Juliet at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Romeo and Juliet, op. 64, Act 2: 30. Public merrymaking (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Romeo and Juliet, op. 64, Act 2: 3I. Further public festivities (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Romeo and Juliet, op. 64, Act 2: 3II. Meeting of Tybalt and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Romeo and Juliet, op. 64, Act 2: 3III. The duel (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Romeo and Juliet, op. 64, Act 2: 3IV. Death of Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Romeo and Juliet, op. 64, Act 2: 3V. Romeo decides to avenge Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Romeo and Juliet, op. 64, Act 2: 3VI. Finale (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Romeo and Juliet, op. 64, Act 3: 3VII. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Romeo and Juliet, op. 64, Act 3: 3VIII. Romeo and Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Romeo and Juliet, op. 64, Act 3: 3IX. Romeo bids Juliet farewell (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Romeo and Juliet, op. 64, Act 3: 40. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Romeo and Juliet, op. 64, Act 3: 4I. Juliet refuses to marry Paris (von Boston Symphony Orchestra, Seiji Ozawa)
  17. Romeo and Juliet, op. 64, Act 3: 4II. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
  18. Romeo and Juliet, op. 64, Act 3: 4III. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
  19. Romeo and Juliet, op. 64, Act 3: 4IV. At friar Laurence's cell (von Boston Symphony Orchestra, Seiji Ozawa)
  20. Romeo and Juliet, op. 64, Act 3: 4V. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
  21. Romeo and Juliet, op. 64, Act 3: 4VI. Juliet's room (von Boston Symphony Orchestra, Seiji Ozawa)
  22. Romeo and Juliet, op. 64, Act 3: 4VII. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
  23. Romeo and Juliet, op. 64, Act 3: 4VIII. Aubade (von Boston Symphony Orchestra, Seiji Ozawa)
  24. Romeo and Juliet, op. 64, Act 3: 4IX. Dance of the girls with lilies (von Boston Symphony Orchestra, Seiji Ozawa)
  25. Romeo and Juliet, op. 64, Act 3: 50. At Juliet's bedside (von Boston Symphony Orchestra, Seiji Ozawa)
  26. Romeo and Juliet, op. 64, Act 4: 5I. Juliet's funeral (von Boston Symphony Orchestra, Seiji Ozawa)
  27. Romeo and Juliet, op. 64, Act 4: 5II. Juliet's death (von Boston Symphony Orchestra, Seiji Ozawa)

Liszt: Piano Concerto No.1 In E Flat, S.124; Piano Concerto No.2 In A, S.125; Totentanz, S. 525

  1. Piano Concerto no. 1 in E-Flat major, S. 124: I. Allegro maestoso (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  2. Piano Concerto no. 1 in E-Flat major, S. 124: II. Quasi adagio: Allegretto vivace - Allegro animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  3. Piano Concerto no. 1 in E-Flat major, S. 124: III. Allegro marziale animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  4. Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai: Allegro agitato assai (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
  5. Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato: Allegro deciso (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
  6. Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
  7. Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato: Stretto (molto accelerando) (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
  8. Totentanz, S. 525 (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)

Chabrier: España - Rhapsody For Orchestra / Gounod: Faust, Ballet Music / Thomas: Overture From 'Mignon' / Offenbach: Gaîté parisienne

  1. España: Rhapsody for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Faust, Ballet Music: I. Les Nubiennes, valse (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Faust, Ballet Music: II. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Faust, Ballet Music: III. Danse antique (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Faust, Ballet Music: IV. Variations de Cléopatre (Moderato maestoso) (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Faust, Ballet Music: V. Les Troyennes (Moderato con moto) (von Boston Symphony Orchestra, Seiji Ozawa)
  7. Faust, Ballet Music: VI. Variations du miroir (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
  8. Faust, Ballet Music: VII. Danse de Phryné (Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
  9. Mignon: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
  10. Gaîté parisienne, Arranged by M. Rosenthal: I. Overture (von Boston Symphony Orchestra, Seiji Ozawa)
  11. Gaîté parisienne, Arranged by M. Rosenthal: Polka (von Boston Symphony Orchestra, Seiji Ozawa)
  12. Gaîté parisienne, Arranged by M. Rosenthal: (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
  13. Gaîté parisienne, Arranged by M. Rosenthal: IX. Valse lente (von Boston Symphony Orchestra, Seiji Ozawa)
  14. Gaîté parisienne, Arranged by M. Rosenthal: Valse-Allegro vivo-Valse-Allegro misterioso (von Boston Symphony Orchestra, Seiji Ozawa)
  15. Gaîté parisienne, Arranged by M. Rosenthal: Allegro: Cancan (von Boston Symphony Orchestra, Seiji Ozawa)
  16. Gaîté parisienne, Arranged by M. Rosenthal: Vivo: Barcarolle - Allegro moderato (von Boston Symphony Orchestra, Seiji Ozawa)

