Sir Georg Solti Songtexte
Le nozze di Figaro: “Pace, pace, mio dolce tesoro”

Brahms: Violin Sonatas 1-3

1. Violin Sonata no. 1 in G, op. 78: I. Vivace ma non troppo (von Georg Kulenkampff, Sir Georg Solti)
2. Violin Sonata no. 1 in G, op. 78: II. Adagio (von Georg Kulenkampff, Sir Georg Solti)
3. Violin Sonata no. 1 in G, op. 78: III. Allegro molto moderato (von Georg Kulenkampff, Sir Georg Solti)
4. Violin Sonata no. 2 in A, op. 100: I. Allegro amabile (von Georg Kulenkampff, Sir Georg Solti)
5. Violin Sonata no. 2 in A, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace (von Georg Kulenkampff, Sir Georg Solti)
6. Violin Sonata no. 2 in A, op. 100: III. Allegro grazioso, quasi andante (von Georg Kulenkampff, Sir Georg Solti)
7. Violin Sonata no. 3 in D minor, op. 108: I. Allegro (von Georg Kulenkampff, Sir Georg Solti)
8. Violin Sonata no. 3 in D minor, op. 108: II. Adagio (von Georg Kulenkampff, Sir Georg Solti)
9. Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento (von Georg Kulenkampff, Sir Georg Solti)
10. Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato (von Georg Kulenkampff, Sir Georg Solti)

Schubert: “In der Ferne” - “Abschied” / Mozart: Violin Sonata no. 32 / Beethoven: Violin Sonata no. 9 “Kreutzer” / Egmont Overture

1. Schwanengesang: VI. In der Ferne
2. Schwanengesang: VII. Abschied
3. Violin Sonata no. 32 in B-flat, K. 454: I. Largo - Allegro (von Georg Kulenkampff, Sir Georg Solti)
4. Violin Sonata no. 32 in B-flat, K. 454: II. Andante (von Georg Kulenkampff, Sir Georg Solti)
5. Violin Sonata no. 32 in B-flat, K. 454: III. Allegretto (von Georg Kulenkampff, Sir Georg Solti)
6. Violin Sonata no. 9 in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto (von Georg Kulenkampff, Sir Georg Solti)
7. Violin Sonata no. 9 in A, op. 47 “Kreutzer”: II. Andante con variazioni (von Georg Kulenkampff, Sir Georg Solti)
8. Violin Sonata no. 9 in A, op. 47 “Kreutzer”: III. Finale: Presto (von Georg Kulenkampff, Sir Georg Solti)
9. Egmont Overture, op. 84 (von Tonhalle‐Orchester Zürich)

Rossini: Guillaume Tell: Overture / Bartók: Concerto for Orchestra / Beethoven: “Heil sei dem Tag” Fidelio Act II Finale

1. Guillaume Tell: Overture (von World Orchestra for Peace, Sir Georg Solti)
2. Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace (von World Orchestra for Peace, Sir Georg Solti)
3. Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (von World Orchestra for Peace, Sir Georg Solti)
4. Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo (von World Orchestra for Peace, Sir Georg Solti)
5. Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto (von World Orchestra for Peace, Sir Georg Solti)
6. Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto (von World Orchestra for Peace, Sir Georg Solti)
7. Fidelio, op. 72: Act II Finale “Heil sei dem Tag”

Mahler: Symphony no. 5

1. Symphony no. 5 in C-sharp minor: I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I (von Tonhalle‐Orchester Zürich, Sir Georg Solti)
2. Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito (von Tonhalle‐Orchester Zürich, Sir Georg Solti)
3. Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell (von Tonhalle‐Orchester Zürich, Sir Georg Solti)
4. Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam (von Tonhalle‐Orchester Zürich, Sir Georg Solti)
5. Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro (von Tonhalle‐Orchester Zürich, Sir Georg Solti)

Bartók: Cantata profane / Weiner: Serenade for small orchestra / Kodály: Psalmus hungaricus

1. Cantata profane: A kilenc csodaszarvas, Sz. 94: I. Molto moderato (von Choir of Hungarian Radio & TV, Budapest Festival Orchestra, Sir Georg Solti)
2. Cantata profane: A kilenc csodaszarvas, Sz. 94: II. Andante
3. Cantata profane: A kilenc csodaszarvas, Sz. 94: III. Moderato
4. Serenade for small orchestra, op. 3: I. Allegretto, quasi andantino (von Budapest Festival Orchestra, Sir Georg Solti)
5. Serenade for small orchestra, op. 3: II. Lebhaft, sehr rhythmisch (von Budapest Festival Orchestra, Sir Georg Solti)
6. Serenade for small orchestra, op. 3: III. Andantino (von Budapest Festival Orchestra, Sir Georg Solti)
7. Serenade for small orchestra, op. 3: IV. Allegro molto (von Budapest Festival Orchestra, Sir Georg Solti)
8. Psalmus hungaricus, op. 13: I. Andante molto appassionato
9. Psalmus hungaricus, op. 13: II. Keserusegem
10. Psalmus hungaricus, op. 13: III. Te azert lelkem

Beethoven: Symphony no. 3 “Eroica”

1. Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marchia funebre: Adagio assai (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo: Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale: Allegro molto (von Wiener Philharmoniker, Sir Georg Solti)

Beethoven: Symphony no. 5 [1958]

1. Symphony no. 5 in C minor, op. 67: I. Finale: Allegro con brio (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 5 in C minor, op. 67: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 5 in C minor, op. 67: III. Allegro (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 5 in C minor, op. 67: IV. Allegro (von Wiener Philharmoniker, Sir Georg Solti)

Beethoven: Symphony no. 7

1. Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 7 in A, op. 92: II. Allegretto (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 7 in A, op. 92: IV. Allegro con brio (von Wiener Philharmoniker, Sir Georg Solti)

Suppé: Overtures: Light Cavalry / Poet and Peasant / Morning, Noon and Night in Vienna / Pique Dame

1. Light Cavalry: Overture (von Wiener Philharmoniker, Sir Georg Solti)
2. Poet and Peasant: Overture (von Wiener Philharmoniker, Sir Georg Solti)
3. Morning, Noon and Night in Vienna: Overture (von Wiener Philharmoniker, Sir Georg Solti)
4. Pique Dame: Overture (von Wiener Philharmoniker, Sir Georg Solti)

Tchaikovsky: Piano Concerto no. 1

1. Piano Concerto no. 1 in B-flat minor, op. 23 TH 55: I. Allegro non troppo e molto maestoso
2. Piano Concerto no. 1 in B-flat minor, op. 23 TH 55: II. Andantino semplice - Prestissimo - Tempo I
3. Piano Concerto no. 1 in B-flat minor, op. 23 TH 55: III. Allegro con fuoco

Wagner: Overtures: Rienzi / Der fliegende Holländer / Tannhäuser (Overture & Bacchanale)

1. Rienzi, WWV 49: Overture (von Wiener Philharmoniker, Sir Georg Solti)
2. Der fliegende Holländer, WWV 63: Overture (von Wiener Philharmoniker, Sir Georg Solti)
3. Tannhäuser, WWV 70: Overture (von Wiener Philharmoniker, Sir Georg Solti)
4. Tannhäuser, WWV 70: Act I. Bacchanale (von Wiener Philharmoniker, Sir Georg Solti)

Bruckner: Symphony no. 7 / Wagner: Siegfried Idyll

1. Symphony no. 7 in E, WAB 107 (version of 1885, ed. Nowak 1954): I. Allegro moderato (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 7 in E, WAB 107 (version of 1885, ed. Nowak 1954): II. Adagio. Sehr feierlich und sehr langsam (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 7 in E, WAB 107 (version of 1885, ed. Nowak 1954): III. Scherzo: Sehr schnell (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 7 in E, WAB 107 (version of 1885, ed. Nowak 1954): IV. Finale: Bewegt, doch night schnell (von Wiener Philharmoniker, Sir Georg Solti)
5. Siegfried Idyll, WWV 103 (von Wiener Philharmoniker, Sir Georg Solti)

Bruckner: Symphony no. 8

1. Symphony no. 8 in C minor, WAB 108 (version of 1890, ed. Nowak 1955): I. Allegro moderato (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 8 in C minor, WAB 108 (version of 1890, ed. Nowak 1955): II. Scherzo: Allegro moderato - Trio: Langsam (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 8 in C minor, WAB 108 (version of 1890, ed. Nowak 1955): III. Adagio: Feierlich langsam (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 8 in C minor, WAB 108 (version of 1890, ed. Nowak 1955): IV. Finale: Feierlich, nicht schnell (von Wiener Philharmoniker, Sir Georg Solti)

Schumann: Overture, Scherzo and Finale / Symphony no. 1 “Spring”

1. Overture, Scherzo and Finale, op. 52: I. Overture (von Wiener Philharmoniker, Sir Georg Solti)
2. Overture, Scherzo and Finale, op. 52: II. Scherzo: Vivo (von Wiener Philharmoniker, Sir Georg Solti)
3. Overture, Scherzo and Finale, op. 52: III. Finale: Allegro molto vivace (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto (von Wiener Philharmoniker, Sir Georg Solti)
6. Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace (von Wiener Philharmoniker, Sir Georg Solti)
7. Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso (von Wiener Philharmoniker, Sir Georg Solti)

Schumann: Julius Caesar Overture / Symphony no. 2

1. Julius Caesar Overture, op. 128 (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 2 in C, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 2 in C, op. 61: II. Scherzo: Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 2 in C, op. 61: III. Adagio espressivo (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 2 in C, op. 61: IV. Allegro molto vivace (von Wiener Philharmoniker, Sir Georg Solti)

