A Well-Furnished House, Volume 14 "An Organist Takes a Break" - More Rags
Pipe Organs of Adelaide, Volume 5
- Prelude and Fugue in D minor, op. 66: Prelude
- Prelude and Fugue in D minor, op. 66: Fugue
- Sonate no. 1 "Pontificale": I. (Allegro moderato)
- Sonate no. 1 "Pontificale": II. (Adagio)
- Sonate no. 1 "Pontificale": III. Marche Pontificale (Maestoso)
- Sonate no. 1 "Pontificale": IV. Fugue (Fanfare)
- Andante in A major
- Variation on an Original Theme, op. 47: Introduction
- Variation on an Original Theme, op. 47: Theme
- Variation on an Original Theme, op. 47: Variation I
- Variation on an Original Theme, op. 47: Variation II
- Variation on an Original Theme, op. 47: Variation III
- Variation on an Original Theme, op. 47: Variation IV
- Variation on an Original Theme, op. 47: Variation V and Coda
- Second Sonata in D major, op. 50: Allegro moderato
- Second Sonata in D major, op. 50: Larghetto
- Second Sonata in D major, op. 50: Allegro vivace
- Prelude in G major
- Offertoire no. 4 in G major
- Bach's Memento: I. Pastorale
- Bach's Memento: IV. Marche du Veilleur de Nuit
- Fantasia and Fugue in C minor, BWV 537: Fantasia
- Fantasia and Fugue in C minor, BWV 537: Fugue
Pipe Organs of Adelaide, Volume 7
- Four Preludes: Prelude in F
- Four Preludes: Prelude in F
- Four Preludes: Prelude in C
- Four Preludes: Prelude in C major
- Trio in C major
- Little Prelude and Fugue in F major no. 4, BWV 556
- Trio in C minor, BWV 585
- Fugue in B-flat major, on Bach
- Trio in G minor, op. 11 no. 2
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: I.
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: II.
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: III.
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: IV.
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: V.
- Studies for the Pedal-Piano. Six Pieces in Canonic Form: VI.
- Allegretto, op. 1
- Sonata no. 2 in E minor: Prelude (E minor)
- Sonata no. 2 in E minor: Cantabile (G major)
- Sonata no. 2 in E minor: Fugue (E minor)
- Prélude, op. 16 no. 1
- Intermezzo, op. 16 no. 4
- Three Pieces: Andante moderato in C minor
- Three Pieces: Adagio in E major
- Three Pieces: Allegro con spirito in B-flat major
Pipe Organs of Adelaide, Volume 9
- Suite on the Fourth Tone: Plein Jeu
- Suite on the Fourth Tone: Cromhorne En Taille
- Suite on the Fourth Tone: Duo
- Suite on the Fourth Tone: Basse de Cromhorne
- Suite on the Fourth Tone: Trio
- Suite on the Fourth Tone: Dialogue
- Suite on the Fourth Tone: Petit Plein Jeu
- 24 Pieces in Free Style, op. 31 no. 5: Prélude
- 24 Pieces in Free Style, op. 31 no. 14: Scherzetto
- 24 Pieces in Free Style, op. 31 no. 19: Berceuse
- 24 Pieces in Free Style, op. 31 no. 11: Divertissement
- 24 Pieces in Free Style, op. 31 no. 22: Élégie
- Suite on the Second Tone: Prélude
- Suite on the Second Tone: Tierce En Taille
- Suite on the Second Tone: Duo
- Suite on the Second Tone: Basse de Trompette
- Suite on the Second Tone: Trio de Flûtes
- Suite on the Second Tone: Dialogue
- Suite on the Second Tone: Petit Plein Jeu
- Ricercar in 3 Voices, From the Musical Offering, BWV 1079
- Three Pieces for Flute-Clock: no. 13
- Three Pieces for Flute-Clock: no. 14
- Three Pieces for Flute-Clock: no. 15
- 12 Miscellanies, op. 174 no. 9: Ricercare
- 12 Miscellanies, op. 174 no. 7: Solemn Festival
- 12 Miscellanies, op. 174 no. 6: Improvisation
- 12 Miscellanies, op. 174 no. 12: Finale
- Three Pieces for Flute Clock: no. 21
- Three Pieces for Flute Clock: no. 23
- Three Pieces for Flute Clock: no. 28
- Ricercar in 6 Voices, From the Musical Offering, BWV 1079