Poulenc: Gloria, FP 177; Stabat Mater FP 148

  1. Gloria, FP 144: I. Gloria
  2. Gloria, FP 144: II. Laudamus te
  3. Gloria, FP 144: III. Domine Deus (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
  4. Gloria, FP 144: IV. Domini Fili Unigenite
  5. Gloria, FP 144: V. Domine Deus, Agnus Dei (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
  6. Gloria, FP 144: VI. Qui sedes ad dexteram Patris (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
  7. Stabat Mater, FP 148: I. Stabat Mater dolorosa
  8. Stabat Mater, FP 148: II. Cujus animam gementem
  9. Stabat Mater, FP 148: III. O quam tristis
  10. Stabat Mater, FP 148: IV. Quae moerebat
  11. Stabat Mater, FP 148: V. Quis est homo
  12. Stabat Mater, FP 148: VI. Vidit suum
  13. Stabat Mater, FP 148: VII. Eja mater
  14. Stabat Mater, FP 148: VIII. Fac ut ardeat
  15. Stabat Mater, FP 148: IX. Sancta mater
  16. Stabat Mater, FP 148: X. Fac ut portem
  17. Stabat Mater, FP 148: 1I. Inflammatus et accensus
  18. Stabat Mater, FP 148: 1II. Quando corpus

Bartók: Violin Concerto No.2, BB 117, Sz.112 / Moret: En reve

  1. Violin Concerto no. 2, BB 117 (Sz. 112): I. Allegro non troppo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
  2. Violin Concerto no. 2, BB 117 (Sz. 112): II. Andante tranquillo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
  3. Violin Concerto no. 2, BB 117 (Sz. 112): III. Allegro molto (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
  4. En reve: I. Lumière vaporeuse (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
  5. En reve: II. Dialogue avec l'Étoile (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
  6. En reve: III. Azur fascinant (Sérénade tessinoise) (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)

Britten: Four Sea Interludes From "Peter Grimes", Op.33a / Beethoven: Symphony No.7 In A, Op.92

  1. Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn (von Boston Symphony Orchestra, Leonard Bernstein)
  2. Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning (von Boston Symphony Orchestra, Leonard Bernstein)
  3. Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight (von Boston Symphony Orchestra, Leonard Bernstein)
  4. Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm (von Boston Symphony Orchestra, Leonard Bernstein)
  5. Symphony no. 7 in A major, op. 92: I. Poco sostenuto: Vivace (von Boston Symphony Orchestra, Leonard Bernstein)
  6. Symphony no. 7 in A major, op. 92: II. Allegretto (von Boston Symphony Orchestra, Leonard Bernstein)
  7. Symphony no. 7 in A major, op. 92: III. Presto : Assai meno presto (von Boston Symphony Orchestra, Leonard Bernstein)
  8. Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von Boston Symphony Orchestra, Leonard Bernstein)

Poulenc: Concerto For Organ, Strings And Percussion In G Minor, FP 93; Concert Champêtre, FP 49 / Gubaidulina: Offertorium - Concerto For Violin And Orchestra

  1. Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante
  2. Concerto for Organ, Strings and Percussion in G minor, FP 93: Subito andante moderato
  3. Concerto for Organ, Strings and Percussion in G minor, FP 93: Tempo allegro, molto agitato
  4. Concert Champêtre, FP 49: I. Allegro molto (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
  5. Concert Champêtre, FP 49: II. Andante (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
  6. Concert Champêtre, FP 49: III. Finale (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
  7. Offertorium (1980): Concerto For Violin And Orchestra

Mendelssohn: Overture "A Midsummer Night's Dream", Op.21; A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13

