Bach Collegium Japan, Masaaki Suzuki Songtexte
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Aria: Wie zittern und wanken
Bach & Beyond (Compilation)
Missa in illo tempore / Vespro della Beata Vergine (opening)
- Missa In illo tempore: 1. Kyrie
- Missa In illo tempore: 2. Gloria
- Missa In illo tempore: 3. Credo
- Missa In illo tempore: 4. Crucifixus à 4
- Missa In illo tempore: 5. [Et in Spiritum sanctum]
- Missa In illo tempore: 6. Sanctus
- Missa In illo tempore: 7. Benedictus
- Missa In illo tempore: 8. Agnus Dei
- Missa In illo tempore: 9. Agnus Dei 2 à 7
- Vespro della Beata Vergine: 1. Resposorium: Domine ad adiuvandrum (Canto gregoriano)
- Vespro della Beata Vergine: 2. Psalmus: Dixit Dominus
- Vespro della Beata Vergine: 3. Concerto: Nigra sum
- Vespro della Beata Vergine: 4. Psalmus: Laudate pueri
- Vespro della Beata Vergine: 5. Concerto: Pulchra es
- Vespro della Beata Vergine: 6. Psalmus: Lætatus sum
- Vespro della Beata Vergine: 7. Concerto: Duo Seraphim
- Vespro della Beata Vergine: 8. Psalmus: Nisi Dominus
Vespro della Beata Vergine (conclusion) / Magnificat a 6 voci
- Vespro della Beata Vergine: 9. Concerto: Audi Coelum
- Vespro della Beata Vergine: 10. Psalmus: Lauda Jerusalem
- Vespro della Beata Vergine: 11. Sonata à 8 sopra "Sancta Maria ora pro nobis"
- Vespro della Beata Vergine: 12. Hymnus: Ave maris stella
- Magnificat (I) a 7: Magnificat
- Magnificat (I) a 7: Et exultavit
- Magnificat (I) a 7: Quia respexit
- Magnificat (I) a 7: Quia fecit
- Magnificat (I) a 7: Et misericordia
- Magnificat (I) a 7: Fecit potentiam
- Magnificat (I) a 7: Deposuit
- Magnificat (I) a 7: Esurientes
- Magnificat (I) a 7: Suscepit Israel
- Magnificat (I) a 7: Sicut locutus est
- Magnificat (I) a 7: Gloria Patri
- Magnificat (I) a 7: Sicut erat
- Magnificat (II) a 6 voci: Magnificat
- Magnificat (II) a 6 voci: Et exultavit
- Magnificat (II) a 6 voci: Quia resplexit
- Magnificat (II) a 6 voci: Quia fecit
- Magnificat (II) a 6 voci: Et misericordia
- Magnificat (II) a 6 voci: Fecit potentiam
- Magnificat (II) a 6 voci: Deposuit
- Magnificat (II) a 6 voci: Esurientes
- Magnificat (II) a 6 voci: Suscepit Israel
- Magnificat (II) a 6 voci: Sicut locutus est
- Magnificat (II) a 6 voci: Gloria Patri
- Magnificat (II) a 6 voci: Sicut erat
Messiah: Part the First / Part the Second (Opening)
- Messiah, Part the First: Majora Canamus (Narrator): And without controversy (von John Elwes)
- Messiah, Part the First: Symphony
- Messiah, Part the First: Accompagnato (Tenor): Comfort ye my people
- Messiah, Part the First: Air (Tenor): Ev'ry valley shall be exalted
- Messiah, Part the First: Chorus: And the glory of the Lord shall be revealed
- Messiah, Part the First: Accompagnato (Bass): Thus saith the Lord (von David Thomas, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the First: Air (Alto): But who may abide the day of His coming (von Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the First: Chorus: And He shall purify the sons of Levi
- Messiah, Part the First: Recitative (Alto): Behold, a virgin shall conceive (von Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the First: Air and Chorus: O thou that tellest good tidings to Zion
- Messiah, Part the First: Recitative (Bass): For behold, darkness shall cover the earth
- Messiah, Part the First: Air (Bass): The people that walked in darkness
- Messiah, Part the First: Chorus: For unto us a child is born
- Messiah, Part the First: Pifa
- Messiah, Part the First: Recitative (Soprano): There were shepherds abiding
- Messiah, Part the First: Accompagnato (Soprano): And lo, the angel of the Lord
- Messiah, Part the First: Recitative (Soprano): And the angel said unto them
- Messiah, Part the First: Accompagnato (Soprano): And suddenly there was with the angel
- Messiah, Part the First: Chorus: Glory to God in the highest
- Messiah, Part the First: Air (Soprano): Rejoice greatly, O daughter of Zion
- Messiah, Part the First: Recitative (Soprano): Then shall the eyes of the blind be open'd
- Messiah, Part the First: Duet (Alto, Soprano): He shall feed His flock
- Messiah, Part the First: Chorus: His yoke is easy, His burden is light
- Messiah, Part the Second: Chorus: Behold the lamb of God
- Messiah, Part the Second: Air (Alto): He was despised and rejected of men (von Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki)
Messiah: Part the Second (Conclusion) / Part the Third
- Messiah, Part the Second: Chorus: Surely, He hath borne our griefs
- Messiah, Part the Second: Chorus: And with His stripes we are healed
- Messiah, Part the Second: Chorus: All we like sheep have gone astray
- Messiah, Part the Second: Accompagnato (Tenor): All they that see Him laugh
- Messiah, Part the Second: Chorus: He trusted in God that He would deliver Him
- Messiah, Part the Second: Accompagnato (Tenor): Thy rebuke hath broken His heart
- Messiah, Part the Second: Arioso (Tenor): Behold, and see if there be any sorrow
- Messiah, Part the Second: Accompagnato (Soprano): He was cut off out of the land
- Messiah, Part the Second: Air (Soprano): But thou didst not leave His soul in Hell
- Messiah, Part the Second: Chorus: Lift up your heads, O ye gates
- Messiah, Part the Second: Recitative (Tenor): Unto which of the angels said He
- Messiah, Part the Second: Chorus: Let all the angels of God worship Him
- Messiah, Part the Second: Air (Soprano): Thou art gone up on high
- Messiah, Part the Second: Chorus: The Lord gave the world
- Messiah, Part the Second: Air (Soprano): How beautiful are the feet of Him
- Messiah, Part the Second: Chorus: Their sound is gone out into all lands
- Messiah, Part the Second: Air (Bass): Why do the nations so furiously rage together (von David Thomas, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the Second: Chorus: Let us break their bonds asunder
- Messiah, Part the Second: Recitative (Tenor): He that dwelleth in heaven
- Messiah, Part the Second: Air (Tenor): Thou shalt break them with a rod of iron
- Messiah, Part the Second: Chorus: Hallelujah!
