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Charles Ives Songtexte
A Christmas Carol Central Park in the Dark Slow March Like a Sick Eagle Memories

Geboren am 20. Oktober 1874, Gestorben am 19. Mai 1954

The Complete Songs of Charles Ives, Volume 2

Songtexte von Charles Ives - The Complete Songs of Charles Ives, Volume 2

  1. I Travelled Among Unknown Men, S. 270 (von William Sharp, Steven Blier)
  2. Allegro, S. 208 (von Paul Sperry, Irma Vallecillo)
  3. Feldeinsamkeit, S. 250 (von Mary Ann Hart, Dennis Helmrich)
  4. Harpalus, S. 261 (von Dora Ohrenstein, Phillip Bush)
  5. The Light That Is Felt, S. 287 (von William Sharp, Steven Blier)
  6. Du alte Mutter, S. 239 (von Paul Sperry, Irma Vallecillo)
  7. God Bless and Keep Thee, S. 256 (von Mary Ann Hart, Dennis Helmrich)
  8. Du alte Mutter, S. 239 (von William Sharp, Steven Blier)
  9. Slugging a Vampire, S. 350 (von Mary Ann Hart, Dennis Helmrich)
  10. Tarrant Moss, S. 367 (von William Sharp, Steven Blier)
  11. Kären, S. 285 (von Paul Sperry, Irma Vallecillo)
  12. Dreams, S. 238 (von Dora Ohrenstein, Phillip Bush)
  13. The World's Highway, S. 397 (von Paul Sperry, Irma Vallecillo)
  14. Because of You, S. 218 (von Paul Sperry, Irma Vallecillo)
  15. Romanzo di Central Park, S. 336 (von Dora Ohrenstein, Phillip Bush)
  16. Because Thou Art, S. 219 (von Mary Ann Hart, Dennis Helmrich)
  17. I Knew and Loved a Maid, S. 269 (von William Sharp, Steven Blier)
  18. Her Gown Was Vermilion Silk, S. 264 (von Paul Sperry, Irma Vallecillo)
  19. Flag Song, S. 251 (von Paul Sperry, Irma Vallecillo)
  20. Spring Song, S. 363 (von Dora Ohrenstein, Phillip Bush)
  21. Ich grolle nicht, S. 271 (von Mary Ann Hart, Dennis Helmrich)
  22. Widmung, S. 393 (von Dora Ohrenstein, Phillip Bush)
  23. We Melodien, S. 394 (von Mary Ann Hart, Dennis Helmrich)
  24. There Is a Lane, S. 370 (von Paul Sperry, Irma Vallecillo)
  25. Élégie, S. 242 (von William Sharp, Steven Blier)
  26. Evidence, S. 245 (von Mary Ann Hart, Dennis Helmrich)
  27. Berceuse, S. 220 (von Dora Ohrenstein, Phillip Bush)
  28. Rough Wind, S. 339 (von Paul Sperry, Irma Vallecillo)
  29. South Wind, S. 362 (von Mary Ann Hart, Dennis Helmrich)
  30. No More, S. 312 (von Dora Ohrenstein, Phillip Bush)
  31. On Judge's Walk, S. 318 (von Mary Ann Hart, Dennis Helmrich)
  32. A Night Thought, S. 311 (von Paul Sperry, Irma Vallecillo)
  33. Song of the Dead, S. 357 (von William Sharp, Steven Blier)
  34. Where the Eagle, S. 390 (von Dora Ohrenstein, Phillip Bush)
  35. Tolerance, S. 377 (von Paul Sperry, Irma Vallecillo)
  36. The Love Song of Har Dyal, S. 292 (von Dora Ohrenstein, Phillip Bush)
  37. Omens and Oracles, S. 317 (von Mary Ann Hart, Dennis Helmrich)
  38. Those Evening Bells, S. 374 (von Paul Sperry, Irma Vallecillo)
  39. Frühlingslied, S. 254 (von William Sharp, Steven Blier)

The Complete Songs of Charles Ives, Volume 3

Songtexte von Charles Ives - The Complete Songs of Charles Ives, Volume 3

  1. He Is There!, S. 262
  2. Weil' auf mir, S. 387 (von Dora Ohrenstein, Phillip Bush)
  3. The Cage, S. 221 (von Paul Sperry, Irma Vallecillo)
  4. My Native Land, S. 304 (von Mary Ann Hart, Dennis Helmrich)
  5. The Childrens' Hour, S. 227 (von Mary Ann Hart, Dennis Helmrich)
  6. Old Home Day, S. 315
  7. Soliloquy, S. 352 (von Dora Ohrenstein, Phillip Bush)
  8. Ilmenau, S. 272 (von Mary Ann Hart, Dennis Helmrich)
  9. The See'r, S. 344 (von Paul Sperry, Irma Vallecillo)
  10. Autumn, S. 217 (von William Sharp, Steven Blier)
  11. Pictures, S. 327 (von Dora Ohrenstein, Phillip Bush)