Schumann: Symphonies 3 & 4

1. Symphony no. 3 in E-flat, op. 97 “Rhenish”: I. Lebhaft (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 3 in E-flat, op. 97 “Rhenish”: II. Scherzo: Sehr mäßig (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 3 in E-flat, op. 97 “Rhenish”: III. Nicht schnell (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 3 in E-flat, op. 97 “Rhenish”: IV. Feierlich (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 3 in E-flat, op. 97 “Rhenish”: V. Lebhaft (von Wiener Philharmoniker, Sir Georg Solti)
6. Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (von Wiener Philharmoniker, Sir Georg Solti)
7. Symphony no. 4 in D minor, op. 120: II. Romanza: Ziemlich langsam (von Wiener Philharmoniker, Sir Georg Solti)
8. Symphony no. 4 in D minor, op. 120: III. Scherzo (von Wiener Philharmoniker, Sir Georg Solti)
9. Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft - Schneller - Presto (von Wiener Philharmoniker, Sir Georg Solti)

Verdi: Requiem

1. Messa da Requiem: I. Requiem
2. Messa da Requiem: II. Dies irae. a. Dies irae (von Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti)
3. Messa da Requiem: II. Dies irae. b. Tuba mirum / c. Mors stupebit (von Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti)
4. Messa da Requiem: II. Dies irae. d. Liber scriptus
5. Messa da Requiem: II. Dies irae. e. Quid sum miser
6. Messa da Requiem: II. Dies irae. f. Rex tremendae
7. Messa da Requiem: II. Dies irae. g. Recordare
8. Messa da Requiem: II. Dies irae. h. Ingemisco (von Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti)
9. Messa da Requiem: II. Dies irae. i. Confutatis (von Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti)
10. Messa da Requiem: II. Dies irae. j. Lacrymosa
11. Messa da Requiem: III. Offertorium. a. Domine, Jesu Christe
12. Messa da Requiem: III. Offertorium. b. Hostias (von Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti)
13. Messa da Requiem: IV. Sanctus (von Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti)
14. Messa da Requiem: V. Agnus Dei
15. Messa da Requiem: VI. Lux aeterna
16. Messa da Requiem: VII. Libera me. a. Libera me
17. Messa da Requiem: VII. Libera me. b. Dies irae
18. Messa da Requiem: VII. Libera me. c. Requiem aeternam
19. Messa da Requiem: VII. Libera me. d. Libera me

R. Strauss: Ein Heldenleben

1. Ein Heldenleben, op. 40 TrV 190: I. Der Held (von Wiener Philharmoniker, Sir Georg Solti)
2. Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher (von Wiener Philharmoniker, Sir Georg Solti)
3. Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin (von Wiener Philharmoniker, Sir Georg Solti)
4. Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt (von Wiener Philharmoniker, Sir Georg Solti)
5. Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke (von Wiener Philharmoniker, Sir Georg Solti)
6. Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung (von Wiener Philharmoniker, Sir Georg Solti)

Schubert: Symphonies 5 [1984] & 8 “Unfinished”

1. Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 5 in B-flat, D. 485 [1984]: I. Allegro (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 5 in B-flat, D. 485 [1984]: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 5 in B-flat, D. 485 [1984]: III. Menuetto: Allegro molto (von Wiener Philharmoniker, Sir Georg Solti)
6. Symphony no. 5 in B-flat, D. 485 [1984]: IV. Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)

Schubert: Symphony no. 9 “Great”

1. Symphony no. 9 in C, D. 944 “Great”: I. Andante - Allegro ma non troppo (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 9 in C, D. 944 “Great”: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 9 in C, D. 944 “Great”: III. Scherzo: Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 9 in C, D. 944 “Great”: IV. Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)

Wagner: Orchestral music from Der Ring des Nibelungen

1. Die Walküre, WWV 86B: Ride of the Valkyries (Concert Version) (von Wiener Philharmoniker, Sir Georg Solti)
2. Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla (von Wiener Philharmoniker, Sir Georg Solti)
3. Die Walküre, WWV 86B: Wotan's Farewell and Magic Fire Music (von Wiener Philharmoniker, Sir Georg Solti)
4. Siegfried, WWV 86C: Act II. Waldweben
5. Götterdämmerung, WWV 86D: Siegfried's Funeral March (Concert Version) (von Wiener Philharmoniker, Sir Georg Solti)
6. Götterdämmerung, WWV 86D: Finale (von Wiener Philharmoniker, Sir Georg Solti)

Brahms: Piano Concerto no. 1 / Variations on a Theme by Schumann

1. Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
2. Piano Concerto no. 1 in D minor, op. 15: II. Adagio
3. Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo
4. Variations on a Theme by Schumann, op. 23: Theme
5. Variations on a Theme by Schumann, op. 23: Variation I
6. Variations on a Theme by Schumann, op. 23: Variation II
7. Variations on a Theme by Schumann, op. 23: Variation III
8. Variations on a Theme by Schumann, op. 23: Variation IV
9. Variations on a Theme by Schumann, op. 23: Variation V
10. Variations on a Theme by Schumann, op. 23: Variation VI
11. Variations on a Theme by Schumann, op. 23: Variation VII
12. Variations on a Theme by Schumann, op. 23: Variation VIII
13. Variations on a Theme by Schumann, op. 23: Variation IX
14. Variations on a Theme by Schumann, op. 23: Variation X

R. Strauss: Vier letzte Lieder and other lieder

1. Vier letzte Lieder, TrV 296: I. Frühling (Hermann Hesse) (von Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti)
2. Vier letzte Lieder, TrV 296: II. September (Hermann Hesse) (von Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti)
3. Vier letzte Lieder, TrV 296: III. Beim Schlafengehen (Hermann Hesse) (von Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti)
4. Vier letzte Lieder, TrV 296: IV. Im Abendrot (Joseph von Eichendorff) (von Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti)
5. Malven, TrV 297 (Betty Wehril-Knobel) (von Kiri Te Kanawa, Sir Georg Solti)
6. Hat gesagt - bleibt's nicht dabei, op. 36 TrV 186 no. 3 (anon.) (von Kiri Te Kanawa, Sir Georg Solti)
7. Mutterändelei, op. 43 TrV 196 no. 2 (Gottfried August Bürger) (von Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti)
8. Madrigal, op. 15 TrV 148 no. 1 (Sophie Hasenclever) (von Kiri Te Kanawa, Sir Georg Solti)
9. Ständchen, op. 17 TrV 149 no. 2 (Adolf Friedrich von Schack) (von Kiri Te Kanawa, Sir Georg Solti)
10. Schlechtes Wetter, op. 69 TrV 237 no. 5 (Heinrich Heine) (von Kiri Te Kanawa, Sir Georg Solti)
11. Allerseelen, op. 10 TrV 141 no. 8 (Hermann von Gilm) (von Kiri Te Kanawa, Sir Georg Solti)
12. Die Nacht, op. 10 TrV 141 no. 3 (Hermann von Gilm) (von Kiri Te Kanawa, Sir Georg Solti)
13. Cäcilie, op. 27 TrV 170 no. 2 (Heinrich Hart) (von Kiri Te Kanawa, Sir Georg Solti)
14. All mein' Gedanken, op. 21 TrV 160 no. 1 (Felix Dahn) (von Kiri Te Kanawa, Sir Georg Solti)
15. Begegnung, TrV 90 (Otto Friedrich Gruppe) (von Kiri Te Kanawa, Sir Georg Solti)
16. Morgen!, op. 27 TrV 170 no. 4 (John Henry Mackay) (von Kiri Te Kanawa, Sir Georg Solti)
17. Zueignung, op. 10 TrV 141 no. 1 (Hermann von Gilm) (von Kiri Te Kanawa, Sir Georg Solti)

Mozart: Mass in C minor “Große Messe”

1. Mass in C minor, K. 427 “Große Messe”: I. Kyrie (von Wiener Philharmoniker, Sir Georg Solti)
2. Mass in C minor, K. 427 “Große Messe”: II. Gloria. a. Gloria in excelsis Deo (von Wiener Philharmoniker, Sir Georg Solti)
3. Mass in C minor, K. 427 “Große Messe”: II. Gloria. b. Laudamus te (von Anne Sofie von Otter, Wiener Philharmoniker, Sir Georg Solti)
4. Mass in C minor, K. 427 “Große Messe”: II. Gloria. c. Gratias (von Wiener Philharmoniker, Sir Georg Solti)
5. Mass in C minor, K. 427 “Große Messe”: II. Gloria. d. Domine
6. Mass in C minor, K. 427 “Große Messe”: II. Gloria. e. Qui tollis (von Wiener Philharmoniker, Sir Georg Solti)
7. Mass in C minor, K. 427 “Große Messe”: II. Gloria. f. Quoniam (von Wiener Philharmoniker, Sir Georg Solti)
8. Mass in C minor, K. 427 “Große Messe”: II. Gloria. g. Jesu Christe - Cum Sancto Spiritu (von Wiener Philharmoniker, Sir Georg Solti)
9. Mass in C minor, K. 427 “Große Messe”: III. Credo. a. Credo in unum Deum (von Wiener Philharmoniker, Sir Georg Solti)
10. Mass in C minor, K. 427 “Große Messe”: III. Credo. b. Et incarnatus est (von Wiener Philharmoniker, Sir Georg Solti)
11. Mass in C minor, K. 427 “Große Messe”: IV. Sanctus. a. Sanctus Dominus (von Wiener Philharmoniker, Sir Georg Solti)
12. Mass in C minor, K. 427 “Große Messe”: IV. Sanctus. b. Hosanna in excelsis (von Wiener Philharmoniker, Sir Georg Solti)
13. Mass in C minor, K. 427 “Große Messe”: V. Benedictus. a. Benedictus qui venit (von Wiener Philharmoniker, Sir Georg Solti)
14. Mass in C minor, K. 427 “Große Messe”: V. Benedictus. b. Hosanna in excelsis (von Wiener Philharmoniker, Sir Georg Solti)