  1. Overture "A Midsummer Night's Dream", op. 21, MWV P 3 (von Boston Symphony Orchestra, Seiji Ozawa)
  2. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 1 Scherzo (von Boston Symphony Orchestra, Seiji Ozawa)
  3. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. II. L'istesso tempo (von Boston Symphony Orchestra, Seiji Ozawa)
  4. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Fairies' March (von Boston Symphony Orchestra, Seiji Ozawa)
  5. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 3 Song with Chorus: "Bunte Schlangen, zweigezüngt" (von Boston Symphony Orchestra, Seiji Ozawa)
  6. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 4 The Speels (von Boston Symphony Orchestra, Seiji Ozawa)
  7. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 5 Intermezzo (von Boston Symphony Orchestra, Seiji Ozawa)
  8. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 7 Notturno (von Boston Symphony Orchestra, Seiji Ozawa)
  9. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 8 Melodram (von Boston Symphony Orchestra, Seiji Ozawa)
  10. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 9 Wedding March (von Boston Symphony Orchestra, Seiji Ozawa)
  11. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 a) Prologue (von Boston Symphony Orchestra, Seiji Ozawa)
  12. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 b) Funeral March (von Boston Symphony Orchestra, Seiji Ozawa)
  13. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 11 Dance of the Clowns (von Boston Symphony Orchestra, Seiji Ozawa)
  14. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: 1II. Allegro vivace come 1 (von Boston Symphony Orchestra, Seiji Ozawa)
  15. A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Finale: "Bei des Feuers mattem Flimmern" (von Boston Symphony Orchestra, Seiji Ozawa)

Tchaikovsky: The Nutcracker, Op.71, TH.14

  1. The Nutcracker, op. 71, TH 14: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
  2. The Nutcracker, op. 71, TH 14, Act 1: no. 1 The Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
  3. The Nutcracker, op. 71, TH 14, Act 1: no. 2 March (von Boston Symphony Orchestra, Seiji Ozawa)
  4. The Nutcracker, op. 71, TH 14, Act 1: no. 3 Galop and Dance of the Parents (von Boston Symphony Orchestra, Seiji Ozawa)
  5. The Nutcracker, op. 71, TH 14, Act 1: no. 4 Dance Scene: The Presents of Drosselmeyer (von Boston Symphony Orchestra, Seiji Ozawa)
  6. The Nutcracker, op. 71, TH 14, Act 1: no. 5 Scene: Grandfather Dance (von Boston Symphony Orchestra, Seiji Ozawa)
  7. The Nutcracker, op. 71, TH 14, Act 1: no. 6 Clara and the Nutcracker (von Boston Symphony Orchestra, Seiji Ozawa)
  8. The Nutcracker, op. 71, TH 14, Act 1: no. 7 The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
  9. The Nutcracker, op. 71, TH 14, Act 1: no. 8 in the Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
  10. The Nutcracker, op. 71, TH 14, Act 1: no. 9 Scene and Waltz of the Snowflakes
  11. The Nutcracker, op. 71, TH 14, Act 2: no. 10 The Magic Castle on the Mountain of Sweets (von Boston Symphony Orchestra, Seiji Ozawa)
  12. The Nutcracker, op. 71, TH 14, Act 2: no. 11 Clara and Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
  13. The Nutcracker, op. 71, TH 14, Act 2: no. 12 Divertissement (von Boston Symphony Orchestra, Seiji Ozawa)

Tchaikovsky: The Nutcracker, Op.71, TH.14; The Sleeping Beauty, Suite, Op.66a, TH 234

  1. The Nutcracker, op. 71, TH 14, Act 2: no. 13 Waltz of the Flowers (von Boston Symphony Orchestra, Seiji Ozawa)
  2. The Nutcracker, op. 71, TH 14, Act 2: no. 14 Pas de deux: Intrada: Variation I/II - Coda (von Boston Symphony Orchestra, Seiji Ozawa)
  3. The Nutcracker, op. 71, TH 14, Act 2: no. 15 Final Waltz and Apotheosis
  4. The Sleeping Beauty, Suite, op. 66a, TH 234: Introduction: The Lilac Fairy (von Boston Symphony Orchestra, Seiji Ozawa)
  5. The Sleeping Beauty, Suite, op. 66a, TH 234: Pas d'action: Rose Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
  6. The Sleeping Beauty, Suite, op. 66a, TH 234: Pas de caractère: Puss in Boots (von Boston Symphony Orchestra, Seiji Ozawa)
  7. The Sleeping Beauty, Suite, op. 66a, TH 234: Panorama (andantino) (von Boston Symphony Orchestra, Seiji Ozawa)
  8. The Sleeping Beauty, Suite, op. 66a, TH 234: Valse (von Boston Symphony Orchestra, Seiji Ozawa)

Rachmaninov: Piano Concerto No.1 In F Sharp Minor, Op.1; Piano Concerto No.2 In C Minor, Op.18

  1. Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  2. Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  3. Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  4. Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  5. Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
  6. Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)