  12. Walt Whitman, S. 384 (von Paul Sperry, Irma Vallecillo)
  13. Mists, S. 301 (von Dora Ohrenstein, Phillip Bush)
  14. Walking, S. 383 (von Mary Ann Hart, Dennis Helmrich)
  15. A Farewell to Land, S. 248 (von Dora Ohrenstein, Phillip Bush)
  16. Luck and Work, S. 293 (von William Sharp, Steven Blier)
  17. Camp Meeting, S. 222 (von Mary Ann Hart, Gerard Hecht, Dennis Helmrich)
  18. Charlie Rutlage, S. 226 (von Paul Sperry, Irma Vallecillo)
  19. His Exaltation, S. 265 (von William Sharp, Steven Blier)
  20. Watchman!, S. 386 (von Mary Ann Hart, Dennis Helmrich)
  21. Vote for Names, S. 381 (von Paul Sperry, Irma Vallecillo)
  22. From "Lincoln, the Great Commoner", S. 289 (von William Sharp, Steven Blier)
  23. Like a Sick Eagle, S. 288 (von Paul Sperry, Irma Vallecillo)
  24. From "The Swimmers", S. 366 (von Mary Ann Hart, Dennis Helmrich)
  25. At The River, S. 214 (von William Sharp, Steven Blier)
  26. Requiem, S. 333 (von Dora Ohrenstein, Phillip Bush)
  27. Afterglow, S. 207 (von Paul Sperry, Irma Vallecillo)
  28. General William Booth Enters Into Heaven, S. 255 (von William Sharp, Steven Blier)
  29. To Edith, S. 376 (von Dora Ohrenstein, Phillip Bush)
  30. Religion, S. 331 (von Dora Ohrenstein, Phillip Bush)
  31. The New River, S. 308 (von Paul Sperry, Irma Vallecillo)
  32. Down East, S. 236 (von Paul Sperry, Irma Vallecillo)
  33. The Things Our Fathers Loved, S. 372 (von Mary Ann Hart, Dennis Helmrich)
  34. In Flanders Fields, S. 277 (von William Sharp, Steven Blier)
  35. Tom Sails Away, S. 378 (von William Sharp, Steven Blier)
  36. They Are There, S. 371

The Complete Songs of Charles Ives, Volume 4

Songtexte von Charles Ives - The Complete Songs of Charles Ives, Volume 4

  1. The Innate, S. 284 (von William Sharp, Steven Blier)
  2. The Collection, S. 230 (von Dora Ohrenstein, Phillip Bush)
  3. Premonitions, S. 328 (von Paul Sperry, Irma Vallecillo)
  4. Grantchester, S. 258 (von Mary Ann Hart, Dennis Helmrich)
  5. Thoreau, S. 373 (von William Sharp, Steven Blier)
  6. West London, S. 388 (von Dora Ohrenstein, Phillip Bush)
  7. Serenity, S. 347 (von Mary Ann Hart, Dennis Helmrich)
  8. On the Counter, S. 320 (von Paul Sperry, Irma Vallecillo)
  9. Hymn, S. 267 (von Dora Ohrenstein, Phillip Bush)
  10. August, S. 216 (von William Sharp, Steven Blier)
  11. September, S. 346 (von Mary Ann Hart, Dennis Helmrich)
  12. December, S. 234 (von Paul Sperry, Irma Vallecillo)
  13. Cradle Song, S. 233 (von William Sharp, Steven Blier)
  14. From "Paracelsus", S. 324 (von Paul Sperry, Irma Vallecillo)
  15. Disclosure, S. 235 (von Dora Ohrenstein, Phillip Bush)
  16. Maple Leaves, S. 295 (von Mary Ann Hart, Dennis Helmrich)
  17. La fède, S. 249 (von William Sharp, Steven Blier)
  18. The Indians, S. 283 (von Paul Sperry, Irma Vallecillo)
  19. Two Slants, S. 380 No. 1: Duty (von Dora Ohrenstein, Phillip Bush)
  20. Two Slants, S. 380 No. 2: Vita (von Dora Ohrenstein, Phillip Bush)
  21. From the "Incantation", S. 280 (von Mary Ann Hart, Dennis Helmrich)
  22. An Election, S. 313 (von Paul Sperry, Irma Vallecillo)
  23. At Sea, S. 213 (von William Sharp, Steven Blier)
  24. The Last Reader, S. 286 (von Dora Ohrenstein, Phillip Bush)
  25. The Greatest Man, S. 259 (von Paul Sperry, Irma Vallecillo)
  26. The Housatonic at Stockbridge, S. 266 (von Mary Ann Hart, Dennis Helmrich)
  27. Resolution, S. 334 (von Dora Ohrenstein, Phillip Bush)
  28. Two Little Flowers, S. 379 (von William Sharp, Steven Blier)
  29. Evening, S. 244 (von Paul Sperry, Irma Vallecillo)