Mozart: Requiem

1. Requiem in D minor, K. 626: I. Introitus (von Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
2. Requiem in D minor, K. 626: II. Kyrie (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
3. Requiem in D minor, K. 626: III. Sequentia. a. Dies irae (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
4. Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum
5. Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
6. Requiem in D minor, K. 626: III. Sequentia. d. Recordare
7. Requiem in D minor, K. 626: III. Sequentia. e. Confutatis (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
8. Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
9. Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu
10. Requiem in D minor, K. 626: IV. Offertorium. b. Hostias (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
11. Prayer over the gifts
12. Preface
13. Requiem in D minor, K. 626: V. Sanctus (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
14. Requiem in D minor, K. 626: VI. Benedictus
15. Canon
16. Pater noster - Ecce Agnus
17. Requiem in D minor, K. 626: VII. Agnus Dei (von Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)
18. Requiem in D minor, K. 626: VIII. Communio (von Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti)

Shostakovich: Symphony no. 9 / Beethoven: Symphony no. 5 [LIVE, 1990]

1. Symphony no. 9 in E-flat, op. 70: I. Allegro (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 9 in E-flat, op. 70: II. Moderato (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 9 in E-flat, op. 70: III. Presto (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 9 in E-flat, op. 70: IV. Largo (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 9 in E-flat, op. 70: V. Allegretto (von Wiener Philharmoniker, Sir Georg Solti)
6. Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von Wiener Philharmoniker, Sir Georg Solti)
7. Symphony no. 5 in C minor, op. 67: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
8. Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro - Trio (von Wiener Philharmoniker, Sir Georg Solti)
9. Symphony no. 5 in C minor, op. 67: IV. Allegro (von Wiener Philharmoniker, Sir Georg Solti)

Mendelssohn: Symphony no. 4 “Italian” [LIVE, 1993] / Shostakovich: Symphony no. 5

1. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace (von Wiener Philharmoniker, Sir Georg Solti)
2. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto (von Wiener Philharmoniker, Sir Georg Solti)
3. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato (von Wiener Philharmoniker, Sir Georg Solti)
4. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Salterello: Presto (von Wiener Philharmoniker, Sir Georg Solti)
5. Symphony no. 5 in D minor, op. 47: I. Moderato (von Wiener Philharmoniker, Sir Georg Solti)
6. Symphony no. 5 in D minor, op. 47: II. Allegretto (von Wiener Philharmoniker, Sir Georg Solti)
7. Symphony no. 5 in D minor, op. 47: III. Largo (von Wiener Philharmoniker, Sir Georg Solti)
8. Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (von Wiener Philharmoniker, Sir Georg Solti)

Kodály: “Peacock” Variations / Blacher: Paganini Variations / Elgar: “Enigma” Variations

1. Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) (von Vienna Philharmonic Orchestra, Sir Georg Solti)
2. Variations on a Theme by N. Paganini (von Vienna Philharmonic Orchestra, Sir Georg Solti)
3. Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) (von Vienna Philharmonic Orchestra, Sir Georg Solti)
4. Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
5. Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
6. Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
7. Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
8. Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
9. Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
10. Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
11. Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
12. Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
13. Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
14. Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
15. Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
16. Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” (von Vienna Philharmonic Orchestra, Sir Georg Solti)
17. Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” (von Vienna Philharmonic Orchestra, Sir Georg Solti)

Mussorgsky: A Night on the Bare Mountain / Music from Khovanshchina / Borodin: Prince Igor Overture / Glinka: Ruslan and Lyudmila Overture

1. A Night on the Bare Mountain (von Modest Mussorgsky)
2. Prince Igor: Overture (von Alexander Borodin)
3. Ruslan and Lyudmila: Overture (von Mikhail Glinka)
4. Khovanshchina: Introduction (von Modest Mussorgsky)
5. Khovanshchina: Dance of the Persian Slaves (von Modest Mussorgsky)

Mozart: Piano Quartets 1 & 2

1. Piano Quartet no. 1 in G minor, K. 478: I. Allegro
2. Piano Quartet no. 1 in G minor, K. 478: II. Andante
3. Piano Quartet no. 1 in G minor, K. 478: III. Rondo: Allegro moderato
4. Piano Quartet no. 2 in E-flat, K. 493: I. Allegro
5. Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto
6. Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto

Mozart: Symphonies 40 & 41

1. Symphony No. 40 in G Minor, K. 550: I. Molto allegro (von Chamber Orchestra of Europe, Sir Georg Solti)
2. Symphony no. 40 in G minor, K. 550: II. Andante (von Chamber Orchestra of Europe, Sir Georg Solti)
3. Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto (von Chamber Orchestra of Europe, Sir Georg Solti)
4. Symphony no. 40 in G minor, K. 550: IV. Finale: Allegro assai (von Chamber Orchestra of Europe, Sir Georg Solti)
5. Symphony no. 41 in C, K. 551: I. Allegro vivace (von Chamber Orchestra of Europe, Sir Georg Solti)
6. Symphony no. 41 in C, K. 551: II. Andante cantabile (von Chamber Orchestra of Europe, Sir Georg Solti)
7. Symphony no. 41 in C, K. 551: III. Menuetto: Allegretto (von Chamber Orchestra of Europe, Sir Georg Solti)
8. Symphony no. 41 in C, K. 551: IV. Molto allegro (von Chamber Orchestra of Europe, Sir Georg Solti)

R. Strauss: Eine Alpensinfonie

1. Eine Alpensinfonie, op. 64 TrV 233: I. Nacht (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
2. Eine Alpensinfonie, op. 64 TrV 233: II. Sonnenaufgang (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
3. Eine Alpensinfonie, op. 64 TrV 233: III. Der Anstieg (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
4. Eine Alpensinfonie, op. 64 TrV 233: IV. Eintritt in den Wald / V. Wanderung neben dem Bache (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
5. Eine Alpensinfonie, op. 64 TrV 233: VI. Am Wasserfall (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
6. Eine Alpensinfonie, op. 64 TrV 233: VII. Erscheinung (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
7. Eine Alpensinfonie, op. 64 TrV 233: VIII. Auf blumigen Wiesen (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
8. Eine Alpensinfonie, op. 64 TrV 233: IX. Auf der Alm (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
9. Eine Alpensinfonie, op. 64 TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
10. Eine Alpensinfonie, op. 64 TrV 233: XI. Auf dem Gletscher (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
11. Eine Alpensinfonie, op. 64 TrV 233: XII. Gefahrvolle Augenblicke / XIII. Auf dem Gipfel (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
12. Eine Alpensinfonie, op. 64 TrV 233: XIV. Vision (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
13. Eine Alpensinfonie, op. 64 TrV 233: XV. Nebel steigen auf (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
14. Eine Alpensinfonie, op. 64 TrV 233: XVI. Die Sonne verdüstert sich allmählich (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
15. Eine Alpensinfonie, op. 64 TrV 233: XVII. Elegie (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
16. Eine Alpensinfonie, op. 64 TrV 233: XVIII. Stille vor dem Sturm (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
17. Eine Alpensinfonie, op. 64 TrV 233: XIX. Gewitter und Sturm (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
18. Eine Alpensinfonie, op. 64 TrV 233: XX. Sonnenuntergang (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
19. Eine Alpensinfonie, op. 64 TrV 233: XXI. Ausklang (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)
20. Eine Alpensinfonie, op. 64 TrV 233: XXII. Nacht (von Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti)

R. Strauss: Also sprach Zarathustra / Till Eulenspiegels lustige Streiche / Salome's Dance

1. Also sprach Zarathustra, op. 30 TrV 176: I. Prelude: Sonnenaufgang
2. Also sprach Zarathustra, op. 30 TrV 176: II. Von den Hinterweltlern
3. Also sprach Zarathustra, op. 30 TrV 176: III. Von der großen Sehnsucht
4. Also sprach Zarathustra, op. 30 TrV 176: IV. Von den Freuden und Leidenschaften
5. Also sprach Zarathustra, op. 30 TrV 176: V. Das Grablied
6. Also sprach Zarathustra, op. 30 TrV 176: VI. Von der Wissenschaft
7. Also sprach Zarathustra, op. 30 TrV 176: VII. Der Genesende
8. Also sprach Zarathustra, op. 30 TrV 176: VIII. Das Tanzlied - Das Nachtlied
9. Also sprach Zarathustra, op. 30 TrV 176: IX. Das Nachtwandlerlied
10. Till Eulenspiegels lustige Streiche, op. 28 TrV 171
11. Salome's Dance, TrV 215a “Dance of the Seven Veils”