Williams: TreeSong; Concerto For Violin And Orchestra; Three Pieces From Schindler's List For Solo Violin And Orchestra

  1. TreeSong for Gil Shaham: Doctor Hu and the Meta Sequoia (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  2. TreeSong for Gil Shaham: Trunks, Branches and Leaves (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  3. TreeSong for Gil Shaham: The Tree Sings (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  4. Concerto For Violin And Orchestra: I. Moderato (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  5. Concerto For Violin And Orchestra: II. Slowly (In Peaceful Contemplation) (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  6. Concerto For Violin And Orchestra: III. Broadly (Maestoso): Quickly (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  7. Three Pieces From Schindler's List For Solo Violin And Orchestra: Theme From "Schindler's List" (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  8. Three Pieces From Schindler's List For Solo Violin And Orchestra: Jewish Town (von Gil Shaham, Boston Symphony Orchestra, John Williams)
  9. Three Pieces From Schindler's List For Solo Violin And Orchestra: Remembrances (von Gil Shaham, Boston Symphony Orchestra, John Williams)

Previn: Violin Concerto "Anne-Sophie"; Double Concerto For Violin, Contrabass And Orchestra

  1. Violin Concerto "Anne-Sophie": I. Moderato (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
  2. Violin Concerto "Anne-Sophie": II. Cadenza: Slowly (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
  3. Violin Concerto "Anne-Sophie": III. Andante (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
  4. Double Concerto For Violin, Contrabass And Orchestra: I. Allegro (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
  5. Double Concerto For Violin, Contrabass And Orchestra: Interlude (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
  6. Double Concerto For Violin, Contrabass And Orchestra: II. Slowly (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
  7. Double Concerto For Violin, Contrabass And Orchestra: III. Allegro (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)

Shostakovich: Passacaglia From "Lady Macbeth Of The Mtsensk District", Op.29; Symphony No.10 In E Minor, Op.93

  1. Lady Macbeth Of The Mtsensk District, op. 29, Act 2: Passacaglia (von Boston Symphony Orchestra, Andris Nelsons)
  2. Symphony no. 10 in E minor, op. 93: I. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
  3. Symphony no. 10 in E minor, op. 93: II. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
  4. Symphony no. 10 in E minor, op. 93: III. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
  5. Symphony no. 10 in E minor, op. 93: IV. Andante: Allegro (von Boston Symphony Orchestra, Andris Nelsons)

Shostakovich: Symphony No.9 In E Flat, Op.70; Symphony No.5 In D Minor, Op.47

  1. Symphony no. 9 in E-flat major, op. 70: I. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
  2. Symphony no. 9 in E-flat major, op. 70: II. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
  3. Symphony no. 9 in E-flat major, op. 70: III. Presto - (von Boston Symphony Orchestra, Andris Nelsons)
  4. Symphony no. 9 in E-flat major, op. 70: IV. Largo - (von Boston Symphony Orchestra, Andris Nelsons)
  5. Symphony no. 9 in E-flat major, op. 70: V. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
  6. Symphony no. 5 in D minor, op. 47: I. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
  7. Symphony no. 5 in D minor, op. 47: II. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
  8. Symphony no. 5 in D minor, op. 47: III. Largo (von Boston Symphony Orchestra, Andris Nelsons)
  9. Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (von Boston Symphony Orchestra, Andris Nelsons)

Shostakovich: Suite From Hamlet, Op.32a; Symphony No.8 In C Minor, Op.65

  1. Suite From Hamlet, op. 32a: I. Introduction And Night Patrol (von Boston Symphony Orchestra, Andris Nelsons)
  2. Suite From Hamlet, op. 32a: II. Funeral March (von Boston Symphony Orchestra, Andris Nelsons)
  3. Suite From Hamlet, op. 32a: III. Flourish And Dance Music (von Boston Symphony Orchestra, Andris Nelsons)
  4. Suite From Hamlet, op. 32a: IV. The Hunt (von Boston Symphony Orchestra, Andris Nelsons)
  5. Suite From Hamlet, op. 32a: IX. Ophelia's Song (von Boston Symphony Orchestra, Andris Nelsons)
  6. Suite From Hamlet, op. 32a: X. Cradle Song (von Boston Symphony Orchestra, Andris Nelsons)
  7. Suite From Hamlet, op. 32a: 1I. Requiem (von Boston Symphony Orchestra, Andris Nelsons)
  8. Symphony no. 8 in C minor, op. 65: I. Adagio (von Boston Symphony Orchestra, Andris Nelsons)
  9. Symphony no. 8 in C minor, op. 65: II. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
  10. Symphony no. 8 in C minor, op. 65: III. Allegro non troppo (von Boston Symphony Orchestra, Andris Nelsons)
  11. Symphony no. 8 in C minor, op. 65: IV. Largo (von Boston Symphony Orchestra, Andris Nelsons)
  12. Symphony no. 8 in C minor, op. 65: V. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)