  30. Immortality, S. 273 (von Mary Ann Hart, Dennis Helmrich)
  31. Yellow Leaves, S. 399 (von Dora Ohrenstein, Phillip Bush)
  32. Ann Street, S. 211 (von William Sharp, Steven Blier)
  33. Peaks, S. 325 (von Dora Ohrenstein, Phillip Bush)
  34. The White Gulls, S. 391 (von William Sharp, Steven Blier)
  35. 1, 2, 3, S. 321 (von Paul Sperry, Irma Vallecillo)
  36. Majority, S. 294 (von Mary Ann Hart, Gerard Hecht, Dennis Helmrich)
  37. Remembrance, S. 332 (von Paul Sperry, Irma Vallecillo)
  38. The One Way, S. 322 (von Dora Ohrenstein, Phillip Bush)
  39. The Rainbow (So May It Be!), S. 330 (von William Sharp, Steven Blier)
  40. The Side Show, S. 348 (von Paul Sperry, Irma Vallecillo)
  41. A Sea Dirge, S. 342 (von Dora Ohrenstein, Phillip Bush)
  42. In the Mornin', S. 441 (von Mary Ann Hart, Dennis Helmrich)

Mehr Songtexte

  1. Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
  2. Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
  3. Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
  4. Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
  5. Three Quarter-Tone Pieces for Two Pianos: I. Largo
  6. Three Quarter-Tone Pieces for Two Pianos: II. Allegro
  7. Three Quarter-Tone Pieces for Two Pianos: III. Choral
  8. Symphony No. 2: I. Andante moderato
  9. Symphony No. 2: II. Allegro
  10. Symphony No. 2: III. Adagio cantablile
  11. Symphony No. 2: IV. Lento maestoso
  12. Symphony No. 2: V. Allegro molto vivace
  13. The Gong on the Hook and Ladder or Fireman's Parade on Main Street
  14. Tone Roads No. 1
  15. Hymn: Largo Cantabile
  16. Hallowe'en
  17. Central Park in the Dark
  18. The Unanswered Question
  19. Varied Air and Variations
  20. Waltz-Rondo
  21. Invention in D
  22. Allegro
  23. Study No. 2
  24. Piano Cadenza From Scherzo: Over the Pavements
  25. Andante
  26. Impression of the 'St. Gardens' In Boston Common
  27. The Celestial Railroad
  28. Minuetto, Op.4
  29. Allegro Moderato
  30. Moderato Con Anima
  31. I. Largo
  32. II. Allegro
  33. III. Chorale
  34. Fourth Fugue
  35. March No. 1 for Piano, With 'Yeah of the Jubilee'
  36. March No. 2 for Piano, With Son of a Gambler'
  37. March No. 3 for Piano, With 'Omega Lambda Chi'
  38. March in G and C for Piano, With 'See the Conquering Hero Comes'
  39. March for Piano: 'the Circus Band'
  40. March No. 5 for Piano, With 'Annie Lisle'
  41. March No. 6 for Piano, With 'Here's to Good Old Yale'
  42. From the Steeples and the Mountains, S. 65
  43. The Things Our Fathers Loved, S. 372
  44. The Pond (Remembrance), S. 40
  45. Memories, S. 297
  46. Charlie Rutlage, S. 14iii
  47. The Circus Band, S. 33 No. 3
  48. Three Places in New England, S. 7: The "St. Gaudens" in Boston Common
  49. Three Places in New England, S. 7: Putnam's Camp, Redding, Connecticut
  50. Three Places in New England, S. 7: The Housatonic at Stockbridge
  51. In Flanders Fields, S. 277 (arr. David Del Tredici)
  52. They Are There! (A War Song March), S. 188
  53. Tom Sails Away, S. 378
  54. Symphony No. 4, S. 4: III. Fugue
  55. Psalm 100, S. 153
  56. Serenity, S. 177 (arr. John Adams)
  57. General William Booth Enters Into Heaven, S. 181
  58. The Unanswered Question (I & II), S. 50
  59. Robert Browning Overture, S. 27
  60. Symphony No. 2, S. 2: I. Andante moderato
  61. Symphony No. 2, S. 2: II. Allegro
  62. Symphony No. 2, S. 2: III. Adagio cantabile
  63. Symphony No. 2, S. 2: IV. Lento maestoso
  64. Symphony No. 2, S. 2: V. Allegro molto vivace
  65. Tom Sails Away
  66. Ann Street
  67. Thoreau
  68. Maple Leaves
  69. The Cage
  70. «1, 2, 3.»