Beethoven: Missa Solemnis

1. Mass in D, op. 123 “Missa Solemnis”: I. Kyrie
2. Mass in D, op. 123 “Missa Solemnis”: II. Gloria. a. Gloria in excelsis Deo
3. Mass in D, op. 123 “Missa Solemnis”: II. Gloria. b. Qui tollis peccata mundi
4. Mass in D, op. 123 “Missa Solemnis”: II. Gloria. c. Quoniam tu solus Sanctus
5. Mass in D, op. 123 “Missa Solemnis”: III. Credo. a. Credi un unum Deum
6. Mass in D, op. 123 “Missa Solemnis”: III. Credo. b. Et incarnatus est
7. Mass in D, op. 123 “Missa Solemnis”: III. Credo. c. Et resurrexit tertia die
8. Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. a. Sanctus, Sanctus, Sanctus
9. Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. b. Benedictus qui venit
10. Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. a. Agnus Dei, qui tollis peccata mundi
11. Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. b. Dona nobis pacem

Tchaikovsky: Symphony no. 2 “Little Russian”

1. Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: I. Andante sostenuto - Allegro vivo
2. Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: II. Andantino marziale, quasi moderato
3. Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: III. Scherzo: Allegro molto vivace - Trio: L'istesso tempo
4. Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: IV. Finale: Moderato assai - Allegro vivo - Presto

Tchaikovsky: Symphony no. 5

1. Symphony no. 5 in E minor, op. 64 TH 29: I. Andante - Allegro con anima
2. Symphony no. 5 in E minor, op. 64 TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima
3. Symphony no. 5 in E minor, op. 64 TH 29: III. Valse: Allegro moderato
4. Symphony no. 5 in E minor, op. 64 TH 29: IV. Finale: Andante maestoso - Allegro vivace

Liszt: Tasso: Lamento e trionfo / Von der Wiege bis zum Grabe / Mephisto Waltz no. 1

1. Tasso: Lamento e trionfo, S. 96 (Symphonic Poem no. 2)
2. 2 Episoden aus Lenaus Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto Waltz no. 1)
3. Von der Wiege bis zum Grabe, S. 107 (Symphonic Poem no. 13)

Mahler: Symphony no. 4

1. Symphony no. 4 in G: I. Bedächtig. Nicht eilen - Recht gemächlich
2. Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
3. Symphony no. 4 in G: III. Ruhevoll. Poco adagio
4. Symphony no. 4 in G: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden”

Mahler: Das Lied von der Erde

1. Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
2. Das Lied von der Erde: II. Der Einsame im Herbst
3. Das Lied von der Erde: III. Von der Jugend
4. Das Lied von der Erde: IV. Von der Schönheit
5. Das Lied von der Erde: V. Der Trunkene im Frühling
6. Das Lied von der Erde: VI. Der Abschied

Shostakovich: Symphony no. 1 / Stravinsky: Sacre du printemps (Rite of Spring)

1. Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo
2. Symphony no. 1 in F minor, op. 10: II. Allegro
3. Symphony no. 1 in F minor, op. 10: III. Lento
4. Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto
5. Le Sacre du printemps: Part I: Adoration of the Earth. I. Introduction
6. Le Sacre du printemps: Part I: Adoration of the Earth. II. The Augurs of Spring: Dances of the Young Girls
7. Le Sacre du printemps: Part I: Adoration of the Earth. III. Ritual of Abduction
8. Le Sacre du printemps: Part I: Adoration of the Earth. IV. Spring Rounds
9. Le Sacre du printemps: Part I: Adoration of the Earth. V. Ritual of the Rival Tribes
10. Le Sacre du printemps: Part I: Adoration of the Earth. VIa. Procession of the Sage
11. Le Sacre du printemps: Part I: Adoration of the Earth. VIb. The Sage (von Igor Stravinsky)
12. Le Sacre du printemps: Part I: Adoration of the Earth. VII. Dance of the Earth
13. Le Sacre du printemps: Part II: The Sacrifice. I. Introduction
14. Le Sacre du printemps: Part II: The Sacrifice. II. Mystic Circles of the Young Girls
15. Le Sacre du printemps: Part II: The Sacrifice. III. Glorification of the Chosen One
16. Le Sacre du printemps: Part II: The Sacrifice. IV. Evocation of the Ancestors
17. Le Sacre du printemps: Part II: The Sacrifice. V. Ritual Action of the Ancestors
18. Le Sacre du printemps: Part II: The Sacrifice. VI. Sacrificial Dance (The Chosen One)

Rossini / Respighi: La Boutique fantasque Suite / Dukas: L'Apprenti sorcier

1. La Boutique fantasque Suite: I. Overture (von Israel Philharmonic Orchestra, Sir Georg Solti)
2. La Boutique fantasque Suite: II. Tarantella (von Israel Philharmonic Orchestra, Sir Georg Solti)
3. La Boutique fantasque Suite: III. Mazurka (von Israel Philharmonic Orchestra, Sir Georg Solti)
4. La Boutique fantasque Suite: IV. Cossack Dance (von Israel Philharmonic Orchestra, Sir Georg Solti)
5. La Boutique fantasque Suite: V. Can-Can (von Israel Philharmonic Orchestra, Sir Georg Solti)
6. La Boutique fantasque Suite: VI. Valse lente (von Israel Philharmonic Orchestra, Sir Georg Solti)
7. La Boutique fantasque Suite: VII. Nocturne (von Israel Philharmonic Orchestra, Sir Georg Solti)
8. La Boutique fantasque Suite: VIII. Galop (von Israel Philharmonic Orchestra, Sir Georg Solti)
9. L'Apprenti sorcier (von Israel Philharmonic Orchestra, Sir Georg Solti)

Mendelssohn: Symphony no. 4 “Italian” [1958] / Schubert: Symphony no. 5 [1958]

1. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace (von Israel Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto (von Israel Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato (von Israel Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Saltarello: Presto (von Israel Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 5 in B-flat, D. 485: I. Allegro (von Israel Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 5 in B-flat, D. 485: II. Andante con moto (von Israel Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 5 in B-flat, D. 485: III. Menuetto: Allegro molto (von Israel Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace (von Israel Philharmonic Orchestra, Sir Georg Solti)

Tchaikovsky: Serenade for String Orchestra / Mozart: Serenade no. 13 “Eine kleine Nachtmusik”

1. Serenade for String Orchestra, op. 48 TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato (von Israel Philharmonic Orchestra, Sir Georg Solti)
2. Serenade for String Orchestra, op. 48 TH 48: II. Valse: Moderato, Tempo di valse (von Israel Philharmonic Orchestra, Sir Georg Solti)
3. Serenade for String Orchestra, op. 48 TH 48: III. Elegia: Larghetto elegiaco (von Israel Philharmonic Orchestra, Sir Georg Solti)
4. Serenade for String Orchestra, op. 48 TH 48: IV. Finale (Tema russo ): Andante - Allegro con spirito (von Israel Philharmonic Orchestra, Sir Georg Solti)
5. Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: I. Allegro (von Israel Philharmonic Orchestra, Sir Georg Solti)
6. Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: II. Romance: Andante (von Israel Philharmonic Orchestra, Sir Georg Solti)
7. Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: III. Menuetto: Allegretto (von Israel Philharmonic Orchestra, Sir Georg Solti)
8. Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: IV. Rondo: Allegro (von Israel Philharmonic Orchestra, Sir Georg Solti)

Solti in Europe: A Memoir

1. Introduction and Overview
2. 1930s and 1940s Europe
3. Vienna Philharmonic Orchestra: Part One (1950s and 1960s)
4. Solti's conducting maxims and artistic approach
5. Vienna Philharmonic Orchestra: Part Two (1970s to 1990s)
6. Berlin Philharmonic Orchestra
7. Solti and young musicians: Schleswig-Holstein Festival Orchestra and Chamber Orchestra of Europe
8. Solti and young opera singers
9. World Orchestra for Peace
10. Final months: Full circle to Budapest and Zürich

Mozart: Requiem

1. Titles - Processional - Introductory Rites
2. Requiem in D minor, K. 626: I. Introitus (von Wiener Philharmoniker, Sir Georg Solti)
3. Requiem in D minor, K. 626: II. Kyrie (von Wiener Philharmoniker, Sir Georg Solti)
4. Collect - First Reading
5. Requiem in D minor, K. 626: III. Sequentia. a. Dies irae (von Wiener Philharmoniker, Sir Georg Solti)
6. Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum (von Wiener Philharmoniker, Sir Georg Solti)
7. Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae (von Wiener Philharmoniker, Sir Georg Solti)
8. Requiem in D minor, K. 626: III. Sequentia. d. Recordare (von Wiener Philharmoniker, Sir Georg Solti)
9. Requiem in D minor, K. 626: III. Sequentia. e. Confutatis (von Wiener Philharmoniker, Sir Georg Solti)
10. Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa (von Wiener Philharmoniker, Sir Georg Solti)
11. Second Reading - Gospel - Prayer of the Faithful - Offertory
12. Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu (von Wiener Philharmoniker, Sir Georg Solti)
13. Requiem in D minor, K. 626: IV. Offertorium. b. Hostias (von Wiener Philharmoniker, Sir Georg Solti)
14. Prayer over the gifts - Preface
15. Requiem in D minor, K. 626: V. Sanctus (von Wiener Philharmoniker, Sir Georg Solti)
16. Requiem in D minor, K. 626: VI. Benedictus (von Wiener Philharmoniker, Sir Georg Solti)
17. Canon - Pater noster
18. Requiem in D minor, K. 626: VII. Agnus Dei (von Wiener Philharmoniker, Sir Georg Solti)
19. Requiem in D minor, K. 626: VIII. Communio (von Wiener Philharmoniker, Sir Georg Solti)
20. Postcommunion - Blessing
21. The Story of the Requiem: Introductory film

Rossini: Guillaume Tell Overture / Bartók: Concerto for Orchestra / Beethoven “Heil sei dem Tag” Fidelio Act II Finale