Shostakovich: Symphony No.6 In B Minor, Op.54

  1. Symphony no. 6 in B minor, op. 54: I. Largo (von Boston Symphony Orchestra, Andris Nelsons)
  2. Symphony no. 6 in B minor, op. 54: II. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
  3. Symphony no. 6 in B minor, op. 54: III. Presto (von Boston Symphony Orchestra, Andris Nelsons)

Debussy: Prélude à l'après-midi d'un faune, L. 86 (Arr. For Ensemble); Sonata In G Minor For Violin And Piano, L. 140; Sonata In D Minor For Cello And Piano, L.135; Sonata For Flute, Viola And Harp, L. 137; Syrinx, L.129

  1. Prélude à l'après-midi d'un faune, L. 86 (Arranged by Benno Sachs) (von Boston Symphony Chamber Players)
  2. Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo (von Joseph Silverstein, Michael Tilson Thomas)
  3. Sonata for Violin and Piano in G minor, L. 140: II. Intermède. Fantasque et léger (von Joseph Silverstein, Michael Tilson Thomas)
  4. Sonata for Violin and Piano in G minor, L. 140: III. Finale. Très animé (von Joseph Silverstein, Michael Tilson Thomas)
  5. Sonata in D minor For Cello & Piano, L.135: I. Prologue (lent) (von Jules Eskin, Michael Tilson Thomas)
  6. Sonata in D minor For Cello & Piano, L.135: II. Sérénade (Modérément animé) (von Jules Eskin, Michael Tilson Thomas)
  7. Sonata for Flute, Viola and Harp, L. 137: I. Pastorale
  8. Sonata for Flute, Viola and Harp, L. 137: II. Interlude
  9. Sonata for Flute, Viola and Harp, L. 137: III. Finale
  10. Syrinx, L. 129 (von Doriot Anthony Dwyer)

Carter: Sonata For Flute, Oboe, Violoncello And Harpsichord / Ives: Largo For Violin, Clarinet And Piano / Porter: Quintet For Oboe And String Quartet / Dvorák: String Quintet No.2 In G Major, Op.77, B.49

  1. Sonata For Flute, Oboe, Violoncello And Harpsichord: I. Risoluto (von Boston Symphony Chamber Players)
  2. Sonata For Flute, Oboe, Violoncello And Harpsichord: II. Lento (von Boston Symphony Chamber Players)
  3. Sonata For Flute, Oboe, Violoncello And Harpsichord: III. Allegro (von Boston Symphony Chamber Players)
  4. Largo For Violin, Clarinet & Piano (von Boston Symphony Chamber Players)
  5. Quintet For Oboe And String Quartet: I. Andante: Allegro - Tempo di Andante (von Boston Symphony Chamber Players)
  6. Quintet For Oboe And String Quartet: II. Adagio, molto espressivo (von Boston Symphony Chamber Players)
  7. Quintet For Oboe And String Quartet: III. Lento: Allegro moderato - Allegretto - Lento (von Boston Symphony Chamber Players)
  8. Quintet For Oboe And String Quartet: IV. Adagio (von Boston Symphony Chamber Players)
  9. String Quintet no. 2 in G major, op. 77, B.49: I. Allegro con fuoco (von Boston Symphony Chamber Players)
  10. String Quintet no. 2 in G major, op. 77, B.49: II. Intermezzo. Andante religioso. Molto Adagio (von Boston Symphony Chamber Players)
  11. String Quintet no. 2 in G major, op. 77, B.49: III. Scherzo. Allegro vivace: Trio. L'Istesso tempo, quasi Allegretto (von Boston Symphony Chamber Players)
  12. String Quintet no. 2 in G major, op. 77, B.49: IV. Poco Andante (von Boston Symphony Chamber Players)
  13. String Quintet no. 2 in G major, op. 77, B.49: V. Finale. Allegro assai (von Boston Symphony Chamber Players)