  71. Evening
  72. Serenity - A unison chant
  73. The New River
  74. The White Gulls
  75. Slugging a Vampire
  76. West London - A sonnet
  77. Fron the «Incantation»
  78. Charlie Rutlage
  79. Slow March
  80. The Indians
  81. Walt Withman - from 20th Stanza
  82. Afterglow
  83. His Exaltation
  84. At the River
  85. In the Mornin'
  86. The Camp Meeting
  87. The Circus Band
  88. From Paracelsus
  89. Premonitions
  90. On the Counter
  91. A sea Dirge
  92. Like a Sick Eagle
  93. Soliloquy - or a Study in 7th and Other Things
  94. Memories
  95. The One Way
  96. Remembrance
  97. A farewell to Land
  98. Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
  99. Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
  100. Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
  101. Second String Quartet, Op. 19: I. Discussions
  102. Second String Quartet, Op. 19: II. Arguements
  103. Second String Quartet, Op. 19: III. The Call of the Mountains
  104. Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
  105. Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
  106. Hallowe'en, Op. 11
  107. Intermezzo
  108. In re con moto et al., Op. 20
  109. A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
  110. A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
  111. A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
  112. A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
  113. The Unanswered Question, S. 50
  114. Central Park in the Dark, S. 34
  115. Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
  116. There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  117. In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  118. Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  119. A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
  120. Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  121. Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  122. Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  123. At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  124. Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
  125. When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  126. Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  127. An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
  128. Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  129. Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  130. My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
  131. World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  132. Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  133. Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
  134. Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  135. Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  136. A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  137. A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  138. In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
  139. My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  140. William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
  141. From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  142. Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  143. Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  144. Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  145. Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
  146. Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  147. Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  148. Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
  149. Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  150. Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)
  151. The Things Our Fathers Loved, S. 372 (mezzo-soprano: Susan Graham)
  152. The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Susan Graham)
  153. Swimmers, S. 366 (mezzo-soprano: Susan Graham)
  154. Memories, S. 297 (mezzo-soprano: Susan Graham)
  155. Ann Street, S. 211 (mezzo-soprano: Susan Graham)
  156. Serenity, S. 347 (mezzo-soprano: Susan Graham)
  157. 1, 2, 3, S. 321 (mezzo-soprano: Susan Graham)