1. Titles
2. Georg Solti in conversation and rehearsal
3. Guillaume Tell: Overture (von World Orchestra for Peace, Sir Georg Solti)
4. Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace (von World Orchestra for Peace, Sir Georg Solti)
5. Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie (von World Orchestra for Peace, Sir Georg Solti)
6. Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo (von World Orchestra for Peace, Sir Georg Solti)
7. Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto (von World Orchestra for Peace, Sir Georg Solti)
8. Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto (von World Orchestra for Peace, Sir Georg Solti)
9. Fidelio, op. 72: Act II. Finale “Heil sei dem Tag”
10. Closing Credits

Mozart: Symphonies nos. 25 & 38

1. Symphony no. 38 in D, K. 504 “Prague”: I. Adagio - Allegro (von London Symphony Orchestra, Sir Georg Solti)
2. Symphony no. 38 in D, K. 504 “Prague”: II. Andante (von London Symphony Orchestra, Sir Georg Solti)
3. Symphony no. 38 in D, K. 504 “Prague”: III. Finale: Presto (von London Symphony Orchestra, Sir Georg Solti)
4. Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von London Symphony Orchestra, Sir Georg Solti)
5. Symphony no. 25 in G minor, K. 183: II. Andante (von London Symphony Orchestra, Sir Georg Solti)
6. Symphony no. 25 in G minor, K. 183: III. Menuetto (von London Symphony Orchestra, Sir Georg Solti)
7. Symphony no. 25 in G minor, K. 183: IV. Allegro (von London Symphony Orchestra, Sir Georg Solti)

Mozart: Piano Concertos nos. 25 & 27

1. Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)
2. Piano Concerto no. 25 in C, K. 503: II. Andante (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)
3. Piano Concerto no. 25 in C, K. 503: III. Allegretto (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)
4. Piano Concerto no. 27 in B-flat, K. 595: I. Allegro (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)
5. Piano Concerto no. 27 in B-flat, K. 595: II. Larghetto (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)
6. Piano Concerto no. 27 in B-flat, K. 595: III. Allegro (von Alicia de Larrocha, London Philharmonic Orchestra, Sir Georg Solti)

Mozart: Piano Concertos nos. 24 & 26

1. Piano Concerto no. 24 in C minor, K. 491: I. Allegro (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)
2. Piano Concerto no. 24 in C minor, K. 491: II. Larghetto (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)
3. Piano Concerto no. 24 in C minor, K. 491: III. Allegretto (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)
4. Piano Concerto no. 26 in D, K. 537 “Coronation”: I. Allegro (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)
5. Piano Concerto no. 26 in D, K. 537 “Coronation”: II. [Larghetto] (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)
6. Piano Concerto no. 26 in D, K. 537 “Coronation”: III. [Allegretto] (von Alicia de Larrocha, Chamber Orchestra of Europe, Sir Georg Solti)

Mozart: Piano Concertos nos. 7, 10 & 20

1. Concerto no. 10 in E-flat, K. 365 (316a): I. Allegro
2. Concerto no. 10 in E-flat, K. 365 (316a): II. Andante
3. Concerto no. 10 in E-flat, K. 365 (316a): III. Rondeau: Allegro
4. Concerto no. 7 in F, K. 242 “Lodron”: I. Allegro
5. Concerto no. 7 in F, K. 242 “Lodron”: II. Adagio
6. Concerto no. 7 in F, K. 242 “Lodron”: III. Rondeau: Tempo di menuetto
7. Piano Concerto no. 20 in D minor, K. 466: I. Allegro
8. Piano Concerto no. 20 in D minor, K. 466: II. Romance
9. Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai

Haydn: Symphonies (analogue) nos. 100, 102 & 103

1. Symphony no. 100 in G, Hob. I:100 “Military”: I. Adagio - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 100 in G, Hob. I:100 “Military”: II. Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 100 in G, Hob. I:100 “Military”: III. Menuetto e Trio: Moderato (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 100 in G, Hob. I:100 “Military”: IV. Finale: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 102 in B-flat, Hob. I:102: II. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 102 in B-flat, Hob. I:102: III. Menuetto e Trio: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
9. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: I. Adagio - Allegro con spirito (von London Philharmonic Orchestra, Sir Georg Solti)
10. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: II. Andante, più tosto allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
11. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: III. Menuetto e Trio (von London Philharmonic Orchestra, Sir Georg Solti)
12. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: IV. Finale: Allegro con spirito (von London Philharmonic Orchestra, Sir Georg Solti)

Haydn: Symphonies (digital) nos. 93, 94, 101

1. Symphony no. 93 in D, Hob. I:93: I. Adagio - Allegro assai (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 93 in D, Hob. I:93: II. Largo cantabile (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 93 in D, Hob. I:93: III. Menuetto e Trio: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 93 in D, Hob. I:93: IV. Finale: Presto ma non troppo (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 94 in G, Hob. I:94 “Surprise”: I. Adagio - Vivace assai (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 94 in G, Hob. I:94 “Surprise”: II. Andante (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 94 in G, Hob. I:94 “Surprise”: III. Menuet e Trio: Allegro molto (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 94 in G, Hob. I:94 “Surprise”: IV. Finale: Allegro di molto (von London Philharmonic Orchestra, Sir Georg Solti)
9. Symphony no. 101 in D, Hob. I:101 “The Clock”: I. Adagio - Presto (von London Philharmonic Orchestra, Sir Georg Solti)
10. Symphony no. 101 in D, Hob. I:101 “The Clock”: II. Andante (von London Philharmonic Orchestra, Sir Georg Solti)
11. Symphony no. 101 in D, Hob. I:101 “The Clock”: III. Menuetto e Trio: Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
12. Symphony no. 101 in D, Hob. I:101 “The Clock”: IV. Finale: Vivace (von London Philharmonic Orchestra, Sir Georg Solti)

Haydn: Symphonies (digital) nos. 95, 96, 99

1. Symphony no. 95 in C minor, Hob. I:95: I. Allegro moderato (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 95 in C minor, Hob. I:95: II. Andante cantabile (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 95 in C minor, Hob. I:95: III. Menuet e Trio (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 95 in C minor, Hob. I:95: IV. Finale: Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 96 in D, Hob. I:96 “Miracle”: I. Adagio - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 96 in D, Hob. I:96 “Miracle”: II. Andante (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 96 in D, Hob. I:96 “Miracle”: III. Menuetto e Trio: Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 96 in D, Hob. I:96 “Miracle”: IV. Finale: Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
9. Symphony no. 99 in E-flat, Hob. I:99: I. Adagio - Vivace assai (von London Philharmonic Orchestra, Sir Georg Solti)
10. Symphony no. 99 in E-flat, Hob. I:99: II. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
11. Symphony no. 99 in E-flat, Hob. I:99: III. Menuetto e Trio: Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
12. Symphony no. 99 in E-flat, Hob. I:99: IV. Finale: Vivace (von London Philharmonic Orchestra, Sir Georg Solti)

Haydn: Symphonies (digital) nos. 97, 98, 103

1. Symphony no. 97 in C, Hob. I:97: I. Adagio - Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 97 in C, Hob. I:97: II. Adagio ma non troppo (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 97 in C, Hob. I:97: III. Menuetto: Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 97 in C, Hob. I:97: IV. Finale: Presto assai (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 98 in B-flat, Hob. I:98: I. Adagio - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 98 in B-flat, Hob. I:98: II. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 98 in B-flat, Hob. I:98: III. Menuetto e Trio: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 98 in B-flat, Hob. I:98: IV. Finale: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
9. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: I. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
10. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: II. Andante, più tosto allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
11. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: III. Menuetto e Trio (von London Philharmonic Orchestra, Sir Georg Solti)
12. Symphony no. 103 in E-flat, Hob. I:103 “Drum Roll”: IV. Finale: Allegro con spirito (von London Philharmonic Orchestra, Sir Georg Solti)

Haydn: Symphonies (digital) nos. 100, 102, 104

1. Symphony no. 100 in G, Hob. I:100 “Military”: I. Adagio - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 100 in G, Hob. I:100 “Military”: II. Allegretto (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 100 in G, Hob. I:100 “Military”: III. Menuetto e Trio: Moderato (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 100 in G, Hob. I:100 “Military”: IV. Finale: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 102 in B-flat, Hob. I:102: II. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 102 in B-flat, Hob. I:102: III. Menuetto e Trio: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
9. Symphony no. 104 in D, Hob. I:104 “London”: I. Adagio - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
10. Symphony no. 104 in D, Hob. I:104 “London”: II. Andante (von London Philharmonic Orchestra, Sir Georg Solti)
11. Symphony no. 104 in D, Hob. I:104 “London”: III. Menuetto e Trio: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
12. Symphony no. 104 in D, Hob. I:104 “London”: IV. Finale: Spiritoso (von London Philharmonic Orchestra, Sir Georg Solti)

Beethoven: Violin Concerto

1. Violin Concerto in D, op. 61: I. Allegro ma non troppo
2. Violin Concerto in D, op. 61: II. Larghetto
3. Violin Concerto in D, op. 61: III. Rondo: Allegro

Mendelssohn: Symphony no. 3 / Beethoven: Symphony no. 4

1. Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai (von London Philharmonic Orchestra, Sir Georg Solti)
5. Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace (von London Philharmonic Orchestra, Sir Georg Solti)
6. Symphony no. 4 in B-flat, op. 60: II. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
7. Symphony no. 4 in B-flat, op. 60: III. Allegro vivace (von London Philharmonic Orchestra, Sir Georg Solti)
8. Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo (von London Philharmonic Orchestra, Sir Georg Solti)