Stravinsky: Histoire du soldat; Septet

  1. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: I. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
  2. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: II. Narrator: "Phew, this isn't a bad sort of spot" (von Sir John Gielgud, Tom Courtenay)
  3. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: III. Music for Scene 1: Airs by a Stream (von Boston Symphony Chamber Players, Tom Courtenay)
  4. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IV. Narrator: "Enter the Devil" (von Boston Symphony Chamber Players, Sir John Gielgud, Tom Courtenay, Ron Moody)
  5. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: V. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
  6. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VI. Narrator: "Hurray, here we are! We're home at last" (von Boston Symphony Chamber Players, Sir John Gielgud)
  7. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VII. Music for Scene 2: pastorale (von Boston Symphony Chamber Players)
  8. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VIII. Narrator: "The Devil was standing therre" (von Tom Courtenay, Ron Moody)
  9. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IX. Music for the end of Scene 2 (score p. 18) (von Boston Symphony Chamber Players)
  10. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: X. Narrator: "He took the book" (von Sir John Gielgud)
  11. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XI. Music for the end of Scene 2: Airs by a Stream (von Boston Symphony Chamber Players)
  12. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XII. Narrator: "They have nothing: and yet they have it all" (von Sir John Gielgud, Tom Courtenay, Ron Moody)
  13. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIII. Music for Scene 3: Airs by a Stream (von Boston Symphony Chamber Players)
  14. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIV. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
  15. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XV. Narrator: "Now he comes to another land" (von Sir John Gielgud)
  16. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVI. The Royal March (von Boston Symphony Chamber Players)
  17. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVII. Narrator: "They have the word for the band to play (von Sir John Gielgud, Tom Courtenay, Ron Moody)
  18. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVIII. The Little Concert (von Boston Symphony Chamber Players)
  19. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIX. Tango (von Boston Symphony Chamber Players)
  20. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XX. Valse (von Boston Symphony Chamber Players)
  21. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXI. Ragtime (von Boston Symphony Chamber Players)
  22. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXII. The Devil's Dance (von Boston Symphony Chamber Players)
  23. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIII. Little Chorale (von Boston Symphony Chamber Players)
  24. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIV. The Devil's Song (von Boston Symphony Chamber Players, Ron Moody)
  25. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXV. Great Chorale (von Boston Symphony Chamber Players, Sir John Gielgud)
  26. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVI. Narrator: "I have everything, he thinks" (von Boston Symphony Chamber Players, Sir John Gielgud)
  27. L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVII. Triumphal March of the Devil (von Boston Symphony Chamber Players)
  28. Septet: I. I (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Sherman Walt, Charles Kavaloski, Gilbert Kalish)
  29. Septet: II. Passacaglia (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Charles Kavaloski, Gilbert Kalish, Sherman Walt)
  30. Septet: III. Gigue (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Sherman Walt, Charles Kavaloski, Gilbert Kalish)

J. Strauss II: Waltz Transcriptions / Stravinsky: Chamber Music

  1. Kaiserwalzer, op. 437: Transcription Arnold Schönberg (von Boston Symphony Chamber Players)
  2. Rosen aus dem Süden, op. 388: Transcription Arnold Schönberg (von Boston Symphony Chamber Players)
  3. Wein, Weib und Gesang, op. 333: Transcription Alban Berg (von Boston Symphony Chamber Players)
  4. Schatzwalzer, op. 418: Arr. Webern (von Boston Symphony Chamber Players)
  5. Octet for Wind Instruments, rev. version 1952: I. Sinfonia (Lento: Allegro moderato) (von Boston Symphony Chamber Players)
  6. Octet for Wind Instruments, rev. version 1952: II. Tema con variazioni (von Boston Symphony Chamber Players)
  7. Octet for Wind Instruments, rev. version 1952: III. Finale (von Boston Symphony Chamber Players)
  8. Pastorale: arr. for Violin an 4 Wind Instruments 1934 (Collab. S. Dushkin) (von Boston Symphony Chamber Players)
  9. Ragtime (von Boston Symphony Chamber Players)
  10. Concertino: arr. (1952) of original work for string quartet (1920) (von Boston Symphony Chamber Players)

Schoenberg: Chamber Symphony No.1, Op.9 / Berg: 2. Adagio From "Chamber Concerto"

  1. Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Langsam (von Boston Symphony Chamber Players)
  2. Chamber Symphony no. 1, op. 9, Arr. Anton Webern: sehr rasch (38) (von Boston Symphony Chamber Players)
  3. Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer, aber doch fließend (60) (von Boston Symphony Chamber Players)
  4. Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer (77) (von Boston Symphony Chamber Players)
  5. Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Etwas bewegter (T.415/Ziff. 86) (von Boston Symphony Chamber Players)
  6. Chamber Concerto: II. Adagio (von Boston Symphony Chamber Players)