  158. Songs My Mother Taught Me, S. 361 (mezzo-soprano: Susan Graham)
  159. The Circus Band, S. 229 (mezzo-soprano: Susan Graham)
  160. The Cage, S. 221 (mezzo-soprano: Susan Graham)
  161. The Indians, S. 283 (mezzo-soprano: Susan Graham)
  162. Like a Sick Eagle, S. 288 (mezzo-soprano: Susan Graham)
  163. Remembrance, S. 332 (mezzo-soprano: Susan Graham)
  164. September, S. 346 (mezzo-soprano: Susan Graham)
  165. Soliloquy, S. 352 (mezzo-soprano: Susan Graham)
  166. A Farewell to Land, S. 248 (mezzo-soprano: Susan Graham)
  167. Thoreau, S. 373 (mezzo-soprano: Susan Graham)
  168. Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
  169. Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
  170. Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
  171. Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
  172. Piano Sonata No. 2 'Concord, Mass., 1840-1860': I. Emerson (Slowly - Slowly and Quietly)
  173. II. Hawthorne (Very Fast)
  174. III. The Alcotts
  175. IV. Thoreau (Starting Slowly and Quietly)
  176. Three Places in New England: I. The 'Saint-Gaudens' in Boston Common
  177. II. Putnam's Camp, Redding, Connecticut
  178. III. The Housatonic at Stockbridge
  179. Piano Sonata No.2 - Emerson
  180. Piano Sonata No.2 - Hawthorne
  181. Piano Sonata No.2 - The Alcotts
  182. Piano Sonata No.2 - Thoreau
  183. Study No.21, some South-Paw Pitching!
  184. March in G and D 'Here's To Good Old Yale'
  185. Study No 20, Even durations - unevenly divided
  186. Study No 21, some South-Paw Pitching!
  187. Study No 22
  188. Varied Air and Variations - Study # 2 for Ears and Mental
  189. Three-Page Sonata
  190. Study No 9, the Anti-Abolitionist Riots in the 1830's and 1840's
  191. Three Quarter-tone Pieces for Two Pianos
  192. Symphony No. 1: I. Allegro
  193. Symphony No. 1: II. Adagio molto (sostenuto)
  194. Symphony No. 1: III. Scherzo: Vivace
  195. Symphony No. 1: IV. Allegro molto
  196. Symphony No. 4: I. Prelude: Maestoso
  197. Symphony No. 4: II. Allegretto
  198. Symphony No. 4: II. Fugue: Andante moderato
  199. Symphony No. 4: IV. Largo maestoso
  200. Orchestral Set No. 2: I. An Elegy to Our Forefathers
  201. Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
  202. Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose
  203. Symphony No.2-1 Andante moderato
  204. Symphony No.2-2 Allegro
  205. Symphony No.2-3 Adagio cantabile
  206. Symphony No.2-4 Lento maestoso
  207. Symphony No.2-5 Allegro molto vivace
  208. Symphony No.3-1 Old folks gatherin'
  209. Symphony No.3-2 Childrens day
  210. Symphony No.3-3 Communion
  211. Three places in New England-1 The "St Gaudens" in Boston Common
  212. Three places in New England-2 Putnam's Camp, Redding, Connecticut
  213. Three places in New England-3 The Housatonic at Stockbridge
  214. Symphony No. 1 in D minor: I. Allegro
  215. Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
  216. Symphony No. 1 in D minor: III. Scherzo. Vivace
  217. Symphony No. 1 in D minor: IV. Allegro molto
  218. Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
  219. Three Places in New England: II. Putnam's Camp, Redding, Connecticut
  220. Three Places in New England: III. 'The Housatonic at Stockbridge
  221. Robert Browning Overture
  222. Emerson Concerto: I.
  223. Emerson Concerto: II.
  224. Emerson Concerto: III.
  225. Emerson Concerto: IV.
  226. Symphony No. 1: I. Allegro con moto
  227. Symphony No. 1: II. Adagio molto
  228. Symphony No. 1: III. Scherzo
  229. The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
  230. The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  231. Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  232. Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  233. Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
  234. West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  235. Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  236. On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  237. Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  238. August, S. 216 (baritone: William Sharp, piano: Steven Blier)
  239. September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  240. December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  241. Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
  242. From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  243. Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  244. Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  245. La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
  246. The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  247. Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
  248. Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
  249. From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  250. An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  251. At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
  252. The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  253. The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  254. The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  255. Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  256. Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
  257. Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  258. Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  259. Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  260. Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
  261. Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  262. The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
  263. 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  264. Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
  265. Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  266. The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  267. The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
  268. The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  269. A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  270. In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  271. Three Places in New England - 1. The Saint-Gaudens in Boston Common
  272. Three Places in New England - 2. Putnams' Camp, Redding, Connecticut
  273. Three Places in New England - 3. The Housatonic at Stockbridge
  274. A Set of Pieces - 1. In the Cage
  275. A Set of Pieces - 2. In the Inn
  276. A Set of Pieces - 3. In the Night
  277. Symphony No.3 - I. Old Folks Gatherin'
  278. Symphony No.3 - II. Children's Day
  279. Symphony No.3 - III. Communion
  280. Set No.1 - 1. The Seer
  281. Set No.1 - 2. A Lecture (Tolerance)
  282. Set No.1 - 3. The Ruined River (The New River)
  283. Set No.1 - 4. Like a Sick Eagle
  284. Set No.1 - 5. Calcium Light Night
  285. Set No.1 - 6. Allegretto Sombreoso
  286. I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
  287. Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  288. Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  289. Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  290. The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
  291. Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  292. God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  293. Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
  294. Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  295. Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
  296. Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  297. Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  298. The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  299. Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  300. Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  301. Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  302. I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
  303. Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  304. Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  305. Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  306. Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  307. Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  308. We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  309. There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  310. Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
  311. Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  312. Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  313. Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  314. South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  315. No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  316. On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  317. A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  318. Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
  319. Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  320. Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  321. The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  322. Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  323. Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  324. Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)
  325. Symphony No. 2: I - Andante Moderato, II - Allegro
  326. Symphony No. 2: III - Adagio Cantabile
  327. Symphony No. 2: IV - Lento Maestoso, V - Allegro Molto Vivace
  328. Symphony No. 3: I - Old Folks Gatherin': Andante Maestoso
  329. Symphony No. 3: II - Children's Day: Allegro
  330. Symphony No. 3: III - Communion: Largo
  331. Violin Sonata 1 - 1. Andante