Rossini, Suppè: Overtures

1. L'Italiana in Algeri: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
2. Il barbiere di Siviglia: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
3. Die leichte Kavallerie: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
4. Dichter und Bauer: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
5. Ein Morgan, Mittag und ein Abend in Wien: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
6. Pique Dame: Overture (von London Philharmonic Orchestra, Sir Georg Solti)

Offenbach: Gaîté Parisienne

1. Gaîté Parisienne: Ouverture (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
2. Gaîté Parisienne: Allegro brillante (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
3. Gaîté Parisienne: Polka (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
4. Gaîté Parisienne: Allegro - Valse (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
5. Gaîté Parisienne: Mazurka (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
6. Gaîté Parisienne: Valse (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
7. Gaîté Parisienne: Peruvian dance (Allegro) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
8. Gaîté Parisienne: Polka (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
9. Gaîté Parisienne: Valse lente (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
10. Gaîté Parisienne: Tempo di marcia (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
11. Gaîté Parisienne: Valse (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
12. Gaîté Parisienne: Allegro vivo - Valse (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
13. Gaîté Parisienne: Allegro vivace (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
14. Gaîté Parisienne: Valse (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
15. Gaîté Parisienne: Allegro - Cancan (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
16. Gaîté Parisienne: Quadrille - Cancan (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
17. Gaîté Parisienne: Allegro moderato (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
18. Gaîté Parisienne: Allegro (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
19. Gaîté Parisienne: Leggiero (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
20. Gaîté Parisienne: Vivo (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
21. Gaîté Parisienne: Barcarolle (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)

Orchestral Music from Ballet & Opera: Gounod: Act V Ballet Music from Faust / Offenbach / Ponchielli / Rossini / Verdi

1. La forza del destino: Overture (von London Philharmonic Orchestra, Sir Georg Solti)
2. La traviata: Prelude to Act I (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
3. L'Italiana in Algeri: Overture (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
4. Les Contes d'Hoffman: Entr'acte (Barcarolle) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
5. La traviata: Prelude to Act III (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
6. Semiramide: Overture (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
7. La Gioconda: Dance of the Hours (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
8. Faust (Ballet Music): Act V. Les Nubiennes (Allegretto: movement de valse) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
9. Faust (Ballet Music): Act V. Adagio (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
10. Faust (Ballet Music): Act V. Danse antique (Allegretto) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
11. Faust (Ballet Music): Act V. Variations de Cléopâtre (Moderato maestoso) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
12. Faust (Ballet Music): Act V. Les Troyennes (Moderato con moto) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
13. Faust (Ballet Music): Act V. Variations du miroir (Allegretto) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)
14. Faust (Ballet Music): Act V. Danse de Phryné (Allegro vivo) (von Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti)

Liszt: Symphonic Poems nos. 3, 5 & 7 / Schubert: Wanderer-Fantasie

1. Les Préludes, S. 97 iv, Symphonic Poem no. 3 (von London Philharmonic Orchestra, Sir Georg Solti)
2. Prometheus, S. 99 , Symphonic Poem no. 5 (von London Philharmonic Orchestra, Sir Georg Solti)
3. Festklänge, S. 101 ii, Symphonic Poem no. 7 (von London Philharmonic Orchestra, Sir Georg Solti)
4. Wanderer-Fantasie: I. Allegro con fuoco
5. Wanderer-Fantasie: II. Adagio
6. Wanderer-Fantasie: III. Presto
7. Wanderer-Fantasie: IV. Allegro

Rachmaninov: Piano Concerto no. 2 / Russian Orchestral Music: Borodin, Glinka, Mussorgsky

1. Ruslan and Lyudmila: Overture (von London Symphony Orchestra, Sir Georg Solti)
2. Khovanshchina: Prelude (von London Symphony Orchestra, Sir Georg Solti)
3. Night on the Bare Mountain (von London Symphony Orchestra, Sir Georg Solti)
4. Prince Igor: Overture (von London Symphony Orchestra, Sir Georg Solti)
5. Prince Igor: Polovtsian Dances
6. Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von Julius Katchen, London Symphony Orchestra, Sir Georg Solti)
7. Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von Julius Katchen, London Symphony Orchestra, Sir Georg Solti)
8. Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von Julius Katchen, London Symphony Orchestra, Sir Georg Solti)

Elgar: Symphony no. 1

1. Symphony no. 1 in A-flat, op. 55: I. Andante. Nobilmente e semplice (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 1 in A-flat, op. 55: II. Allegro molto (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 1 in A-flat, op. 55: III. Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 1 in A-flat, op. 55: IV. Lento - Allegro (von London Philharmonic Orchestra, Sir Georg Solti)

Elgar: Symphony no. 2

1. Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony no. 2 in E-flat, op. 63: II. Larghetto (von London Philharmonic Orchestra, Sir Georg Solti)
3. Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto (von London Philharmonic Orchestra, Sir Georg Solti)
4. Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso (von London Philharmonic Orchestra, Sir Georg Solti)

Elgar: Falstaff / In the South (Alassio)

1. Falstaff, op. 68, Symphonic Study in C minor: I. Allegro (Start) (von London Philharmonic Orchestra, Sir Georg Solti)
2. Falstaff, op. 68, Symphonic Study in C minor: II. Allegro molto (von London Philharmonic Orchestra, Sir Georg Solti)
3. Falstaff, op. 68, Symphonic Study in C minor: III. Poco allegretto (Dream Interlude) (von London Philharmonic Orchestra, Sir Georg Solti)
4. Falstaff, op. 68, Symphonic Study in C minor: IV. Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
5. Falstaff, op. 68, Symphonic Study in C minor: V. Allegretto (Interlude) (von London Philharmonic Orchestra, Sir Georg Solti)
6. Falstaff, op. 68, Symphonic Study in C minor: VI. Allegro molto (von London Philharmonic Orchestra, Sir Georg Solti)
7. In the South (Alassio), op. 50: Concert Overture (von London Philharmonic Orchestra, Sir Georg Solti)

Elgar: “Cockaigne” Overture / Pomp and Circumstance Marches / God Save the Queen / “Enigma” Variations

1. Overture “Cockaigne”, op. 40 (von London Philharmonic Orchestra, Sir Georg Solti)
2. Pomp and Circumstance Marches, op. 39: No. 1 in D (von London Philharmonic Orchestra, Sir Georg Solti)
3. Pomp and Circumstance Marches, op. 39: No. 2 in A minor (von London Philharmonic Orchestra, Sir Georg Solti)
4. Pomp and Circumstance Marches, op. 39: No. 3 in C minor (von London Philharmonic Orchestra, Sir Georg Solti)
5. Pomp and Circumstance Marches, op. 39: No. 4 in G
6. Pomp and Circumstance Marches, op. 39: No. 5 in C (von London Philharmonic Orchestra, Sir Georg Solti)
7. Variations on an Original Theme, op. 36 “Enigma”: Theme: Andante (von Chicago Symphony Orchestra, Sir Georg Solti)
8. Variations on an Original Theme, op. 36 “Enigma”: Variation I (C.A.E.) L'istesso tempo (von Chicago Symphony Orchestra, Sir Georg Solti)
9. Variations on an Original Theme, op. 36 “Enigma”: Variation II (H.D.S-P.) Allegro (von Chicago Symphony Orchestra, Sir Georg Solti)
10. Variations on an Original Theme, op. 36 “Enigma”: Variation III (R.B.T.) Allegretto (von Chicago Symphony Orchestra, Sir Georg Solti)
11. Variations on an Original Theme, op. 36 “Enigma”: Variation IV (W.M.B.) Allegro di molto (von Chicago Symphony Orchestra, Sir Georg Solti)
12. Variations on an Original Theme, op. 36 “Enigma”: Variation V (R.P.A.) Moderato (von Chicago Symphony Orchestra, Sir Georg Solti)
13. Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Ysobel) Andantino (von Chicago Symphony Orchestra, Sir Georg Solti)
14. Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Troyte) Presto (von Chicago Symphony Orchestra, Sir Georg Solti)
15. Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (W.N.) Allegretto (von Chicago Symphony Orchestra, Sir Georg Solti)
16. Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Nimrod) Adagio (von Chicago Symphony Orchestra, Sir Georg Solti)
17. Variations on an Original Theme, op. 36 “Enigma”: Variation X (Dorabella) Intermezzo: Allegretto (von Chicago Symphony Orchestra, Sir Georg Solti)
18. Variations on an Original Theme, op. 36 “Enigma”: Variation XI (G.R.S.) Allegro di molto (von Chicago Symphony Orchestra, Sir Georg Solti)
19. Variations on an Original Theme, op. 36 “Enigma”: Variation XII (B.G.N.) Andante (von Chicago Symphony Orchestra, Sir Georg Solti)
20. Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (***) Romanza: Moderato (von Chicago Symphony Orchestra, Sir Georg Solti)
21. Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (E.D.U.) Finale: Allegro - Presto (von Chicago Symphony Orchestra, Sir Georg Solti)
22. God Save the Queen (LPO Concert version)

Elgar: Violin Concerto

1. Violin Concerto in B minor, op. 61: I. Allegro (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)
2. Violin Concerto in B minor, op. 61: II. Andante (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)
3. Violin Concerto in B minor, op. 61: III. Allegro molto (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)

