John M. Bowers Songtexte
Songtexte
- Hamlet — English Literature Goes Global
- Aristotle's Poetics — How We Tell Stories
- Beowulf — The Fortunate Survivor
- Postcolonialism — The Empire Writes Back
- Voice of an Age — Voltaire's Candide
- The Bible as Literature
- Faulkner and the Great American Novel
- Melville's Moby-Dick and Global Literature
- Dante and the Canon of Christian Literature
- East Meets West in War and Peace
- The Bible and the Literary Canon
- Nationalism and Culture in Goethe's Faust
- St. Augustine Saves the Classics
- Mrs. Dalloway and Post-War England
- Love Interest — Ovid's Metamorphoses
- The Rebel as Hero — Milton's Paradise Lost
- Boccaccio — Ancient Masters, Modern Rivals
- "Man for All Seasons" — More and His Utopia
- T.S. Eliot's Divine Comedy
- The Context of Athenian Tragedy
- Socrates and Plato — Writing and Reality
- Cervantes's Don Quixote and the Novel
- Joyce's Ulysses and the Avant-Garde
- All Literature Is Consolation — Boethius
- Cult Classic — The Charterhouse of Parma
- The Epic of Gilgamesh — Western Literature?
- King Arthur, Politics, and Sir Gawain
- Brave New Worlds — Shakespeare's the Tempest
- Chaucer — The Father of English Literature
- The Magic Mountain and Modern Institutions
- Herodotus Versus Thucydides
- Tolkien's the Lord of the Rings — Literature?
- Pride and Prejudice — Women in the Canon
- Homer's Odyssey and the Seafaring Hero
- Virgil's Aeneid and the Epic of Empire
- Willa Cather and Mosaics of Identity