  332. Violin Sonata 1 - 2. Largo Cantabile
  333. Violin Sonata 1 - 3. Allegro
  334. Violin Sonata 2 - 1. Autumn
  335. Violin Sonata 2 - 2. In the Barn
  336. Violin Sonata 2 - 3. The Revival
  337. Violin Sonata 3 - 1. Adagio-Andante-Allegretto-Adagio
  338. Violin Sonata 3 - 2. Allegro
  339. Violin Sonata 3 - 3. Adagio Cantabile
  340. Violin Sonata 4 - 1. Allegro
  341. Violin Sonata 3 - 2. Largo
  342. Violin Sonata 3 - 3. Allegro
  343. The Housatonic at Stockbridge
  344. Soliloquy, or a Study in 7ths and Other Things
  345. On the Antipodes
  346. The Gong on the Hook and Ladder
  347. In Re Con Moto et al, Op. 20
  348. Sunrise
  349. Aeschylus and Sophocles
  350. Five Take-offs: The Seen and Unseen? (Sweet and Tough)
  351. Five Take-offs: Rough and Ready et al and / or The Jumping Frog
  352. Five Take-offs: Song Without (Good) Words
  353. Five Take-offs: Scene Episode
  354. Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
  355. Three Quarter-Tone Pieces: Largo
  356. Three Quarter-Tone Pieces: Allegro
  357. Three Quarter-Tone Pieces: Chorale
  358. He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
  359. Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  360. The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  361. My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  362. The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  363. Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
  364. Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  365. Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  366. The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  367. Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
  368. Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  369. Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  370. Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  371. Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  372. A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  373. Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
  374. Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
  375. Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  376. His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
  377. Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  378. Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  379. From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
  380. Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  381. From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  382. At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
  383. Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  384. Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  385. General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
  386. To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  387. Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
  388. The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  389. Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
  390. The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
  391. In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
  392. Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
  393. They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)
  394. Song Without (Good) Words
  395. Study No. 9" Anti-Abolitionists Riots'
  396. Study No. 22" 22'
  397. Study No. 20
  398. Study No. 18
  399. Study No. 15
  400. Study No. 8
  401. Study No. 7
  402. Study No. 6
  403. Study No. 5
  404. Rough and Ready
  405. Scene Episode
  406. Symphony No. 3 "The Camp Meeting", S. 3: I. Old Folks Gatherin'
  407. Symphony No. 3 "The Camp Meeting", S. 3: II. Children's Day
  408. Symphony No. 3 "The Camp Meeting", S. 3: III. Communion
  409. Holidays symphony: Decoration Day
  410. Symphony No. 3: I. Old Folks Gatherin'
  411. Symphony No. 3: II. Children's Day
  412. Symphony No. 3: III. Communion
  413. They Are There!, S. 371 (arr. John Geist)
  414. Scherzo: Holding Your Own
  415. Variations on "America" (arr. Schuman)
  416. Symphony No. 3 "The Camp Meeting": II. Children's Day
  417. Violin Sonata 2: I. Autumn
  418. Ich grolle nicht
  419. Violin Sonata 4: II. Largo
  420. Violin Sonata 1: I. Andante
  421. Largo Cantabile: Hymn
  422. Set for Theatre Orchestra: In the Cage
  423. Serenity
  424. The Things Our Fathers Loved
  425. When Stars are in the Quiet Skies
  426. West London
  427. Postlude in F
  428. Three Places in New England: The "Saint-Gaudens" in Boston Common
  429. Fugue in Four Keys on "The Shining Shore"
  430. March III with the air "Old Kentucky Home"
  431. Violin Sonata 4: I. Allegro
  432. '1, 2, 3'
  433. Weil' auf mir
  434. Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
  435. Swimmers
  436. Walking
  437. Feldeinsamkeit
  438. Violin Sonata 4: III. Allegro
  439. Élégie
  440. Symphony No. 3 "The Camp Meeting": III. Communion
  441. Yale-Princeton Football Game
  442. Violin Sonata 3: II. Allegro
  443. Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
  444. Violin Sonata 1: III. Allegro
  445. Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
  446. Yellow Leaves
  447. Violin Sonata 3: III. Adagio Cantabile
  448. Three Places In New England: The Housatonic at Stockbridge
  449. Memories: (A) Very Pleasant; (B) Rather Sad
  450. Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
  451. Du alte Mutter
  452. Berceuse
  453. General William Booth Enters Into Heaven
  454. Tolerance
  455. Three Places in New England: Putnam's Camp, Redding, Connecticut
  456. A Song - For Anything
  457. Set for Theatre Orchestra: In the Night
  458. Set for Theatre Orchestra: In the Inn
  459. The Greatest Man
  460. Calcium Light Night
  461. Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
  462. Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
  463. Where the Eagle
  464. The Side Show
  465. Violin Sonata 1: II. Largo Cantabile
  466. Three Places in New England: I. The "St. Gaudens" in Boston Common
  467. Violin Sonata 2: II. In the Barn
  468. Violin Sonata 2: III. The Revival
  469. "Country Band" March
  470. Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
  471. Piano Sonata No. 1: V. Andante maestoso
  472. Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
  473. Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
  474. Symphony No. 4, S. 4: III. Fugue: Andante moderato
  475. Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
  476. Piano Sonata No. 1: II. Allegro moderato
  477. Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
  478. Symphony No. 4, S. 4: I. Prelude: Maestoso
  479. Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
  480. Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
  481. Piano Sonata No. 1: IV. Allegro
  482. Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
  483. Symphony No. 4, S. 4: II. Comedy: Allegretto
  484. Piano Sonata No. 1: III. Largo; allegro
  485. Symphony No. 4: IV. Very slowly (Largo maestoso)
  486. Symphony No. 4: II. Comedy: Allegretto
  487. Symphony No. 4: III. Fugue: Andante moderato con moto
  488. Symphony No. 1: I. Allegro (con moto)
  489. Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
  490. Symphony No. 3 "The Camp Meeting": III. Communion: Largo
  491. Symphony No. 2: III. Adagio cantabile
  492. General Booth Enters Into Heaven
  493. Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
  494. Symphony No. 2: II. Allegro molto (con spirito)
  495. Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
  496. Four Transcriptions from 'Emerson', No.1
  497. Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
  498. Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
  499. Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
  500. Variations of 'America'
  501. The Unanswered Question: Largo molto sempre
  502. The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein)
  503. Holidays symphony: Decoration Day (Conclusion)
  504. Trio for Violin, Cello and Piano: II. "TSIAJ". Presto
  505. Trio for Violin, Cello and Piano: I. Moderato
  506. Trio for Violin, Cello and Piano: III. Moderato con moto
  507. Scherzo, S. 84 No. 2 "Holding Your Own"
  508. String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
  509. String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
  510. String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
  511. String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
  512. String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
  513. String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
  514. String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso
  515. Three Places in New England "Putnam's Camp / Redding / Connecticut"
  516. The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 2
  517. Second Orchestral Set: II. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 2
  518. The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 1
  519. Orchestral Set No.2, II, "The Rockstrewn Hills Join in the People's Outdoor Meeting"
  520. Second Orchestral Set: I. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 1
  521. Variations on "America"
  522. Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": II. Largo, Allegro, Andante Con Spirito, Adagio Cantabile / Largo Cantabile
  523. Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": I. Allegro / Allegro Molto
  524. Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": III. Allegro / Allegro Molto