Holst: The Planets

1. The Planets, H. 125: I. Mars, the Bringer of War (von London Philharmonic Orchestra, Sir Georg Solti)
2. The Planets, H. 125: II. Venus, the Bringer of Peace (von London Philharmonic Orchestra, Sir Georg Solti)
3. The Planets, H. 125: III. Mercury, the Winged Messenger (von London Philharmonic Orchestra, Sir Georg Solti)
4. The Planets, H. 125: IV. Jupiter, the Bringer of Jollity (von London Philharmonic Orchestra, Sir Georg Solti)
5. The Planets, H. 125: V. Saturn, the Bringer of Old Age (von London Philharmonic Orchestra, Sir Georg Solti)
6. The Planets, H. 125: VI. Uranus, the Magician (von London Philharmonic Orchestra, Sir Georg Solti)
7. The Planets, H. 125: VII. Neptune, the Mystic (von London Philharmonic Orchestra, Sir Georg Solti, London Philharmonic Choir)

Mahler: Symphony no. 1

1. Symphony no. 1 in D: I. Langsam, schleppend. Im Anfang sehr gemächlich (von London Symphony Orchestra, Georg Solti)
2. Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell (von London Symphony Orchestra, Georg Solti)
3. Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen (von London Symphony Orchestra, Georg Solti)
4. Symphony no. 1 in D: IV. Stürmisch, bewegt (von London Symphony Orchestra, Georg Solti)

Mahler: Symphony no. 2

1. Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (von London Symphony Orchestra, Georg Solti)
2. Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich (von London Symphony Orchestra, Georg Solti)
3. Symphony no. 2 in C minor “Resurrection”: III. Scherzo: In ruhig fließender Bewegung (von London Symphony Orchestra, Georg Solti)
4. Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht
5. Symphony no. 2 in C minor “Resurrection”: Va. Im Tempo des Scherzos: Wild herausfahrend - (von London Symphony Orchestra, Georg Solti)
6. Symphony no. 2 in C minor “Resurrection”: Vb. “Aufersteh'n, ja aufersteh'n wirst du”: Langsam. Misterioso - “O glaube, mein Herz, o glaube”: Etwas bewegter

Mahler: Symphony no. 3 (beginning)

1. Symphony no. 3 in D minor: I. Kräftig - Entschieden (von London Symphony Orchestra, Sir Georg Solti)

Mahler: Symphony no. 3 (conclusion)

1. Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig (von London Symphony Orchestra, Georg Solti)
2. Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast (von London Symphony Orchestra, Georg Solti)
3. Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso: “O Mensch! Gib acht!”
4. Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: Bimm bamm … Es sungen drei Engel
5. Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden (von London Symphony Orchestra, Georg Solti)

Mahler: Symphony no. 9

1. Symphony no. 9 in D: I. Andante comodo (von London Symphony Orchestra, Georg Solti)
2. Symphony no. 9 in D: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (von London Symphony Orchestra, Georg Solti)
3. Symphony no. 9 in D: III. Rondo-Burleske. Allegro assai. Sehr trotzig (von London Symphony Orchestra, Georg Solti)
4. Symphony no. 9 in D: IV. Adagio. Sehr langsam und noch zurückhaltend (von London Symphony Orchestra, Georg Solti)

Bartók: Dance Suite (1952) / Music for Strings, Percussion & Celesta (1955) / Kodaly: Háry János Suite

1. Music for Strings, Percussion and Celesta, BB 114: I. Andante tranquillo (von London Philharmonic Orchestra, Georg Solti)
2. Music for Strings, Percussion and Celesta, BB 114: II. Allegro (von London Philharmonic Orchestra, Georg Solti)
3. Music for Strings, Percussion and Celesta, BB 114: III. Adagio (von London Philharmonic Orchestra, Georg Solti)
4. Music for Strings, Percussion and Celesta, BB 114: IV. Allegro molto (von London Philharmonic Orchestra, Georg Solti)
5. Dance Suite, BB 86a: I. Moderato (von London Philharmonic Orchestra, Sir Georg Solti)
6. Dance Suite, BB 86a: II. Allegro molto (von London Philharmonic Orchestra, Sir Georg Solti)
7. Dance Suite, BB 86a: III. Allegro vivace (von London Philharmonic Orchestra, Sir Georg Solti)
8. Dance Suite, BB 86a: IV. Molto tranquillo (von London Philharmonic Orchestra, Sir Georg Solti)
9. Dance Suite, BB 86a: V. Comodo (von London Philharmonic Orchestra, Sir Georg Solti)
10. Dance Suite, BB 86a: VI. Finale: Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
11. Háry János Suite, op. 35a: I. The Fairy Tale Begins (von London Philharmonic Orchestra, Sir Georg Solti)
12. Háry János Suite, op. 35a: II. Viennese Musical Clock (von London Philharmonic Orchestra, Sir Georg Solti)
13. Háry János Suite, op. 35a: III. Song (von London Philharmonic Orchestra, Sir Georg Solti)
14. Háry János Suite, op. 35a: IV. The Battle and Defeat of Napoleon (von London Philharmonic Orchestra, Sir Georg Solti)
15. Háry János Suite, op. 35a: V. Intermezzo (von London Philharmonic Orchestra, Sir Georg Solti)
16. Háry János Suite, op. 35a: VI. Entrance of the Emperor and His Court (von London Philharmonic Orchestra, Sir Georg Solti)

Kodály: Dances of Galánta / Psalmus Hungaricus / “Peacock” Variations

1. Psalmus Hungaricus, op. 13: When as King David sore was afflicted
2. Psalmus Hungaricus, op. 13: I could have borne so sore an affliction
3. Psalmus Hungaricus, op. 13: So in Jehovah I will put my trust
4. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Theme: Moderato (von London Philharmonic Orchestra, Sir Georg Solti)
5. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Variation I: Con brio / Variation II / Variation III: Più mosso / Variation IV: Poco calmato / Variation V: Appassionato / Variation VI: Calmato (von London Philharmonic Orchestra, Sir Georg Solti)
6. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Variation VII: Vivo / Variation VIII: Più vivo / Variation IX / Variation X: Molto vivo (von London Philharmonic Orchestra, Sir Georg Solti)
7. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Variation XI: Andante espressivo / Variation XII: Adagio (von London Philharmonic Orchestra, Sir Georg Solti)
8. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Variation XIII: Tempo di marcia funebre / Variation XIV: Andante, poco rubato / Variation XV: Allegro giocoso / Variation XVI: Maestoso (von London Philharmonic Orchestra, Sir Georg Solti)
9. Variations on a Hungarian Folk Song “Felszállott a páva” (The Peacock): Finale: Vivace (von London Philharmonic Orchestra, Sir Georg Solti)
10. Dances of Galánta (Galántai táncok): Lento - Maestoso (von London Philharmonic Orchestra, Sir Georg Solti)
11. Dances of Galánta (Galántai táncok): Allegretto moderato (von London Philharmonic Orchestra, Sir Georg Solti)
12. Dances of Galánta (Galántai táncok): Allegro con moto, grazioso (von London Philharmonic Orchestra, Sir Georg Solti)
13. Dances of Galánta (Galántai táncok): Allegro (von London Philharmonic Orchestra, Sir Georg Solti)
14. Dances of Galánta (Galántai táncok): Allegro vivace (von London Philharmonic Orchestra, Sir Georg Solti)

Bartók: Concerto for Orchestra / Dance Suite (1965)

1. Concerto for Orchestra, BB 123: I. Introduzione: Andante non troppo - Allegro vivace (von London Symphony Orchestra, Sir Georg Solti)
2. Concerto for Orchestra, BB 123: II. Giuoco delle coppie: Allegretto scherzando (von London Symphony Orchestra, Sir Georg Solti)
3. Concerto for Orchestra, BB 123: III. Elegia: Andante non troppo (von London Symphony Orchestra, Sir Georg Solti)
4. Concerto for Orchestra, BB 123: IV. Intermezzo interrotto: Allegretto (von London Symphony Orchestra, Sir Georg Solti)
5. Concerto for Orchestra, BB 123: V. Finale: Pesante - Presto (von London Symphony Orchestra, Sir Georg Solti)
6. Dance Suite, BB 86a: I. Moderato (von London Symphony Orchestra, Sir Georg Solti)
7. Dance Suite, BB 86a: II. Allegro molto (von London Symphony Orchestra, Sir Georg Solti)
8. Dance Suite, BB 86a: III. Allegro vivace (von London Symphony Orchestra, Sir Georg Solti)
9. Dance Suite, BB 86a: IV. Molto tranquillo (von London Symphony Orchestra, Sir Georg Solti)
10. Dance Suite, BB 86a: V. Comodo (von London Symphony Orchestra, Sir Georg Solti)
11. Dance Suite, BB 86a: VI. Finale: Allegro (von London Symphony Orchestra, Sir Georg Solti)

Bartók: Music for Strings, Percussion & Celesta (1963) / The Miraculous Mandarin Suite

1. Music for Strings, Percussion and Celesta, BB 114: I. Andante tranquillo (von London Symphony Orchestra, Sir Georg Solti)
2. Music for Strings, Percussion and Celesta, BB 114: II. Allegro (von London Symphony Orchestra, Sir Georg Solti)
3. Music for Strings, Percussion and Celesta, BB 114: III. Adagio (von London Symphony Orchestra, Sir Georg Solti)
4. Music for Strings, Percussion and Celesta, BB 114: IV. Allegro molto (von London Symphony Orchestra, Sir Georg Solti)
5. The Miraculous Mandarin, BB 82, Suite (von London Symphony Orchestra, Sir Georg Solti)