Schoenberg: Suite, Op.29; Phantasy For Violin And Piano, Op.47

  1. Suite, op. 29: I. Ouvertüre: Allegretto (von Boston Symphony Chamber Players)
  2. Suite, op. 29: II. Tanzschritte: Moderato (von Boston Symphony Chamber Players)
  3. Suite, op. 29: III. Theme and variations (von Boston Symphony Chamber Players)
  4. Suite, op. 29: IV. Gigue (von Boston Symphony Chamber Players)
  5. Phantasy For Violin And Piano, op. 47 (von Joseph Silverstein, Gilbert Kalish)

Brahms: Symphony No. 2 In D Major, Op. 73 / Rossini: Overture From "Semiramide" / Paganini: Moto perpetuo, Op.11

  1. Symphony no. 2 in D major, op. 73: I. Allegro non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
  2. Symphony no. 2 in D major, op. 73: II. Adagio non troppo: L'istesso tempo, ma grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
  3. Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai (von Boston Symphony Orchestra, Seiji Ozawa)
  4. Symphony no. 2 in D major, op. 73: IV. Allegro con spirito (von Boston Symphony Orchestra, Seiji Ozawa)
  5. Semiramide: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
  6. Moto perpetuo, op. 11 (von Boston Symphony Orchestra, Seiji Ozawa)