  525. A Christmas Carol
  526. 'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2
  527. May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
  528. Sonata No. 2: In the Barn
  529. The Ruined River (1912) - No. 3 of Set No. 1
  530. II - The Rockstrewn Hills Join in the People's Outdoor Meeting
  531. The Indians (1912) - No. 1 of Set No. 2
  532. Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Setno. 1
  533. May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
  534. IVa. (ohne Tempoangabe) - IVb. Allegro - Presto
  535. Sonata No. 4, Children's Day at the Camp Meeting: Allegro
  536. Study No. 21, "Some South-Paw Pitching!"
  537. Hallowe’en
  538. The Rainbow (So May It Be!) (1914)
  539. Waltz: Rondo
  540. May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne'
  541. Over the Pavements (1906-13)
  542. Sunrise (1926)
  543. May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
  544. Psalm 150
  545. On the Antipodes (1915-23)
  546. Varied Air and Variations - Study # 2 for Ears or Aural and Mental Exercise!!!
  547. Mists (1910)
  548. V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante
  549. Piano Sonata No. 2: Thoreau
  550. Sonata No. 2: Autumn
  551. Aeschylus and Sophocles (1922)
  552. All the Way Around and Back (1906)
  553. Psalm 54
  554. The Pond (Remembrance) (1906)
  555. May 11, 1937 - Study No.23 (partial)
  556. Sonata No. 2: Revival
  557. Psalm 14
  558. May 11, 1937 - Study No.2 with false starts
  559. The See'r (1912) - No. 1 of Set Nr. 1
  560. Symphony No. 3 "The Camp Meeting", S. 3: I. "Old Folks Gatherin'", Andante maestoso
  561. IIa. Allegro moderato - Andante
  562. May 11, 1937 - Study No.23 (partial, v2)
  563. III - Communion
  564. Study No. 22 "22"
  565. Psalm 90
  566. From the Steeples and the Mountains (1901)
  567. The Bells of Yale (Battell Chimes or Chapel Chimes) (1897)
  568. No. 3: In the Night
  569. May 11, 1937 - Study No.20 (partial)
  570. Symphony No. 3 "The Camp Meeting", S. 3: III. "Communion", Largo
  571. Study No. 9 "Anti-Abolitionists Riots"
  572. Sonata No. 1: Largo cantabile
  573. May 11, 1937 - Study No.11
  574. Psalm 100
  575. A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1
  576. Sonata No. 3: Allegro
  577. Like a Sick Eagle (1909) - No. 4 of Set No. 1
  578. Psalm 135
  579. June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
  580. A Set of Pieces for Theater or Chamber Orchestra - No. 1: Inthe Cage
  581. Orchestral Set No. 2: I - An Elegy to Our Forefathers
  582. III. Largo - Allegro - Largo
  583. "Central Park in the Dark", Molto Adagio
  584. The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912)
  585. Piano Sonata No. 2: The Alcotts
  586. Sonata No. 1: Allegro
  587. May 11, 1937 - Study No.2 (end)
  588. Piano Sonata No. 2: Emerson
  589. Sonata No. 4, Children's Day at the Camp Meeting: Largo
  590. May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
  591. III - From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
  592. May 11, 1937 - Study No.2 (beg.)
  593. Symphony No. 3 "The Camp Meeting", S. 3: II. "Children's Day", Allegro
  594. II - Children's Day
  595. Psalm 42
  596. Sonata No. 1: Andante - Allegro vivace
  597. IIb. Allegro »In the Inn«
  598. May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
  599. March in G and D, "Here's to Good Old Yale"
  600. Psalm 25
  601. Psalm 24
  602. Psalm 67
  603. No. 2: In the Inn (Potpourri)
  604. Symphony No. 3: I - Old Folks Gatherin'
  605. May 11, 1937 - Three Improvisations, No.1
  606. May 11, 1937 - Three Improvisations, No.3
  607. Sonata No. 3: Adagio (Catabile)
  608. May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
  609. May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
  610. Adagio Sostenuto (At Sea) (1912-17)
  611. Tone Roads No. 1 (1911)
  612. Calcium Light Night (1912) - No. 5 of Set No. 1
  613. I. Adagio con moto - Andante con moto - Allegro risoluto
  614. Sonata No. 3: Allegro - Allegretto - Adagio
  615. Piano Sonata No. 2: Hawthorne
  616. Tone Roads No. 3 (1915)
  617. General W. Booth Enters Into Heaven (1914)
  618. Three Places in New England (Orchestral Set No. 1): II. Putnam's Camp, Redding, Connecticut
  619. Three Places in New England (Orchestral Set No. 1): I. The "St. Gaudens" in Boston Common (Col. Robert Gould Shaw' and his Colored Regiment)
  620. Three Places in New England (Orchestral Set No. 1): III. The Housatonic at Stockbridge
  621. In the Morning
  622. Fugue in C (1998-05-24, conducted by Timothy W. Foley)
  623. Country Band March (1998-01-26, conducted by Leonard Slatkin)
  624. Holidays (Symphony): III. The Fourth of July