Bartók: Piano Concertos nos. 1-3

1. Piano Concerto no. 1, BB 91: I. Allegro moderato - Allegro (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
2. Piano Concerto no. 1, BB 91: II. Andante (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
3. Piano Concerto no. 1, BB 91: III. Allegro molto (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
4. Piano Concerto no. 2, BB 101: I. Allegro (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
5. Piano Concerto no. 2, BB 101: II. Adagio - Più adagio - Presto (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
6. Piano Concerto no. 2, BB 101: III. Allegro molto (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
7. Piano Concerto no. 3, BB 127: I. Allegretto (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
8. Piano Concerto no. 3, BB 127: II. Adagio religioso (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)
9. Piano Concerto no. 3, BB 127: III. Allegro vivace (von Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti)

Bartók: Violin Concerto no. 2

1. Violin Concerto no. 2, BB 117: I. Allegro non troppo (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)
2. Violin Concerto no. 2, BB 117: II. Andante tranquillo (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)
3. Violin Concerto no. 2, BB 117: III. Allegro molto (von Kyung Wha Chung, London Philharmonic Orchestra, Sir Georg Solti)

Bartók: Bluebeard's Castle

1. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Opening Scene: “Megérkeztünk” (von London Philharmonic Orchestra, Sir Georg Solti)
2. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 1: “Jaj!” – “Mit látsz? Mit látsz? Láncok kések” (von London Philharmonic Orchestra, Sir Georg Solti)
3. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 2: “Mit látsz?” – “Száz kegyetlen szörnyü gegyver” (von London Philharmonic Orchestra, Sir Georg Solti)
4. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 3: “Oh, be sok kincs! Oh, be sok kincs!” (von London Philharmonic Orchestra, Sir Georg Solti)
5. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 4: “Oh! Virágok! Oh! Ilatos kert!” (von London Philharmonic Orchestra, Sir Georg Solti)
6. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 5: “Ah! – “Lásd ez az én birodalmam” (von London Philharmonic Orchestra, Sir Georg Solti)
7. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 6: “Csendes fehér tavat látok” (von London Philharmonic Orchestra, Sir Georg Solti)
8. Bluebeard's Castle (A Kékszakállú herceg vára), BB 62: Door 7: “Lásd a régi asszonyokat” (von London Philharmonic Orchestra, Sir Georg Solti)

Stravinsky: Oedipus Rex

1. Oedipus Rex: Prologue: “Ladies and Gentlemen” (Speaker)
2. Oedipus Rex: Act I. “Caedit nos pestis” (Chorus)
3. Oedipus Rex: Act I. “Liberi, vos liberabo” (Oedipus)
4. Oedipus Rex: Act I. “Creon, the brother-in-law of Oedipus” (Speaker)
5. Oedipus Rex: Act I. “Respondit deus” (Creon)
6. Oedipus Rex: Act I. “Non reperias vetus scelus” (Oedipus)
7. Oedipus Rex: Act I. “Oedipus questions Tiresias” (Speaker)
8. Oedipus Rex: Act I. “Delie, expectamus, Minerva, filia Iovis” (Chorus)
9. Oedipus Rex: Act I. “Dicere non possum, dicere non licet” (Tiresias)
10. Oedipus Rex: Act I. “Invidia fortunam odit” (Oedipus)
11. Oedipus Rex: Act I. “Gloria, gloria, gloria!” (Chorus)
12. Oedipus Rex: Act II. “The dispute of the princes summons Jocasta” (Speaker)
13. Oedipus Rex: Act II. “Gloria, gloria, gloria!” (Chorus)
14. Oedipus Rex: Act II. “Nonn’ erubescite, reges” (Jocasta)
15. Oedipus Rex: Act II. “Trivium, trivium, trivium!… Pavesco subito, Jocasta” (Chorus, Oedipus)
16. Oedipus Rex: Act II. “A messenger announces” (Speaker)
17. Oedipus Rex: Act II. “Adest omniscius pastor” (Chorus)
18. Oedipus Rex: Act II. “In monte reppertus est” (Shepherd, Messenger)
19. Oedipus Rex: Act II. “And now you will hear the messenger” (Speaker)
20. Oedipus Rex: Act II. “Divum Jocastae caput mortuum!” (Messenger)
21. Oedipus Rex: Act II. “Ecce! Regem Oedipoda” (Chorus)

Walton: Coronation Te Deum / Belshazzar's Feast

1. Coronation Te Deum
2. Belshazzar's Feast: Thus spake Isaiah
3. Belshazzar's Feast: If I forget thee
4. Belshazzar's Feast: Babylon was a great city
5. Belshazzar's Feast: In Babylon Belshazzar the King
6. Belshazzar's Feast: Praise ye the god of gold
7. Belshazzar's Feast: Thus in Babylon, the mighty city
8. Belshazzar's Feast: And in that same hour
9. Belshazzar's Feast: Then sing aloud to God our strength
10. Belshazzar's Feast: The trumpeters and pipers
11. Belshazzar's Feast: Then sing aloud to God our strength

1. Egmont Overture
2. Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks),
3. Don Juan, tone poem for orchestra, Op. 20 (TrV 156)
4. Overture: Ruslan and Ludmilla, G. xivov
5. Polovtsian Dances

1. Walkürenritt (Die Walküre)
2. Einzug der Götter in Walhall (Das Rheingold)
3. Wotans Abschied und Feuerzauber (Die Walküre)
4. Waldweben (Siegfried)
5. Trauermarsch (Götterdämmerung)
6. Schluss-Szene (Götterdämmerung)

1. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Introduction
2. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Les augures printaniers - Danses de
3. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Jeu du rapt (Ritual of Abduction)
4. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Rondes printanières (Spring Rounds)
5. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Jeux des cités rivales (Ritual of t
6. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Cortège du sage - Le sage (Processi
7. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 1st Part: L'Adoration de la terre (The Adoration of the Earth). Danse de la terre (Dance of the Ear
8. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Introduction
9. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Cercles mystérieux des adolescentes (Mystic Circles of the
10. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Glorification de l'élue (Glorification of the Chosen One)
11. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Évocation des ancêtres (Evocation of the Ancestors)
12. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Actions rituelles des ancêtres (Ritual Action of the Ancest
13. Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: 2nd Part: Le Sacrifice (The Sacrifice). Danse sacrale: l'élue (Sacrificial Dance: the Chosen One)
14. Symphony in Three Movements: 1. Quarter note = 160
15. Symphony in Three Movements: 2. Andante - Interlude: I'istesso tempo
16. Symphony in Three Movements: 3. Con moto
17. Symphony of Psalms, for chorus & orchestra: 1. Quarter note = 92
18. Symphony of Psalms, for chorus & orchestra: 2. Quarter note = 60
19. Symphony of Psalms, for chorus & orchestra: 3. Quarter note = 48 - half note = 80

1. Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) ("The Enchanted Stags"), Sz. 94, BB 100: 1. Molto moderato (Volt egy öreg apó)
2. Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) ("The Enchanted Stags"), Sz. 94, BB 100: 2. Andante (Hej, de az ö édes apjok)
3. Cantata profana, for tenor, baritone, double chorus & orchestra (or piano) ("The Enchanted Stags"), Sz. 94, BB 100: 3. Moderato (Volt egy öreg apó)
4. Serenade for small orchestra, Op 03: 1. Allegretto, quasi andantino
5. Serenade for small orchestra, Op 03: 2. Lebhaft, sehr rhythmisch
6. Serenade for small orchestra, Op 03: 3. Andantino
7. Serenade for small orchestra, Op 03: 4. Allegro molto
8. Psalmus Hungaricus, oratorio for tenor, chorus, children's chorus ad lib, orchestra & organ, Op. 13: Andante molto appassionato (Mikoron Dávid nagy búsultában)
9. Psalmus Hungaricus, oratorio for tenor, chorus, children's chorus ad lib, orchestra & organ, Op. 13: Keserüségem annyi nem volna
10. Psalmus Hungaricus, oratorio for tenor, chorus, children's chorus ad lib, orchestra & organ, Op. 13: Adagio (Te azért lelkem, gondolatodat)

1. Symphony No. 5 in C sharp minor- Part 1. 1. Trauermarsch- In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leid
2. Symphony No. 5 in C sharp minor- Part 1. 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo 1 subito
3. Symphony No. 5 in C sharp minor- Part 2. 3. Scherzo- Kräftig, nicht zu schnell
4. Symphony No. 5 in C sharp minor- Part 3. 4. Adagietto- Sehr langsam
5. Symphony No. 5 in C sharp minor- Part 3. 5. Rondo - Finale- Allegro

1. Carmen: Overture (Prelude) (von London Philharmonic Orchestra, Sir Georg Solti)
2. Symphony No. 40 in G Minor, K. 550: I. Molto allegro (von Chamber Orchestra of Europe, Sir Georg Solti)
3. Symphony no. 4 in A, op. 90 “Italian”: I. Allegro vivace (von Chicago Symphony Orchestra, Sir Georg Solti)
4. Das Rheingold: “Entry of the Gods Into Valhalla” (von Wiener Philharmoniker, Sir Georg Solti)
5. La Damnation de Faust, op. 24: Marche Hongroise (von Chicago Symphony Orchestra, Sir Georg Solti)
6. “Pomp and Circumstance Marches”, op. 39: March no. 1 in D (von London Philharmonic Orchestra, Sir Georg Solti)
7. Prince Igor: Polovtsian Dances and Chorus
8. Ouverture Solennelle “1812”, op. 49 (von Chicago Symphony Orchestra, Sir Georg Solti)