- Messiah, Part the Third: Air (Soprano): I know that my Redeemer liveth
- Messiah, Part the Third: Chorus: Since by man came death
- Messiah, Part the Third: Accompagnato (Bass): Behold, I tell you a mystery (von David Thomas, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the Third: Air (Bass): The trumpet shall sound (von David Thomas, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the Third: Recitative (Alto): Then shall be brought to pass (von Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki)
- Messiah, Part the Third: Duet (Alto, Tenor): O Death, where is thy sting
- Messiah, Part the Third: Chorus: But thanks be to God
- Messiah, Part the Third: Air (Soprano): If God be for us
- Messiah, Part the Third: Chorus: Worthy is the Lamb that was slain
The Three Cello Concertos
- Cello Concerto in A minor, Wq. 170 / H. 432: I. Allegro assai (von Carl Philipp Emanuel Bach)
- Cello Concerto in A minor, Wq. 170 / H. 432: II. Andante (von Carl Philipp Emanuel Bach)
- Cello Concerto in A minor, Wq. 170 / H. 432: III. Allegro assai (von Carl Philipp Emanuel Bach)
- Cello Concerto in B-flat major, Wq. 171 / H. 436: I. Allegretto (von Carl Philipp Emanuel Bach)
- Cello Concerto in B-flat major, Wq. 171 / H. 436: II. Adagio (von Carl Philipp Emanuel Bach)
- Cello Concerto in B-flat major, Wq. 171 / H. 436: III. Allegro assai (von Carl Philipp Emanuel Bach)
- Cello Concerto in A major, Wq. 172 / H. 439: I. Allegro (von Carl Philipp Emanuel Bach)
- Cello Concerto in A major, Wq. 172 / H. 439: II. Largo con sordini, mesto (von Carl Philipp Emanuel Bach)
- Cello Concerto in A major, Wq. 172 / H. 439: III. Allegro assai (von Carl Philipp Emanuel Bach)
Mehr Songtexte

- Messiah, HWV 56: Part I, VI. Air (Alto) "But who may abide the day of His coming?"
- Messiah, HWV 56: Epigraph "And without Controversy"
- Messiah, HWV 56: Part I, VIIb. Recitative (Alto) "Behold, a virgin shall conceive"
- Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth"
- Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery"
- Messiah, HWV 56: Part III, XLIIIa. Air (Bass) "The trumpet shall sound"
- Messiah, HWV 56: Part I, V. Accompagnato (Bass) "Thus saith the Lord of Hosts"
- Messiah, HWV 56: Part II, XX. Air (Alto) "He was despised and rejected of men"
- Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together"
- Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written"
- Mache dich, mein Geist, bereit, BWV 115: Aria: Bete aber auch dabei
- Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia
- Susser Trost, mein Jesus kommt, BWV 151: Aria: Susser Trost, mein Jesus kommt
- Das Orgelbuchlein, BWV 599-644: Wenn wir in hochsten Noten sein, BWV 641
- Herr Jesu Christ, wahr' Mensch und Gott, BWV 127: Aria: Die Seele ruht in Jesu Handen
- Das Orgelbuchlein, BWV 599-644: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
- Vergnugte Ruh', beliebte Seelenlust, BWV 170: Aria: Vergnugte Ruh, beliebte Seelenlust
- Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Aria: Es ist vollbracht
- Overture (Suite) No. 3 in D major, BWV 1068: II. Air
- Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Aria - Arioso - Chorale: In deine Hande
- Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Sonatina
- Komm, Jesu, komm, BWV 229
- Ich steh mit einem Fuss im Grabe, BWV 156: Aria with Chorale
- Herzlich tut mich verlangen, BWV 727
- Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Aria: Wie zittern und wanken