  625. Holidays (Symphony): I. Washington's Birthday
  626. Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
  627. Holidays (Symphony): II. Decoration Day
  628. Symphony No. 4: III. Fugue: Andante moderato
  629. Scherzo: Fast - Slow - Fast
  630. Old Home Days: II. The Collection
  631. Old Home Days: III. The Opera House/Old Home Day
  632. Old Home Days: V. London Bridge is Fallen Down
  633. Old Home Days: I. Waltz
  634. Old Home Days: IV. Slow March
  635. Sixty-Seventh Psalm
  636. Three Page Sonata
  637. Decoration Day (Conclusion)
  638. Variations on America
  639. II. Hawthorne
  640. I. Emerson
  641. IV. Thoreau
  642. Variations of "America"
  643. Sunrise for Voice, Violin and Piano
  644. Song (She Is Not Fair)
  645. The All-Enduring
  646. The Fourth of July
  647. Du bist wie eine Blume
  648. Third Sonata for Violin and Piano: Allegro
  649. First Sonata for Violin and Piano: Allegro
  650. Fourth Sonata for Violin and Piano “Children’s Day at the Camp Meeting": Largo
  651. Third Sonata for Violin and Piano: Adagio
  652. Second Sonata for Violin and Piano: Autumn
  653. Second Sonata for Violin and Piano: The Revival
  654. Third Sonata for Violin and Piano: Verse 1 (Adagio) — Verse 2 (Andante) — Verse 3 (Allegretto) — Refrain (Adagio)
  655. Second Sonata for Violin and Piano: In the Barn
  656. First Sonata for Violin and Piano: Andante — Allegro vivace
  657. First Sonata for Violin and Piano: Largo cantabile
  658. Fourth Sonata for Violin and Piano “Children’s Day at the Camp Meeting": Allegro
  659. At Parting, S. 212
  660. Song "She is not fair to outward view", S. 354
  661. An Old Flame, S. 314
  662. A Night Song, S. 310
  663. Scotch Lullaby, S. 341
  664. Ballad from Rosamunde, S. 337
  665. Christmas Carol, S. 228
  666. Circus Band, S. 229
  667. In the Alley, S. 279
  668. Mirage, S. 299
  669. Nature's Way, S. 306
  670. Chanson de Florian, S. 225
  671. There is a Certain Garden, S. 369
  672. Abide with Me, S. 205
  673. When Stars are in the Quiet Skies, S. 389
  674. Qu'il m'irait bien, S. 329
  675. Ein Ton, S. 241
  676. My Native Land, S. 303
  677. Marie, S. 296 No. 1
  678. Rock of Ages, S. 335
  679. Canon "Not only in my lady's eyes", S. 223
  680. Waltz, S. 385
  681. Friendship, S. 253
  682. Through Night and Day, S. 375
  683. World's Wanderers, S. 398
  684. A Perfect Day, S. 326
  685. William Will, S. 396
  686. Slow March, S. 349
  687. Songs My Mother Taught Me, S. 361
  688. In Autumn, S. 276
  689. My Lou Jennine, S. 302
  690. A Song for Anything, S. 355
  691. From "Amphion", S. 210
  692. Far from my Heavenly Home, S. 246
  693. Anthem - Processional
  694. Piano Sonata No. 1: First Movement
  695. Baseball Take-Off
  696. Allegretto (Invention)
  697. Piano Sonata No. 1: Third Movement
  698. Storm And Distress
  699. Piano Sonata No. 1: Second Movement
  700. The Seen And Unseen
  701. Piano Sonata No. 1: Fourth Movement
  702. Bad Resolution And Good
  703. The Celestial Railroad, A Phantasie For Piano Solo
  704. Piano Sonata No. 1: Fifth Movement
  705. Little star of Bethlehem
  706. Hymn: Largo cabtabile
  707. Variations on "America": Variation 2 (Andante)
  708. Variations on "America": Variation 1 (Moderato)
  709. Variations on "America": Interlude, Variation 5 (Finale)
  710. Variations on "America": Variation 4 (Polonaise)
  711. Variations on "America": Introduction and Theme
  712. Variations on "America": Interlude, Variation 3 (Allegro)
  713. Symphony no. 2: I. Allegro moderato
  714. Piano Sonata No. 2 "Concord, Mass., 1840-60": III. The Alcotts
  715. Piano Sonata No. 2 "Concord, Mass., 1840-60": I. Emerson
  716. Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau
  717. Piano Sonata No. 2 "Concord, Mass., 1840-60": II. Hawthorne
  718. 3 Places in New England: I. The "Saint-Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
  719. Symphony no. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
  720. Symphony no. 3 "The Camp Meeting": II. Children's Day. Allegro
  721. 3 Places in New England: III. The Housatonic at Stockbridge
  722. 3 Places in New England: II. Putnam's Camp, Redding, Connecticut
  723. Symphony no. 3 "The Camp Meeting": III. Communion. Largo
  724. Fugue in 4 Keys on "The Shining Shore"
  725. Three Places in New England: I. The Saint-Gaudens in Boston Common (Col. Shaw and His Colored Regiment)
  726. String Quartet No. 2: II. Arguments
  727. String Quartet No. 2: I. Discussions
  728. String Quartet No. 2: III. The Call Of The Mountains
  729. String Quartet No. 2: Scherzo for String Quartet

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