Mehr Songtexte

  1. Ecossaise
  2. The Oprichnik
  3. Romeo and Juliet
  4. Valse
  5. Polonaise
  6. Ouverture solennelle "1812"
  7. A Hero's Life, Op. 40
  8. Symphony No. 36 in C, K.425 "Linzer", Adagio; Allegro spiritoso
  9. Symphony No. 36 in C, K.425 "Linzer", Poco adagio
  10. Symphony No. 39 in E-Flat, K.543, Menuetto; Allegretto; Trio
  11. Eine kleine Nachtmusik Serenade in G, K.525, Rondo; Allegro
  12. Symphony No. 39 in E-Flat, K.543, Adagio; Allegro
  13. Symphony No. 39 in E-Flat, K.543, Adante con moto
  14. Eine kleine Nachtmusik Serenade in G, K.525, Menuetto; Allegro; Trio
  15. Symphony No. 39 in E-Flat, K.543, Finale; Allegro
  16. Symphony No. 36 in C, K.425 "Linzer", Presto
  17. Eine kleine Nachtmusik Serenade in G, K.525, Romanze; Andante
  18. Symphony No. 36 in C, K.425 "Linzer", Menuetto; Trio
  19. Eine kleine Nachtmusik Serenade in G, K.525, Allegro
  20. Ravel: Pavane pour une infante défunte
  21. Ravel: Alborada del gracioso - Orchestral version
  22. Ravel: Boléro
  23. Ravel: Rapsodie espagnole - 2. Malagueña
  24. Ravel: Rapsodie espagnole - 4. Feria
  25. Ravel: La Valse
  26. Ravel: Rapsodie espagnole - 3. Habanera
  27. Ravel: Rapsodie espagnole - 1. Prélude à la nuit
  28. Les Heures
  29. Ariel Maléfique
  30. Vague de Lumière
  31. Dominante Bleu ?
  32. Mémoire des Ombres
  33. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme"
  34. La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit"
  35. The Planets, op. 32: VII. Neptune, the Mystic
  36. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses"
  37. Piano Concerto no. 1 in E-Flat major, S. 124: III. Allegro marziale animato
  38. Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante
  39. Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace
  40. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!"
  41. Le Sacre du Printemps, Pt 2: Le Sacrifice: III. Glorification d'élue
  42. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: 7b. Dance of the Earth
  43. Cello Concerto no. 2, op. 126: II. Allegretto
  44. Le Sacre du Printemps, Pt 2: Le Sacrifice: IV. Évocation des ancêtres
  45. Cello Concerto no. 2, op. 126: I. Largo
  46. La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps"
  47. Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied: Das Nachtlied
  48. Piano Concerto no. 1 in E-Flat major, S. 124: II. Quasi adagio: Allegretto vivace - Allegro animato
  49. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve"
  50. Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato: Stretto (molto accelerando)
  51. La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust)
  52. La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes"
  53. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: II. Les augures printaniers: Danses des adolescentes
  54. Cello Concerto no. 2, op. 126: III. Allegretto
  55. La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille"
  56. Concerto For Violin And Orchestra: I. Allegro risoluto: Cadenza
  57. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes"
  58. Piano Concerto no. 1 in E-Flat major, S. 124: I. Allegro maestoso
  59. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!"
  60. La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier"
  61. La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé"
  62. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée"
  63. La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen"
  64. Le Sacre du Printemps, Pt 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes
  65. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!"
  66. La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison"
  67. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense"
  68. Totentanz, S. 525
  69. Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
  70. Le Sacre du Printemps, Pt 2: Le Sacrifice: I. Introduction
  71. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant"
  72. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes"
  73. La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!"
  74. La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur)
  75. La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix"
  76. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VII. Danse de la terre
  77. La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust"
  78. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VI. Cortège du sage: Le sage
  79. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: III. Jeu du rapt
  80. Le Sacre du Printemps, Pt 2: Le Sacrifice: VI. Danse sacrale: l'élue
  81. Le Roi des étoiles: Molto sostenuto-Maestoso e tranquillo-Tempo primo
  82. Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro
  83. Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai: Allegro agitato assai
  84. Pavane pour une infante défunte, M.19
  85. Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
  86. Prélude à l'après-midi d'un faune, L. 86
  87. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: V. Jeux des cités
  88. La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle"
  89. La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!"
  90. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: IV. Rondes printanières
  91. Piano Concerto no. 2 in C minor, op. 18: I. Moderato
  92. Daphnis et Chloé, M. 57, Troisième partie: Scène: Très lent
  93. Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace
  94. Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: I. Introduction
  95. Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato: Allegro deciso
  96. Le Sacre du Printemps, Pt 2: Le Sacrifice: V. Action rituelle des ancêtres
  97. La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine"
  98. Concerto For Violin And Orchestra: II. Introduzione. Adagio: Allegretto
  99. Concerto in G minor for Organ, Strings and Timpani: I. Andante, Allegro giocoso
  100. A Midsummer Night's Dream, Op. 61 No. 7: Notturno
  101. A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace
  102. Offertorium, Concerto for Violin and Orchestra
  103. Gloria: VI. Qui sedes ad dexteram Patris
  104. A Midsummer Night's Dream, Op. 61 No. 10a: Prologue
  105. A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1
  106. Gloria: V. Domine Deus, Agnus Dei
  107. Gloria: III. Domine Deus
  108. A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace
  109. Prélude à l’après-midi d’un faune
  110. A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo
  111. A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante
  112. A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern"
  113. A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo
  114. A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace
  115. A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns
  116. Daphnis et Chloé, Suite no. 2
  117. A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato
  118. Overture "A Midsummer Night's Dream", Op. 21
  119. A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo
  120. Trois Nocturnes: III. Sirènes. Modérément animé
  121. A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto
  122. Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto
  123. Pelléas et Mélisande, Op. 80: III. Sicilienne. Allegretto molto moderato
  124. Pelléas et Mélisande, Op. 80: IV. Molto Adagio (La Mort de Mélisande)
  125. Pelléas et Mélisande, Op. 80: I. Prélude. Quasi Adagio
  126. Symphony No. 5 in C minor, Op. 67: III. Allegro
  127. Symphony No. 5 in C minor, Op. 67: II. Andante con moto
  128. Suite from The FIrebird - King Kastchei's Dance
  129. The Rite of Spring - The Sacrifice - Glorification
  130. Suite from The Firebird - Finale
  131. The Rite of Spring - Introduction
  132. The Rite of Spring - The Sacrifice - Sacrificial Dance
  133. Suite from The Firebird - Firebird's Dance
  134. The Rite of Spring - The Sacrifice - Mystic Circles
  135. The Rite of Spring - Wise Elder's Procession
  136. Suite from The Firebird - Princesses' Round
  137. The Rite of Spring - Mock Abjuction
  138. The Rite of Spring - Round Dances
  139. Suite from The Firebird - Lullaby
  140. The Rite of Spring - Games of Rival Tribes
  141. The Rite of Spring - Young Girls' Dances
  142. The Rite of Spring - The Sacrifice - Ancients Ritual
  143. Suite from The Firebird - Firebird's Variation
  144. The Rite of Spring - The Sacrifice - Introduction
  145. The Rite of Spring - The Sacrifice - Summoning the Ancients
  146. Suite from The Firebird - Introduction
  147. The Rite of Spring - Adoration of the Earth
  148. The Rite of Spring - Dance of the Earth

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